Read Collected Poems 1931-74 Online
Authors: Lawrence Durrell
Numen
inest.
Only the stone puma,
Fluminous under the butter of candles,
Shares this fierce humour.
Little
man'
s
food
is
brief
barley.
His
patron
is
black
malt.
Afterwards
death
is
his
matron.
Bringing
musical
bread:
God
with
his
footwork
Bringing
musical
bread.
Dipped
in
the
heart'
s
dark
salt.
Friends, Humans, Englishmen!
Officer at the bar and gentleman in bed,
Kings in your counting-houses, clerks at cricket,
All you who play in this desperate game,
Hopes of the side, the tenth wicket,
Who will be certainly raised to the rank of aunt
In the new millennium: permit
The bromoid encomium of the harmonium,
Wear the heart at half-mast and signal
A feudal death of an old order,
The dissolving warrior in his iron hat.
Observe the soul's decorum: stand, my son,
Hymn number one.
Poor
Tom,
whose
hope
was
sterile
dust
Now
perches
on
an
angel's
thumb.
While
cherubims
with
silky
limbs
Around
him
hymn
and
hum.
My uncle has entered his soliloquy;
Under the black sigil the old white one
Kneels in the Lamb's blood,
Hymned by portentous crotchets,
Keeps his smart vigil.
Puma of powder-blue whose stony lip
Reflects the candles, with a mineral eye
Covets the blood, but does not dare to sip.
This man, my Romans, was a Roman,
A breaker of skyline, took first prize
In the regatta for men past menopause,
Passed through the eye of the needle, broke
The hug of the Great Bear, the hug
Of a glacier's hairy back and oxygen claws.
Spat on Orion, left his shoes in a church,
Hung a harp on every weeping willow,
Took tiffin by the Indian bulrushes, saw
The last deranged crater, swallowed the Word.
Shot his bolt in the Gobi.
Was left in the lurch,
Then like a Roman, fell upon his sword.
This prince, this bug, this human,
Who sleeps under the great cat sleeping,
Shares with the smiling paranoiac,
Shares with the baby in the creeping-suit,
An amniotic balance, the diver's grief.
Has followed a Roman nose past Mandalay,
Ladybird on a leaf.
Simple
addition,
simple
subtraction.
One
is
left
and
the
other
is
taken:
Simple
condition
but
multiple
fraction.
One
is
a
doll:
the
other
will
waken.
Simple
reflection,
simple
refraction.
Plus
or
minus,
but
never
just
ONE.
Simple
equation
but
multiple
action
Ten
little
nigger
boys:
now
there
are
none.
My uncle has entered his soliloquy.
The candles shed their fur.
O world be nobler for her sake.
The boys hang in the vestry, the days
Are drawing in. Blow out the flesh,
The three-score ten of candles,
This squalid birthday-cake.
Give us to God with slim and shining handles.
All this Peter and Paul knew,
Talked over in the nazarene evenings,
Walked over Galilee arm in arm,
Moved by no wires, by pure imagination.
The prophet who sat under the tall rock
Wrote in a small pure hand this canon
For stockbrokers to read at Cannon Street,
At the Metropole, around the Maypole,
Or smiling in the Ritz: perhaps to endow
An evening conversation at the Plough.
Cousin Judas, let us admit
It is the hour for affirmations,
Let us affirm the no-claim bonus,
The wages of sin, let us admit
Chaos itself as a form of order,
Bear the sinner's pretty onus,
Rediscover the taste of ashes,
Crucify the choirboys: and above all
Preserve the senseless trajectory,
The doom of the bobbin in the loom,
From the rectory to the priory,
From bed to refectory,
From little womb eke to little tomb.
In the name of the Great Whale, then,
Be hale and whole! Amen.
1943/
1938
And to-day death comes to the house.
To-day upon the waters, the sunset sail,
Death enters and the swallow's eye
Under the roof is no larger and darker
Than this scent of death.
A disciple crossed over by water.
The acorn was planted.
In the Ionian villa among the marble
The fountain plays the sea's piano,
And by the clock the geometric philosopher
Walks in white linen while death
Squats in the swallow's eye.
The dogs are muzzled. Lord,
See to the outer gate, our protection.
I rest between the born and the unborn.
The father, the mother, the baby unicorn
Intercede for me, attended the christening.
Exempt me.
I have friends in the underworld.
1943/
1
938
1
Originally published as âEgyptian Pastiche'.
(1937)
I, per se I, I sing on.
Let flesh falter, or let bone break
Break, yet the salt of a poem holds on,
Even in empty weather
When beak and feather have done.
I am such fiddle-glib strokes,
As play on the nerves, glance the bare bone
With the madman's verve I quicken,
Leaven and liven body's prime carbon,
I, per se I, alone.
This is my medicine: trees speak and doves
Talk, woods walk: in the pith of the planet
Is undertone, overtone, status of music: God
Opens each fent, scent, memory, aftermath
In the sky and the sod.
O per se O, I sing on.
Never tongue falters or love lessens,
Lessens. The salt of the poem lives on
Like this carol of empty weather
Now feather and beak have gone.
1943/
1938
Ride out at midnight,
You will meet your sun.
Into what arsenal now seem fallen
The germs of the plum and the peppercorn?
The born and the unborn will report
What poison licks the wheat,
Or in the melon's gold retort
Repeat what melody fattens the leopard
From his mother's dusky teat.
Ride out at midnight
And number the sparrows.
Who put great wings to the Ark?
Who gave the unicorn spurs?
Only the women with thighs like mackerel,
Nourish the germ of the man of sorrows,
Are true to their monsters.
Be you to yours.
1960/
1938
If I say what I honestly mean
It's only because
I honestly mean what I say.
