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Authors: Honore de Balzac

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"Take him close to the door of the queen's chamber; she will probably ask for him soon," said the cardinal to the surgeon, motioning to Christophe.

While the son of the furrier was undergoing this brief examination in the council-chamber, the king, leaving the queen in company with her mother-in-law, had passed into his dressing-room, which was entered through another small room next to the chamber.

Standing in the wide recess of an immense window, Catherine looked at the gardens, her mind a prey to painful thoughts. She saw that in all probability one of the greatest captains of the age would be foisted that very day into the place and power of her son, the king of France, under the formidable title of lieutenant-general of the kingdom.
Before this peril she stood alone, without power of action, without defence. She might have been likened to a phantom, as she stood there in her mourning garments (which she had not quitted since the death of Henri II.) so motionless was her pallid face in the grasp of her bitter reflections. Her black eyes floated in that species of indecision for which great statesmen are so often blamed, though it comes from the vast extent of the glance with which they embrace all difficulties,--setting one against the other, and adding up, as it were, all chances before deciding on a course. Her ears rang, her blood tingled, and yet she stood there calm and dignified, all the while measuring in her soul the depths of the political abyss which lay before her, like the natural depths which rolled away at her feet.
This day was the second of those terrible days (that of the arrest of the Vidame of Chartres being the first) which she was destined to meet in so great numbers throughout her regal life; it also witnessed her last blunder in the school of power. Though the sceptre seemed escaping from her hands, she wished to seize it; and she did seize it by a flash of that power of will which was never relaxed by either the disdain of her father-in-law, Francois I., and his court,--where, in spite of her rank of dauphiness, she had been of no account,--or the constant repulses of her husband, Henri II., and the terrible opposition of her rival, Diane de Poitiers. A man would never have fathomed this thwarted queen; but the fair-haired Mary--so subtle, so clever, so girlish, and already so well-trained--examined her out of the corners of her eyes as she hummed an Italian air and assumed a careless countenance. Without being able to guess the storms of repressed ambition which sent the dew of a cold sweat to the forehead of the Florentine, the pretty Scotch girl, with her wilful, piquant face, knew very well that the advancement of her uncle the Duc de Guise to the lieutenant-generalship of the kingdom was filling the queen-mother with inward rage. Nothing amused her more than to watch her mother-in-law, in whom she saw only an intriguing woman of low birth, always ready to avenge herself. The face of the one was grave and gloomy, and somewhat terrible, by reason of the livid tones which transform the skin of Italian women to yellow ivory by daylight, though it recovers its dazzling brilliancy under candlelight; the face of the other was fair and fresh and gay. At sixteen, Mary Stuart's skin had that exquisite blond whiteness which made her beauty so celebrated. Her fresh and piquant face, with its pure lines, shone with the roguish mischief of childhood, expressed in the regular eyebrows, the vivacious eyes, and the archness of the pretty mouth.
Already she displayed those feline graces which nothing, not even captivity nor the sight of her dreadful scaffold, could lessen. The two queens--one at the dawn, the other in the midsummer of life --presented at this moment the utmost contrast. Catherine was an imposing queen, an impenetrable widow, without other passion than that of power. Mary was a light-hearted, careless bride, making playthings of her triple crowns. One foreboded great evils,--foreseeing the assassination of the Guises as the only means of suppressing enemies who were resolved to rise above the Throne and the Parliament; foreseeing also the bloodshed of a long and bitter struggle; while the other little anticipated her own judicial murder. A sudden and strange reflection calmed the mind of the Italian.

"That sorceress and Ruggiero both declare this reign is coming to an end; my difficulties will not last long," she thought.

And so, strangely enough, an occult science forgotten in our day--that of astrology--supported Catherine at this moment, as it did, in fact, throughout her life; for, as she witnessed the minute fulfilment of the prophecies of those who practised the art, her belief in it steadily increased.

"You are very gloomy, madame," said Mary Stuart, taking from the hands of her waiting-woman, Dayelle, a little cap and placing the point of it on the parting of her hair, while two wings of rich lace surrounded the tufts of blond curls which clustered on her temples.

