Authors: William Alexander Percy
The gardens of the air were mine to walk with Thee,
Dewed with the stars,
Swept with the tinted splendors of the suns.
Yet was the bliss too blissful to commend,
And Thou, I knew, wert half divine, no more.
Thro’ the live luxury
Of that aerial rapture always
Crashed the vast battle sounds of earth,
Where, tho’ the many died, myself died not,
Where, tho’ the many bled, myself unwounded went.
The pagan god, Thyself half-seen,
Is not enough, O God!
Here, on the breaking verge of youth,
Secureless from the fringes of the forward storm,
I face the riven grey and call to Thee,
O God of righteousness, to Thee!
Must I forswear song and the darling rapture,
Thy gifts, tho’ taintless of the earth, yet beautiful?
And bend me to the living of the life, half-armed,
Lacking not valiance, but the accoutrements wherewith
Valiance may save itself from scorn?
O God, hear Thou my faith which is as rock:
Thou art! All else is circumstance,
Random and unessential incident —
Save this: in me Thou art.
And so my moment wheels to its sure end
Huge with divinity, its orbit as the sun’s,
Accounted and accountable as all
The chaos-floating, golden universe.
But mine to mar;
Mine to deliver unto death
True to the disposition of its essence,
Or in fulfillment bastard utterly.
Eternal Thou; but I
Swift-passing, in the passing powerful
Myself to darken with deliberate choice.
One life, but one, is mine.
I would not have it pass
Failing its high, potential utmost,
A quivering of music-shaken strings — no more.
Giver of bliss and pain, of song and prayer,
Thou God that dost demand
Single allegiance of the soul that sees
Thee dual only and at enmity —
Hearken my choice, my supplication hark.
Tear out the rapture and the wings —
Take back thy gift of song —
Take, take the madness of the olive and the vine
With all their ecstasies, unless they be
Not oil for gleaming of the games and clustered gold,
Not wine for leafy laughter of the feast,
But aid and chrismed healing for the wounds
Of them that smitten lie on that broad way
Known to the dusty sandals from Samaria.
Crush Thou, O God, the petalled crimson of my life,
So Thou but mold the remnant clay
To shape not all unworthy of the Thee in me.
Regretting that anything which bears his name should not be lovelier, but knowing that with him there would be no regret to find it here inscribed, I dedicate this poem of which we spoke so often to Major
W
ILLIAM
S
INKLER
M
ANNING
.
It was given him to die as only the best deserve, gloriously, in battle, leading his troops in the attack on Hill 378, November the sixth, 1918. Life, as we know it, lost a lover of all that was beautiful and right, and I, my dear friend.
T
HE YEAR A.D. 1220
;
a castle near Florence. A court on top of one of the bastions. To the right, a crenelated parapet over which a glimpse is had of an April landscape — hills, poplars, deep yellow sunlight. Fifty feet below, unseen, runs the road between Florence and the north. At the back, the walls of the castle and a wide doorway leading into the interior.
During the action, late afternoon changes to sunset, sunset to twilight, and at the end it is almost dark.
As the scene opens, the sound of retreating horses’ hoofs is heard.
D
AVID
is standing on the parapet watching. He is twenty-two, strongly built, blond, with blue, wide-set eyes and sullen, brooding expression, simply dressed, with coat of mail and sword. He whistles and
G
UIDO
’
s
head appears at a window.
G
UIDO
is of the same age, a trifle taller and more slender, very dark, beautiful, full of high spirits and humorous gusto. His dark eyes are vivid and changing. He is elegantly dressed as a courtier.
D
AVID
throws him a rope with a rope ladder attached
. G
UIDO
fastens it and descends to the court
.
G
UIDO
(
as he descends
). Thou are the knightliest jailer that ever stood
Betwixt light heart and the free world. Were I
The Emperor, thou shouldst be seneschal
Of my Sicilian Joyous Guard, instead
Of jailer and henchman to the Florentines.
There lie the fragrant spaces, the glistening air,
The very troubadour and gypsy time o’ year;
And here am I, hindered and snared, mewed up,
Because, forsooth, I sing the Emperor’s songs,
Set off his colors, bear his pleasantries
To some adorèd lady of Provence,
To which your gross and choleric Florentines
Attach significance and secret import.
Jailer, the very spring hath need of me,
And that sweet southward-wending road
Would fringe itself, I swear, with gayer tulips
Were I but lilting to its guidance south.
Couldn’t you let me out, David?
D
AVID
. No, I could not.
G
UIDO
. If I should wheedle you; if I should be
The very most delightfulest young squire
And love you as my heart’s most boon companion?
