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Authors: Gustave Flaubert

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The road which they took was a continuously uphill one; the sloping ground hid the horizon from their view. They reached a height close to La Butte, and at a single glance the disaster was revealed to them.

All the stacks, here and there, were flaming like volcanoes in the midst of the plain, stripped bare in the evening stillness. Around the biggest of them there were about three hundred persons, perhaps; and under the command of M. Foureau, the mayor, in a tricoloured scarf, youngsters, with poles and crooks, were dragging down the straw from the top in order to save the rest of it.

Bouvard, in his eagerness, was near knocking down Madame Bordin, who happened to be there. Then, seeing one of his servant-boys, he loaded him with insults for not having given him warning. The servant-boy, on the contrary, through excess of zeal, had at first rushed to the house, then to the church, next to where Monsieur himself was staying, and had returned by the other road.

Bouvard lost his head. His entire household gathered round him, all talking together, and he forbade them to knock down the stacks, begged of them to give him some help, called for water, and asked where were the firemen.

"We've got to get them first!" exclaimed the mayor.

"That's your fault!" replied Bouvard.

He flew into a passion, and made use of improper language, and everyone wondered at the patience of M. Foureau, who, all the same, was a surly individual, as might be seen from his big lips and bulldog jaw.

The heat of the stacks became so great that nobody could come close to them any longer. Under the devouring flames the straw writhed with a crackling sound, and the grains of corn lashed one's face as if they were buckshot. Then the stack fell in a huge burning pile to the ground, and a shower of sparks flew out of it, while fiery waves floated above the red mass, which presented in its alternations of colour parts rosy as vermilion and others like clotted blood. The night had come, the wind was swelling; from time to time, a flake of fire passed across the black sky.

Bouvard viewed the conflagration with tears in his eyes, which were veiled by his moist lids, and his whole face was swollen with grief. Madame Bordin, while playing with the fringes of her green shawl, called him "Poor Monsieur!" and tried to console him. Since nothing could be done, he ought to do himself justice.

Pécuchet did not weep. Very pale, or rather livid, with open mouth, and hair stuck together with cold sweat, he stood apart, brooding. But the curé who had suddenly arrived on the scene, murmured, in a wheedling tone:

"Ah! really, what a misfortune! It is very annoying. Be sure that I enter into your feelings."

The others did not affect any regret. They chatted and smiled, with hands spread out before the flame. An old man picked out burning straws to light his pipe with; and one blackguard cried out that it was very funny.

"Yes, 'tis nice fun!" retorted Bouvard, who had just overheard him.

The fire abated, the burning piles subsided, and an hour later only ashes remained, making round, black marks on the plain. Then all withdrew.

Madame Bordin and the Abbé Jeufroy led MM. Bouvard and Pécuchet back to their abode.

On the way the widow addressed very polite reproaches to her neighbour on his unsociableness, and the ecclesiastic expressed his great surprise at not having up to the present known such a distinguished parishioner of his.

When they were alone together, they inquired into the cause of the conflagration, and, in place of recognising, like the rest of the world, that the moist straw had taken fire of its own accord, they suspected that it was a case of revenge. It proceeded, no doubt, from Maître Gouy, or perhaps from the mole-catcher. Six months before Bouvard had refused to accept his services, and even maintained, before a circle of listeners, that his trade was a baneful one, and that the government ought to prohibit it. Since that time the man prowled about the locality. He wore his beard full-grown, and appeared to them frightful-looking, especially in the evening, when he presented himself outside the farmyard, shaking his long pole garnished with hanging moles.

The damage done was considerable, and in order to know their exact position, Pécuchet for eight days worked at Bouvard's books, which he pronounced to be "a veritable labyrinth." After he had compared the day-book, the correspondence, and the ledger covered with pencil-notes and discharges, he realised the truth: no goods to sell, no funds to get in, and in the cash-box zero. The capital showed a deficit of thirty-three thousand francs.

Bouvard would not believe it, and more than twenty times they went over the accounts. They always arrived at the same conclusion. Two years more of such farming, and their fortune would be spent on it! The only remedy was to sell out.

To do that, it was necessary to consult a notary. The step was a disagreeable one: Pécuchet took it on himself.

