Authors: Margaret Atwood
Tags: #Fiction, #General, #Literary, #Fiction - General, #Psychological fiction, #Domestic fiction, #Psychological, #Romance, #Sisters, #Reading Group Guide, #Widows, #Older women, #Aged women, #Sisters - Death, #Fiction - Authorship, #Women novelists
Everyone in town felt sorry for Laura, said Reenie. (But not for mewas left unspoken. In their view, I’d ended up with the spoils. Such as they were.)
Here are the arrangements Richard made:
Laura would come to live with us. Well, of course she would have to: she couldn’t remain at Avilion all by herself, she was only fifteen.
“I could stay with Reenie,” said Laura, but Richard said that was out of the question. Reenie was getting married; she wouldn’t have time to look after Laura. Laura said she didn’t need to be looked after, but Richard only smiled.
“Reenie could come to Toronto,” said Laura, but Richard said she didn’t want to. (Richard didn’t want her to. He and Winifred had already engaged what they considered to be a suitable staff for the running of his household—people who knew the ropes, he said. Which meant they knew Richard’s ropes, and Winifred’s ropes as well.)
Richard said he had already discussed things with Reenie, and had come to a satisfactory arrangement. Reenie and her new husband would act as custodians for us, he said, and would oversee the repairs—Avilion was falling to pieces, so there were a lot of repairs to be done, beginning with the roof—and that way they would be on hand to prepare the house for us whenever requested, because it was to serve as a summer abode. We would come down to Avilion to go boating and so forth, he said, in the tone of an indulgent uncle. That way, Laura and I would not be deprived of our ancestral home. He saidancestral home with a smile. Wouldn’t we like that?
Laura did not thank him. She stared at his forehead, with the cultivated blankness she had once used on Mr. Erskine, and I saw we were in for trouble.
Richard and I would return to Toronto by car, he continued, once things were in place. First he needed to meet with Father’s lawyers, an occasion at which we need not be present: it would be too harrowing for us, considering recent events, and he wanted to spare us as much as possible. One of these lawyers was a connection by marriage on our mother’s side, said Reenie privately—a second cousin’s husband—so he’d surely keep an eye out.
Laura would remain at Avilion until she and Reenie had packed up her things; then she would come in to the city on the train, and would be met at the station. She would live with us in our house—there was a spare bedroom that would suit her perfectly, once it had been redecorated. And she would attend—at last—a proper school. St. Cecilia’s was the one he had picked, in consultation with Winifred, who knew about such things. Laura might need some extra lessons, but he was sure all of that would work out as time went by. In this way she would be able to gain the benefits, the advantages…
“The advantages of what?” said Laura.
“Of your position,” said Richard.
“I don’t see that I have any position,” said Laura.
“What exactly do you mean by that?” said Richard, less indulgently.
“It’s Iris who has the position,” said Laura. “She’s the Mrs. Griffen. I’m just extra.”
“I realize you are understandably upset,” said Richard stiffly, “considering the unfortunate circumstances, which have been difficult for everyone, but there’s no need to be unpleasant. It isn’t easy for Iris and myself, either. I am only trying to do the best for you that I can.”
“He thinks I’ll be in the way,” Laura said to me that evening, in the kitchen, where we had gone to seek refuge from Richard. It was upsetting for us to watch him making his lists—what was to be discarded, what repaired, what replaced. To watch, and to be silent.He acts like he owns the place, Reenie had said indignantly.But he does, I’d replied.
“In the way of what?” I said. “I’m sure that isn’t what he meant.”
“In the way of him,” said Laura. “In the way of the two of you.”
