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Authors: Dennis Lehane

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BOOK: Boston Noir
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PART I
F
EAR
& L
OATHING
EXIT INTERVIEW
BY
L
YNNE
H
EITMAN

Financial District

I
t had been one of those weird sticky cool summer days in downtown Boston, the kind that are as hot and humid as they're supposed to be until the breeze blows in off the water and all of a sudden it's freezing cold and the air stinks of salt and fish and brine. Sloan hates days that start out one way and then turn into something else. They make it harder to dress for work. She had spent most of last night trying to decide what to wear to the office today. Around 3 a.m., she'd settled on the pink summer-weight St. John knit instead of the blue Tahari because Mother loves the St. John. Says it makes her look svelte. Too bad Mother won't get to see that she's wearing it for her big day. She tugs the skirt up around her waist, but it sags back and settles on her hip bones. This suit has never really fit, and the dark blue Tahari would have hidden the bloodstains better.

The steady churning of the helicopters grows louder. Sloan flattens against the wall and peeks out into the night from behind one of Trevor's fancy Japanese shades. With the interior lights blazing, all she can see is her own reflection staring back. More than once she has wanted to rip those silly shades from Trevor's windows because who has an office on the thirty-seventh floor and covers up the view? Tonight, as flimsy as they are, she is glad to have them.

Her stomach cramps hard and doubles her over. She slides to the floor, which is where Trevor lies faceup, staring at the ceiling with the same look of surprise he died with. Sloan had never seen anyone die, not before today, but she's been to plenty of funerals. She always assumed that the way you look in the casket is the way you looked when your life ended. But she's had time to ponder this and it's now making sense to her. Once you're dead, you're dead. The light goes out and there is no time, no spark, no thought or impulse left to change the expression of absolute terror or disbelief or regret--whatever you were feeling the moment the bullet entered your brain and blew half of it out the gigantic hole in the back of your skull.

Her cell phone erupts in what had been until today her favorite Bach sonata. She taps the earpiece. "You said I had twenty minutes."

"You do, you do. I'm not trying to rush you. I'm just sayin' it doesn't mean we can't do it in less. Or that we can't spend the twenty minutes talkin'."

"I need that time. I need to think. I need..." It burns where the earpiece's hook has irritated the layer of soft skin around the top of her ear. These things were never meant to be worn for five straight hours.

"Talk to me, Sloan. What's going on up there?"

She wishes she could see her hostage negotiator, but she doesn't know where he is. He can somehow see her, though. She's sure of it. Thinking about him watching over her makes her feel calmer, but he has the frustrating habit of asking the same questions over and over.

"I think you know, Officer Tarbox, that what's--"

"When did we switch back to
Officer Tarbox
?"

"What's going on in here, Jimmy, is the same thing that's been going on for the past five hours, and you promised me another half hour ten minutes ago."

"I'll keep my word. You know I will. Have I let you down any? Have I lied to you even once? No. I'm just checking in to see how you are. I want to know that you're okay and that everything's still on track. If we're not talkin', I don't know what's goin' on."

"You just want to know how Beck is."

"How is Beck?"

She glances over at Cornelius Beckwith Nash III, graduate of Exeter, Yale School of Drama, and Harvard Business School; Olympic rowing team alternate and scratch golfer; lead manager on the biggest portfolio of the growth team at Crowninshield Investment Management Company. Yet as impressive as he is, she's not sure any of those experiences have prepared him for being lashed to a chair for five hours with a telephone cord and computer cables. He's also sitting in his own sewage, which can't be comfortable, but it was his own fault for coming into the office to investigate instead of running the other way. He'd soiled his pants almost the second he'd walked in. Between that and Trevor's brains on the wall, the room smells worse than any paddock she's ever been in. But you can put up with anything, Sloan has learned, if you have to. You just can't put up with it forever.

"Beck is fine."

"Good. That's good. Can I talk to him?"

"No."

"Why not?"

