Close My Eyes (2 page)

Mr Tam clears his throat. ‘ICSI is often used in cases where the sperm is of poor quality. Of course, that isn’t the case here, but ICSI is equally useful when couples present with
low rates of fertilization and a low yield of eggs at egg retrieval, both of which do apply to you.’

‘Won’t that cost more than ordinary IVF?’ I ask.

At the mention of money Art stiffens. It’s a tiny movement, but I recognize it well. It’s like when an animal pricks up its ears, listening out for warning sounds. I stare back at Mr
Tam’s desk. The brass studs around the edge are gleaming in the light. I wonder, idly, whether somebody actually polishes them.

‘It
is
more expensive,’ Mr Tamansini acknowledges. ‘But it will undoubtedly increase the chance of a viable pregnancy.’

‘So what does ICSI involve?’ Art says. His tone is neutral, but I can hear the steel in his voice. He’s not going to let himself – or me – get taken for a ride.

Mr Tam smiles. ‘As far as the two of you are concerned, there’s really very little difference from standard IVF.’ He starts talking about the procedure. I tune out for a
moment. I already know about ICSI; it was one of the options I pored over several years ago.

‘. . . which works like a cleaned-up software platform,’ Mr Tamansini finishes. ‘All ready to program a new computer.’

Art laughs. He loves Mr Tam’s metaphors.

‘So what do you think?’ Mr Tam asks.

‘Absolutely.’ Art looks at me. ‘We should go for it.’

For a second I’m furious that Art is speaking on my behalf. And then I remember that I agreed to come here, that he thinks I’m up for this, that I haven’t talked about how I
really feel for ages . . .

‘I don’t know,’ I squirm. ‘I mean . . . I don’t know about IVF any more. Let’s face it, in a few months I’ll be forty which . . .’

‘. . . is
not
too old.’ Art turns to Mr Tam. ‘Tell her, please. It’s not too old.’

Mr Tam takes a deep breath. His face remains calm and professional, but underneath he is surely wondering why I’m here at all if I’ve got such doubts. ‘Of course, Mrs Loxley,
you are right. There are no guarantees. But you became pregnant once before, which is a positive sign. And forty is not that old in IVF terms. Indeed, one might say it is not as old as it used to
be.’

I stare at him, at his soothing, gentle smile.

‘I don’t think . . .’ My voice trembles. ‘I’m not sure I can cope with . . . with going through it all again . . .’ My voice breaks and I look down at the
carpet. There’s a brown stain by the far desk leg in the shape of a kidney bean.

Why is it so hard to say what I want? How I feel?

Art’s voice is low in my ear, as intense as I’ve ever heard it. ‘Gen, we have to keep trying. Don’t you see? If you like, I’ll do a full risk assessment on the ICSI
stats, I promise, and I’ll work out the odds, and if that pans out then we’ll make it work together, just like we always make everything work.’

I look up. Mr Tam has walked across the room, to the intercom by the curtained-off area. He is talking to someone in a low voice. Giving me and Art a moment to pull ourselves together.

I turn to Art. His eyes are dancing with this new hope. I hate myself for not feeling it too.

‘I know that it’s hard for you, all the drugs and the appointments and everything,’ Art continues. ‘And I know we’ve been through it before five times . .
.’

‘Six,’ I correct.

‘. . . But it would be worth it,’ Art presses on. ‘Don’t you think it would be worth it?’

I shake my head. I thought that once, maybe, the first few times we tried IVF after Beth. But the pain of trying and failing
wasn’t
worth it.

Art frowns. ‘I don’t understand why you don’t want to try again,’ he says. He’s trying to sound sympathetic but there’s a note of impatience in his voice.
‘If the percentages pan out, I mean.’

I take a deep breath. ‘It’s not the percentages and the risk factors and the drugs.’ I look into his eyes, hoping I’ll see that he understands. I lower my voice to a
whisper. It’s still so hard to say her name out loud. ‘It’s Beth.’

His eyes express confusion. ‘You mean it’s being disloyal to her memory to try again?’

‘Not exactly . . .’

‘Oh, Gen. This isn’t being disloyal. If anything, it’s a testament to how much we loved her . . . that we want so much to . . . to replace her.’

Replace
her?

Mr Tam is back at the desk now, fingertips pressed together.

