Blood Safari (6 page)

‘That’s right.’

‘We’re going to give you the Bateleur,’ as if she were doing us a big favour. ‘It’s right in front of the waterhole.’

‘That would be lovely,’ said Emma, and I wondered why she didn’t speak to the woman in Afrikaans.

‘Now, I just need a credit card, please,’ she said, looking at me. When Emma took out her purse there was a little moment when Sue-zin looked at me in a new light.

The Bateleur suite was understated luxury, but all Emma did was nod in satisfaction as if it more or less lived up to her standards.
The black porter (Benjamin. Hospitality Assistant) carried in our travel bags. Emma pushed a green banknote into his hand and said, ‘That’s fine, just leave them here.’

He showed us the secrets of the air conditioning and the minibar. When he left Emma said, ‘Shall I take this one?’ and pointed at the bedroom to the left of the sitting room. It was furnished with a double bed.

‘That’s fine.’

I took my bag to the other room, on the right, two single beds with the same creamy white linen as Emma’s. Then I took stock. The wood frame windows could be opened, but were kept closed because of the whispering air conditioning. Every bedroom and the sitting-cum-bar-room in the centre had a sliding door on to the veranda at the front. The locking mechanism was unsophisticated, not good security. I opened it and walked out on to the veranda. It had a polished stone floor, two couches and chairs in ostrich leather, two mounted binoculars and a view of the waterhole, now deserted apart from a flock of pigeons that drank restlessly.

I walked around the building. Three metres of lawn, then the bush. Designed and situated for privacy. Not a single other unit, each named for some kind of eagle, was visible. Bad news from a bodyguard’s perspective.

In theory, however, if anyone wanted to get at Emma, they would have to avoid the main gate, scale two metres of game fence and walk seven kilometres through the veld in lion and elephant country. Not much ground for worry.

I went back in; the cool was refreshing. Emma’s door was shut; I could hear the whisper of a shower. For a brief moment, I visualised her body under the stream of water, then went to seek out the cold water in my own bathroom.

We walked in twilight to the Mohlolobe’s Honey Buzzard Restaurant. Emma seemed a little down. She had been quiet at dinner the previous night in Hermanus. Maybe she wasn’t a night person, or perhaps it was the heat.

While we sat in candlelight at the table she said, ‘You must be very hungry, Lemmer.’

‘I could eat’

A waiter brought menus and the wine list. ‘Sometimes I forget about food,’ she said.

She passed me the wine list. ‘You’re welcome to have wine.’

‘No, thanks.’

She studied the menu for a long time and without enthusiasm. ‘Just a salad, a Greek salad,’ she told the waiter. I ordered a bottle of mineral water for the price of a small car – and the beef fillet with green pepper sauce and mashed potato. We looked around at the other people in the room, middle-aged foreigners in groups of two or four. Emma tugged the white linen serviette out of its imitation ivory ring. She twirled the ring round and round in her delicate fingers, examining the fine leaf pattern engraved on it.

‘I’m sorry about earlier …’ she said, looking up. ‘When I saw the impala …’

I remembered the moment when she had put her hand over her mouth.

She turned her attention back to the ring in her hand. ‘We had a game farm in the Waterberg. My dad …’

She took a deep breath and exhaled slowly, trying to gain control over the emotion behind the words.

‘Not a big farm, only three thousand hectares, just a piece of land with some buck so we could go there on weekends. My dad said it was for us, for his children, so we wouldn’t be total city kids. So we would know what klits grass is. Jacobus was never in the house when we were on the farm. He would sleep outdoors and walk and just live outside … He always had two or three friends there, but in the late afternoon when the sun went down he would come and fetch me. I must have been nine or ten; he was nearly out of school. He would go walking with his little sister. He knew where to find the buck. All the little herds. He would ask me, what do you want to see, sis, what buck? Then he would teach me about them, what their habits were, what they did. And the birds, I had to learn all their names. It was fun, but I always felt a little bit guilty because I wasn’t like him. It was like he only came alive when he was on the farm. I didn’t always feel like going to the farm, not every weekend and every holiday …’

She went quiet again until our food came. I tackled the steak with a passion. She pushed her lettuce around restlessly with her fork, and then put it down.