The pencil of many painters have so frequently represented this head-dress that it is thought to have belonged exclusively to Mary Queen of Scots; whereas it was really invented by Catherine de' Medici, when she put on mourning for Henri II. But she never knew how to wear it with the grace of her daughter-in-law, to whom it was becoming. This annoyance was not the least among the many which the queen-mother cherished against the young queen.

"Is the queen reproving me?" said Catherine, turning to Mary.

"I owe you all respect, and should not dare to do so," said the Scottish queen, maliciously, glancing at Dayelle.

Placed between the rival queens, the favorite waiting-woman stood rigid as an andiron; a smile of comprehension might have cost her her life.

"Can I be as gay as you, after losing the late king, and now beholding my son's kingdom about to burst into flames?"

"Public affairs do not concern women," said Mary Stuart. "Besides, my uncles are there."

These words were, under the circumstances, like so many poisoned arrows.

"Let us look at our furs, madame," replied the Italian, sarcastically; "that will employ us on our legitimate female affairs while your uncles decide those of the kingdom."

"Oh! but we will go the Council, madame; we shall be more useful than you think."

"We!" said Catherine, with an air of astonishment. "But I do not understand Latin, myself."

"You think me very learned," cried Mary Stuart, laughing, "but I assure you, madame, I study only to reach the level of the Medici, and learn how to /cure/ the wounds of the kingdom."

Catherine was silenced by this sharp thrust, which referred to the origin of the Medici, who were descended, some said, from a doctor of medicine, others from a rich druggist. She made no direct answer.
Dayelle colored as her mistress looked at her, asking for the applause that even queens demand from their inferiors if there are no other spectators.

"Your charming speeches, madame, will unfortunately cure the wounds of neither Church nor State," said Catherine at last, with her calm and cold dignity. "The science of my fathers in that direction gave them thrones; whereas if you continue to trifle in the midst of danger you are liable to lose yours."

It was at this moment that Ambroise Pare, the chief surgeon, scratched softly on the door, and Madame Dayelle, opening it, admitted Christophe.

VII

A DRAMA IN A SURCOAT

The young reformer intended to study Catherine's face, all the while affecting a natural embarrassment at finding himself in such a place; but his proceedings were much hastened by the eagerness with which the younger queen darted to the cartons to see her surcoat.

"Madame," said Christophe, addressing Catherine.

He turned his back on the other queen and on Dayelle, instantly profiting by the attention the two women were eager to bestow upon the furs to play a bold stroke.

"What do you want of me?" said Catherine giving him a searching look.

Christophe had put the treaty proposed by the Prince de Conde, the plan of the Reformers, and the detail of their forces in his bosom between his shirt and his cloth jacket, folding them, however, within the bill which Catherine owed to the furrier.

"Madame," he said, "my father is in horrible need of money, and if you will deign to cast your eyes over your bill," here he unfolded the paper and put the treaty on the top of it, "you will see that your Majesty owes him six thousand crowns. Have the goodness to take pity on us. See, madame!" and he held the treaty out to her. "Read it; the account dates from the time the late king came to the throne."

Catherine was bewildered by the preamble of the treaty which met her eye, but she did not lose her head. She folded the paper quickly, admiring the audacity and presence of mind of the youth, and feeling sure that after performing such a masterly stroke he would not fail to understand her. She therefore tapped him on the head with the folded paper, saying:--

"It is very clumsy of you, my little friend, to present your bill before the furs. Learn to know women. You must never ask us to pay until the moment when we are satisfied."

"Is that traditional?" said the young queen, turning to her mother-in-law, who made no reply.

"Ah, mesdames, pray excuse my father," said Christophe. "If he had not had such need of money you would not have had your furs at all. The country is in arms, and there are so many dangers to run in getting here that nothing but our great distress would have brought me. No one but me was willing to risk them."

"The lad is new to his business," said Mary Stuart, smiling.

