Brick Shakespeare: The Comedies—A Midsummer Night's Dream, The Tempest, Much Ado About Nothing, and The Taming of the Shrew (11 page)

BOOK: Brick Shakespeare: The Comedies—A Midsummer Night's Dream, The Tempest, Much Ado About Nothing, and The Taming of the Shrew
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HELENA

Stay, though thou kill me, sweet Demetrius.

DEMETRIUS

I charge thee, hence, and do not haunt me thus.

HELENA

O, wilt thou darkling leave me? do not so.

DEMETRIUS

Stay, on thy peril: I alone will go.

HELENA

O, I am out of breath in this fond chase!

The more my prayer, the lesser is my grace.

Happy is Hermia, wheresoe’er she lies;

For she hath blessed and attractive eyes.

How came her eyes so bright? Not with salt tears:

If so, my eyes are oftener wash’d than hers.

No, no, I am as ugly as a bear;

For beasts that meet me run away for fear:

Therefore no marvel though Demetrius

Do, as a monster fly my presence thus.

What wicked and dissembling glass of mine

Made me compare with Hermia’s sphery eyne?

HELENA (cont.)

But who is here? Lysander! on the ground!

Dead? or asleep? I see no blood, no wound.

Lysander if you live, good sir, awake.

LYSANDER

And run through fire I will for thy sweet sake.

Transparent Helena! Nature shows art,

That through thy bosom makes me see thy heart.

Where is Demetrius? O, how fit a word

Is that vile name to perish on my sword!

HELENA

Do not say so, Lysander; say not so

What though he love your Hermia? Lord, what though?

Yet Hermia still loves you: then be content.

LYSANDER

Content with Hermia! No; I do repent

The tedious minutes I with her have spent.

Not Hermia but Helena I love:

Who will not change a raven for a dove?

The will of man is by his reason sway’d;

And reason says you are the worthier maid.

Things growing are not ripe until their season;

So I, being young, till now ripe not to reason;

And touching now the point of human skill,

Reason becomes the marshal to my will

And leads me to your eyes, where I o’erlook

Love’s stories written in love’s richest book.

HELENA

Wherefore was I to this keen mockery born?

When at your hands did I deserve this scorn?

Is’t not enough, is’t not enough, young man,

That I did never, no, nor never can,

Deserve a sweet look from Demetrius’ eye,

But you must flout my insufficiency?

Good troth, you do me wrong, good sooth, you do,

In such disdainful manner me to woo.

But fare you well: perforce I must confess

I thought you lord of more true gentleness.

O, that a lady, of one man refused.

Should of another therefore be abused!

LYSANDER

She sees not Hermia. Hermia, sleep thou there:

And never mayst thou come Lysander near!

For as a surfeit of the sweetest things

The deepest loathing to the stomach brings,

Or as tie heresies that men do leave

Are hated most of those they did deceive,

So thou, my surfeit and my heresy,

Of all be hated, but the most of me!

And, all my powers, address your love and might

To honour Helen and to be her knight!

HERMIA

Help me, Lysander, help me! do thy best

To pluck this crawling serpent from my breast!

Ay me, for pity! what a dream was here!

Lysander, look how I do quake with fear:

Methought a serpent eat my heart away,

And you sat smiling at his cruel pray.

Lysander! what, removed? Lysander! lord!

What, out of hearing? gone? no sound, no word?

Alack, where are you speak, an if you hear;

Speak, of all loves! I swoon almost with fear.

No? then I well perceive you all not nigh

Either death or you I’ll find immediately.

ACT III. Scene I (69–158).

T
he workmen have moved their play rehearsal space to the woods, so that they would not be disturbed by the bustle of town. Puck finds them, remarks that they are practicing close to where Titania sleeps, and watches the men bumble about theatrically for some moments. He decides to liven up the play with a bit of magical mischief.

PUCK

What hempen home-spuns have we swaggering here,

So near the cradle of the fairy queen?

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