Authors: Thomas Pynchon
“Well, as far as this other guy, better somebody else should deal with the flowers, the eulogies. Like Joe Hill always sez, don’t mourn, organize. And a word of fashion advice from your stylish old man here, wear some color, stay away from too much black.”
S
o down at Shawn’s next morning is of course where she lets herself disorganize all to pieces, not with her parents or husband or dear friend Heidi, no—in front of some idiot-surfant whose worst idea of a bad day is one-foot-high waves.
“So you . . . did have feelings for this guy.”
“Have feelings,” California gobbledygook, translate please, no, wait, don’t. “Shawn? OK you were right, I was wrong, you know what, fuck you, how much do I still owe you, we should settle up because I’m never coming back here again.”
“Our first fight.”
“Our last.” For some reason she doesn’t move.
“Maxi, it’s time. I reach this point with everybody. What you need to deal with now is The Wisdom.”
“Great, I’m at the dentist here.”
Shawn darkens the blinds, puts on a tape of Moroccan trance music, lights a joss stick. “Are you ready?”
“No. Shawn—”
“Here it is—The Wisdom. Prepare to copy.” She stays on her meditation mat despite herself. Breathing deeply, Shawn announces, “‘Is what it
is is . . . is it is what it is.’” Allowing a silence to fall, lengthy but maybe not as deep as the breaths he’s taking. “Got that?”
“Shawn . . .”
“That’s The Wisdom, repeat it back.”
Sighing pointedly, she complies, adding, “Depending of course what your definition of the word ‘is’ is.”
• • •
RIGHT, SOMETHING A LITTLE DIFFERENT.
What has the alternative ever been? Reclaimed by the small-time day-to-day, pretending life is Back To Normal, wrapping herself shivering against contingency’s winter in some threadbare blanket of first-quarter expenses, school committees, cable-bill irregularities, a workday jittering with low-life fantasies for which “fraud” is often too elegant a term, upstairs neighbors to whom bathtub caulking is an alien concept, symptoms upper-respiratory and lower-intestinal, all in the quaint belief that change will always be gradual enough to manage, with insurance, with safety equipment, with healthy diets and regular exercise, and that evil never comes roaring out of the sky to explode into anybody’s towering delusions about being exempt . . .
Each day she sees Ziggy and Otis get through safely is another thousandth of a point added to her confidence level that maybe nobody’s really after them, maybe nobody holds her responsible for whatever Windust did, maybe Lester Traipse’s probable murderer, Gabriel Ice, is not projecting evil energy into the heart of her family by way of Avi Deschler, who is looking more and more like the kid in the teen horror movie who turns out to be possessed. “Nah,” Brooke blithely, “he’s probably experimenting. Some Goth thing maybe.” Oddly these days Maxine finds herself zeroing in on her sister, understanding that among all the signs and symptoms of city pathology, Brooke historically has been her best indication, her high-sensitivity toxic detector, and she is intrigued now to notice that into Brooke’s demeanor some strange anti-kvetchiness has come lately creeping, some willingness to let go of the old
obsessions about people and purchases, some . . . glow? Aahh! No, it couldn’t be. Could it?
“All right, so let’s have it, when are you due?”
“Hmm? ‘What do I do’? You mean like all day or . . . Oh. Oh, Maxi the Taxi, you tumbled already? I only told Avi last night.”
“Sisterhood is extrasensory, watch more horror movies, you’ll get educated. How is Avi with this?”
“Awesome?”
Not quite how Avi would put it. He’s now making a weekly practice of slipping in the delivery gate around the corner and past Daytona’s headshaking scrutiny to tell Maxine his sad hashslingrz stories, as if she has an arsenal of superpowers to call on.
His workplace has become a rat’s nest of empire building, turf defense, careerism, backstabbing, betrayal, and snitchcraft. What Avi once imagined as simple paranoia about the competition is in fact systemic by now, with more enemies inside than out. He finds himself actually using the word “tribal.” Also,
“Mind if I use your toilet a minute?”
Which with Avi has become a Frequently Asked Question. Plus the red eyes with the half-closed eyelids, runny nose, dopey and scattered conversation, buzzers do begin to sound. One day Maxine gives him a short lead, then follows him out down the hall and into the toilet, where she finds her brother-in-law with a computer-duster nozzle up his nose, committing propellant abuse.