Because she doesn't want to hear any more about little Max and littler Ian and if she takes off Beck's gag, all he'll do is cry about how his sons need him and how they'll miss him, and she already knows everything she needs to know about little Max and littler Ian. They go to Fessenden, spend summers on Nantucket eating watermelon, and will one day grow up to be strapping blond boys of privilege from the finest business schools who, given the chance, will pass her by. Just as their father had. But she doesn't like it when Officer Jimmy is not happy with her, so she gets up from the floor keeping her knees closed and turned gracefully to the side, heads over to Beck, takes off the earpiece, and holds it in front of him.

"Make some kind of noise."

The corners of Beck's mouth are split and caked with blood and dried spit where his $200 Zegna tie-gag is pinching. She knows he can moan--he's been doing it on and off for hours--but right now he seems comatose, frozen with his eyes open.

She shakes the earpiece. "Do it." But he doesn't and now she has to figure out how to make him. She hates the idea of touching him. The gun would be good for that. It's too heavy to carry around, so she keeps putting it down. Right now it's on Trevor's desk. But Beck is reading her mind. Before she even moves, he rolls out a few dry croaks and she wonders if the back of his throat is somehow pasted to the front.

"See?" She fits the earpiece back on her ear. "He's fine."

"All right," says Jimmy the officer. "That's good. Now we need to start talkin' about how to resolve this thing. We're at this five...going on six hours here, and you still haven't told me what you want."

"I was supposed to have half an hour to think about it and you only gave me ten minutes."

"You know we can't let this thing drag on forever." Only he says
forevah
. For all the things she likes about Jimmy Tarbox, the one thing that grates is his accent. "Let's talk about how to get you and Beck out of there without anyone else getting hurt. Let's figure this out together."

Sloan's stomach has settled, which means she can fall back into pacing the comfortable loop that runs between the conference table and the bookshelves, past the leather couch, the grandfather clock, and Beck, behind Trevor's desk, along his wall of photos, and back to the corner where the two walls of windows meet. Trevor is still wearing his raincoat and holding the handle of his soft leather briefcase in his right hand. Falling backwards, his left arm had hooked over one of his conference table chairs and pulled it down on top of him. His right leg is bent underneath him. He looks like a chalk outline. She steps over his head to get back on course.

"I can't come out. No one will understand what happened here."

"I understand. I know you didn't mean for all this to happen. You didn't get up this mornin' sayin', 'Today I'm going in to plug my boss.'"

"No." God no. This was supposed to have been the best day of her life. After picking the St. John suit, she had fallen into bed and actually slept for two hours. Waking refreshed, she had decided to forego the planned cab ride and walk to work instead. She usually walked for the exercise, but today she had noticed things. People in soft pants and flip-flops out on the Comm. Ave. Mall with their dogs, yawning and standing by with their baggies until there was a pile to clean up. The flowers in the Public Garden. Even the accordion-playing busker on the Common sounded good to her. She'd seen him there often, sitting on the same low brick wall under a tree, squeezing out sad French ballads, collecting tips from the well-dressed army of posers and wannabes making its weary way to the Financial District for another day in the MUTUAL FUND CAPITAL OF THE
WORLD
! She had never given him a penny. She didn't believe in rewarding mediocrity. Also, he smelled.

But today she had admired his work ethic. Today she had slipped a twenty into his collection cup because everything was good and everyone was kind and even living in Boston wasn't so bad because today, after six long years in this second-rate backwater town, she would be named Managing Director. She would cross the magic line, get her ticket punched, and one day soon, get back home to New York where they would surely have to take her seriously now. Best of all, she would never again have to explain to Mother why Bo, James, and Danny had made MD before her. Sure they were two, four, and seven-and-a-half years younger, but they were also young, strapping boys from the finest business schools and the investment industry had no place for smart females--or any females--who didn't answer phones, fetch coffee, or give blowjobs to important clients.

"Sloan?"

"What?"

"Am I talkin' to myself here?" Officer Jimmy is making his point, but with a light touch, and she wishes she had learned how to be that way.

"You were saying it makes a difference if I hadn't planned on shooting Trevor today."

"Exactly. That it wasn't premeditated. We can work with that, and we can do some things here so the situation doesn't get worse than it is."

Uh-oh. Here it comes. She knows what he's about to say because he's said it a hundred times already.

