Caravan to Vaccares (6 page)

The moon still rode high but a heavy bar of black cloud was approaching from the far battlements of Les Baux. Bowman descended to the main terrace by the swimming pool but did not cross. The management, it seemed, kept the patio lights burning all night and anyone trying to cross the patio and descend the steps to the forecourt would have been bound to be seen by any gypsy still awake: and that there were gypsies who were just that Bowman did not doubt for a moment.

He took a sidepath to the left, circled the hotel to the rear and approached the forecourt uphill from the west. He moved very slowly and very quietly on rubber soles and kept to deep shadow. There was, of course, no positive reason why the gypsies should have any watcher posted: but as far as this particular lot were concerned, Bowman felt, there was no positive reason why they shouldn't. He waited till a cloud drifted over the moon and moved into the forecourt.

All but three of the caravans were in darkness. The nearest and biggest of the lit caravans was Czerda's: bright light came from both the halfopened door and a closed but uncurtained side window. Bowman went up to that window like a cat stalking a bird across a sunlit lawn and hitched an eye over the sill.

There were three gypsies seated round a table and Bowman recognized all three: Czerda, his son Ferenc and Koscis, the man whom Le Grand Duc had so effusively thanked for information received. They had a map spread on the table and Czerda, pencil in hand, was indicating something on it and clearly making an explanation of some kind. But the map was on so small a scale that Bowman was unable to make out what it was intended to represent, far less what Czerda was pointing but on it, nor, because of the muffling effect of the closed window, could he distinguish what Czerda was saying. The only reasonable assumption he could make from the scene before him was that whatever it was Czerda was planning it wouldn't be for the benefit of his fellow men. Bowman moved away as soundlessly as he had arrived.

The side window of the second illuminated caravan was open and the curtains only partially drawn. Closing in on this window Bowman could at first see no one in the central portion of the caravan. He moved close, bent forward and risked a quick glance to his right and there, at a small table near to the door, two men were sitting playing cards. One of the men was unknown to Bowman but the other he immediately and feelingly recognized as Hoval, the gypsy who had so unceremoniously ejected him from the greenand-white caravan earlier in the night. Bowman wondered briefly why Hoval had transferred himself to the present one and what purpose he had been serving in the green-and-white caravan. From the ache Bowman could still feel in his midriff the answer to that one seemed fairly clear. But why?

Bowman glanced to his left. A small compartment lay beyond an open doorway in a transverse partition. From Bowman's angle of sight nothing was visible in the compartment. He moved along to the next window. The curtains on this one were drawn, but the window itself partly open from the top, no doubt for ventilation. Bowman moved the curtains very very gently and applied his eye to the crack he had made. The level of illumination inside was very low, the only light coming from the rear of the caravan. But there was enough light to see, at the very front of the compartment, a three-tiered bunk and here lay three men, apparently asleep. Two of them were lying with their faces turned towards Bowman but it was impossible to distinguish their features: their faces were no more than pale blurs in the gloom. Bowman eased the curtains again and headed for the caravan that really intrigued him – the greenand-white one.

The rear door at the top of the caravan was open but it was dark inside. By this time Bowman had developed a thing about the unlit vestibules of caravans and gave this one a wide berth. In any event it was the illuminated window half-way down the side of the caravan that held the more interest for him. The window was half-open, the curtains half-drawn. It seemed ideal for some more peeking.

The caravan's interior was brightly lit and comfortably furnished. There were four women there, two on a settee and two on chairs by a table. Bowman recognized the titian-haired Countess Marie with, beside her, the grey-haired woman who had been involved in the altercation with Czerda – Marie's mother and the mother of the missing Alexandre. The two other young women at the table, one auburn-haired and about thirty, the other a slight dark girl with most ungypsy-like cropped hair and scarcely out of her teens, Bowman had not seen before. Although it must have been long past their normal bed-times, they showed no signs of making any preparations for retiring. All four looked sad and forlorn to a degree: the mother and the dark young girl were in tears. The dark girl buried her face in her hands.

‘Oh, God!' She sobbed so bitterly it was difficult to make the words out. ‘When is it all going to end?
Where
is it all going to end?'

‘We must hope, Tina,' Countess Marie said. Her voice was dull and totally devoid of hope. ‘There is nothing else we can do.'

‘There is no hope.' The dark girl shook her head despairingly. ‘You know there's no hope. Oh, God, why did Alexandre have to do it?' She turned to the auburn-haired girl. ‘Oh, Sara, Sara, your husband warned him only today – '

‘He did, he did.' This was from the girl called Sara and she sounded no happier than the others.

She put her arm round Tina. ‘I'm so terribly sorry, my dear, so terribly sorry.' She paused. ‘But Marie's right, you know. Where there's life there's hope.'

There was silence in the caravan. Bowman hoped, and fervently, that they would break it and break it soon. He had come for information but had so far come across nothing other than the mildly astonishing fact of four gypsies talking in German and not in Romany. But he wanted to learn it quickly for the prospect of hanging around that brightly illuminated window indefinitely lacked appeal of any kind: there was something in the brooding atmosphere of tragedy inside that caravan and menace outside calculated to instil a degree of something less than confidence in the bystander.

‘There is no hope,' the grey-haired woman said heavily. She dabbed at her eyes with a handkerchief. ‘A mother knows.'

Marie said: ‘But, Mother – '

‘There's no hope because there's no life,' her, mother interrupted wearily. ‘You'll never see your brother again, nor you your fiancé, Tina. I know my son is dead.'

There was silence again, which was just as well for Bowman for it was then that he heard the all but imperceptible sound of a fractionally disturbed piece of gravel, a sound which probably saved his life.