“Avi, really.”
“It’s air in a can, harmless.”
“Read the label. Some planet where the atmosphere is fluoroethane gas, ‘air,’ maybe. Meanwhile, back on earth, you should remember you’ll be a patafamiliarass before you know it here.”
“Thanks. I should be totally euphoric, right? Guess what, I’m not, I’m anxious, I know I need to find another job, Ice has me by the balls, how do I pay off a mortgage, support a family, without a paycheck?”
“All Ice cares about,” there-there as usual, “is the lunchhooks of
others in the company tambourine, with nondisclosure a distant second. If you can convince him you’re no threat in either area, he’ll go out and headhunt you the perfect dream job himself.”
• • •
BUT SHE CAN’T
stay out of DeepArcher. Since it went open source and welcomed in half the planet, none of them who they say they are, acquiring a set of option menus the size of the Internal Revenue Code, anybody is likely to be wandering around the site, herds of tourist-idle, cop-curious, the end of life below the spiders as we’ve known it, ROM hackers, homebrewers, RPG heretics, continually unwriting and overwriting, disallowing, deprecating, newly defining an ever-growing inventory of contributions to graphics, instructions, encryption, escape . . . the word is out, and it seems they’ve been waiting years, such is the what’s called pent-up demand. Maxine is able to settle in among the throngs, invisible and at ease. Not addicted exactly, though one day she happens to be back out in meatspace for a second, looks at the clock on the wall, does the math, figures three and a half hours she can’t account for. Luckily there’s nobody but herself to ask what she’s down there looking for, because the answer’s so pathetically obvious.
Yes, she’s aware DeepArcher doesn’t do resurrections, thanks for pointing it out. But something odd has been going on with Windust’s dossier, the one she copied onto her computer shortly after Marvin brought the thumb drive it was on. She’s been sneaking moments away to look at it, not, lately, without twinges of colonorectal fear, because each time she consults it now, there’s been
new material
added. As if—a breeze given her generations-old firewalls—somebody has been hacking in whenever they feel like it.
“Consider the recently advanced theory,” for example, “that subject, while not a double agent in the classic sense, may have been pursuing a well-defined personal agenda. According to recently downgraded files, this may have begun as early as 1983, when subject allegedly expedited
the escape of a Guatemalan national, of interest to the Archivo as an insurgent element and to whom subject was married at the time.” And similar updates, all strangely nonnegative when not outright eulogy material. For whose eyes would stuff like this be intended? For Maxine’s Only? who would benefit from knowing that twenty years ago Windust was still capable of a good deed, in saving his then-wife Xiomara from the fascist murderers he was technically working for?
The first author to suspect here would be Windust himself, trying to look good, except this is insane because Windust is dead. Either it’s Beltway tricksters out on maneuvers or the Internet has become a medium of communication between the worlds. Maxine begins to catch sight of screen presences she knows she ought to be able to name, dim, ephemeral, each receding away into a single anonymous pixel. Maybe not. Much more likely that Windust remains unlit, terribly elsewhere.
Even though its creators claim not to Do Metaphysical, that option in DeepArcher remains open, alongside more secular explanations—so when she runs unexpectedly into Lester Traipse, instead of assuming it’s a Lester impersonator with an agenda, or a bot preprogrammed with dialogue for all occasions, she sees no harm in treating him as a departed soul.
Just to get it out of the way, “So! Lester. Who did the deed?”
“Interesting. First thing most people want to know is what’s it like being dead.”
“OK, what’s it—”
“Ha, ha, trick question, I’m not dead, I’m a refugee from my life. As for whodunit, I’m supposed to know? I arranged over the phone to drop a shrink-wrapped cube of cash as a first installment for Ice underneath The Deseret pool at midnight, next thing I know, I’m here wandering around with my spectral thumb in my metaphysical ass.”
“Igor Dashkov said you talked about trying to seek some kind of asylum in DeepArcher. Is this who I’m really talking to now, Igor? Misha, Grisha?”
“Don’t think so, I say ‘the’ too much.”
“All right, all right. Assuming there’s still an edge somewhere. And beyond it a void. If you’ve been out there—”
“Sorry. Just a mail-room scrambler here, remember? You want prophecy, sure, I can do that, but it’ll all be bullshit.”
