Book of the Dead: A Zombie Anthology (17 page)

She flashed her light overhead, and something flashed back. A couple of cameras projected from a metal beam. Blind, their wires wrapped uselessly around the beam. She walked on, fol owing the connections with her light. There were a series of blank television monitors, their enormous gray eyes staring down at her.

Someone cried softly in the darkness ahead. Elaine aimed her light there, but al she could see were crates, paneling leaned against the wal and stacked on the floor, metal supports and crosspieces. A tangle of sharp angles. But then there was that cry again. “Betty? Tom?”

A pale face loomed into the blurred, yel owed beam. A soft shake of the face, side to side. The eyes were too white, and had a distant stare.

“Betty?” The face shook and shook again. Betty stumbled out of a jumble of cardboard boxes, construction and stored medical supplies breaking beneath her stumbling feet.

“No…” Betty’s mouth moved as if in slow-motion. Her lipstick looked too bright, her mascara too dark. “No,” she said again, and something dark dripped out of her eyes as her head began to shake.

Elaine’s light picked up a glint in Betty’s right hand. “Betty?” Betty stumbled forward and fel , keeping that right hand out in front of her. Elaine stepped closer thinking to help Betty up, but then saw that Betty’s right arm was swinging slowly side to side, a scalpel clutched tightly in her hand. “Betty! Let me help you!”

“No!” Betty screamed. Her head began to thrash back and forth on the litter-covered floor. Her cheeks rol ed again and again over broken glass. Blood wel ed, smeared, and stained her face as her head moved no no no. She struggled to control the hand holding the scalpel. Then she suddenly plunged it into her throat. Her left hand came up jerkily and helped her pul the scalpel through muscle and skin.

Elaine fel to her knees, grabbed paper and cloth, anything at hand to dam the dark flow from Betty’s throat. After a minute or two she stopped and turned away.

There were more noises off in the darkness. At the back of the room where she’d first seen Betty, Elaine found a doorless passage to another room. Her light now had a vague reddish tinge. She wondered hazily if there was blood on the flashlight lens, or blood in her eyes. But the light stil showed the way. She fol owed it, hearing a harsh, wet sound. For just a moment she thought that maybe Betty might stil be alive. She started to go back when she heard it again; it was definitely in the room ahead of her.

She tried not to think of Betty as she made her way through the darkness.
That wasn’t Betty.

That was just her body
. Elaine’s mother used to babble things like that to her al the time.

Spiritual things. Elaine didn’t know what she herself felt. Someone dies, you don’t know them anymore. You can’t imagine what they might be thinking.

The room had the sharp smel of fresh paint. Drop cloths had been piled in the center of the floor. The windows were crisscrossed by long stretches of masking tape, and outside lights left odd patterns like angular spiderwebs on al the objects in the room.

A heavy cord dropped out of the ceiling to a smal switch box on the floor, which was in turn connected to a large mercury lamp the construction crew must have been using. Elaine bent over and flipped the switch.

The light was like an explosion. It created strange, skeletal shadows in the drop cloths, as if she were suddenly seeing
through
them. She walked steadily toward the pile, keeping an eye on those shadows.

Elaine reached out her hand and several of the cloths flew away.

My god, Betty kil ed him! Betty kil ed him and cut off that awful, shaking head!
The head was a smal , sad mound by the boy’s filthy, naked body. A soft whispering seemed to enter Elaine’s ear, which brought her attention back to that head.

She stopped to feel the draft, but there was no draft, even though she could hear it rising in her head, whistling through her hair and making it grow longer, making it grow white, making her older.

Because of a trick of the light the boy’s—Tom’s—eyes looked open in his severed head. Because of a trick of the light the eyes blinked several times as if trying to adjust to that light.

He had a soft, confused stare, like a stuffed toy’s. His mouth moved like a baby’s. Then his naked, headless body sat up on the floor. Then the headless body struggled to its feet, weaving unsteadily.
No inner ear for balance
, Elaine thought, and almost laughed. She felt crazed, capable of anything.