"The biggest thing is you got to let Beck come out."

She breathes in deeply, pulling in the fetid and humid air that has filled the office ever since they turned off the air conditioners. As they always seem to, her grinding molars find the scar tissue inside her left cheek and the taste in her mouth changes. She's bleeding.

"Why is everyone so concerned about Beck? Beck is fine. Beck is more than fine.
He
got promoted today. Or was it yesterday? He gets to be an MD, and do you know how long it took him? A year. I've been here six years and I've been up for MD the past four. Do you know who the biggest alpha generator around here is?"

"You?"

"For the past two years."

"What's an alpha?"

"Alpha generation...it's just a way of showing who earns the most for the firm, who the best stock picker is, and it's
me
. Do you know what they told me last year? 'We can't promote you because you're too volatile. Everyone's afraid of you.' And the year before that? 'We can't promote you because you're too quiet. No one ever knows what you're thinking.'"

"Take it easy. I'm not trying to upset you. I'm trying to get you to think through this thing logically with me. People will be coming to work in a few hours. You and me, we have to be done and out of here by then."

She takes a turn too fast and nearly bangs into the corner of Trevor's desk. She uncrosses her arms and takes her fists from her armpits. "Do you have any idea what it's like to be strung along year after year, to get your hopes up and then get told...to have to sit and be told all the things that are wrong with you?"

"No, I don't know what it's like to be in your position--your work position or the one you're in now. But I do know what it's like to get passed over. I got passed over for this job six times."

He's saying all the right words. He's saying he understands because that's his job. But she hears it in his tone.
You stupid bitch
, he's thinking.
You had everything--the money, the Back Bay condo, the friggin' horse farm in Millbrook. The shopping trips to London. And you do this?
This
is what you do? You stupid, spoiled rich little bitch
.

She grabs the earpiece, holds it directly in front of her mouth. "I made two and a half million dollars last year. What did
you
make?" Hits the button to end the call, and just like that Jimmy Tarbox is out of her head.

But her head throbs. From the heat, maybe. Or dehydration. She pushes back against it with the heels of her hands against her eyes. She holds her jacket open and fans it, trying to air out. All night she's resisted taking it off--she never takes her jacket off in public--but it has to come off. It's too hard to breathe. What to do about Beck? She goes over and grabs the high back of his chair. It annoys her that he doesn't flinch anymore when she approaches. She turns him to face the wall. He can stare at Trevor's collection of golf photos.

Instead of gliding off, the jacket's silk lining sticks to the damp insides of her elbows and she has to wrestle with it. Mother would be mortified. She settles it onto the hanger on the back of the door and stands with her arms wrapped around her.
Spider-arms
they used to call her, all the girls back at Monsignor Xavier Prep. She looks at Trevor's face. What had high school been like for him back in Manchester or Sheffield or wherever he was from? Probably no one ever called him names, but she didn't know. She didn't know much of anything about Trevor.

Bony Sloany
. That was another one. She had hated high school with every fiber in her bony body. Except for the stables. The horses and riding had saved her. These days, all that saves her is Rowan. She closes her eyes and tries to think of him. He can usually calm her down, but right now her head is too jammed.

When she opens her eyes, there is Beck. She should kill him. Put the gun to the back of his head, pull the trigger, and put him down, all without ever having to look upon his classically handsome face again. She's already killed Trevor. Why not just do it now and let this end?

Because she hadn't really thought it through with Trevor.

She'd caught him trying to sneak out of the building without talking to her. Not even sneaking. Just walking out as if she hadn't been sitting in her office all day waiting for his call. As if she hadn't skipped her daily caramel latte to cut down on trips to the bathroom. As if she hadn't spent the long hours of the afternoon rocking back and forth at her desk, staring at the blinking cursor on her Bloomberg screen, and pleading with God not to let it happen again because she could feel it happening again. Falling and falling, waiting to hit the concrete, picking up speed with every second that ticked by with no call from Trevor. So she had prayed, asking God not to let her have anything else taken away.

BOOK: Boston Noir
7.14Mb size Format: txt, pdf, ePub
ads

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