‘My dad … for him the worst thing was that they never found Jacobus. Maybe it would have been better for him if there had been a … a body. Something …’

She lifted the serviette from her lap and pressed it to her mouth. ‘He sold the farm. When there was no more hope. He never talked to us about it; he just came home one day and said the farm has been… it was the first time … today, when I saw the buck. It was the first time since then, since Jacobus died.’

I didn’t say anything. My expressions of sympathy had never been reliable. I just sat there, aware that I wasn’t especially privileged. I was merely the only available ear.

Emma picked up the serviette ring again. ‘I … Last night I was thinking maybe I’m making a big mistake, maybe I so badly want to have something of Jacobus somewhere that I can’t judge this impartially. How can I be sure it isn’t my own emotion and longing? I miss them, Lemmer. I miss them as people and I miss them as ideas. My brother and mother and father. Everybody
needs a family. And I wonder, did I come here searching for that? Did the man on TV really look like Jacobus? I can’t be sure. But I can’t just … that phone call … if you asked me now what the man said, what I definitely heard? That’s what you need a father for, to ask him, “Dad, is this the right thing?”’

My plate was empty. I put down the knife and fork in relief. Now I didn’t have to feel guilt that the food was good and I was enjoying it while she struggled with her emotions. But I couldn’t answer her question. So I said, ‘Your father …’ Just a little encouragement.

She enclosed the ring with her hand, lost in thought. Finally, she looked up at me and said, ‘He was the son of a stoker.’

A waiter took my plate away and she pushed her salad towards him and said, ‘I’m sorry, the salad is great. It’s just my appetite.’

‘Not a problem, madam. Would you like to see the dessert menu?’

‘You should have some, Lemmer.’

‘No thanks, I’ve had plenty.’

‘Coffee? Liqueur?’

We declined. I hoped Emma was ready to leave. She put the serviette ring down where her plate had been and rested her elbows on the table. ‘It seems as if everyone has forgotten how poor so many Afrikaners were. My grandmother made a vegetable garden in the backyard and my grandfather kept a chicken coop between the railway lines. It wasn’t allowed, but there was no other space on the property. Those little railway houses in Bloemfontein …’

So she related the family history, the rags-to-riches saga of Johannes Petrus le Roux. I suspected it was the telling of a familiar story, one she had heard many times over as a wide-eyed child. It was a way for her to touch the cornerstone of her lost family, to redefine herself and this investigation in the immediate present.

Her father had been the second-oldest of five children, a large family that placed heavy demands on the salary of a stoker. At fifteen there had been no option, he had to go to work. For the first year he laboured as a general dogsbody at the giant SA Railways sheds in Bloemfontein’s East End, within walking distance of hi
parents’ modest home between the sidings. At the end of each week he would hand over the envelope with his meagre earnings to his mother. Every evening he would rinse out his single work shirt and hang it in front of the coal stove to dry. At sixteen he began his apprenticeship as a fitter and turner, the area of his interest.

And thus, in time, the little miracle began. Johan le Roux and his tutors gradually realised he had an instinct for gears, a head for the many ratios and variations they had with each other and the machines that drove them. By the time he qualified as a fitter his skill was widely recognised and his solutions in a dozen different engines were saving the railways thousands.

One summer morning in 1956, two Afrikaner businessmen from Bothaville walked into the big workshop. Over the racket of hammering and filing and cutting, they shouted that they were looking for the Le Roux boy’tjie who was so good with gears. They built farm implements for the maize farmers of the Northern Free State and they needed his talents in order to compete with the expensive machinery that was being imported from America and the UK.

His stoker father was against it. The state was a reliable employer, an insurance policy against depression and war and poverty. The private sector was run by the English and Jews and foreigners, all out to cheat the boere, in his opinion; a risky existence. ‘Pa, I can design my own stuff. I can draw up the plans myself and cut the forms and put the machines together piece by piece. I can’t do that in the Railways,’ was his argument. At the end of the month he left by train for the little town on the Vals river, where the gods prepared to smile on him.

