Cameo Lake

Cameo
Lake

ALSO BY SUSAN WILSON

Hawke's Cove

Published by POCKET BOOKS

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

POCKET BOOKS, a division of Simon & Schuster, Inc. 1230 Avenue of the Americas, New York, NY 10020

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Copyright © 2001 by Susan Wilson.

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Pocket Books, 1230 Avenue of the Americas, New York, NY 10020

ISBN 0-7434-1940-5

POCKET and colophon are registered trademarks of Simon & Schuster, Inc.

Dedicated with love to family and friends without whose support this and everything else I do would be impossible.

In memory of Meredith

And with enormous appreciation for their labors, I wish to thank my editor, Caroline Tolley, who mid-wifed my literary baby even as she was delivering her own real one; Lauren McKenna, her stalwart associate, and Ed Cohen, whose line editing seemed like conversation. Thanks, as always, to Andrea Cirillo and the Jane Rotrosen team. Lastly, for her cheerful technical advice, grateful thanks to Barbara Stelle, M.D.

Cameo
Lake

Prologue

T
he small concert hall is beginning to fill up. I know we're here very early, but I was anxious and ready to go. I like sitting here, watching the people file in, find their seats, greet acquaintances with little waves, the women in silk, good jewelry glittering, the men in dark suits. I smooth down the silk of my own dress and dislike the moisture on my palms. I am not a performer, I am here to listen. I am audience. Yet I am nervous and I wish Grace would hurry up. Whenever we go to the theater or concerts, she always seems to time it so that she sees everyone she knows before she climbs into her seat. Finally she arrives and places herself to my right, between Lily and Tim, who are sitting with uncharacteristic stillness.

Though I haven't yet opened the evening's program, I already know they'll be playing Mahler's Fifth Symphony as their first piece. That's not why we're here. Tonight will be the premiere of a highly anticipated new concerto for flute. A famous flautist will play it. As the orchestra files in, I turn around in my seat to see if I see him, the composer. To see if he's looking for me.

One

T
he sun dappled the track in front of me, strobing brilliant to black, dazzling my eyes and making me squint. I maneuvered my borrowed four-by-four into the ruts I couldn't go around, the groaning of the behemoth vehicle condemning my inexperience.

Just the good side of mud season, the track was only vestigially wet in the deeper grooves, uncomfortable but not impassable. Heavy tire marks ahead of me guided my way when I would have packed it in otherwise. After the lonely three-and-a-half-hour drive from Providence, it wouldn't have taken much else to turn me back from committing myself to this exile in the New Hampshire woods.

Grace's instructions had been precise. I found the turnoff to the cabin easily: third left beyond the abandoned fruit stand, watch for the faded blue sign
CAMEO LAKE
at the head of the mile-long private way. Before going any further I paused, checked my watch, and picked up the mobile phone plugged into the lighter. Grace had warned me that the cabin lay in a dead zone for microwaves and the car phone would only work at the top of the drive. Once down the road, I was lost to all outside communication. A fact which had made the offer to borrow her cabin that much more appealing.

“McCarthy.” Sean's voice was abrupt.

“Hey, I'm here.”

“You made good time.”

“Under four hours. One stop.”

“Good. Good.” I knew Sean must have a client with him, his half of the dialogue was shaded with preoccupation.

“I'll call you at home.”

“Fine. Wait. I've got a dinner tonight. Call late.”

“Never mind, I'll call tomorrow.” I repressed my annoyance that he couldn't spend this first night of my being away at home with the kids. Sean had been remarkably agreeable, if not precisely enthusiastic, about my making this working retreat. Putting a good face on it. Every time I mentioned some aspect of the upcoming retreat, Sean would carefully arrange his broad Irish face into a cheerful, benign expression, admirably illustrating the aphorism.

“Hey. Cleo. I'm glad you got there safely.”