In M. Marescot's opinion, it was better not to put up any posters. He would speak about the farm to respectable clients, and would let them make proposals.

"Very well," said Bouvard, "we have time before us." He intended to get a tenant; then they would see. "We shall not be more unlucky than before; only now we are forced to practise economy!"

Pécuchet was disgusted with gardening, and a few days later he remarked:

"We ought to give ourselves up exclusively to tree culture--not for pleasure, but as a speculation. A pear which is the product of three soils is sometimes sold in the capital for five or six francs. Gardeners make out of apricots twenty-five thousand livres in the year! At St. Petersburg, during the winter, grapes are sold at a napoleon per grape. It is a beautiful industry, you must admit! And what does it cost? Attention, manuring, and a fresh touch of the pruning-knife."

It excited Bouvard's imagination so much that they sought immediately in their books for a nomenclature for purchasable plants, and, having selected names which appeared to them wonderful, they applied to a nurseryman from Falaise, who busied himself in supplying them with three hundred stalks for which he had not found a sale. They got a lock-smith for the props, an iron-worker for the fasteners, and a carpenter for the rests. The forms of the trees were designed beforehand. Pieces of lath on the wall represented candelabra. Two posts at the ends of the plat-bands supported steel threads in a horizontal position; and in the orchard, hoops indicated the structure of vases, cone-shaped switches that of pyramids, so well that, in arriving in the midst of them, you imagined you saw pieces of some unknown machinery or the framework of a pyrotechnic apparatus.

The holes having been dug, they cut the ends of all the roots, good or bad, and buried them in a compost. Six months later the plants were dead. Fresh orders to the nurseryman, and fresh plantings in still deeper holes. But the rain softening the soil, the grafts buried themselves in the ground of their own accord, and the trees sprouted out.

When spring had come, Pécuchet set about the pruning of pear trees. He did not cut down the shoots, spared the superfluous side branches, and, persisting in trying to lay the "duchesses" out in a square when they ought to go in a string on one side, he broke them or tore them down invariably. As for the peach trees, he got mixed up with over-mother branches, under-mother branches, and second-under-mother branches. The empty and the full always presented themselves when they were not wanted, and it was impossible to obtain on an espalier a perfect rectangle, with six branches to the right and six to the left, not including the two principal ones, the whole forming a fine bit of herringbone work.

Bouvard tried to manage the apricot trees, but they rebelled. He lowered their stems nearly to a level with the ground; none of them shot up again. The cherry trees, in which he had made notches, produced gum.

At first, they cut very long, which destroyed the principal buds, and then very short, which led to excessive branching; and they often hesitated, not knowing how to distinguish between buds of trees and buds of flowers. They were delighted to have flowers, but when they recognised their mistake, they tore off three fourths of them to strengthen the remainder.

Incessantly they kept talking about "sap" and "cambium," "paling up," "breaking down," and "blinding of an eye." In the middle of their dining-room they had in a frame the list of their young growths, as if they were pupils, with a number which was repeated in the garden on a little piece of wood, at the foot of the tree. Out of bed at dawn, they kept working till nightfall with their twigs carried in their belts. In the cold mornings of spring, Bouvard wore his knitted vest under his blouse, and Pécuchet his old frock-coat under his packcloth wrapper; and the people passing by the open fence heard them coughing in the damp atmosphere.

Sometimes Pécuchet drew forth his manual from his pocket, and he studied a paragraph of it standing up with his grafting-tool near him in the attitude of the gardener who decorated the frontispiece of the book. This resemblance flattered him exceedingly, and made him entertain more esteem for the author.

Bouvard was continually perched on a high ladder before the pyramids. One day he was seized with dizziness, and, not daring to come down farther, he called on Pécuchet to come to his aid.

At length pears made their appearance, and there were plums in the orchard. Then they made use of all the devices which had been recommended to them against the birds. But the bits of glass made dazzling reflections, the clapper of the wind-mill woke them during the night, and the sparrows perched on the lay figure. They made a second, and even a third, varying the dress, but without any useful result.