“How about at least letting me bring you back up. Whoever you are.”
“What. Up to the surface?”
“Closer anyway.”
“Why?”
“I don’t know.” She doesn’t. “If it’s really you, Lester, I hate to think of you being lost down here.”
“Lost down here is the whole point. Take a good look at the surface Web sometime, tell me it isn’t a sorry picture. Big favor you’d be doing me, Maxine.”
• • •
MIGHT AS WELL BE HOMECOMING
weekend down here. Next thing she knows, here’s who but her very own Ziggy and Otis. With a whole expanding universe to choose from, among the global torrents somehow the boys have located graphics files for a version of NYC as it was before 11 September 2001, before Ms. Cheung’s bleak announcement about real and make-believe, reformatted now as the personal city of Zigotisopolis, rendered in a benevolently lighted palette taken from old-school color processes like the ones you find on picture postcards of another day. Somebody somewhere in the world, enjoying that mysterious exemption from time which produces most Internet content, has been patiently coding together these vehicles and streets, this city that can never be. The old Hayden Planetarium, the pre-Trump Commodore Hotel, upper-Broadway cafeterias that have not existed for years, smorgasbords and bars offering free lunches, where regulars hang around the door to the kitchen so they can get first shot at whatever’s being carried in, city-summertime movie theaters with signs in blue display type bordered
by frost and icicles promising
IT’S COOL INSIDE,
Madison Square Garden still at Fiftieth and Eighth Avenue and Jack Dempsey’s still across the street, and in the old Times Square, before the hookers, before the drugs, arcades like Fascination, pinball machines so classic now that only overly compensated yups can afford to buy them, and recording booths where half a dozen of you can jam inside and cover the latest Eddie Fisher single on acetate. The retro machinery in the streets, though undefined as to makes and years, is plentiful and ever on the move. Ernie and Elaine, as probable sources for all this, would be screaming with recognition.
She sees the boys, but they haven’t seen her. There aren’t any passwords, still she hesitates to log in without an invitation, it’s their city after all. They have different priorities here, the cityscapes of Maxine’s DeepArcher are obscurely broken, places of indifference and abuse and unremoved dog shit, and she doesn’t want to track any more of that than she can help into their more merciful city, with its antiquated dyes, its acid green shrubbery and indigo pavements and overdesigned traffic flows. Ziggy has his arm over his brother’s shoulder, and Otis is looking up at him with unhesitating adoration. They are ambling around in this not-yet-corrupted screenscape, at home in it already, unconcerned for their safety, salvation, destiny . . .
Don’t mind me, guys, I’ll just lurk here on the visitors’ page. She makes a note to bring it up, carefully, gently, when they’re all back in meatspace, soy-extenderspace, whatever it is anymore. Because in fact this strange thing has begun to happen. Increasingly she’s finding it harder to tell “real” NYC from translations like Zigotisopolis . . . as if she keeps getting caught in a vortex taking her farther each time into the virtual world. Certainly unforeseen in the original business plan, there arises now a possibility that DeepArcher is about to overflow out into the perilous gulf between screen and face.
Out of the ashes and oxidation of this postmagical winter, counterfactual elements have started popping up like li’l goombas. Early one
windy morning Maxine’s walking down Broadway when here comes a plastic top from a nine-inch aluminum take-out container, rolling down the block in the wind,
on its edge
, an edge thin as a predawn dream, keeps trying to fall over but the airflow or something—unless it’s some nerd at a keyboard—keeps it upright for an implausible distance, half a block, a block,
waits for the light
, then half a block more till it finally rolls off the curb under the wheels of a truck that’s pulling out and gets flattened. Real? Computer-animated?
Same day, after lunch at a hummus joint where you can’t always rule out psychedelic toxins in the tabouli, she happens to be passing the neighborhood Uncle Dizzy’s and here’s the ol’ eponym himself, around the corner with the usual delivery truck thumping it on its side and hollering “Go! Go!” She pauses to stare one eyeblink too long and Dizzy spots her. “Maxi! Just the person I want to see!”
“No Diz, I’m not, really.”
“Here. This is for you. In appreciation.” Holding out a small hinged box with what seems to be a ring inside.
“What’s this, he’s proposing?”
“Just in from the jobber, brand-new. It’s Chinese. Not even sure what I should be charging.”