The track suddenly opened up into a good-sized yard, edged by a semicircle of pine and birch. The late-afternoon sun made golden the yellowish grass and patched the cabin roof between the long shadows. “Plain and simple” was how Grace described this lakefront family camp. Plain and simple it was. Rustic bordering on primitive: a two-circuit electrical system, limited hot water, and no phone. The one concession to environmental responsibility was the recent addition of a flush toilet and a tight tank.

“It's exactly what you need.” Grace had taken my unfinished manuscript as her responsibility. “You need to get away from everyone—every distraction.” She meant my inability to say no to anyone: PTA, church, community activities. The phone rang and my Pavlovian response was to say yes.

Grace, of course, was my biggest distraction, the one who kept signing me up for things—“It'll only be once a month . . . year . . . day.” That's not fair. Grace was my one legitimate distraction, apart from my husband and kids. My best friend.

I sat for a long time staring at my future. Would I really find my abandoning muse in this peaceful, if lonely, place? A cardinal flitted in the bramble bush, cast himself into the air, and landed on the tin chimney. He called to the world, “Mate wanted, apply here,” with a
sharp call, like someone whistling up their dog. I waited. The cardinal dashed off to another, higher, place. Again he whistled his low-high notes. The breeze riffled through the pine trees and I heard a duck, though the lake wasn't visible from the driveway. Finally I moved, climbing down out of the car. I couldn't feel the writing urge come on me like the Spirit over the Twelve. The magic release from daily commitment hadn't kicked in yet. Instead, surveying my new uncluttered surroundings, I felt only the urge to climb back up into that ridiculous vehicle and barrel home to my known quantities and useful excuses. I didn't feel the writing urge; instead, I felt the bitter loss of my anger, that generalized anger that built up when there were too many things which kept me from working, the anger at myself for using those disruptions as an excuse.

Fish or cut bait. I think I said it aloud. I'm standing in my skeleton-—all protection gone. Gone the protective coloration of car pools and calling lists. No need to drop everything and run. I had arrived.

There isn't much in Cameo. A green denuded of big trees by storms, a pharmacy, and a pizza joint. In the last few years various rural artisans have set up shops and galleries, but nothing would open until July, which was still ten days away.

The next town over has the Big G grocery store, so I made due this first night with a slice of pizza from the pizza place and a quart of milk bought at the gas station convenience store. I had brought the necessities: coffee and cereal, and wine bought at the New Hampshire State Liquor store. The rest of my supplies could wait. My willingness to shrug off the responsibility of meals and good nutrition came as a pleasant surprise.

The private drive seemed shorter the second time in and I negotiated it more effectively. When Grace offered her family's cabin to me for the summer, I carried the offer in my mind for a long time before broaching the idea to Sean. Even with Sean's mother living on the street behind us, I knew Sean would feel put-upon being left with total child-care responsibility. Not that the kids needed much hands-on.
At almost ten and eight, Lily and Tim were pretty independent and reliable. This was their golden time—
post
total dependence and
pre
adolescence—that lovely juncture of age and maturity when they needed only minimal supervision. I could hear his objections before he voiced them: I have to work. I can't blow off clients. What if I have to travel? Subtext: This is
your
job.

Then there was the other thing. The thing which must never be mentioned because I had forgiven him, but which would forever taint our relationship. The thing even Grace didn't know about because it had happened so long ago—yet the pain of Sean's infidelity had the power to occasionally stop me in my tracks.

“So, when are you going to talk to Sean about going?” Grace, friend, confidante, pain in the behind, pressed me for an answer.

“I hate setting myself up for an argument.”

“Why should he argue against productivity? Isn't that what he's always talking about in his job?”

“Oh, Grace. Okay. I'll talk to Sean.”

“Good girl.”