He was everything his new employers had hoped he would be – hard working, dedicated and ingenious. His ideas were innovative, his products successful; his reputation became known in wider circles. It was barely a year later that he met Sara.

This moment is a crucial one in the Le Roux story, as it is in many family histories I have heard over the years. When Emma presented it, there was the old amazement at destiny, the fate that determined a chance crossing of paths for her future parents and so decided her genetic blueprint.

The small industrial area of Bothaville is to the north of the town, on the other side of the railway line. To reach his boarding house in the town centre, Johan le Roux had to use the pedestrian bridge at the station and walk down the platform. Sweaty and begrimed, carrying his tin lunch box, he followed his usual path one late afternoon. In passing, he glanced inquisitively through the windows of the brightly lit, jam-packed station tearoom. And spotted the pretty young woman sitting there. He was stopped in his tracks. It was a magical scene: the petite girl in the gay hat and snow-white blouse, with red lips, holding a cup of tea in her delicate hands.

For a long time he stood on the twilit platform watching out for her, torn by the knowledge that she was meant for him, but that his oil-stained overall was not going to make a good impression. Nor could he risk going home to change; by the time he returned she might have left with the train.

Eventually, he opened the door and made his way through the tables to where she sat. ‘I’m Johan le Roux,’ he said. ‘I look a lot better when I’ve had a bath.’

She looked up and to her eternal credit she saw the man behind the workman, the gentle smile, intelligent eyes and the zeal for life. ‘I’m Sara de Wet,’ she said, holding out her hand without hesitation, ‘and my train has been delayed.’

He offered to buy her another cup of tea. For an immeasurable instant she hesitated, she would tell her children, like someone teetering at the top of a precipice. She knew with absolute certainty that her ‘yes’ or ‘no’ was a fork in the road through her life. ‘Yes, please, I would like that,’ she answered. In the hour before the drawn-out whistle of her train called her away, they had exchanged life stories and taken the first steps on the road to love. She was the elder of two daughters of the only lawyer in Brandfort, on her way to Johannesburg to work as a typist for a mining company. She had a secretarial certificate from a Bloemfontein college – and a nervous excitement about the great adventure awaiting her in the city. He wrote his address on the back of the tearoom account (now a yellowing, barely legible fragment of history that Emma
preserved in an old family Bible) and said she could write to him if she liked.

She had. At first they corresponded for a month or three and then the long-distance romance took shape. Once a month he would go up for a weekend, every week he received a long letter and sent one off. Every now and then, just to hear her voice, he would ring her over the crackling country telephone lines of Bothaville.

Until a year later, when the men from Sasol appeared at his workshop door. It was 1958. Their plant had already been operating for three years, but some of the gears on the coal lines would just not work smoothly. They had come looking for a contractor to maintain and improve them, and rumour had it that Johan le Roux was the master of gears.

The contract he negotiated was large enough for him to open his own business in Vanderbijl Park, but not so generous that he could ask for her hand. He had to wait until 1962, when his debts were paid off. But in those four years they saw each other at least every weekend, and could talk on the phone every day.

In 1963 they were married in Brandfort and together they ran Le Roux Engineering Works – he in the workshop, she on administration and accounts. Three years later Jacobus Dawid le Roux was born and Sara became a full-time mother and housewife. By 1968 they were ready for another child, but Johan le Roux’s growing reputation brought yet another revolution to their life. This time it was a long black sedan at the workshop door – and three white men in black suits and hats who had come to see him. They were from the newly formed Arms Development and Production Corporation, the predecessor of what later became Armscor in 1977. He had to sign an oath of silence before they told him about the artillery pieces and armoured vehicles that had to be designed and built. Since they had already established by careful enquiries that he was a good Afrikaner, they had come to offer him the gearing contract.

This new income stream had two consequences. The first was that Johan and Sara le Roux grew rich. Not overnight and not
without merit, for the state is an unsympathetic client and it took long hours of blood and sweat. But over a period of nearly thirty years, Le Roux Engineering grew to an industry with three giant workshops and a separate building in Johannesburg for research, management and administration.