Code 61 (21 page)

SIXTEEN

Sunday, October 8, 2000
20:12

The longest warranted search of my career resumed on the third floor of the Mansion, duly logged in at 20:12. Participants were recorded as me, Hester, Grothler, and Barnes. Hester, by virtue of already having been there, however briefly, went first.

The third floor was divided into two equal segments. One half was a well-furnished apartment, in a loft style, and furnished with very modern furniture, in complete contrast to the rest of the Victorian-style house.

The only separate area in the apartment half was the bath. The rest, kitchen, living area, and bed were separated by kind of artfully arranged furniture. Hester stood just inside the main door.

“Didn't get much of a look as I came through,” she said. “Nice.” She had her gun in her hand, as did I. We were taking no chances that there was a second suspect who'd decided not to run with the first. “This stuff is just about all IKEA,” she said. “Wow.”

“Oh.” I assumed that was either a brand name or a designer's name. Or, maybe a style? I didn't want to embarrass myself by asking.

Outside, we could hear some officer calling over his PA system. “Peel, we know you're out there! You might as well give up.”

I looked at Hester. “Who gave out the Peel name?”

“Not me.”

“Had to be Borman or Lamar,” I said. It was too late to hold it back now, regardless of who had released it. Considering how Borman's night was going, I hoped for his sake it hadn't been him.

The lighting, which we'd accessed via the main switch panel by the entrance, was muted but very thorough. Track lights, free-standing lamps, lights built in to the kitchen cabinets, all came on with the master switch. Made it really easy to check it all out.

The bed was what I'd describe as “king-size plus,” and was in the far corner. Solid all the way to the floor, with cabinets underneath. Nice, indeed. The most interesting thing about the bed was the tripod with video camera positioned to cover about a three-quarter view of the bed and its sometime occupants. Two halogen lights, on their independent stands, were set to light the area covered by the camera.

There was a huge black and white photo, framed and lit with two special ceiling lights, on the wall above the bed. Being a WWII buff, I thought at first it was a photo of an anti-aircraft emplacement in Normandy. A closer look showed it was a series of sunken concrete entrances, very much like church doors. They were arranged in a circular shape, with a large hub in the center that also had doors, with names chiseled on the lintels. What had made me think of WWII was the abundance of undergrowth. There was a small label in the lower right corner. “Circle of Lebanon.” Interesting.

The kitchen was all built-in stuff, including a dishwasher and a really nice combination microwave and gas stove setup. Nice hood. My dream kitchen.

I looked at Hester. “This is the kind of place I'd kind of hoped to get to when I died.”

“Yeah.”

I noticed the computer, of course. I do that. Nice Dell outfit, with one of the new two-inch-thick monitors … flat panel displays like that ran about $2,500. Nice. An ergonomic keyboard. The whole unit had its own IKEA desk, with matching executive chair. The thing that struck me most about it, though, was that the thing was so uncluttered.

There were some extra boxes attached to the computer. I looked more closely at them, and saw a note entitled “Suggested Replacement for SOHO Server.” I knew just enough to know that SOHO stood for “Small Office/Home Office.” I knew what a server was; it connected several computers, and also connected them to the Internet. The list included things like Emulator, 300 W power supply, motherboard, 2 PIII CPU, 256 MB SDRAM DIMM minimum, floppy drive, DVD-ROM drive, PCI adapter, Ethernet adapter, networking card, keyboard and mouse, two 60 GB HD, and the like. Hmmm.

“Hey, Hester, when you get a minute … ”

She took one look at the note and said, “Apparently they're thinking of upgrading the SOHO server.”

“Yep,” I said. I kept my eyes moving about the place, just in case our Mr. Peel had had a guest.

“And,” she added, “they may not have decided yet, because there are no brand names attached to the descriptors.”

Ah.

“And I hope they're running ME.” She said that mostly to herself, her eyes, too, constantly moving about the vast room.

“Mmm.” Noncommittally, I hoped. I didn't have the faintest idea why she hoped that, and didn't want to seem uninformed enough to have to ask.

“Every bedroom we searched,” she said as she passed me, moving toward the center of the third-floor apartment, “had a computer. None of them even close to this beast. I think the residents bring their own, and then link to the net through this stuff. Nice system.” As she spoke, she darted her hand inside the doorway of the bathroom, and flicked on the light. She stepped in as I covered her. “Nothing,” she said, reappearing a moment later. We continued to move about.

There was a very strange structure dividing the third floor neatly in half. It looked like a small, peaked-roof house, about eight feet high, with sash windows on all four sides. The windows on the long sides were offset, on the near side to accommodate a glazed door, and on the far side to accommodate the corner of the huge main chimney. Inside the structure was a large, flat-topped skylight leading via wooden ducting to the six bedrooms below. Above the structure was the peak of the main roof, with glazed skylights that corresponded to glazed areas in the peaked roof of the little house. There was little, if any, room inside the little place for anything but a narrow foot purchase for somebody who might clean the glass.

“What the hell do you call this?” I asked Hester.

She looked at it for a few seconds. “Thingy, I think,” she said.

“Nobody inside,” I said, looking through the window on my side of the structure. I could see Hester through the glass, on the other side.

“Right.”