It may not be useless, for the understanding of this trifling, but very important scene, to remark that a surcoat was, as the name implies (/sur cotte/), a species of close-fitting spencer which women wore over their bodies and down to their thighs, defining the figure.
This garment protected the back, chest, and throat from cold. These surcoats were lined with fur, a band of which, wide or narrow as the case might be, bordered the outer material. Mary Stuart, as she tried the garment on, looked at herself in a large Venetian mirror to see the effect behind, thus leaving her mother-in-law an opportunity to examine the papers, the bulk of which might have excited the young queen's suspicions had she noticed it.

"Never tell women of the dangers you have run when you have come out of them safe and sound," she said, turning to show herself to Christophe.

"Ah! madame, I have your bill, too," he said, looking at her with well-played simplicity.

The young queen eyed him, but did not take the paper; and she noticed, though without at the moment drawing any conclusions, that he had taken her bill from his pocket, whereas he had carried Queen Catherine's in his bosom. Neither did she find in the lad's eyes that glance of admiration which her presence invariably excited in all beholders. But she was so engrossed by her surcoat that, for the moment, she did not ask herself the meaning of such indifference.

"Take the bill, Dayelle," she said to her waiting-woman; "give it to Monsieur de Versailles (Lomenie) and tell him from me to pay it."

"Oh! madame," said Christophe, "if you do not ask the king or monseigneur the grand-master to sign me an order your gracious word will have no effect."

"You are rather more eager than becomes a subject, my friend," said Mary Stuart. "Do you not believe my royal word?"

The king now appeared, in silk stockings and trunk-hose (the breeches of that period), but without his doublet and mantle; he had, however, a rich loose coat of velvet edged with minever.

"Who is the wretch who dares to doubt your word?" he said, overhearing, in spite of his distance, his wife's last words.

The door of the dressing-room was hidden by the royal bed. This room was afterwards called "the old cabinet," to distinguish it from the fine cabinet of pictures which Henri III. constructed at the farther end of the same suite of rooms, next to the hall of the States-general. It was in the old cabinet that Henri III. hid the murderers when he sent for the Duc de Guise, while he himself remained hidden in the new cabinet during the murder, only emerging in time to see the overbearing subject for whom there were no longer prisons, tribunals, judges, nor even laws, draw his last breath. Were it not for these terrible circumstances the historian of to-day could hardly trace the former occupation of these cabinets, now filled with soldiers. A quartermaster writes to his mistress on the very spot where the pensive Catherine once decided on her course between the parties.

"Come with me, my friend," said the queen-mother, "and I will see that you are paid. Commerce must live, and money is its backbone."

"Go, my lad," cried the young queen, laughing; "my august mother knows more than I do about commerce."

Catherine was about to leave the room without replying to this last taunt; but she remembered that her indifference to it might provoke suspicion, and she answered hastily:--

"But you, my dear, understand the business of love."

Then she descended to her own apartments.

"Put away these furs, Dayelle, and let us go to the Council, monsieur," said Mary to the young king, enchanted with the opportunity of deciding in the absence of the queen-mother so important a question as the lieutenant-generalship of the kingdom.

Mary Stuart took the king's arm. Dayelle went out before them, whispering to the pages; one of whom (it was young Teligny, who afterwards perished so miserably during the Saint-Bartholomew) cried out:--

"The king!"

Hearing the words, the two soldiers of the guard presented arms, and the two pages went forward to the door of the Council-room through the lane of courtiers and that of the maids of honor of the two queens.
All the members of the Council then grouped themselves about the door of their chamber, which was not very far from the door to the staircase. The grand-master, the cardinal, and the chancellor advanced to meet the young sovereign, who smiled to several of the maids of honor and replied to the remarks of a few courtiers more privileged than the rest. But the queen, evidently impatient, drew Francois II.
as quickly as possible toward the Council-chamber. When the sound of arquebuses, dropping heavily on the floor, had announced the entrance of the couple, the pages replaced their caps upon their heads, and the private talk among the courtiers on the gravity of the matters now about to be discussed began again.

BOOK: Catherine De Medici
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