“It will all work out for the best,” said Reenie. She said this as if by rote. Her voice was exhausted, devoid of conviction, and I saw that there was no further help to be expected from her. In the kitchen that night she looked old, and rather fat, and also defeated. As would presently appear, she was already pregnant with Myra. She’d allowed herself to be swept off her feet.It’s dirt that gets swept, and it’s into the dustbin, she used to say, but she’d violated her own maxims. Her mind must have been on other things, such as whether she would make it to the altar, and if not, what then? Bad times, without a doubt. There were no walls then between sufficiency and disaster: if you slipped you fell, and if you fell you flailed and thrashed and went under. She’d be hard put to make another chance for herself, because even if she went away to have the baby and then gave it up, word would get around and people in town would never forget a thing like that. She might as well hang out a sign: there’d be a lineup around the block. Once a woman was loose, it was seen to that she stayed that way.Why buy a cow when milk’s free, she must have been thinking.
So she’d given up on us, she’d given us over. For years she’d done what she could, and now she had no more power.
Back in Toronto, I waited for Laura to arrive. The heat wave continued. Sultry weather, damp foreheads, a shower before gin and tonics on the back verandah, overlooking the sere garden. The air like wet fire; everything limp or yellow. There was a fan in the bedroom that sounded like an old man with a wooden foot climbing the stairs: a breathless wheezing, a clunk, a wheezing. In the heavy, starless nights I stared up at the ceiling while Richard went on with what he was doing.
He was besotted with me, he said.Besotted —as if he were drunk. As if he would never feel the way he did about me if he were sober and in his right mind.
I looked at myself in the mirror, wondering, What is it about me? What is it that is so besotting? The mirror was full-length: in it I tried to catch the back view of myself, but of course you never can. You can never see yourself the way you are to someone else—to a man looking at you, from behind, when you don’t know—because in a mirror your own head is always cranked around over your shoulder. A coy, inviting pose. You can hold up another mirror to see the back view, but then what you see is what so many painters have loved to paint—Woman Looking In Mirror, said to be an allegory of vanity. Though it is unlikely to be vanity, but the reverse: a search for flaws.What is it about me? can so easily be construed asWhat is wrong with me?
Richard said women could be divided into apples and pears, according to the shapes of their bottoms. I was a pear, he said, but an unripe one. That was what he liked about me—my greenness, my hardness. In the bottom department, I think he meant, but possibly all the way through.
After my showers, my removal of bristles, my brushings and combings, I was now careful to remove any hairs from the floor. I would lift the little wads of hair from the drains of tub or sink and flush them down the toilet, because Richard had casually remarked that women were always leaving hair around. Like shedding animals, was the implication.
How did he know? How did he know, about the pears and the apples and the shed hair? Who were these women, these other women? Aside from a surface curiosity, I did not much care.
I tried to avoid thinking about Father, and the way he had died, and what he might have been up to before that event, and about how he must have felt, and about everything Richard had not seen fit to tell me.
Winifred was a very busy bee. Despite the heat she looked cool, swathed in light and airy draperies like some parody of a fairy godmother. Richard kept saying how marvellous she was and how much work and bother she was sparing me, but she made me increasingly nervous. She was in and out of the house constantly; I never knew when she might appear, popping her head around the door with a brisk smile. My only refuge was the bathroom, because there I could turn the lock without seeming unduly rude. She was overseeing the rest of the decoration, ordering the furniture for Laura’s room. (A dressing table with a frilled skirt, in a pink floral print, with curtains and bedspread to match. A mirror with a white curlicue frame, picked out in gold. It was just the thing for Laura, didn’t I agree? I didn’t, but there was no point in saying so.)
She was also planning the garden; she’d already sketched out several designs—just a few little ideas, she said, thrusting the pieces of paper at me, then withdrawing them, replacing them carefully in the folder already bulging with her other little ideas. A fountain would be lovely, she said—something French, but it would have to be authentic. Didn’t I think?
I wished Laura would come. The date of her arrival had been postponed three times now—she wasn’t packed yet, she’d had a cold, she’d lost the ticket. I talked to her on the white phone; her voice was restrained, remote.
