Beware of the Dog (12 page)

‘Phillip? Oh, yes, I've heard about what happened to him. Tragic. A wonderful man. I once almost … but that's no great distinction.'

‘What d'you mean?'

‘No woman under sixty was safe, darling. He must have been married at least three times and you could multiply that by ten, if you see what I mean.'

‘I'm interested in the wives and children. Particularly Paula. Now, she was the daughter of …'

Roberta sipped her drink and settled back to
thoroughly enjoy herself. Two of her husbands had been industrialists and the other was a banker. Like the man we were speaking about, she had been an active sexual player in the social stakes where information is the basic currency. ‘Nancy Barlow. Bit of a mouse as I recall. Not up to Phillip's standard at all.'

‘Or her daughter's?'

‘Dreadful child. Ran them ragged, positively ragged.' Roberta smiled, showing her fine white teeth. ‘A bit like me when I was young, actually.'

‘I'll come back to her. I want to hear it all. For now, other wives, other kids?'

‘Darling heart, you're asking rather a lot. Let me see. There was Lyndall Crosbie. She was an Abercrombie before she married Alistair Crosbie, the pharmaceuticals man. She had two brats by him but none, I think, by Phillip. Whatever are you doing?'

‘I'm making notes. This is important. What were the names of the children?'

Roberta's high forehead wrinkled as much as she would allow it to. ‘Robert Crosbie and … Nadia.'

‘You're amazing. Go on.'

‘Phillip was married to Selina Livermore about the same time as to Nancy. A bit after, I think. Scandalously soon. I think there might have been a suggestion of bigamy, actually.'

‘Children?'

‘You haven't touched your beer. This
must
be exciting, though I can't quite see how. Now, there was Clara, no Karen. Awful name. Sounds like someone who might work in a nightclub selling cigarettes, don't you think?'

Roberta crossed her long slim legs, which were
still good enough to sell cigarettes as she very well knew. She plucked the piece of lemon from her glass and sucked on it. ‘Cliff, why are you looking at me like that? I can't help it if all these people were playing musical chairs and swapping children backwards and forwards.'

‘More on Karen's mum, Selina,' I said quietly. Roberta had pronounced the name Kah-ren which I couldn't bring myself to do. ‘Any previous or subsequent issue?'

‘I
love
legal language. It's made me so much money over the years. Yes, I'm sure there was. A girl again, by Livermore, the husband before Phillip. Poor Phillip always seemed to have females around him, like a pasha.'

‘Her name, Roberta, if you please.'

Roberta sighed and looked around the room for inspiration. Nothing she saw helped and she moved her head to look out the window at the water far below. The harbour was dark under the sullen sky. Roberta's finely plucked brows drew in and a minute line appeared between them. Then she laughed and clicked her fingers. ‘Verity,' she said. ‘That's it, Verity. I believe Verity and Karen hyphenated themselves for a time—Livermore-Wilberforce, if you please. Verity married that dreadful Patrick Lamberte.'

‘Paula Wilberforce is a step-sister to Verity Lamberte and Karen Livermore?'

‘Yes. I believe Patrick's lost all his money.'

I stared at her. ‘Paula Wilberforce, Verity and Karen Livermore-Wilberforce,' I said. ‘Nadia and Robert Crosbie. Jesus, this is complicated.'

‘Are you looking for a wife, Cliff? I can find you one ever so much more suitable than any of them.'

I picked up the beer and drank it in a couple of long swallows. I'd been probing for something about Paula—some incident or association that might explain why she acted the way she did or predict what she might do next. Instead, I'd come up with a firmer connection between the two cases. It threw me. I sat in the leather chair as the light faded in the big window. Roberta looked at her watch again, clicked her tongue and went over to the bar. She made herself a big gin and tonic and sat down with it contentedly.

‘Will you please stop staring out the window. It's not at all amusing, darling. Now, d'you want to scribble down all this dirt or not?'

I forced myself to pay attention and take notes as she talked in between sips of her drink. I heard about the likelihood that Phillip Wilberforce had briefly been a bigamist and about the hippie step-daughter Nadia who'd run away to save a Queensland rain forest and had ended up in gaol for drug smuggling.

