Case of Conscience (16 page)

The serpentine was turning over and over in midspace, supported by nothing. Many-colored stars, none of them very bright, whirled past, rising on one side and sweeping over and then under the train with a period of only ten seconds from one "horizon" to the other. The shouts and the laughter were heard again, accompanied by a frantic scrabbling sound—and there came the siren again, first as a pressure, then as a thin singing which seemed to be inside the skull, and then as a prolonged sickening slide toward the infrabass.

Liu clutched frantically at Michelis' arm, but he could do nothing but cling to his seat. Every cell in Ms brain was flaring with alarm, but he was paralyzed and sick with giddiness—

Lights.

The world stabilized instantly. The serpentine sat smugly on its tracks, which were supported by cantilever braces; it had never moved. At the bottom of a gigantic barrel, disheveled guests looked up at the nearly blinded passengers of the train and howled with savage mockery. The "stars" had been spots of fluorescent paint, brought to life by hidden ultraviolet lamps. The illusion of spinning in midspace had been made more real by the siren, which had disturbed their vestibular apparatus, the inner ear which maintains the sense of balance.

"All out!" a rough male voice shouted. Michelis looked down cautiously; he was still a little dizzy. The shouter was a man in rumpled black evening clothes and fire-red hair; his huge shoulders had burst one seam of his jacket. "You get the next train. That's the rules." Michelis thought of refusing, and changed his mind. Being tumbled in the barrel was probably less likely to produce serious wounds than would fighting with two people who had already "earned"' their passage out in his and Liu's seats. There were rules of conduct for everything. A gang ladder protruded up at them; when their turn came, he helped Liu down it.

"Try not to fight it," he told her in a low voice. "When it starts to revolve, slide if you can, roll if you can't. Got a pyrostyle? All right, here's mine—jab if anybody stays too close, but don't worry about the drum—it looks thoroughly waxed."

It was; but Liu was frightened and Michelis in a murderously ugly mood by the time the next train came through and took them out; he was glad that he had not decided to argue with his predecessors in the barrel. Anybody who had tried the same thing with him might well have been killed. The fact that he was drenched with perfume as the serpentine passed through the next cell did not exactly improve his temper, but at least the cell did not require anyone's participation. It was a sizable and beautiful garden made of blown glass in every possible color, in which live Javanese models were posed in dioramas of discovered lust; the situations depicted were melodramatic in the extreme but, except for their almost imperceptible breathing, the models did not move a muscle; they were almost as motionless as the glass foliage. To Michelis' surprise—for outside the sciences he had almost no aesthetic sense—Liu regarded these lascivious, immobile scenes with a kind of withdrawn, grave approval.

"It's an art, to suggest a dance without moving," she murmured suddenly, as though she had sensed his uneasiness. "Difficult with the brush, far more difficult with the body. I think I know the man who designed this; there couldn't be but one."

He stared at her as though he had never seen her before, and by the pure current of jealousy that shot through him he knew for the first time that he loved her. "Who?" he said hoarsely.

"Oh, Tsien Hi, of course. The last classicist. I thought he was dead, but this isn't a copy—"

The serpentine slowed before the exit doors long enough for two models, looking obscenely alive in very modest movement, to hand them each a fan covered with brushed drawings in ink. A single glance was enough to make Michelis thrust his fan in his pocket, unwilling to acknowledge ownership of it by so definite a gesture as throwing it away; but Liu pointed mutely to an ideogram and folded hers with reverence. "Yes," she said. "It is he; these are the original sketches. I never thought I'd own one—"

The train lurched forward suddenly. The garden vanished, and they were plunged into a vague, colored chaos of meaningless emotions. There was nothing to see or hear or feel, yet Michelis was shaken to his soul, and then shaken again, and again. He cried out, and dimly heard others crying. He fought for control of himself, but it eluded him, and… no, he had it now, or almost had it… If he could only think for an instant—

