Brando (6 page)

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Authors: Marlon Brando

BOOK: Brando
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6

IT WAS ONE
of the cadets’ responsibilities to write home once a week, and I did my duty. As I look at these letters from Shattuck that Frannie saved, I am struck by the innocence, naïveté and dishonesty expressed by their author. I see an eager, lonely child who never had much of a childhood, who needed affection and assurance and lied to his parents in the hope that something he might say would make them want to love him. He was a boy with little faith in himself, a child who hungered for their approval and would do anything to get it. He told them constantly how much he loved them, hoping his words would persuade them to tell him that
they
loved
him
, and he always wrote that everything was okay when of course it wasn’t. But these were not conscious feelings; at the time I had no idea why I was troubled. Now I realize that by then any hope I’d ever had of receiving love or support from my parents was probably moribund. But I was in denial. I tried not to think about it while sending home letters in which a part of me was still trying to make them think I was worthy of their love. In being a loving son, I suppose I was trying to become a loved son. What my letters failed to say was that in those days I blamed myself for all my insecurities and other problems. I didn’t understand yet
about the lethal weapons that parents employ in their words and actions when they deal with their children, or the obligation of parents to give their children self-esteem instead of shame.

I don’t want to give the wrong impression: my youth was not an unremitting stretch of sadness and unhappiness; it wasn’t like that. I had a lot of fun and a lot of laughs. But my life was largely a series of acts of hostility designed to subvert authority. I had no sense of emotional security. I didn’t know until much later why I felt valueless, or that I was responding to a sense of worthlessness with hostility. In summary, my time at Shattuck was a mixed experience; sometimes I felt lonely and bereft of love and affection, and other times I had a great deal of satisfaction in being able to challenge authority successfully and get away with it by clever wiles and lies.

When I entered Shattuck, I had a hair-trigger temper. I had—and still have—an intense hatred of loud, sudden noises and of being startled, and these could cause me to explode. At home I once knocked down one of my sisters after she came into my bedroom while I was asleep, shook me and told me dinner was ready. I was so startled that I got up, walked across the room and punched her, and was bewildered and contrite afterward. Even today when I’m startled I instinctively put my hands up and pull back my right fist ready to strike. I don’t hit people anymore, but I still automatically assume the posture. I’ve never understood why. One incident at Shattuck suggests that I’ve been that way a long time. I was always the last person in formation. I couldn’t bear the loud ruckus, and the intensity of the noise in the gym, especially early in the morning when we were summoned to formation and somebody was shouting orders, so I was always tardy. I usually got there just as the bugle blew or someone said, “Battalion, attention.” On one occasion, I shuffled my way reluctantly into the gym in wintertime and a friend of mine came up behind me, slapped me on the shoulder and
said, “Good morning, Banjo” (one of my nicknames). I turned around and without a conscious thought decked him. Then I stood over him and said, “If you ever do that to me again, you son of a bitch, I’ll kill you.” I saw his anger rise, but when he saw the intensity he was dealing with, he backed off. Then I immediately apologized.

About three months after I arrived at Shattuck, the chief administrator at the school—his name was Dr. Nuba Fletcher but we called him “Nuba the Tuba”—convened a formation to announce to the battalion that we were at war with Japan. I was in the front row, and he looked at me and told me I was sitting in the very same seat where my father had been sitting when the battalion was informed of America’s entry into the First World War. Since my father had gone on from Shattuck to become a lieutenant in the artillery, I suspect the Tuba expected and certainly hoped I’d receive a commission. Occasionally he or one of the masters would say something like, “Marlon, if you ever stop being a smart-ass, you might make a good officer.” But I wouldn’t have lasted a nanosecond in a uniform. All my life I have questioned why I should do something. My first response always is, Why should I? Reasonable arguments can change my mind, but I won’t do something if I don’t agree. I have never been able to snap to and salute, and that’s what they ordered you to do at Shattuck.

Still, I have wonderful, warm memories of breaking the rules—of pranks, high jinks, teasing the masters and assorted silliness that almost made being there worth it.

Once the war started, many of the younger masters went into the army, and we had to deal with whatever faculty the management of the school could scrape together. As a group they were mostly tired older men who were no match for the cadets. By nature, adolescent boys, especially when they organize as a group, can be a diabolical force, testing adults to the limit and pushing those limits to the extreme, and that’s what we did.

I had discovered that a hair tonic called Vitalis contained alcohol and that if you touched a match to it, it glowed spectacularly for a few seconds in a stunning electric blue flame.

After this discovery, in the middle of the night I’d take a bottle of Vitalis down two flights of stairs, squirting it on the floor and walls until I came to the doorway of one of the boys I didn’t like, then return to the safety of my room and set the Vitalis afire. The flame raced down the stairs, leaving behind a glorious fiery ribbon.

Another time, a bunch of us got together and poured Vitalis over the transom of a master who was terrified by this wild, savage group of boys who would never relent once they saw a grain of weakness in a master. We scared him nearly to death, and we could hear him beating the flames out with his clothes. It didn’t cause any damage, merely an eerie blue flame.

