Authors: David Donnell
all become clear.
That’s what you want
isn’t it, Goffman. Clear?
Their tweed jackets seduced me at a tender age,
I was about 4½, and too adorable to break your heart.
That air of being between bohemia and the establishment.
Rimbaud’s well-educated rogues in charge of history.
The average lawyer thinks Einstein was a mathematician
and Georgia O’Keeffe is a West Ireland county.
Their comfortable 19th century furniture also seduced me,
there were flowers everywhere at G’s, geraniums and azaleas.
I wanted their wives to smell of lavender and sandalwood.
I checked the pockets of their overcoats for interesting
historiographic lint and crumbs of tobacco.
Their daughters have straw hair and play volleyball.
A specialist in the history of Irish speech idioms
taught me to appreciate the phrase as a floating module.
His wife had red hair that glistened like crimson pyrites.
Their good taste in Renaissance music is often amazing.
They have so many interesting & eccentric cousins.
I have always admired their slow calm reading ability
– Fernand Braudel in a long 5-day gulp,
just like a 17-course Italian meal.
Finish it off with a 685 page book on Vico.
You have to admire them.
Sure, I’ve got a brown paper bag
over my head
with holes punched in the sides
for my Sony Walkman, & the eyes are drawn on
with orange & blue chalk, just casual circles
so you can’t look directly into my eyes.
That’s what high school is like these days.
The world is too big.
I only like my friends to look into my eyes.
So for the rest of Gr. 13
I’m studying Lou Reed,
taking him
more seriously perhaps than he takes himself; The
Cure, The
Smiths,
Jane’s Addiction, Iggy Pop
singing about Dog Food dog food dog food.
Someone lays down a simple drum&bass line,
& you start tapping your foot,
moving your body to the music.
Learning about reality
as we go into the 90s.
Sometimes these simple images
lift up & swirl like exploding
chickens & beat their blood-stained wings
against the folded walls of my brown paper bag;
or,
in a different mood, Living Color appear
with all that great avant vivid jazz-funk flair
or Sinéad O’Connor comes on & settles
things down.
After all,
these are songs
about terrible & also moving things,
the car accident dealt with
in a single line by The Cars; Fine Young
Cannibals question the nature of profit; Annie
Lennox or Bette Midler’s depictions of love. With
a minimalism more extreme than Giacometti.
With gorgeous voices
to smooth the edges,
an ironic back-beat,
raw honey & fresh lemon as yellow as the moon,
& music
to make your head sway.
Sometimes I listen to
Sam Cooke just to get back up after the Carnegie Hall
performance; & then I listen to Laura Hubert
singing, “I’m So Melancholy I Could Cry,”
which
when you stop to think about it
is
an extraordinarily joyful song.
I loaf on the bank with my shirt off,
socks
& shoes off too,
& watch my friends in the afternoon
Simcoe sunlight moving their clear white hands
like passenger pigeons
pregnant with messages of love. We
have some cold pizza, 2 chickens, 1 qt. of B&G white
& a doz. cold Blues.
It is about 78°
& some young kids
from the local high school are water-skiing – hunched
in that particular stance turning a far north logo
into a summer Ontario lake image. Their red life
preservers
bob up & down above the choppy blue water
like red beach balls attached to Donald’s back
or
Pluto’s, or Huey’s or Louie’s or Dewey’s. We can do
absolutely nothing this afternoon about Meech Lake
or the new constitution
or the striking PSAC workers
or even the letter carriers who refuse to bring us
our mail.
Although they love us. It isn’t personal. I
would have more to say about these events
but
I have a chicken leg in my mmmphmm mouth tastes good.
I am towelling my face & my eyes are full of Karen sitting
legs splayed in a black string bikini
reading
a paperback of
Lives of Girls & Women.
I have let you
see us undressed & in return you must promise me
one thing;
you must believe me when I say that the
bourgeoisie begrudge us even this chicken,
even this
lake, even this ½ful bottle of Monnet brandy
lying on its side beside the wicker basket. They
will never give in, and we will never give in. We
are like the lake, flexible, because we are immovable.
The desire this morning, early, still lazy
with coffee,
a clear blue morning outside, almost Aegean,
to write a poem about how hot it was
a couple of days ago – the question mark of a favourite
big shirt which has, yes, definitely developed a frayed
collar, plus, would you believe this, a rip under one arm,
but loose, comfortable,
some 1989 copies of
Esquire
over by the door
& some recent copies of
Vanity Fair,
I want to keep the article on Jean Stein partly because
I find her father, Jules, the way those steel-rim glasses
sit so aplomb on his composed face, relaxed tension,
so interesting – yes, it was hot on Thursday, a clear
gelati limona
day seen through glass
but
a sizzling butter day outside. You could have taken
a strip of bacon & laid it on the Queen Street sidewalk
& it would have fried in about ½ an hour. Marcus & I
go to play pool at The Squeeze Club, the balls roll
slowly, the espresso makes us feel cooler; & then when
we come outside the city is still clear & even paler blue
but the temperature has dropped slowly to about 78
with a cool breeze. High pressure ridges &
low pressure troughs. Stuff we can’t do very much
about.