Art’s words are still ringing in my ears. I stare down at the kidney bean stain again, blood drumming at my temples.

‘I guess we need a bit more time to think about all this,’ Art is saying. His voice sounds dull and distant.

‘Of course.’ Mr Tam is smiling. I can hear it in his voice, but I’m still staring at the carpet stain. ‘At this stage it’s just a suggestion. I think we should take
it one step at a time.’

I look up. ‘That’s a good idea.’

Art puts his arm around my shoulders. ‘Absolutely.’

A few minutes later we’re outside the clinic and heading home in a taxi. Art refuses to travel any other way. He could have a driver if he wanted one, now that Loxley Benson is so
successful, but he hates any appearance of elitism. I tell him taxis are just as elitist but he says they’re a practical solution – public transport being so slow and Art’s time
being money.

We don’t speak. I’m still reeling. Suddenly I realize he’s speaking to me.

‘Sorry?’

‘I wish you wouldn’t do that.’ He takes my hand and holds it between both of his.

I look down. The nail on the first finger of my left hand is bitten right down and the skin around the nail is chewed and red raw. I curl it over, out of sight. I hadn’t even realized my
finger had been in my mouth.

Art’s fingers exert a soft pressure. ‘Why did you let me make the appointment if you were so sure you don’t want any more IVF?’

Through the taxi window, the sun is low above Regent’s Park. A perfect burning orange disc against a clear navy sky with no sign of the earlier clouds. I turn back to Art. His eyes glitter
in the soft light and my heart lurches with love for him. For all his ruthlessness in business, Art’s fundamentally the kindest man I know.

‘I’m sorry about the appointment,’ I say. ‘I know it’s not fair . . .’ I tail off, wishing my thoughts weren’t so confused.

‘You know you’re nuts, don’t you?’ Art says affectionately.

We stare at each other for a moment, then Art leans forward. ‘Can you at least explain to me what you’re worried about, Gen? Because I only want . . . that is, everything I do,
it’s all for you, you
know
that. I just want to understand, because I can’t see how
not
trying again is the right thing.’

I nod, trying to work out what to say. How I can explain what feels so muddled and fragile in my own head.

‘I can’t think in terms of “replacing” Beth,’ I say.

It hurts to use her name. But not to say it denies her existence, which is worse. My stomach twists.

‘I didn’t mean
replace
.’ Art dismisses his previous word with a shrug. He sits upright. ‘
Obviously
we can’t replace her. But we
can
have
the experience of being parents, which her dying cheated us of.’

‘I don’t know.’

Art fingers his collar, feeling for the hidden nick in the cotton. ‘Then let
me
know for both of us.’

‘What about the money?’ I frown. ‘We’ve already spent so much.’

Art waves his hand. ‘That’s the least of our problems.’

It’s true, though I still can’t quite get used to how much Art is earning. It’s not that we were struggling before: Loxley Benson has been doing well for a long time, but
it’s really taken off this year. In fact, right now, it’s one of the fastest-growing small businesses in the UK.

‘I don’t mean the amount,’ I say. ‘It’s the whole thing of sending good money after bad and—’

‘Jesus, Gen, it’s not
that
much money. Just a few grand. And me doing
The Trials
is getting us more work every day. A woman at a client meeting the other day,
she’s involved in some government initiative and she wants to talk to me at the Brussels meeting tomorrow about bringing me in. We’re doing really well, Gen, like I told you we would.
We’re about to go
massive
.’

‘But . . .’ I stop, unable to say what I truly feel, which is that Art’s business success makes me feel inadequate. It’s not fair, when he works so hard for us, but being
pregnant made me his equal. Like I was making a proper contribution to our marriage at last. And now, the reminder that he makes money hand over fist highlights how I have failed to keep my end of
the unspoken deal between us.

‘You
have
to want this, Gen. We can do it. I will find a way.’

The words, the set of his mouth, his whole body . . . it’s all utterly convincing. And, I know from experience, virtually impossible to resist.

‘You really want to try, don’t you?’

Art shrugs. ‘What’s the alternative? Adoption?’

I shake my head. That’s one thing we’ve both always agreed on at least. If we’re going to have a baby, it should be
our
baby.