For an instant, he managed it, and saw what was happening. The new cell was a long corridor, divided by invisible currents of moving air into fifteen sub-cells. Inside each sub-cell was a colored smoke, and in each smoke was some gas which went instantly home to the hypothalamus. Michelis recognized some of them: they were crude hallucinogenic compounds which had been developed during the heyday of tranquilizer research in the mid-twentieth century. Under the waves of fright, religious exaltation, berserker bravery, lust for power, and less namable emotions which each induced, he felt a mounting intellectual anger at such irresponsible wholesale tampering with the pharmacology of the mind for the sake of a momentary "experience"; but he knew that this kind of jolt—breathing was anything but uncommon in the Shelter state. The smokes had the reputation of being non-addicting, which for the most part they were—but they were certainly habit-forming, which is quite a different thing, and not necessarily less dangerous.

A hazy, formless curtain of pink at the far end of the corridor proved to be a pure free-serotonin antagonist in high concentration, a true ataraxic which washed his mind free of every emotion but contentment with everything in all the wide universe. What must be, must be… it is all for the best… there is peace in everything—

In this state of uncritical yea-saying, the passengers on the serpentine were run through an assembly line of elaborate and bestial practical jokes. It ended with a 3-V tape recreation of Belsen, in which the scenarist had cunningly made it appear that the people on the serpentine would be next into the ovens. As the furnace door closed behind them there was a blast of mind-cleansing oxygen; staggering with horror at what they had been about to accept with joy, the passengers were helped off the train to join a guffawing audience of previous victims. Michelis' only impulse was to escape—above all he did not want to stay to laugh at the next load of passengers in shock—but he was too exhausted to get beyond the nearest bench in the amphitheater, and Liu could hardly walk even that far. They were forced to sit there in the press until they had made a better recovery.

It was fortunate that they did. While they were nursing their drinks Michelis, had been deeply suspicious of the warm amber cups, but their contents had proved to be nothing but honest and welcome brandy—the next train was greeted with a roar of delight and a unanimous surge of the crowd to its feet.

Egtverchi had arrived.

There was a real mob now in the cocktail lounge above ground, but Aristide was far from happy; he had already cut off quite a few heads down below on the catering staff. He had somewhere inside him a very delicate sense which told him when a party was going sour, and that sense had put up the red alarms long before this. The arrival of the guest of honor in particular had been an enormous fiasco. The countess had not been on hand, the creature's sponsors had not been there, none of the really important guests who had been invited specifically to see the guest of honor had been there, and the guest himself had betrayed Aristide into showing, before all the staff, that he was frightened out of his wits. He was bitterly ashamed of his fright, but the fact was now beyond undoing. He had been told to anticipate a monster, but not such a monster as this—a creature well more than ten feet high, a reptile which walked more like a man than like a kangaroo, with vast grinning jaws, wattles which changed color every few moments, small clawlike hands which looked as though they could pluck one like a chicken, a balancing tail which kept sweeping trays off tables, and above all a braying laugh and an enormous tenor voice which spoke English with a perfection so cold and carefully calculated as to make Aristide feel like a thumb-fingered leather-skinned Sicilian who had just landed.

And at the monster's entrance, nobody but Aristide had been there to welcome him…

A train rumbled into the atrium of the recovery room, but before it stopped, Senator Sharon tumbled out with a vast display of piano legs and black eyebrows. "Look at him!" she squealed, full of the five-fold revival Aristide had conscientiously arranged for her. "Isn't he male!"

Another failure for Aristide: it was one of the countess' standing orders that the Senator had to be put through her cell and fired out into the Shelter night long before the party proper could be said to have begun; otherwise the Senator would spend the rest of the evening, after her five-fold awakening, climbing from one pair of shoulders to another to a political, literary, scientific or any other eminence she could manage to attain at the expense of everyone else who could be bought with half an hour on a table top—and never mind that she would spend the rest of the next week falling down from that eminence into the swamps of nymphomania again. If Senator Sharon were not properly ejected this early, and with due assurances, in the warm glow of her aftermath, she was given to lawsuits.

The empty train pulled out invitingly into the lounge. The Lithian monster saw it and his grin got wider.

