Catching Fire (27 page)

I look back to the crowd, but the faces of Rue's mother and father swim before my eyes. Their sorrow. Their loss. I turn spontaneously to Chaff and offer my hand. I feel my fingers close around the stump that now completes his arm and hold fast.

And then it happens. Up and down the row, the victors begin to join hands. Some right away, like the morphlings, or Wiress and Beetee. Others unsure but caught up in the demands of those around them, like Brutus and Enobaria. By the time the anthem plays its final strains, all twenty-four of us stand in one unbroken line in what must be the first public show of unity among the districts since the Dark Days. You can see the realization of this as the screens begin to pop into blackness. It's too late, though. In the confusion they didn't cut us off in time. Everyone has seen.

There's disorder on the stage now, too, as the lights go out and we're left to stumble back into the Training Center. I've lost hold of Chaff, but Peeta guides me into an elevator. Finnick and Johanna try to join us, but a harried Peacekeeper blocks their way and we shoot upward alone.

The moment we step off the elevator, Peeta grips my shoulders. “There isn't much time, so tell me. Is there anything I have to apologize for?”

“Nothing,” I say. It was a big leap to take without my okay, but I'm just as glad I didn't know, didn't have time to second-guess him, to let any guilt over Gale detract from how I really feel about what Peeta did. Which is empowered.

Somewhere, very far off, is a place called District 12, where my mother and sister and friends will have to deal with the fallout from this night. Just a brief hovercraft ride away is an arena where, tomorrow, Peeta and I and the other tributes will face our own form of punishment. But even if all of us meet terrible ends, something happened on that stage tonight that can't be undone. We victors staged our own uprising, and maybe, just maybe, the Capitol won't be able to contain this one.

We wait for the others to return, but when the elevator opens, only Haymitch appears. “It's madness out there. Everyone's been sent home and they've canceled the recap of the interviews on television.”

Peeta and I hurry to the window and try to make sense of the commotion far below us on the streets. “What are they saying?” Peeta asks. “Are they asking the president to stop the Games?”

“I don't think they know themselves what to ask. The whole situation is unprecedented. Even the idea of opposing the Capitol's agenda is a source of confusion for the people here,” says Haymitch. “But there's no way Snow would cancel the Games. You know that, right?”

I do. Of course, he could never back down now. The only option left to him is to strike back, and strike back hard. “The others went home?” I ask.

“They were ordered to. I don't know how much luck they're having getting through the mob,” says Haymitch.

“Then we'll never see Effie again,” says Peeta. We didn't see her on the morning of the Games last year. “You'll give her our thanks.”

“More than that. Really make it special. It's Effie, after all,” I say. “Tell her how appreciative we are and how she was the best escort ever and tell her ... tell her we send our love.”

For a while we just stand there in silence, delaying the inevitable. Then Haymitch says it. “I guess this is where we say our good-byes as well.”

“Any last words of advice?” Peeta asks.

“Stay alive,” Haymitch says gruffly. That's almost an old joke with us now. He gives us each a quick embrace, and I can tell it's all he can stand. “Go to bed. You need your rest.”

I know I should say a whole bunch of things to Haymitch, but I can't think of anything he doesn't already know, really, and my throat is so tight I doubt anything would come out, anyway. So, once again, I let Peeta speak for us both.

“You take care, Haymitch,” he says.

We cross the room, but in the doorway, Haymitch's voice stops us. “Katniss, when you're in the arena,” he begins. Then he pauses. He's scowling in a way that makes me sure I've already disappointed him.

“What?” I ask defensively.

“You just remember who the enemy is,” Haymitch tells me. “That's all. Now go on. Get out of here.”

We walk down the hallway. Peeta wants to stop by his room to shower off the makeup and meet me in a few minutes, but I won't let him. I'm certain that if a door shuts between us, it will lock and I'll have to spend the night without him. Besides, I have a shower in my room. I refuse to let go of his hand.