Grace stage-managed the situation, as ably as she stage-managed the community theater where we first met. A few years ago, I had toyed with playwriting. Grace, an associate professor of English at Brown, turned one of my scripts into a respectably received production in a weekend of one-act plays by unknowns acted by students. But, as she knew right from the start, it was the long form, the novel, I really wanted to write. The play never saw the light of day again, but Grace and I remained close friends. I achieved a moderate success at novel writing and it was my fourth book that I was finding it hard to pay attention to.

Memorial Day Weekend, a picnic at Grace and her partner Joanie's flat on the East Side of Providence. Grace had Sean backed into a corner, amber bottle of beer in his one hand, the other hand balancing a paper plate heaped with chicken and salad, defenseless against her charm. “Sean, has Cleo told you about my offer?”

Grace always intimidated Sean by her sheer presence. Showman meets insurance man. Large, with masses of long curly hair, and built
on the style of Rubens's vision of femininity, Grace fitted her name, every movement fluid, pouring herself over people, filling their space with her voice and gesture. I watched Sean back away a step. He once said she was the only woman who intimidated him physically while turning him on, evidently a contradiction in his mind.

“What offer, Grace?”

“To finish her damned manuscript at my New Hampshire cabin. To get off by herself for as long as it takes.”

Sean's sharp blue eyes met mine. “Sounds like a good idea. When were you thinking?” He could have been speaking to me or to Grace.

“Soon. Tomorrow if she'd go.” Grace closed the space between them with an arm around Sean's shoulder. “She's not even done with the first half—are you, Cleo?”

“No.”

Sean smiled his insurance smile, practiced and smooth. “It's a great idea.”

I knew it would be an interesting ride home and already I rehearsed my rationale, seeking the palatable compromise.

“Then it's settled.” Grace squeezed Sean's shoulder and nodded like a well-pleased god.

We walked to the car, parked halfway down the block. The streets were a little shiny now with headlight shimmers. It wasn't too late, maybe ten o'clock. The kids walked ahead of us, the truce of the moment evident in the proximity they kept with one another. Not quite touching, skipping over sidewalk cracks. Tim's blue ball cap on backwards in a rakish imitation of current style, Lily unkempt, her hair pushed into a ratty ponytail. Had I made her brush her hair before we left the house or had she gone to Grace's that way?

“Do you mean to be gone all summer?” Sean and I walked in a large-sized duplication of the kids, close but not touching, stepping carefully over the cracks.

“I need the time, Sean. I need the solitude.”

“Are we that bad? You've managed before.”

“It's not you. It's me. I'm not as good as I once was at shutting everything out.” Even as I said it, the specter of old conflict, Hamlet's ghost, was raised and I remembered how successful I had once been at ignoring things.

Sean took my hand and slowed our pace down enough to fall behind the kids a little bit. “I love you.”

“Sean, it's not a matter of love.”

“Yes, it is. I love you enough to say, ‘Go, write, thrive.’ We'll be fine.” His hand tightened on mine. “I'll be fine.” The promise.

I squeezed his hand back and smiled. “It'll be all right. Once I can spend whole days working, it won't be long at all. Besides, the kids have been pestering to go to camp. Maybe this is the year.”

“Absolutely.” Then, “When will you go?”

“Not before school lets out. I don't want to miss the end-of-year activities. Mid-June, maybe. Kids get out around the twentieth.”

“It's settled, then. A retreat.”

“It's not impossible for you and the kids to come up on weekends.”

Sean had slipped his hand out of mine to scratch at a mosquito bite. “Hmmm? Yeah, of course, weekends.”

Hamlet's ghost hovered in the back of my mind and suddenly I was afraid.

What have I done?

The whole leave-taking was almost derailed when the timing belt in my ten-year-old minivan went. Grace, as always, to the rescue. “Take my SUV. I don't want the summer students renting our place to have it, it's no good to me in Italy, and I would love to know you have a good, reliable car up there. No if, ands, or buts, Cleo. No excuses not to go.” I wondered what she would have said had I told her about Sean. But I kept my eyes looking forward and turned my back on history.