Chthon (2 page)

At length he emerged into a larger cross tunnel, a dozen feet in diameter—and was smashed into its smooth wall by a rushing mass of air. Wind—in closed caverns? This was the source of the noise; but where could such a draft be coming from? Somehow his vision of the infernal region had not included this.

Aton braced himself and forged back into the wind, letting it guide his body down the tunnel. The walls were featureless, except for the glow, and the passage was almost exactly circular in cross section. Could it have been excavated and smoothed by an untold era of wind erosion? Chthon was growing stranger yet.

The fierce breeze—thirty miles an hour or more—served nicely to cool his laboring body, giving him at least part of the answer to survival here. But almost immediately he felt its consequence: dehydration. He would have to have water, and quickly, before his body shriveled. Somewhere there should be other people, and suitable provisioning.

Moving along with one hand against the wall, Aton suddenly fell into an inlet. The wind subsided here, and the heat returned; but grateful for the rest, he decided to follow it on down. The passage was small, hardly high enough to clear his head, and opened into another cell or room similar to the one in which he had been deposited originally. A dead end.

He was about to retrace his steps when he realized with a start that this room was occupied. There was a mutter and a stirring, and a shape rose from the curving floor. It came toward him, oddly suggestive and a little frightening, bringing to mind an image from his past; nebulous, a beauty and a horror at once too tempting and too painful to handle fairly. The background howling of air seemed to shape itself into sinister music. Is it the song, he thought, the terrible broken song, the melody of death? Is this my demon, my succubus, come grinning to snatch away my manhood?

A woman’s voice issued from the figure, unctuous yet appealing. “You want to make love to me?” she asked.

Now he could see the outline of a nude female body. Conscious of his own exposure, he held his book protectively in front as she approached. He was uncertain of her intention, and she brushed the book aside and slipped into the circle of his arm. She was confident; apparently she was able to see things more readily than he, in this half-light.

“Love,” she said. “Make love to Laza.” Her naked breasts pressed up against his chest.

He was afraid of her and of his phantasm. Warned by the tenseness of her body, he jerked backward. Her hand came down savagely, the sharp stone in her fist just grazing his cheek. Twice in an hour he had been attacked. “Then die, you bastard!” she cried. “Die, die…”

Her breath caught, choking, and she fled to the far side of her cell, to fling herself down in a shuddering heap. He could still hear her tortured whisper, “Die, die…” Had she really intended to kill him?

He stepped back into the connecting hallway. Laza heard the sound and came upright immediately. “You want to make love to me?” she inquired, exactly as before.

Aton ran.

The main tube went on and on, intersecting numerous cloisters. Some seemed to be empty; others broadcast strange noises, grunts, scratchings. Aton passed them quickly.

Thirst drove him on. The cruel wind chafed at his back, wringing moisture from him. He had kept his shoes, but now he removed them and let his sweat-sodden feet breathe. And pushed on.

At last the sound of voices drew him into a larger cavern. The wind eased slightly, filling more spacious quarters, and the noise diminished. Aton’s numbed senses came back to life. There were several people here, working and chatting idly. In the center of the hall was a large metal device on wheels with a spoked axle rising from the top. Two men were pushing at the spokes and slowly rotating the top as though it were the wheel of a grinder. Nearby two other people squatted against the wall, carving small objects with slender blades. Beyond them a single man flipped pebbles into baskets. All were naked.

Nearest to him was a ponderously genial woman who spotted the visitor immediately. “New man, eh?” she said, using the same greeting he had met before. More trouble?

“Aton Five.”

“You came to the right place,” she said. “Everybody comes to Ma Skinny.”

She laughed at Aton’s blank look. “Naw—it’s ‘cause I handle the skins. You’ll be wanting one, ‘fore you shrivel. Here.” She went to the central machine. The men stopped their grinding to allow her to remove a bag hanging on a spout in the side.

She brought it to him. “This here’s your skin. You don’t never want to leave it behind.”

Aton took it, uncomprehending. It was made of some sturdy fabric, weighed about twenty pounds, and had straps obviously designed as a body harness. Now he saw that every person in sight wore a similar bag—the only article of clothing. But what was the purpose?