Do we sleep? I don't know. We spend the night holding each other, in some halfway land between dreams and waking. Not talking. Both afraid to disturb the other in the hope that we'll be able to store up a few precious minutes of rest.

Cinna and Portia arrive with the dawn, and I know Peeta will have to go. Tributes enter the arena alone. He gives me a light kiss. “See you soon,” he says.

“See you soon,” I answer.

Cinna, who will help dress me for the Games, accompanies me to the roof. I'm about to mount the ladder to the hovercraft when I remember. “I didn't say good-bye to Portia.”

“I'll tell her,” says Cinna.

The electric current freezes me in place on the ladder until the doctor injects the tracker into my left forearm. Now they will always be able to locate me in the arena. The hovercraft takes off, and I look out the windows until they black out. Cinna keeps pressing me to eat and, when that fails, to drink. I manage to keep sipping water, thinking of the days of dehydration that almost killed me last year. Thinking of how I will need my strength to keep Peeta alive.

When we reach the Launch Room at the arena, I shower. Cinna braids my hair down my back and helps me dress over simple undergarments. This year's tribute outfit is a fitted blue jumpsuit, made of very sheer material, that zippers up the front. A six-inch-wide padded belt covered in shiny purple plastic. A pair of nylon shoes with rubber soles.

“What do you think?” I ask, holding the fabric out for Cinna to examine.

He frowns as he rubs the thin stuff between his fingers. “I don't know. It will offer little in the way of protection from cold or water.”

“Sun?” I ask, picturing a burning sun over a barren desert.

“Possibly. If it's been treated,” he says. “Oh, I almost forgot this.” He takes my gold mockingjay pin from his pocket and fixes it to the jumpsuit.

“My dress was fantastic last night,” I say. Fantastic and reckless. But Cinna must know that.

“I thought you might like it,” he says with a tight smile.

We sit, as we did last year, holding hands until the voice tells me to prepare for the launch. He walks me over to the circular metal plate and zips up the neck of my jumpsuit securely. “Remember, girl on fire,” he says, “I'm still betting on you.” He kisses my forehead and steps back as the glass cylinder slides down around me.

“Thank you,” I say, although he probably can't hear me. I lift my chin, holding my head high the way he always tells me to, and wait for the plate to rise. But it doesn't. And it still doesn't.

I look at Cinna, raising my eyebrows for an explanation. He just gives his head a slight shake, as perplexed as I am. Why are they delaying this?

Suddenly the door behind him bursts open and three Peacekeepers spring into the room. Two pin Cinna's arms behind him and cuff him while the third hits him in the temple with such force he's knocked to his knees. But they keep hitting him with metal-studded gloves, opening gashes on his face and body. I'm screaming my head off, banging on the unyielding glass, trying to reach him. The Peacekeepers ignore me completely as they drag Cinna's limp body from the room. All that's left are the smears of blood on the floor.

Sickened and terrified, I feel the plate begin to rise. I'm still leaning against the glass when the breeze catches my hair and I force myself to straighten up. Just in time, too, because the glass is retreating and I'm standing free in the arena. Something seems to be wrong with my vision. The ground is too bright and shiny and keeps undulating. I squint down at my feet and see that my metal plate is surrounded by blue waves that lap up over my boots. Slowly I raise my eyes and take in the water spreading out in every direction.

I can only form one clear thought.

This is no place for a girl on fire.

PART III

“THE ENEMY”

“Ladies and gentlemen, let the Seventy-fifth Hunger Games begin!” The voice of Claudius Templesmith, the Hunger Games announcer, hammers my ears. I have less than a minute to get my bearings. Then the gong will sound and the tributes will be free to move off their metal plates. But move where?