The two servants had been installed, a grouchy cook-housekeeper and a large jowly man who was passed off as the gardener/chauffeur. Their name was Murgatroyd, and they were said to be husband and wife, but they looked like brother and sister. They regarded me with distrust, which I reciprocated. During the days, when Richard was at his office and Winifred was ubiquitous, I tried to get away from the house as much as I could. I would say I was going downtown—shopping, I’d say, which was an acceptable version of how I should be spending my time. I would have myself dropped off at Simpsons department store by the chauffeur, telling him I would take a taxi home. Then I would go inside, make a quick purchase: stockings and gloves were always convincing as evidence of my zeal. Then I would walk the length of the store and exit by the opposite door.
I resumed my former habits—the aimless wandering, the examination of display windows, of theatre posters. I even went to the movies, by myself; I was no longer susceptible to groping men, who had lost their aura of demonic magic, now that I knew what they had in mind. I wasn’t interested in more of the same—the same obsessive clutching and fumbling.Keep your hands to yourself or I’ll scream worked well enough as long as you were prepared to follow it up. They seemed to know I was. Joan Crawford was my favourite movie star at that time. Wounded eyes, lethal mouth.
Sometimes I went to the Royal Ontario Museum. I looked at suits of armour, stuffed animals, antique musical instruments. This did not take me very far. Or I would go to Diana Sweets for a soda or a cup of coffee: it was a genteel tea room across from the department stores, much patronized by ladies, and I was unlikely to be bothered by stray men there. Or I would walk through Queen’s Park, quickly and with purpose. If too slowly, a man was bound to appear.Flypaper, Reenie used to call some young woman or other.She has to scrape them off. Once, a man exposed himself, right in front of me, at eye level. (I’d made the mistake of sitting on a secluded bench, on the grounds of the university.) He wasn’t a tramp either, he was quite well dressed. “I’m sorry,” I said to him. “I’m just not interested.” He looked so disappointed. Most likely he’d wanted me to faint.
In theory I could go wherever I liked, in practice, there were invisible barriers. I kept to the main streets, the more prosperous areas: even within those confines, there were not really very many places where I felt unconstrained. I watched other people—not the men so much, the women. Were they married? Where were they going? Did they have jobs? I couldn’t tell much from looking at them, except the price of their shoes.
I felt as if I’d been picked up and set down in a foreign country, where everyone spoke a different language.
Sometimes there would be couples, arm in arm—laughing, happy, amorous. Victims of an enormous fraud, and at the same time its perpetrators, or so I felt. I stared at them with rancour.
Then one day—it was a Thursday—I saw Alex Thomas. He was on the other side of the street, waiting for the light to change. It was Queen Street, at Yonge. He was the worse for wear—he had on a blue shirt, like a worker, and a battered hat—but it was him all right. He looked illuminated, as if a shaft of light were falling on him from some invisible source, rendering him frighteningly visible. Surely everyone else on the street was looking at him too—surely they all knew who he was! Any minute now they would recognize him, they’d shout, they’d give chase.
My first impulse was to warn him. But then I knew that the warning must be for both of us, because whatever trouble he was involved in, I was suddenly involved in it as well.
I could have paid no attention. I could have turned away. That would have been wise. But such wisdom was not available to me then.
I stepped down off the curb and began to cross towards him. The light changed again: I was stranded in the middle of the street. Cars honked their horns; there were shouts; the traffic surged. I didn’t know whether to go back or forward.
He turned then, and at first I was not sure he could see me. I stretched out my hand, like a drowning person beseeching rescue. In that moment I had already committed treachery in my heart.
Was this a betrayal, or was it an act of courage? Perhaps both. Neither one involves forethought: such things take place in an instant, in an eyeblink. This can only be because they have been rehearsed by us already, over and over, in silence and darkness; in such silence, such darkness, that we are ignorant of them ourselves. Blind but sure-footed, we step forward as if into a remembered dance.
Sunnyside |