On the opposite side of the newly identified “thingy” was a room that ran uninterrupted the full length of the house, about a hundred feet, and was some eighteen feet wide. We entered swiftly, me first this time, and Hester right behind, going left and hitting the light switch. After a moment's flickering, the fluorescent lights came to life.

It was a dance studio with a polished wooden floor, and a multiple-mirrored interior wall. A wooden rail in front of the mirrors, attached with large brass fittings, and large stereo outfit at the near end, with some folding chairs, a bench, and a clock on the wall at the far end. Suspended fluorescent lights in standard gray shades. Austere. I took it in in about two seconds. Nobody there, nor could there be without being seen immediately.

“She takes her dancing seriously,” said Hester.

The security sweep completed, we holstered our weapons and got to work looking for evidence.

“She's got to pay for those cars somehow,” I said.

Hester shook her head. “Not by dancing.”

We took our time, and did a very thorough search, beginning with photographing both rooms. Then the place was divided up among us, working in teams of two. Grothler and I got the “living area,” which was fine with us. It was all so neat and organized, and so modern in contrast to the rest of the house, there wasn't much of a place to conceal anything. Nooks and crannies were at a premium, thank God. That's why, I guess, I found myself photographing the bookshelf, and then looking behind the books. Well, you could hide things back there.

There were some interesting books, so interesting that I got my zoom lens out of my camera bag, and used it to photograph readable sections of the shelves.

Gray's Anatomy, Chaos
by Gleick, and Hawking's
A Brief History of Time
were books I had at home, and lent a familiar aspect to the shelf. Then, though, there were several volumes that I'd never heard of. First,
Treatise on Vampires and Revenants: The Phantom World
, apparently translated by one Harry Christmas. I sure didn't have that one at home. Neither did I have
Death, Burial, and the Individual in Early Modern England
by Clare Gittings, although I have to admit it did look interesting.
The Vampire: His Kith and Kin
by Montague Summers, struck me as sounding like good reading for a stormy night.
Reflections on Dracula
and
Shade and Shadow
by Dr. Elizabeth Miller looked to be the sort of thing I'd pick up for myself. I was beginning to think I'd found the source for Toby's vampire tale.

There was a very nice photo volume entitled
High-gate Cemetery, Victorian Valhalla
, photographed by John Gay and introduced by Felix Barker. I opened it up, and thumbed through the black and white photos of the famous cemetery in London. As I did, a slip of notepaper fell out. On it was written “Beware David R. Farrant, British Occult Society,” with “Egyptian Avenue & the Circle of Lebanon,” written at a slant, and the whole thing had a smiley face under it with the word “Isadora.” On the open page was a smaller version of the huge photo on the wall. I checked in the list of photos in the back of the book, and discovered that the Circle of Lebanon was a wheel of crypts in Highgate Cemetery in London. Strange. I copied the note onto my log sheet, along with the name of the book, and Isadora. Just for future reference.

Beside the cemetery book was one entitled
The London Nobody Knows
by Geoffrey Fletcher. Next to it was
London Under London, A Subterranean Guide
by Trench and Hillman. Two books I thought I'd like to read.

The
Oxford Dictionary of the English Language
dominated a shelf all by itself. I'd heard of it, but never actually seen one. It was the really cool edition, the one that came with the magnifying glass. I thought it looked out of place in such a modern room, and should have been in the library downstairs, with the mahogany table and the five-foot wainscoting.

The last shelf contained a series of almanacs, woodworking guides, a carpenter's handbook, and
The Joy of Sex.
I smiled to myself, because their shelf order made me think of splinters in unusual places.

There was nothing behind the books or behind the shelf. I went back toward the center of the room, and cleared my throat. Hester turned her head toward me. “I know what that's a photo of,” I said, pointing to the wall.

“Really?”

“Highgate Cemetery, London. It's crypts. In a circle, pretty old.”

“Ah.” Not as much reaction as I'd hoped.

“Check this,” she said. She drew my attention to the built-in wardrobe closet. Lots of stuff, much of it women's clothes. Some Victorian-looking stuff, brocaded and velvety, in deep reds, blues, and greens, with lots of lace at the neck and cuff. Pretty. Some men's clothing, as well. Looked to be for somebody about six feet, slender build. Big-sleeved shirts, laced-at-the-v-neck kind of stuff. Mostly white and off white. Black trousers, and one formal set of tails. Really nice. With them on the hangers were blue jeans, sweaters, sweatshirts, and sweatpants.

On the floor of the wardrobe were several kinds of footwear, including Wellington boots, laced Victorian women's high-topped shoes, and men's and women's tennis shoes.

On a series of little pegs on the inside of the door were hanging several pairs of black velvet restraints, black velvet blindfolds, and a brown leather switch with a tasseled end.

“Little something for everybody,” said Hester.

“Not quite,” I said. “No cookies.”

Between both teams we eventually found only three groups of items of particular interest, which were photographed in place, and then taken as evidence.

The first interesting little group was discovered by Hester, in the wastebasket in the kitchen area. A fairly large pile of stripped casings from a variety of rechargeable lithium batteries, the kind that are used in cameras, video cameras, flashlights, that sort of thing. The metallic cases were split, and folded back. A bunch of packaging material, that had obviously contained the shrink-wrapped batteries. Also in the white garbage sack inside the wastebasket were about ten empty packages of Sudafed cold medications. Nothing more.