‘Only for a little while,' Roberta said. ‘Phillip got her out quick smart. You could do things like that up there in those days, I understand.'

‘Right,' I said. ‘I'm still trying to make sense of it. Paula has two step-sisters, Nadia and Verity, and one step-brother, Robert. Also one half-sister, Karen.'

‘Just so. That is, if the scuttlebutt is right.'

‘Scuttlebutt?'

‘You're hopeless.' She got up and walked over to where I was sitting. She took the notebook and pen from me and sketched in a family tree, pairing Phillip Wilberforce up with his wives. She drew a straight line to Paula and a wavy one to Karen. ‘It was said by certain malicious tongues that Phillip was the father
of Karen although Selina was married to someone else at the time. Not a long marriage, I might add. Possibly of convenience, hmm?'

‘Go on.'

Roberta dropped the notebook into my lap and went back to her chair. ‘Do you know, darling,' she said. ‘I get the distinct feeling that you've lost the thread. I thought you wanted all the goss. And there's lots more, believe me. Phillip is a most interesting man. Have you noticed how interesting people tend to attract interesting people around them? Natural, I suppose.'

Roberta's notoriously weak head has been the saving of her face, figure and brain cells. She was towards the bottom of a single stiffish gin and she was well away. She waved her glass jauntily. ‘You, for example. How's the delicious Helen Broadway?'

The name, with all the old pleasurable and painful associations it carried, jerked me out of my daze. ‘I haven't seen her for a couple of years.'

‘Oh, I'm sorry. Who is it now?'

‘A policewoman.'

‘Cliff, I'm disappointed. But I must meet her. Does she have flat feet and a flat chest?' Roberta giggled and pushed out her own shapely, high-slung bosom.

I felt myself responding to what Roberta was putting out—a highly-charged essence of need and desire. We had never touched except in a stylised, play-acting kind of way—she the gushing socialite; me, the strong, silent pleb. I dropped my notebook and stood. She stretched in the leather chair, a slim, lithe figure. Her black trousers were tight across her flat belly and crotch. I bent over her and she hooked an arm up around my neck. We kissed and I could taste the gin
and smell her perfume and the other womanly smells that are a part of it. Her hot tongue pushed into my mouth. I sucked on it and closed my hand around the hard mound of her right breast. She thrust up at me, giving me her mouth and her breast and wanting me to take everything else. I wanted to take it.

I pulled her to her feet. One of her shoes fell off and she propped up awkwardly balanced, pressing into me. I was gasping for breath and so was she. We broke the kiss and our hands moved urgently. Then she brought her hands down sharply in fists, knocking my hands away from her body. She stepped back.

‘No,' she said.

‘Roberta. I …'

‘We're friends.'

I reached for her. ‘We can still be friends.'

The banality of what I said cut through the lust and confusion. We both laughed. I struggled to recapture the moment. I got close to her and cupped my hands around her firm buttocks, pulling her towards me. She was rigid with resistance. Her legs were locked together. I released her and moved back.

‘Cliff, I'm sorry.'

‘It's okay,' I said. I cleared my throat, fighting to get out of the rutting mood, fighting off disappointment and anger. ‘
You're probably right.'

She flopped down into her seat. She looked as exhausted as I felt. ‘Did you ever go to bed with that lodger of yours, Hildegarde?'

‘No.'

‘Isn't she still a friend?'

‘She's married to Frank Parker. They have a son named Cliff.'

We sat in our respective chairs, both silent. A snatch of doggerel ran through my head:

Higamous hogamous, women are monogamous,

Hogamous, higamous, men are polygamous.

Right,
I thought.
Women are smarter.
Like a lot of men, maybe most, I'd dreamed of attaining a perfect polygamy, a different woman for different situations and moods. Experience had taught me that it was a difficult condition to organise and an impossible one to sustain. Most of the women I'd had anything to do with seemed to know that instinctively. Even Helen Broadway, who'd let it run to the sixth tackle, had known in her heart that it couldn't work.

‘Cliff?'

I'd left her adrift in her own thoughts, memories and regrets. I forced a grin and picked up my notebook. ‘Tell me everything you can about Paula Wilberforce.'