Shall I renounce you for a new theme
Who are a warm green stone, green girl,
Warm in a white bone bed?
It is no victory to write you,
But to become you. Gnosis
By osmosis. Knowing in becoming.
Desire is quite heraldic yetâ
A lion or griffin on a playing-card,
Or Fiat Voluntas, and a page of uncials.
What do we care, though? I imagine always
Someone much later to read us here.
Open this garish album of the flesh
Kept to horrify children,
Silence the late traveller,
Pore on us. Point. Stop eating. There!
An Ice Age you and me!
1980/
1938
You have been surely as a great moon.
There have been utterly drawn up
Frantic and magnetic liners, voyagers,
Ships in a doldrum, destroyers
Prowling a trade-route, gulls.
Even the amputated earth herself
Pours suicidal tidal water,
Ebbs upwards, up along homeward elastic
On the long tug wombward. Tides
Shine between your ribs, my moon's
White suicidal tides.
Everything is drawn in. Often
The known world will melt magnetic.
The glacier thaw and soften.
Then Man, Monkey, Microscope
Litter the long water lunatic.
No. The pale face offers no comment
On an uprooted cosmos. Only now
I can sniff gongs in the blood,
Drums in the water. Masks.
Rivers of seed flowing.
Moon of my blood
So suicidal a watch must be
As for the tidal world, for me,
Absolute ebb and flood.
1980/
1938
Delicate desire,
She moves in belly's soft pocket,
At the wrist, like worm turning,
Apprehending morning, meaning
In all things. Rivers.
As tongue to mouth
Or eye to socket.
The swan, the candid unicorn
Fear nothing, caged in myth:
Have all green history's page
To frolic on.
Delicate desire,
As knife-thrust upward from beneath,
Grant two deep
Having, holding, folding,
Fading and inclining,
Dance into sleep
As tongue to tongue,
As knife to sheath.
1980/
1937
Unblade the brighter passions one by one.
See, like swords shaken, angels' heels,
The bright things crowd upon us unawares.
Terrific toys the limbs like children cherish,
You in the night, I in the nightâO falling.
Straws join on a collapsing flood and we
Pouring, forever pouring as we perish.
The night. Orion's black proscenium
Invites: and, mortal here, we perish
Whose face I shall not see nor thaw whose sperm.
Only I tell a mouth as cold as coin
Breast finger chilly as the loin I cherish.
Now what pale allegory hangs between the stars?
What mouth sips out the candles of the body?
See, here is war and yet I bring no weapon,
My theme is simply visionary paper.
Darling no message but the eventual
Limbs junction, sockets of pleasure turning.
No pomp but the visitor at the window, Orion.
O I carry no sword but the inevitable
Statuary dagger, the reaping sword alive,
Against my belly, under the belt of stars.
1980/
1938
A girl has four partners in heraldry,
Elbow, wrist, ankle, knee.
Four bone gates the body uses
In its delicate abuses.
Ink become wine! Wine be blood!
O spirit, the leopard, eat body's food!
Girl, girl, girl, you have become
A valley of dead saints' bones,
A volley of hollow words, words, words.
Lie still. Watch the great heavy,
The flashing coloured boxer, Night,
Gong back the paleface, Day.
Opal and extravagant as a cat.
Lastly the moon will wake in him, too,
The stiff victorious grin o' the skull.
1980/
1938
Call back the stars. They are too many, Lord.
Death takes us man by man. Old wars
Covet us with the trumpet, cover us. April
Gives in deceit her stammering flowers.
Desire like a doom, the boom boom of the surf
Tells us. The slow-motion dive of the pole star
To the rim of the morning, the meaning of things,
Builds your tent where we are.
How shall it be? Caught in the sun's red loom,
Be woven to rock, to water, a new manufacture.
By the moon drawn, a green dolphin,
Up into death sans fracture?
Answer. At wedding, at tea-time, in snow?
Or in the dog-days, surprised at an oar,
In a drawn breath
Shall see save me too near the fatal,
Your absolute and ghostly impact, Lord,
The white yachtâdeath?
1980/
1938
At last the serious days of summer
When from the red forge dancing,
The blacksmith sunshine hammers
New beaks for the flesh.
From the black mint
Steel for new flint.
State me no theme for misery. The season
Like a woman lies open, is folding,
Secret, growth upon growth. The black fig,
Desire, is torn again from the belly of Reason.
Our summer is gravid at last, is big.
All you, who know desire in these seas,
Have souls or equipment for loneliness, loneliness,
Lean now like fruitage. The Hesperides
Open. This is the limbo, the doldrum.
Seal down the eye of your cyclops,
Silence time's drum.
1943/
1938
The paladin of the body is rock,
Dark rock, the anonymous
Stark stone, the prime ingot.
This crystal of darkness is flesh.
Call on Him and the rock
Becomes flesh and the flesh
God. Rock is His pseudonym.
This black rock does not feel
The kiss of the rivet, man's iron
So the body's armature seems
Bone: but is really stone.
God in the marrow
Borrows the belly's zone,
Shatters the mind's great lock,
And there visible is the Sphinx,
Whatever one thinks. God
Prime in the black rock.
1980/
1938
The father is in death.
Let him now enter into the sun's attic,
Enter the floating chambers of the sea.
Who will bear witness how foreign,
How musical with the silence
And alphabets we three be?
The father is in death.
The shadow lobs at the western wall.
The wheel has a broken spoke.
O conjure, my brothers, the pelican
That its monstrous egg is not laid here
Lest dogs snap the poisoned yolk.
The father is strangled in his vine.
We will go sideways out of the house
Leaving only by the oven to nestle
A small rabbit on her perch-grass:
She is too soft a thing, too abhorred
A morsel for the twelve angers,
The pestle and mortar of the Lord.
1980/
1938