The body stood motionless, staring at Elaine. Staring at her. The nipples looked darker than normal and seemed to track her as she moved sideways across the room. The hairless breasts gave the body’s new eyes a slight bulge. The navel was flat and neutral, but Elaine wondered if the body could smel her with it. The penis—the tongue— curled in and out of the bearded mouth of the body’s new face. The body moved stiffly, puppet-like, toward its former head.

The body picked up its head with one hand and threw it out into a darkened corner of the room.

It made a sound like a wet mop slapping the linoleum floor. Elaine heard a soft whimpering that soon ceased. She could hear ugly, moist noises coming from the body’s new bearded mouth. She could hear skin splitting, she could see blood dripping to the dusty floor as the body’s new mouth widened and brought new lips up out of the meaty darkness inside.

The sound of a wheelchair rol ing in behind her. She turned and watched as the old woman grabbed each side of her ancient-looking, spasming head. The head continued its insistent no no no even as the hands and arms increased their pressure, the old lady’s body quaking from the strain. Then suddenly the no no no stopped, the arms lifted up on the now-motionless head, and pul ed it away from the body, cracking open the spine and stretching the skin and muscle of the neck until they tore or snapped apart like rotted bands of elastic. The old woman’s fluids gushed, then suddenly stopped, both head and body sealing the breaks with pale tissues stretched almost to transparency.

The new face on the old woman’s body was withered, pale, almost hairless, and resembled the old face to a remarkable degree. The new eyes sagged lazily, and Elaine wondered if this body might be blind.

The old woman’s head gasped, and was stil . The young male body picked up the woman’s dead head and stuffed it into its hairy mouth. Its new, pale pink lips stretched and rol ed. Elaine could see the stomach acid bubbling on those lips, the steadily diminishing face of the old lady appearing now and then in the gaps between the male body’s lips as the body continued its digestion. The old woman’s denuded skul fel out on the linoleum and rattled its way across the floor.

Elaine closed her eyes and tried to remember everything her mother had ever told her.

Someone dies and you don’t know them anymore. It’s just a dead body—it’s not my friend. My friend lives in the head forever. Death is a mystery. Stay away from crowds. Crowds want to eat you.

She wanted Mark here with her. She wanted Mark to touch her body and make her feel beautiful. No. People can’t be trusted. No. She wanted to love her own body. No. She wanted her body to love her. No. She tried to imagine Mark touching her, making love to her. No. With dead eyes, mouth splitting at the corners. No. Removing his head and shoving it deep inside her, his eyes and tongue finding and eating al her secrets.

No no no, her head said. Elaine’s head moved no no no. And each time her vision swept across the room with the rhythmic swing of her shaking head, the bodies were closer.

Choices By Glen Vasey

[1]

Provisional Center for Disease Control

Puerto Nuevo, Florida

Interoffice Memorandum #57-608

From: Kenneth J. Howel , Acting Director

To: Malcolm Foley, Director of Research

Malcolm,

This just came into my hands today. Rather than take the time to edit it, and risk omitting
something you might find useful, I had Marcie type it just as I received it. I added only one
note, near the end where the writing changes hands. I stil have the original. It is in a travel-worn spiral notebook, the kind you used to be able to pick up new at any five-and-dime. If you
think it could help in any way, send word and I’l see it gets to you. It is, by al appearances,
authentic.

The primary point of interest is the final dozen pages or so.

I have included a map of the general location where it was picked up. You may want to have
your people investigate, if that is possible. Maybe even bring some of these people in for
examinations or something. If I can be of any assistance, just hol er.

I don’t know if this wil be a help to you, or simply another distraction. I know how
understaffed and overworked you are, but I figured that a shot in the dark is better than
holding your fire at times like these. My shot in the dark is sending this your way, relatively
risk free. Yours wil be deciding what, if anything, to do with it now. Not so easy a choice,
either way.

