Between the World and Me (13 page)

After I left, I sat in the car, idle for a few minutes. I thought of all that Prince’s mother had invested in him, and all that was lost. I thought of the loneliness that sent him to The Mecca, and how The Mecca, how we, could not save him, how we ultimately cannot save ourselves. I thought back on the sit-ins, the protestors with their stoic faces, the ones I’d once scorned for hurling their bodies at the worst things in life. Perhaps they had known something terrible about the world. Perhaps they so willingly parted with the security and sanctity of the black body because neither security nor sanctity existed in the first place. And all those old photographs from the 1960s, all those films I beheld of black people prostrate before clubs and dogs, were not simply shameful, indeed were not shameful at all—they were just true. We are captured, brother, surrounded by the majoritarian bandits of America. And this has happened here, in our only home, and the terrible truth is that we cannot will ourselves to an escape on our own. Perhaps that was, is, the hope of the movement: to awaken the Dreamers, to rouse them to the facts of what their need to be white, to talk like they are white, to think that they are white, which is to think that they are beyond the design flaws of humanity, has done to the world.

But you cannot arrange your life around them and the small chance of the Dreamers coming into consciousness. Our moment is too brief. Our bodies are too precious. And you are here now, and you must live—and there is so
much out there to live for, not just in someone else’s country, but in your own home. The warmth of dark energies that drew me to The Mecca, that drew out Prince Jones, the warmth of our particular world, is beautiful, no matter how brief and breakable.

I think back to our trip to Homecoming. I think back to the warm blasts rolling over us. We were at the football game. We were sitting in the bleachers with old friends and their children, caring for neither fumbles nor first downs. I remember looking toward the goalposts and watching a pack of alumni cheerleaders so enamored with Howard University that they donned their old colors and took out their old uniforms just a little so they’d fit. I remember them dancing. They’d shake, freeze, shake again, and when the crowd yelled “Do it! Do it! Do it! Dooo it!” a black woman two rows in front of me, in her tightest jeans, stood and shook as though she was not somebody’s momma and the past twenty years had barely been a week. I remember walking down to the tailgate party without you. I could not bring you, but I have no problem telling you what I saw—the entire diaspora around me—hustlers, lawyers, Kappas, busters, doctors, barbers, Deltas, drunkards, geeks, and nerds. The DJ hollered into the mic. The young folks pushed toward him. A young man pulled out a bottle of cognac and twisted the cap. A girl with him smiled, tilted her head back, imbibed, laughed. And I felt myself disappearing into all of their bodies. The birthmark of damnation faded, and I could feel the weight of my arms and
hear the heave in my breath and I was not talking then, because there was no point.

That was a moment, a joyous moment, beyond the Dream—a moment imbued by a power more gorgeous than any voting rights bill. This power, this black power, originates in a view of the American galaxy taken from a dark and essential planet. Black power is the dungeon-side view of Monticello—which is to say, the view taken in struggle. And black power births a kind of understanding that illuminates all the galaxies in their truest colors. Even the Dreamers—lost in their great reverie—feel it, for it is Billie they reach for in sadness, and Mobb Deep is what they holler in boldness, and Isley they hum in love, and Dre they yell in revelry, and Aretha is the last sound they hear before dying. We have made something down here. We have taken the one-drop rules of Dreamers and flipped them. They made us into a race. We made ourselves into a people. Here at The Mecca, under pain of selection, we have made a home. As do black people on summer blocks marked with needles, vials, and hopscotch squares. As do black people dancing it out at rent parties, as do black people at their family reunions where we are regarded like the survivors of catastrophe. As do black people toasting their cognac and German beers, passing their blunts and debating MCs. As do all of us who have voyaged through death, to life upon these shores.

That was the love power that drew Prince Jones. The
power is not divinity but a deep knowledge of how fragile everything—even the Dream, especially the Dream—really is. Sitting in that car I thought of Dr. Jones’s predictions of national doom. I had heard such predictions all my life from Malcolm and all his posthumous followers who hollered that the Dreamers must reap what they sow. I saw the same prediction in the words of Marcus Garvey who promised to return in a whirlwind of vengeful ancestors, an army of Middle Passage undead. No. I left The Mecca knowing that this was all too pat, knowing that should the Dreamers reap what they had sown, we would reap it right with them. Plunder has matured into habit and addiction; the people who could author the mechanized death of our ghettos, the mass rape of private prisons, then engineer their own forgetting, must inevitably plunder much more. This is not a belief in prophecy but in the seductiveness of cheap gasoline.

Once, the Dream’s parameters were caged by technology and by the limits of horsepower and wind. But the Dreamers have improved themselves, and the damming of seas for voltage, the extraction of coal, the transmuting of oil into food, have enabled an expansion in plunder with no known precedent. And this revolution has freed the Dreamers to plunder not just the bodies of humans but the body of the Earth itself. The Earth is not our creation. It has no respect for us. It has no use for us. And its vengeance is not the fire in the cities but the fire in the sky.
Something more fierce than Marcus Garvey is riding on the whirlwind. Something more awful than all our African ancestors is rising with the seas. The two phenomena are known to each other. It was the cotton that passed through our chained hands that inaugurated this age. It is the flight from us that sent them sprawling into the subdivided woods. And the methods of transport through these new subdivisions, across the sprawl, is the automobile, the noose around the neck of the earth, and ultimately, the Dreamers themselves.

I drove away from the house of Mable Jones thinking of all of this. I drove away, as always, thinking of you. I do not believe that we can stop them, Samori, because they must ultimately stop themselves. And still I urge you to struggle. Struggle for the memory of your ancestors. Struggle for wisdom. Struggle for the warmth of The Mecca. Struggle for your grandmother and grandfather, for your name. But do not struggle for the Dreamers. Hope for them. Pray for them, if you are so moved. But do not pin your struggle on their conversion. The Dreamers will have to learn to struggle themselves, to understand that the field for their Dream, the stage where they have painted themselves white, is the deathbed of us all. The Dream is the same habit that endangers the planet, the same habit that sees our bodies stowed away in prisons and ghettos. I saw these ghettos driving back from Dr. Jones’s home. They were the same ghettos I had seen in Chicago all those years
ago, the same ghettos where my mother was raised, where my father was raised. Through the windshield I saw the mark of these ghettos—the abundance of beauty shops, churches, liquor stores, and crumbling housing—and I felt the old fear. Through the windshield I saw the rain coming down in sheets.

For David and Kenyatta
,

who believed

BY TA-NEHISI COATES

Between the World and Me

The Beautiful Struggle

ABOUT THE AUTHOR

T
A
-N
EHISI
C
OATES
is a national correspondent for
The Atlantic
and the author of the memoir
The Beautiful Struggle
. Coates has received the National Magazine Award, the Hillman Prize for Opinion and Analysis Journalism, and the George Polk Award for his
Atlantic
cover story “The Case for Reparations.” He lives in New York with his wife and son.