Bowman whirled round. He'd been right about one thing, anyway: there was menace abroad that night. Koscis and Hoval were frozen in a crouched position less than five feet away. Both men were smiling. Both held long curving knives in their hands and the lamplight gleamed dully off them in a very unpleasant fashion.

They'd been waiting for him, Bowman realized, or someone like him, they'd been keeping tabs on him ever since he'd entered the forecourt or maybe even long before that, they'd just wanted to give him enough rope to hang himself, to prove that he was up to what they would regard as no good – no good for themselves – and, when satisfied, eliminate the source of irritation: their actions, in turn, certainly proved to him that there was something sadly amiss with this caravan heading for Saintes-Maries.

The realization of what had happened was instantaneous and Bowman wasted no time on self-recriminations. There would be a time for those but the time was assuredly not when Koscis and Hoval were standing there taking very little trouble to conceal the immediacy of their homicidal intentions. Bowman lunged swiftly and completely unexpectedly – for a man with a knife does not usually anticipate that one without a knife will indulge in such suicidal practices – towards Koscis, who instinctively drew back, lifting his knife high in self-defence. Prudently enough, Bowman didn't complete his movement, but threw himself to his right and ran across the few intervening yards of forecourt leading to the patio steps.

He heard Koscis and Hoval pounding across the gravel in pursuit. They were saying things, to Bowman unintelligible things, but even in Romany the burden of their remarks was clear. Bowman reached the fourth step on his first bound, checked so abruptly that he almost but didn't quite lose his balance, wheeled round and swung his right foot all in one movement. Koscis it was who had the misfortune to be in the lead: he grunted in agony, the knife flying from his hand, as he fell backwards on to the forecourt.

Hoval came up the steps as Koscis went down them, his right arm, knife pointing upwards, hooking viciously. Bowman felt the tip of the knife burning along his left forearm and then he'd hit Hoval with a great deal more force than Hoval had earlier hit him, which was understandable enough, for when Hoval had hit him he'd been concerned only with his personal satisfaction: Bowman was concerned with his life. Hoval, too, fell backwards, but he was luckier than Koscis: he fell on top of him.

Bowman pushed up his left sleeve. The wound on the forearm was about eight inches long but, although bleeding quite heavily, was little more than a superficial cut and would close up soon. In the meantime, he hoped it wouldn't incapacitate him too much.

He forgot about that trouble when he saw a new one approaching. Ferenc was running across the forecourt in the direction of the patio steps. Bowman turned, hurried across the patio to the steps leading to the upper terrace and stopped briefly to look back. Ferenc had both Koscis and Hoval on their feet and it was clear that it was only a matter of seconds before all three were on their way.

Three to one and the three with knives. Bowman carried no weapon of any kind and the immediate prospect was uninviting. Three determined men with knives will always hunt down an unarmed man, especially three men who appeared to regard the use of knives as second nature. A light still showed from Le Grand Duc's room. Bowman pulled down his black face mask and burst through the doorway: he felt he didn't have time to knock. Le Grand Duc and Lila were still playing chess but Bowman again felt that he didn't have time to worry about mildly surprising matters of that nature.

‘For God's sake, help me, hide me!' The gasping, he thought, might have been slightly overdone but in the circumstances it came easily. ‘They're after me!'

Le Grand Duc looked in no way perturbed, far less startled. He merely frowned in ducal annoyance and completed a move.

‘Can't you see we're busy?' He turned to Lila who was staring at Bowman with parted lips and very large rounded eyes. ‘Careful, my dear, careful. Your bishop is in great danger.' He spared Bowman a cursory glance, viewing him with distaste. ‘Who are after you?'

‘The gypsies, that's who. Look!' Bowman rolled up his left sleeve. ‘They've knifed me!'

The expression of distaste deepened.

‘You must have given them some cause for offence.'

‘Well, I was down there – '

‘Enough!' He held up a magisterial hand. ‘Peeping Toms can expect no sympathy from me. Leave at once.'

‘Leave at once? But they'll get me – '

‘My dear.' Bowman didn't think Le Grand Duc was addressing him and he wasn't. He patted Lila's knee in a proprietorial fashion. ‘Excuse me while I call the management. No cause for alarm, I assure you.'

Bowman ran out through the doorway, checked briefly to see if the terrace was still deserted. Le Grand Duc called: ‘You might close that door after you.'

‘But, Charles – ' That was Lila.

‘Checkmate,' said Le Grand Duc firmly, ‘in two moves.'

There was the sound of footsteps, running footsteps, coming across the patio to the base of the terrace steps. Bowman moved quickly to the nearest port in the storm.

Cecile wasn't asleep either. She was sitting up in bed holding a magazine and attired in some fetching negligée that, in happier circumstances, might well have occasioned admiring comment. She opened her mouth, whether in astonishment or the beginning of a shout for help, then closed it again and listened with surprising calmness as Bowman stood there with his back to the closed door and told her his story.

‘You're making all this up,' she said.

Bowman hoisted his left sleeve again, an action which by now he didn't much like doing as the coagulating blood was beginning to stick wound and material together.

‘Including this?' Bowman asked.

She made a face. ‘It is nasty. But why should they – '

‘Ssh!' Bowman had caught the sound of voices outside, voices which rapidly became very loud.

An altercation was taking place and Bowman had little doubt that it concerned him. He turned the handle of the door and peered out through a crack not much more than an inch in width.

Le Grand Duc, with Lila watching from the open doorway, was standing there with arms outspread like an overweight traffic policeman, barring the way of Ferenc, Koscis and Hoval. That they weren't immediately recognizable as those three was due to the fact that they'd obviously considered it prudent to take time out to wrap some dirty handkerchiefs or other pieces of cloth about their faces in primitive but effective forms of masks, which explained why Bowman had been given the very brief breathing space he had been.