However, they could hope for some fruit. Pécuchet had just given an intimation of the fact to Bouvard, when suddenly the thunder resounded and the rain fell--a heavy and violent downpour. The wind at intervals shook the entire surface of the espalier. The props gave way one after the other, and the unfortunate distaff-shaped trees, while swaying under the storm, dashed their pears against one another.

Pécuchet, surprised by the shower, had taken refuge in the hut. Bouvard stuck to the kitchen. They saw splinters of wood, branches, and slates whirling in front of them; and the sailors' wives who, on the sea-shore ten leagues away, were gazing out at the sea, had not eyes more wistful or hearts more anxious. Then, suddenly, the supports and wooden bars of espaliers facing one another, together with the rail-work, toppled down into the garden beds.

What a picture when they went to inspect the scene! The cherries and plums covered the grass, amid the dissolving hailstones. The Passe Colmars were destroyed, as well as the Besi des Vétérans and the Triomphes de Jordoigne. There was barely left amongst the apples even a few Bon Papas; and a dozen Tetons de Venus, the entire crop of peaches, rolled into the pools of water by the side of the box trees, which had been torn up by the roots.

After dinner, at which they ate very little, Pécuchet said softly:

"We should do well to see after the farm, lest anything has happened to it."

"Bah! only to find fresh causes of sadness."

"Perhaps so; for we are not exactly lucky."

And they made complaints against Providence and against nature.

Bouvard, with his elbows on the table, spoke in little whispers; and as all their troubles began to subside, their former agricultural projects came back to their recollection, especially the starch manufacture and the invention of a new sort of cheese.

Pécuchet drew a loud breath; and while he crammed several pinches of snuff into his nostrils, he reflected that, if fate had so willed it, he might now be a member of an agricultural society, might be delivering brilliant lectures, and might be referred to as an authority in the newspapers.

Bouvard cast a gloomy look around him.

"Faith! I'm anxious to get rid of all this, in order that we may settle down somewhere else!"

"Just as you like," said Pécuchet; and the next moment: "The authors recommend us to suppress every direct passage. In this way the sap is counteracted, and the tree necessarily suffers thereby. In order to be in good health, it would be necessary for it to have no fruit! However, those which we prune and which we never manure produce them not so big, it is true, but more luscious. I require them to give me a reason for this! And not only each kind demands its particular attentions, but still more each individual tree, according to climate, temperature, and a heap of things! Where, then, is the rule? and what hope have we of any success or profit?"

Bouvard replied to him, "You will see in Gasparin that the profit cannot exceed the tenth of the capital. Therefore, we should be doing better by investing this capital in a banking-house. At the end of fifteen years, by the accumulation of interest, we'd have it doubled, without having our constitutions ground down."

Pécuchet hung down his head.

"Arboriculture may be a humbug!"

"Like agriculture!" replied Bouvard.

Then they blamed themselves for having been too ambitious, and they resolved to husband thenceforth their labour and their money. An occasional pruning would suffice for the orchard. The counter-espaliers were forbidden, and dead or fallen trees should not be replaced; but he was going to do a nasty job--nothing less than to destroy all the others which remained standing. How was he to set about the work?

Pécuchet made several diagrams, while using his mathematical case. Bouvard gave him advice. They arrived at no satisfactory result. Fortunately, they discovered amongst their collection of books Boitard's work entitled
L'Architecte des Jardins
.

The author divides them into a great number of styles. First there is the melancholy and romantic style, which is distinguished by immortelles, ruins, tombs, and "a votive offering to the Virgin, indicating the place where a lord has fallen under the blade of an assassin." The terrible style is composed of overhanging rocks, shattered trees, burning huts; the exotic style, by planting Peruvian torch-thistles, "in order to arouse memories in a colonist or a traveller." The grave style should, like Ermenonville, offer a temple to philosophy. The majestic style is characterised by obelisks and triumphal arches; the mysterious style by moss and by grottoes; while a lake is appropriate to the dreamy style. There is even the fantastic style, of which the most beautiful specimen might have been lately seen in a garden at Würtemberg--for there might have been met successively a wild boar, a hermit, several sepulchres, and a barque detaching itself from the shore of its own accord, in order to lead you into a boudoir where water-spouts lave you when you are settling yourself down upon a sofa.

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