‘Exactly.’ Art leans forward. ‘I do want this, Gen.’ He pauses and his mouth trembles. ‘But not unless you want it too.’

For a fraction of a second he looks vulnerable, like a little boy, and I see how afraid he is that I will never move on from Beth dying and that our love will slip away from us because of it . .
. because one day I will have to choose between letting go of Beth and letting go of Art.

‘I want to do this
with
you, Gen,’ he whispers. ‘Please try and see that.’

The taxi slows to a halt at the traffic lights separating Camden High Street from Kentish Town Road. Art and I met in Camden, fourteen years ago at a big New Year’s Eve party I’d
gone to with my best friend, Hen. Art was twenty-six and in his first year of running his own business. He’d blagged his way into the party with a bunch of his colleagues because he thought
there’d be useful people there. I was just up for free drinks and a laugh.

We met at the bar, when one of Art’s colleagues – Tris – bumped into Hen and it turned out they were old uni friends who’d lost touch. Of course, Hen introduced me to
Tris who, in turn, introduced me to Art. Art bought a round of drinks, most of which I knocked over on my way back from the Ladies. He was sweet about that, immediately buying another round, even
though – I found out later – he could barely afford to eat at the time. We got chatting. He told me about Loxley Benson, how he’d set up the business with a good friend just
months before, how he wanted to ride the new wave of online trading, how passionately he felt about making sure the investments his company supported were ethical and socially and environmentally
responsible.

I told him how I worked for a boring homes magazine, writing about kitchens and paint schemes, but how one day I wanted to write a novel. I remember being blown away by how driven he was. How he
was prepared to take any risk and suffer any setback to get where he wanted. How it wasn’t so much about making money as making a difference.

Even then, I knew that whatever Art wanted, he was going to get.

Including me.

‘Gen?’

I bite my lip. It’s dark outside now, the street lamps starting to glow as the taxi drags its way past the dreary shops and crowded pavements of Kentish Town High Street. If he
wasn’t married to me, Art would probably have four kids by now. He should have this. I shouldn’t stop him from having this.

‘It’s the hope,’ I say. ‘I can handle anything except the hope.’

Art laughs. I know he doesn’t really understand what I mean. But he loves me and that’s enough.

‘Why don’t you check out the ICSI stats,’ I say. ‘See what you think. Then we can decide.’

Art nods enthusiastically and reaches into his pocket. A second later his phone buzzes and I realize he must have had it turned off for most of the last hour. I can’t remember the last
time he turned it off for more than a few minutes.

He’s still talking on the phone as we reach Crouch End and walk into the house. Lilia, our Slovakian cleaner, is just leaving. As I shut the door behind her I notice the post piled up by
the hall radiator. I pick it up and wander into the kitchen. We don’t use the other downstairs rooms that much. It’s a big house for just two people.

I flick idly through the mail. There’s a postcard from my mum, who’s on holiday with her latest boyfriend in Australia. I set that down on the kitchen table, then take the rest and
stand over the recycling pile, chucking the junk mail on top of it. I put aside two bills and an envelope bearing the logo of Art’s solicitors. More junk mail follows: magazines, takeaway
flyers . . . How can we receive so many pointless bits of post in just one day?

Art is still talking on the phone. His voice – low and insistent – grows louder as he passes the kitchen door, then fades again. As I throw a couple of catalogues onto the recycling
pile, it teeters and finally collapses.

‘Shit.’ As I pick everything up, Art reappears.

‘Gen?’

‘How on earth is it possible for us to generate this much paper?’ I say.

‘They’ve brought forward tomorrow’s Brussels meeting, so Siena’s booked me onto an earlier flight.’

‘When?’

‘The meeting’s at ten. I’ll be leaving here just after six, so I was wondering about an early night . . .’ Art hesitates, his eyebrows raised. I know what he’s
thinking. I smile. At least it should mean the subject of IVF gets dropped for the rest of the evening.

‘Sure,’ I say.

We have dinner and I watch some nonsense on TV while Art makes a couple of calls and checks various spreadsheets. My programme segues to the
News at Ten
. As the first ad break starts, I
feel Art’s hand on my shoulder.

‘Come to bed?’

We go upstairs. Art drops his clothes on the red-and-orange-striped rug and shakes back the duvet. He gets into bed and grins up at me. I lie down and let him touch me.