Roberta's finely sculptured face lost its bruised look and its tension. ‘Dogs,' she said. ‘Mad about dogs. Can't understand it myself, darling. I was terribly keen on horses.'

The woman who opened the door of Phillip Wilberforce's house was about the same age as Roberta Landy-Drake, but she hadn't made a career out of looking younger. She was of medium height and plump. She wore her grey hair short and very little make-up. Her dress was a plain blue worn with a heavy white cardigan. A pair of spectacles hung on a light cord around her neck. She looked intelligent and capable.

‘My name's Hardy,' I said.

‘I'm Pamela Darcy. Please come in, Mr Hardy. He's expecting you.'

That got us off on the right foot as far as I was concerned. I was relieved that she hadn't said, ‘Sir Phillip …' the way some people working for titled employers do when they want some of the gilt to rub off on them.

‘How is he, Mrs Darcy?'

‘Not strong, but fighting. He's got a touch of lung trouble which is worrying at his age. I'd ask you not to tire him and so on, but I know it'd be a waste of time.'

We were climbing the stairs. ‘How's that?' I said.

‘He'll do exactly as he pleases.'

We stopped outside the master bedroom. Mrs Darcy knocked firmly and walked straight in. I got the impression that an interesting battle of two strong wills was going on here. The old man was sitting up in the big bed propped on a heap of pillows. His tan had faded to a sallowness and his hair lay flat on his skull. He looked like an old China hand who'd spent so long in the east he'd taken on an oriental appearance. This was emphasised by the embroidered silk dressing-gown he wore over a black pyjama top. Gold-framed half-glasses balanced on his nose.

‘A decent pause before entering is customary, Mrs Darcy,' Wilberforce growled. ‘What if I'd been doing something you wouldn't like to see?'

‘It's hardly appropriate for you to invoke what is customary,' Mrs Darcy said. ‘Have you taken your medicine?'

‘Damn you, yes.'

‘Damn you, too. Would you like a drink, Mr Hardy?' 

‘Of course he would,' Wilberforce said. 
‘And get one for me while you're at it. Scotch, Hardy?'

‘That'd be fine.'

I sat down in a chair that, as I recalled, had served for Wilberforce to throw clothes over. Now the room was tidy but not fussy. A coat hung on the back of the door, there were books and magazines on the bed and bedside table and the several bottles of pills, glass and water jug hadn't been neatly arranged.

Wilberforce snorted as he saw me taking in the details. ‘She wanted to put flowers in here but I wouldn't allow it. I told her flowers remind me of death.'

‘I prefer them outside, myself,' I said. ‘Otherwise, how's she treating you?'

‘She's worth talking to. What's that you've got there?'

I was unfolding the photograph. The intense interest in his voice suggested that he lacked stimulation. I hoped I wasn't going to give him too much. I leaned forward and put the picture in front of him. He pushed his glasses up into position.

‘Huh, out of focus. Typical.'

‘Have you ever seen it before? Do you know who took it?'

Mrs Darcy came in and handed me a solid scotch in a heavy glass. The glass she gave her patient contained about half as much. I refused water. She poured a generous amount into his over his protest.

‘Drowning good whisky. My grandfather would have had you shot for that.'

Mrs Darcy was a last word specialist. ‘And your great-great-grandfather would have turned in his grave.' She smiled at me and left the room.

‘That Wilberforce,' I said. ‘Freed the slaves?'

‘Silly old fool didn't live to see it. Died a month too soon.' He sipped his whisky and made a face. ‘It's always too soon. Now this photograph, it could be one of Paula's. Where did you get it?'

‘From the house in Lindfield. Is she a painter as well?'

‘Yes. Competent, no more.' He sounded indifferent, even dismissive, but he let his fingers rest on the surface of the photograph. ‘What're these shapes in the background?'

The overhead light falling on the picture highlighted several vague forms behind the subject in the foreground. I hadn't seen them before.
Interesting, but not as interesting as the next question I had to ask.

‘Do you recognise the face?'

He adjusted his glasses and peered more closely. ‘No. She's taken a brush to it by the looks. Well, that's Paula. Who is it?'

‘I believe it's Patrick Lamberte.'