I don’t suppose it helps much for me to say that I don’t envy your position, but I’l say it
anyway. This is probably the second time in history that it has been less harrowing to be a
bureaucrat than a scientist. The first was during the Spanish Inquisition.

Oh, for the good old days!

Keep the faith,

Ken

For a moment Ken Howel almost smiles at the brief witticism with which he has concluded the memo. Then he nearly weeps.

Earlier in the day he had found his secretary weeping. He had tried to comfort her. Had offered her a few lame words of solace. In so doing he had discovered one of life’s weary truths: there are no words of solace that do not point out and accentuate the very cause of our need for solace.

She had continued crying, so he’d left her office for his own. He did not want her tears to weaken him. There was no percentage in that.

I AM NOT CRYING

He is in a position of responsibility. One that requires him to display strength and unclouded judgment. He cannot let the others come to doubt him. He cannot al ow himself the luxury of doubt.

I AM NOT CRYING

No. He wil not weep. Not now. Not even here, alone.

I AM NOT CRYING ALONE

A disembodied voice echoing through the corridors of his brain. Nostalgic. Memorial. Elegiac.

Foreign and forever unknowable.

I AM NOT ALONE!!

He hears Marcie moving restlessly in the adjoining office. He knows that she is ready to leave.

Soon he wil go to her.

Soon they wil leave the building together and walk across the compound to their living quarters, as they always do.

Just as soon as he can find the strength to cease his weeping.

[2]

The silence of the June dusk was underscored, rather than interrupted, by the fluttering thrash of the spiral notebook as it flew through the air toward the highway. Branches rustled softly as they parted for it. Pages fanned and rippled in the breeze of its passage. There was a muffled thump as it landed at the base of some thorny-looking scrub brush, not twenty feet from the deserted road.

That was al . Brief. Temporal. Quickly past. Then silence reigned again, al the more tyrannical y for having been thus emphasized.

Dawson drew his legs up so that his chin was resting upon his knees. He wrapped his arms around his shins and pul ed inward. Pul ed harder stil .

I AM NOT CRYING

Pul ed until his thighs pressed into his chest so vigorously that every muscle in his body bloomed with pain.

I AM NOT CRYING

Pul ed harder stil . Back, ribs, neck, jaw, arms, legs, buttocks. Every muscle clenched wil ful y.

I AM NOT CRYING ALONE

His wil : to become a wel of pain. Physical pain. Ephemeral pain. Consciousness-distorting pain.

Pain he could control. He had only to relax and it would abate.

I AM NOT ALONE!!

Unlike the pain of his ineptitude. The pain of loss, despair, loneliness and fear. Unlike the pain of words.

Earlier his head had been fil ed with words. Somehow he had thought that they were dying to get out. Somehow he had believed that he might be able to use them to escape his other pains, to make some sense out of his utterly senseless situation. But when he had tried to use them, the words had fled. Only the primal scream had remained, and that had been but little help.

Having vented that scream in a scrawl that had covered one single page, he had thrown the book away into the dusk.

He had risked his life for that book.

Had risked his life, and feared he yet might lose it, on the chance that words might help him stay alive.

To escape such thoughts he pul ed harder on his legs, then relaxed himself completely and luxuriated in the brief pleasure that washed through his body. Then he sighed and gently pul ed his shirt away from his left shoulder to examine the deep red scratch there.

He thought about infections. About the virus, germ, bacteria, fungus—whatever the hel it was—

that had changed the world so drastical y.

Shivering and sweating simultaneously, he found himself hoping that they were both symptoms of fear rather than fever. Even psychosis would be preferred.

Had that been a sound, or the thought of a sound? He sat frozen with immediate alertness, words and chil s and sweats forgotten. Listening.

I WILL SURVIVE!

Not wanting them to find him. Not wanting to die.

I WILL TO SURVIVE!

Not wanting to die like that.

It wasn’t precisely a wil to live, but it was something.

Though I don’t know why
.