1.
Bittersweet Creek
began as a sort of homage to
Romeo and Juliet,
with a dash of the Hatfields and the McCoys. How many references to Shakespeare did you run across? (Hint: Some are from other plays.)
2.
The Satterfields and the McElroys are opposites in a lot of small ways (dogs versus cats, for example). How many little differences can you remember between the two families? Do those differences really mean a lot in the scheme of things?
3.
Another theme of
Bittersweet Creek
is the idea that tradition is being passed over in favor of modernization. Richard sees no problem with selling the Satterfield farm. Romy has an unnatural attachment to her Keurig coffeemaker. Do you think the rural way of life is disappearing? Do you see it as a good or a bad thing?
4.
Julian has watched a lot of movies in order to pass the time. How many allusions did you catch?
5.
Why do you think Romy fell in love with Richard? In what ways do Richard and Julian represent city versus country life? Do you think she made the right choice?
6.
In what ways is this a story of Romy finally overcoming the grief of losing her mother?
7.
How would you describe Romy's relationship with her father? How was her relationship with her parents different from that of Julian and his parents?
8.
Julian worries about his “McElroy blood,” and
Bittersweet Creek
explores the idea of nature versus nurture. Which do you think plays the greater role in who we are and why?
9.
Why do you think Debbie stuck with Curtis as long as she did? Should she have?
10.
A lot of this book centers around animals. What does a person's treatment of animals say about him or her as a person? How do the attitudes of the characters who grew up with animals differ from those of characters who did not grow up around animals?
11.
Which was your favorite flashback of when Romy and Julian were teenagers in love? Why?
12.
Does
Bittersweet Creek
make you nostalgic for the country or does it make you want to run screaming for the city? Why?
13.
Who's your favorite character? Least favorite?
14.
“Islands in the Stream”: Great duet, or . . . the
greatest
duet?