Ma Skinny picked up an empty bag and suspended it from the spout, allowing the men to resume their labor. Slowly it began to fill.

At last Aton caught on. “Water!” he exclaimed, taking the narrow neck of his skin into his mouth and sucking thirstily. The liquid was cool, comparatively, and delicious.

The woman looked on approvingly. “Worth mor’n garnets,” she said. “We just grind it out of the ‘denser, here, and everybody’s happy. Just so long’s they stay right side of ol’ Skinny.”

Aton got the message. This woman had power, in whatever subterranean hierarchy existed here.

She went on to introduce the others. “Folks, this here’s Five. These two’re my pushers, this shift, Sam and Horny. Down this way we got ol’ man Chessy. He makes whole chess sets out of broken garnet stone, or whatever it is. Nice work.” Aton nodded, surprised again. Outside, those figurines were worth a fortune, both for the material and the craftsmanship—yet here the artisan was revealed as a gray old man squatting nakedly and poking with a battered knife. “This other’s Prenty to him. They got an understanding.”

The apprentice was a young woman, hardly out of her teens, but quite well formed and pretty. Aton wondered what crime she could have committed to be sentenced to Chthon at such an age. He imagined that their “understanding” was more to gratify the old man’s ego than his romantic prowess. Reputation must be most important here—a good point to remember.

Ma Skinny led the way to the man with the baskets. “Tally, here,” she said. “Good man with figures, good eye for garnets. Don’t cross him.” Tally was sorting the little stones by color: a basket each for shades of red and brown, dimly distinguishable in the imperfect light. An attractive girl resorted them into graduated sizes. “That’s Silly,” Ma said. “Her name, I mean—Selene, Silly. You’ll learn.” The girl looked up and giggled.

“Everybody’s got a job,” Ma finished. “You run around a little, Five, get settled, and we’ll fix you up with something. No hurry.” Too casually, then: “You smuggled in some tools.”

“Tools?”

Her alert eye was on his bound book. She wouldn’t ask the question. Aton opened it. “
LOE
,” he said. “A text. They let me bring one thing.” She turned away, wordless, disgusted.

That was the tone of it. Once acclimatized to the heat and wind and able to find his way around the interlocking tunnels by sound and sight, Aton found prison life to be surprisingly easy. Too easy there could be no enduring drive towards escape, in such a situation. The inhabitants were contented, as he was not. He would have to find a catalyst.

The caverns extended down interminably. The garnets were brought up from somewhere below for sorting and trade with the outside world. They commanded a price far beyond their actual worth as gems. Artificial stones could easily surpass them in quality, but lacked the appeal of notoriety. These were the produce of condemned hands, originating in nefarious Chthon. Man always placed a premium on the morbid.

Aton found the attitude of the prisoners inexplicable. This was supposed to be the worst prison in the human sector of the galaxy, reserved for the criminally insane, the incorrigible, the perverted—those whom society could neither cure nor ignore. Chthon was pictured outside as the home of perpetual rampage and orgy, sadism and torture beyond belief.

Instead Aton discovered a crude but placid society whose members followed their own advice: make no trouble. The genuinely insane were isolated in their cells and cared for by volunteer wardens. Unless these ventured out, they were left to their own devices.

Even normal people could hardly be expected to get along so well. Were these really criminals? If not, why did they accept their lot so easily? There had to be a missing element, some binding force. He could not act until he understood its nature.

2

“Aton.” The voice was a low, warm alto.

He came out of his reverie to discover the girl Selene, provocatively posed, not giggling. Her eyes had lingered on him whenever they met; but though aware of this, Aton had felt he should be wary of women until the other mysteries were solved. A woman was trouble anywhere.

She came toward him, breasts outthrust. “I ain’t no Laza, Aton,” she said, intercepting his thought. “It ain’t going to kill you to come near me.”

Aton was unmoved. “Tally’s woman, aren’t you?”

“Tally knows where I am. Tally knows where everybody is, all the time.” She came to stand against him, soft and lithe and feline. “How long since you had a woman, Aton?”