I can't think straight. The image of Cinna, beaten and bloody, consumes me. Where is he now? What are they doing to him? Torturing him? Killing him? Turning him into an Avox? Obviously his assault was staged to unhinge me, the same way Darius's presence in my quarters was. And it has unhinged me. All I want to do is collapse on my metal plate. But I can hardly do that after what I just witnessed. I must be strong. I owe it to Cinna, who risked everything by undermining President Snow and turning my bridal silk into mockingjay plumage. And I owe it to the rebels who, emboldened by Cinna's example, might be fighting to bring down the Capitol at this moment. My refusal to play the Games on the Capitol's terms is to be my last act of rebellion. So I grit my teeth and will myself to be a player.

Where are you? I can still make no sense of my surroundings. Where are you?! I demand an answer from myself and slowly the world comes into focus. Blue water. Pink sky. White-hot sun beating down. All right, there's the Cornucopia, the shining gold metal horn, about forty yards away. At first, it appears to be sitting on a circular island. But on closer examination, I see the thin strips of land radiating from the circle like the spokes on a wheel. I think there are ten to twelve, and they seem equidistant from one another. Between the spokes, all is water. Water and a pair of tributes.

That's it, then. There are twelve spokes, each with two tributes balanced on metal plates between them. The other tribute in my watery wedge is old Woof from District 8. He's about as far to my right as the land strip on my left. Beyond the water, wherever you look, a narrow beach and then dense greenery. I scan the circle of tributes, looking for Peeta, but he must be blocked from my view by the Cornucopia.

I catch a handful of water as it washes in and smell it. Then I touch the tip of my wet finger to my tongue. As I suspected, it's saltwater. Just like the waves Peeta and I encountered on our brief tour of the beach in District 4. But at least it seems clean.

There are no boats, no ropes, not even a bit of driftwood to cling to. No, there's only one way to get to the Cornucopia. When the gong sounds, I don't even hesitate before I dive to my left. It's a longer distance than I'm used to, and navigating the waves takes a little more skill than swimming across my quiet lake at home, but my body seems oddly light and I cut through the water effortlessly. Maybe it's the salt. I pull myself, dripping, onto the land strip and sprint down the sandy stretch for the Cornucopia. I can see no one else converging from my side, although the gold horn blocks a good portion of my view. I don't let the thought of adversaries slow me down, though. I'm thinking like a Career now, and the first thing I want is to get my hands on a weapon.

Last year, the supplies were spread out quite a distance around the Cornucopia, with the most valuable closest to the horn. But this year, the booty seems to be piled at the twenty-foot-high mouth. My eyes instantly home in on a golden bow just in arm's reach and I yank it free.

There's someone behind me. I'm alerted by, I don't know, a soft shift of sand or maybe just a change in the air currents. I pull an arrow from the sheath that's still wedged in the pile and arm my bow as I turn.

Finnick, glistening and gorgeous, stands a few yards away, with a trident poised to attack. A net dangles from his other hand. He's smiling a little, but the muscles in his upper body are rigid in anticipation. “You can swim, too,” he says. “Where did you learn that in District Twelve?”

“We have a big bathtub,” I answer.

“You must,” he says. “You like the arena?”

“Not particularly. But you should. They must have built it especially for you,” I say with an edge of bitterness. It seems like it, anyway, with all the water, when I bet only a handful of the victors can swim. And there was no pool in the Training Center, no chance to learn. Either you came in here a swimmer or you'd better be a really fast learner. Even participation in the initial bloodbath depends on being able to cover twenty yards of water. That gives District 4 an enormous advantage.

For a moment we're frozen, sizing each other up, our weapons, our skill. Then Finnick suddenly grins. “Lucky thing we're allies. Right?”

Sensing a trap, I'm about to let my arrow fly, hoping it finds his heart before the trident impales me, when he shifts his hand and something on his wrist catches the sunlight. A solid-gold bangle patterned with flames. The same one I remember on Haymitch's wrist the morning I began training. I briefly consider that Finnick could have stolen it to trick me, but somehow I know this isn't the case. Haymitch gave it to him. As a signal to me. An order, really. To trust Finnick.