This little drop in the temperature
is so pleasant, plus I won 3 games in a row & Marcus
is fun to be with, that I begin to feel balmy,
simultaneously light-headed & full of espresso. If
that piece of cream&dullred bacon you put on the sidewalk
down on Queen was up here on Dundas,
cooked to a nice crisp red, I would just scoop it up
with one easy arm as we walk along & eat it for a snack.
Instead we walk up to Giancarlo on College Street. The red
snapper with extra virgin is as good as it was
when Andrew M used to cook here,
but the veal chop isn’t as good, they don’t cut it
properly, it makes a difference to the way it grills.
You see what perfect weather & easy pleasure do –
they make the whole body into a relaxed tuning fork
for picking out accomplishments & imperfections;
too much balmy heat & espresso makes me long
for absolutes, Iraq will become a peaceful country,
Ottawa will reform a number of laws,
the missing children of Erie County will return,
& we will all live forever & be happy with the world;
if I eat ½ as much I will probably remain
just a shade critical – of the meal, the dark blue
awnings, yellow light; but I have soup, & I eat
the whole fish c/w an order of fettucine & tomato sauce,
when it passes into my system with all that lovely
oil & basil, I fall in love with the night,
the moon, although there is no moon,
Marcus, although neither of us is gay,
& all these figures passing along
both sides of College Street in the dark,
although if
I were to pass them again in the morning
while shopping, I probably wouldn’t recognize
the thick-moustached Lebanese guy
in the dark suit. Sure. Sure I would.
I’m living downtown again, & making money,
sharing for the moment with 3 other guys.
I go to
Kensington Market about once a week. One of the stores
has free-range chicken. I don’t eat rabbit. But the fish
is good, & I buy oranges & purple black plums
& bright green avocado pears.
I was very moved by those
lines about the perfume maker you murdered. Poverty can be
attractive. Presumably he was a fairly poor man,
with a wife & 3 children perhaps.
Also the lime seller
out in the Jamaican market.
Everything which is truly
beautiful is to some degree exotic. Look
there’s a kid
on pink roller skates curly blond hair elephant earring
& I’ll bet he doesn’t even know
what the word exoticism means. Poverty can be attractive.
Markham was boring.
I’m living downtown again & making money.
Sharing a house for the moment with 3 other guys.
Likewise
the Portuguese fish handler. I used to live around
here several years ago. Or the young Palestinian boy
selling brown paper bags
of lentils & mung beans.
I am vaguely interested
in what will happen when the Portugese fish handler’s
daughter
begins reading
Saturday Night
or going to French films.
Moon in the Gutter
, for
example. Or when the young Palestinian boy
discovers me
& thinks I’m exotic. I am, after all,
don’t you think,
a lot more than just a good mind
& a couple of degrees from Queen’s?
We have salami and Emmenthal sandwiches for supper
fresh fruit
mangoes and oranges;
I change the sheets and read the first four chapters
of
Broca’s Brain
while you take a bath;
Broca was a man with a problem
he was devoted;
I look over at my typewriter and think about the essay
that I want to write on the autonomy of information grids;
mangoes are tropical
mangoes are universal
all mangoes are fundamentally alike;
the front brain is at war with basic ideas
but what happens when you can’t get back
to the foundations?
We make love in the soft blue glare
of the television set
between the night sky and the pale grey broadloom,
I almost lose consciousness until all I can hear is
your voice murmuring over a million small white stones;
your nipples are rough dark strawberries in the profile
of the empty apartment with its large windows facing east;
the red oblong PARK PLAZA sign winks back black
this stained mustard building floating on a current
of earth – clear moon overhead young mother innocent
moon. The smell of potato salad and musk mango and musk.
Bruce Springsteen’s beautiful New Jersey voice
singing the word streets over and over and over again.
The south is a rotten peach
these rooms in the night are cities also
where we turn our backs on bedlam and bellevue
and walk into America again – the rain on our faces
soft and cool,
patient, unflinching. It is, after all,
the only home we have ever known.
Charlie Parker would make a good stamp,
there should be a lot of votes for that,
& Rosa Luxembourg,
she’s popular in Toronto,
& Orel Herscheiser.
Frank Sinatra once sent Orel
a publicity picture of himself & signed it – For Oral,
like hygiene, or like Roberts.
Herscheiser – while he’s still a hero,
before he starts losing, before the fabulous golden arm
develops some infinitesimal bone chip