She had scored. It had been too long a time. He had learned the way of things in space, and space was over, now, perhaps forever. Judging from the attitude he had seen so far, she was probably telling the truth about Tally. He might even have sent her, as a gesture of amity.

Selene moved away, hiding behind her water-skin. Certain that she had his attention now, she began to dance, with a rhythmic hop and swing fully as alluring as intended. Aton set his book against the wall and went after her.

She giggled and skipped away. Playing an intricate hide-and-seek with hands and body, she led him into a side passage. Aton checked, suddenly wary, but it was empty.

She brushed against him. He caught her and pinned her against her water-skin along the wall. Their lips met abruptly in a kiss, broke, touched passionately; then she escaped and pirouetted into the center of the cell. Her eyes glowed.

Aton stalked her, cutting off the exit and herding her into a niche; she dodged and wriggled with delight.

Selene began to hum a tune when she saw that she was fairly trapped. It was the final artifice: an innocent, indifferent melody, as though she were not aware of company. It should have launched him into the terminal effort.

Instead it drove him back, cooling his ardor instantly. It was the broken song.

She saw that something was wrong. “What’s the matter, Aton?”

He turned his back. “Get out of here, Silly. You aren’t half the woman I crave.”

Shocked, then in flashing anger, she ran. Aton listened to the sound of her footsteps, a bare patter in the screaming wind. They merged to form the music of the broken song.

“Malice,” he thought. “Oh, Malice—will you never leave me?” 

•    •    •

It was a dream, of course, but only Aton knew it, and he, lured by the might-have-been it dangled before him, was foolish enough to forget that it was. In his conception he was not standing alone in the tunnel; the woman was not fleeing in anger. There had been a failure, yes, but not a total one.

She took his arm as they walked down the dim tunnel. She wore a light blouse and dark skirt which did more to enhance her figure than any nudity could do.

“Jill,” he said, “I wanted to apologize for what happened. But you have to understand the impact the song has upon me. When that comes—”

She jogged his arm. He could feel the gentle pressure of her fingers through the coat. “My name is Selene,” she said.

They turned into a side passage. It slanted down, expanding. “Your interest caught me by surprise,” he continued, aware of the awkwardness of his explanation. “Somehow I never thought of you as a woman, Jill.”

“Why do you keep calling me “Jill”?” she demanded. “Look at me, Aton. I’m Selene. Silly Selene, cave girl.”

He looked. “I suppose you are,” he said. “I didn’t recognize you, clothed.”

“Thanks.”

He guided her to a seat and found a place beside her. “I never realized there was one of these in Chthon. We had a theater for the crew on board the
Jocasta
, but I never attended…”

He faded out, alarmed. Her hand was in his lap, fumbling with the fastening of his trousers. Then her fingers were inside, reaching down to discover what lay there. He tried to protest, but immediately the people in the neighboring seats turned to stare, forcing him to silence lest his exposure be advertised.

The feature flashed on the big front screen. Aton’s attention leaped to embrace that still scene. A man, toiling up a steep path, a strong man in antique costume, a young man garbed in flowing robes of indeterminate color. One man, but filled with meaning. Behind him the trail tapered away to a rocky, mossy slope, strangely attractive as a landscape.

The picture shifted, fading into another tableau. This time the foreground opened: a sheer drop with a horrifying hint of depth. The path had crested, as though running through a pass; indeed, one rounded hillock swelled in sight, while the surrounding land dipped away. Two men faced each other, having mounted on either side, meeting at the top. On the right was the strong young man of the previous picture; on the left, an older man, similarly dressed. They confronted, talking or debating. The old man’s arm was raised in imperious gesture.

The third frame was more forceful: the young man’s body was twisted, caught in violent motion, arms outflung, face contorted. The other person was poised in space beyond the precipice, arms raised as if to flail the air, birdlike, but falling nevertheless. They had had an argument, a falling-out, perhaps a contest of strength over the right-of-way. Who could say, since the images were fragmentary and silent? But the deed was done, irrevocably. Far below, out of sight, Aton knew that there was a narrow river bed—and wondered why he knew.