"I always wanted to be an engine driver," he said in a brassy English which nevertheless was more precise than anything to which Aristide would be able to pretend to the end of his life.

"And there's the major-domo. Good sir, I've brought two, three, several guests of my own. Where is our hostess?"

Aristide pointed helplessly, and the tall reptile boarded the train at the front car, with a satisfied crow. He was scarcely settled in before the rest of his party was pouring across the lounge floor and piling in behind him. The train started with a jerk, and rumbled to the elevator. It sank down amid tali wisps of steam.

And that was that. Aristide had muffed the grand entrance. Had he had any doubts about it, they would have been laid to rest most directly: less than ten minutes later, he was snooted egregiously by Faulkner. So much for being a dedicated artist with a loyal patroness, he thought dismally. Tomorrow, he would be a short-order cook in some Shelter commissariat, dossiers or no dossiers. And why? Because he had been unable to anticipate the time of arrival, let alone the desires or the friends, of some creature which had never been born on Earth at all. He marched deliberately and morosely away from his post toward the recovery room, kicking assistants who were green enough to stay within range. He could think of nothing further to do but to supervise personally the tapering-off of Dr. Martin Agronski, the unknown guest who had something to do with the Lithian.

But he had no illusions. Tomorrow, Aristide, caterer to the Countess des Bois-d'Averoigne, would be lucky to be Michel di Giovanni, late of the malarial plains of Sicily.

Michelis was sorry he had allowed himself and Liu aboard the serpentine the moment he understood the construction of the second level, for he saw at once that they would have virtually no chance of seeing Egtverchi's arrival. Fundamentally, the second level was divided by soundproof walls into a number of smaller parties, some of them only slightly drunker and more unorthodox than the cocktail party had been, but the rest running a broad spectrum of frenetic exoticism. He and Liu were carried completely around the course before he was able to figure out how to get the girl and himself safely off the serpentine; and each time he was moved to attempt it, the train began to go faster in unpredictable spurts, producing a sensation rather like that of riding a roller coaster in the middle of the night.

Nevertheless, they saw the only entrance that counted. Egtverchi emerged from the last gas bath standing in the head car of the serpentine, and stepped out of the car under his own power. In the next five cars behind him, also standing, were ten nearly identical young men in uniforms of black and lizard-green with silver piping, their arms folded, their expressions stern, their eyes straight ahead.

"Greetings," Egtverchi said, with a deep bow which his disproportionately small dinosaurian arms and hands made both comical and mocking. "Madame the Countess, I am delighted. You are protected by many bad smells, but I have braved them all." The crowd applauded. The countess' reply was lost in the noise, but evidently she had chided him with being naturally immune to smokes which would affect Earthmen, for he said promptly, with a trace of hurt in his voice:

"I thought you might say that, but I'm grieved to be caught in the right. To the pure all things are pure, however, did you ever see such upstanding, unshaken young men?" He gestured at the ten. "But of course I cheated. I stopped their nostrils with filters, as Ulysses stopped his men's ears with wax to pass the sirens. My entourage will stand for anything; they think I am a genius."

With the air of a conjurer, the Lithian produced a silver whistle which seemed small in his hand, and blew into the thick air a white, warbling note which was utterly inadequate to the gesture which had preceded it. The ten soldierly young men promptly melted. The forefront of the crowd gleefully toed the limp bodies, which took the abuse with lax indifference.

"Drunk," Egtverchi said with fatherly disapproval. "Of course. Actually I didn't stop their noses at all. I prevented their reticular formations from reporting the countess' smokes to their brains until I gave the cue. Now they have gotten all the messages at once; isn't it disgraceful? Madame, please have them removed, such dissoluteness embarrasses me. I shall have to institute discipline."

The countess clapped her hands. "Aristide! Aristide?" She touched the transceiver concealed in her hair, but there was no response that Michelis could detect. Her expression changed abruptly from childish delight to infant fury. "Where is that lousy rustic—"

Michelis, boiling, shouldered his way into Egtverchi's line of sight with difficulty.