I was also responsible for one of the great unsolved mysteries in the history of Shattuck. Besides being easily startled, I have, again, never been able to stand loud noises, although admittedly it is selective: I can listen for hours to music played so loud that other people have to leave the room. But most loud noises—especially sounds associated with authority—annoy me. The bell in the tower at Shattuck constantly bonged every fifteen minutes—on the hour, quarter hour, half hour, three-quarter hour—ordering us to go to class, eat, sleep, get in formation or report for a drill. It was the voice of authority and I hated it. At some point I decided I simply couldn’t bear it any longer and climbed into the tower late one night—an act that alone made me subject to immediate dismissal—intending to sabotage the mechanism that made the bell ring. But I discovered that the only way I could silence the bell was to steal the clapper; it must have weighed 150 pounds, but I decided to take it. I waited until the bell tolled at the quarter hour, nearly deafening myself, leaned over, unhooked the clapper, hoisted it on my shoulders and made my way down the stairs to the ground. It was spring, the night was flooded with moonlight and I felt glorious. I lugged the clapper a couple of hundred yards and buried it, where it is to this day. Anybody with a metal detector could find it. As I covered the clapper in the grave I’d dug for it, I smirked and chuckled in a way that only an adolescent could smirk and chuckle. The next morning the school was wonderfully quiet. The masters gathered outside the tower, looked up, shook their heads and tried to figure out what had happened. I could hardly contain my laughter at everyone’s bewilderment. It was wartime, and every ounce of metal was needed for tanks, guns and airplanes, which meant they couldn’t replace the clapper—good news for me, but a crisis for the staff, because the masters had always relied on the bell to order cadets to their classes and other events. Perplexed, they found a cadet who played the trumpet and ordered him to toot his horn every hour. But they couldn’t agree what he should play, so he had to keep trying different songs; he could have played “Annie Laurie” and it would have served the purpose, but they kept telling him to learn another new tune, and he was constantly missing notes, which was comical, and his poor playing almost hospitalized me with laughter. I’ll never forget that poor benighted cadet with his horn at his lips trying new bugle calls and constantly hitting wrong notes.

When they realized the clapper was gone, the faculty decided that a cadet must have been responsible for its disappearance, so they summoned all the cadets to a formation and ordered the culprit to identify himself. When no one came forward, the battalion was put “on bounds,” which meant we couldn’t go into town, normal privileges were suspended and we were confined to the study hall during our free time. The masters were sure that the offender would have bragged about his larceny, and that by punishing the entire battalion one of the other cadets would rat on him.

I promptly announced I was forming an ad hoc committee of
cadets to conduct its own investigation of the crime, which I called a sacrilegious assault on one of the most hallowed traditions of Shattuck. Of course the staff loved me for this. Then I named all my enemies—cadets I didn’t like—as probable conspirators in the theft. Even today I find myself laughing at this elaborate hoax and the style with which I carried it off.

No one has ever discovered the truth. Eventually the faculty had to surrender; they restored our privileges and everything returned to normal. Meanwhile, I had looked like a knight, the one cadet at Shattuck who’d had the courage, honor and sense of its venerable traditions to demand that the perpetrator be held accountable for his deed. The secret of being a successful vandal in military school is not taking on a partner. If you are the only one who knows a secret, and you keep it and are deft and careful, you will never be apprehended.

7

AFTER TWO SEMESTERS
at Shattuck, I went on the bum for a summer, riding the rails, living in hobo camps and hanging out with tramps. My traveling companions were drifters from all over America—professional full-time hoboes—and I learned that they had a social system of rules, customs and traditions as rigid and well defined as those of any culture I ever encountered later. The first thing I learned was never to ask a stranger about his previous life. Many were on the run from a wife, the police or a life they no longer wanted, and when you asked what they did, more often than not, they’d answer, “Just wasting time.” I learned their lingo, jargon and secret codes: a certain sign marked with chalk in an alley meant that a vicious dog lived nearby; a different symbol indicated that residents of the nearest house were generous. Around noon, everyone who lived in the camps had to contribute something to the mulligan stew. We returned to the camp with our respective contribution and dumped it into a common pot, then ate together—from a tin plate if we had one or right out of the pot if we didn’t. The camps were democratic, with a prescribed pecking order like most cultures: younger, greener hoboes like me were expected to pay a certain respect to those with more miles under their
belt; often an unelected senior hobo was regarded as a kind of de facto headman who could arbitrate disputes, although it wasn’t unusual for disagreements to be settled with fists. A fire blazed in the camp all day, usually with a charred, steaming pot of coffee perched on a rusty steel grate. The hoboes simply dumped the coffee grounds straight into the pot. Everyone drank the coffee black because that was the way they did it—no sugar, no cream.

A small Jewish man named Hasso befriended me. He was an itinerant scissor sharpener who went door-to-door selling needles and offering to fix things in exchange for a meal, and he taught me a lot: who to trust and who to avoid, how to get supper for a little sweat, how to avoid the railroad dicks who prowled the railroad yards with oak clubs that they smashed on your head if they caught you on a freight. Hasso told me to jump off the train a mile or so before the train arrived at a freight yard, walk a mile or so past it, then hop aboard another train after it had left the yard. He taught me to avoid empty boxcars whenever I could because they bounced up and down at least eight inches, and rattled so much that you couldn’t sleep. Find a loaded boxcar, he said, and make your bed on a stack of cardboard boxes if you can. If you can’t, ride the rods—the steel bars stretching beneath the boxcars a foot or two above the tracks. The safest way to do it, he said, was to place a piece of wood across the rods and stretch out on it. It was safe enough to ride that way, he said, but you had to be wary of gravel bouncing up from the track bed when the train moved at high speed. When it got cold, Hasso taught me, wood was a poor insulator, but newspapers could keep you warm. Three or four sheets of newsprint on damp ground, he said, kept you dry and, stuffed under your shirt, they kept you warm in a high wind. I remembered this trick later when I started riding motorcycles.

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