Say, you slept and dreamed of good Saint Peter,
What harm, if, when you woke, your keys were gone,
By chance or miracle — or merely me?
D
AVID
. Were you Lord Jesus I’d not let you out.
G
UIDO
. I do almost surmise, somehow, I’m still
This prison’s darling guest, and like to be
A many a month. Jesu, what waste, what waste!
D
AVID
. O can’t you see? I must not let you go!
The Florentines to me are nothing,
But I made oath to serve them faithfully
And they believed me.
G
UIDO
. Indeed, I do see, David.
Why, if you should accede to my keen urgence,
I would not go …
At least, I think I would not go, perhaps.
D
AVID
. But, truly, are you so unhappy here?
G
UIDO
. In prison! and not most wretched! … How can you ask?
Yet now I come to think of it … David,
That is the loveliest window in my cell!
Sometimes, when the sky is blurry yellow,
Just before dawn, you know,
You’d think there were a thousand birds outside;
And in my bed I lie, all shimmery,
Thinking delicious things
I never can remember afterwards.
And when, at last, I’m up and washed and wake,
There is the tender sunlight in long sweeps,
And the rose-colored hills, and the youthful poplars,
And the first green, so faint
You fear to look at it right steadily
Lest it should mist and melt away.
It’s splendid, David.
But — now I know why I am miserable!
Think of the things I miss cooped up in here.
Adventures by the thousand wait out there!
When we rode up from Sicily, the page and I,
We killed a robber, saw the Pope,
Danced in a masquerade, fasted two days,
Composed ten roundelays (in the vernacular),
And kissed a princess on the cheek.
D
AVID
(
impressed
). A brave existence! But I am free
To take my share of it and never do.
G
UIDO
. That’s strange — you stay here willingly! But why?
D
AVID
. Adventures do not wait out there — for me.
G
UIDO
. Absurd! If we could only go right now —
Think, lad, of the seas unsailed, the tourneys missed,
The battles others fight, the roads not cantered on;
That very road, so plain and real and white,
Leads out to courts and castles of romance.
A road like that led to Emmaus once.
Why, now I think it would not be so hard
To meet Lord Jesus walking there alone,
Watching His springtime glisten up,
And humming to Himself! Yonder He comes!
D
AVID
. Hush, Guido! Hush, you fool!
G
UIDO
. But look! The sun is on his hair! He’s very young.
(D
AVID
goes to the edge, looks down, and turns back
.)
(A
voice singing on the road
.)
God’s lark at morning I would be,
I’d set my heart within a tree
Close to His bed and sing to Him
Right merrily
A sunrise hymn.
D
AVID
. A monk.
G
UIDO
. He’s stopped by Tonio’s donkey.
D
AVID
. Means to steal him, likely.
V
OICE
. Brother Ass, I give you good den. As I came down the road desiring greatly of your company, I did bethink me of the noble part you played, times past, in Holy Writ. Whereon said I, to the next ass I meet I will impart the goodly thoughts vouchsafèd me. But, prithee, Brother Ass, let not thine ears recede upon thy nape, nor thy long face betoken grief of soul! These are
good
tidings that I bear. (
Laughs
.) Harken! Christ’s Father, which is God, once spoke from out the belly of an ass, astounding much the prophet that bestrode him, and honoring your kinsman and his children’s children, even to you. And later, another of your ancestors bore Christ Himself into Jerusalem. Wherefore, say I, you should be prouder than the horse, more praiseful than the bird, more — but that’s enough!
G
UIDO
. Bravo, Sir Orator!
V
OICE
. I would have sermoned twice as long had I but known two asses heard.
G
UIDO
. (
laughing
). Your hermit’s frock mates not with your light page’s tongue.
V
OICE
. Nay, Francis says the Lord loves best the happy heart.
G
UIDO
. And who is Francis?
V
OICE
. God-a-lack!
Not know the little poor man of Assisi?
He says he is mere man like us. Perhaps —
But one in whom the breath of God has not yet cooled.
G
UIDO
. And you?
V
OICE
. I am but one of many brethren!
We teach God’s love and holy poverty,
But first we love and are ourselves most poor.
Come with us!
G
UIDO
. Are all as happy as you look?
V
OICE
. You should hear Brother Francis sing!
Bethink you, friend, if this is God’s dear world,
And we His children, if the years we have
To do His will are few, so few, O think
How wasted is all work not done for Him.
Ponder these things, young heart, and come with us …
And Jesus keep you — and the woeful ass!
(
Sings as he goes down the road.
)
At night I’d be God’s troubadour.
Beneath His starry walls I’d pour
Across the moat such roundelays
He’d love me sure,
And maybe, praise.