Complete Plays, The (171 page)

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Authors: William Shakespeare

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The gods forbid!

Cleopatra

Nay, ’tis most certain, Iras: saucy lictors
Will catch at us, like strumpets; and scald rhymers
Ballad us out o’ tune: the quick comedians
Extemporally will stage us, and present
Our Alexandrian revels; Antony
Shall be brought drunken forth, and I shall see
Some squeaking Cleopatra boy my greatness
I’ the posture of a whore.

Iras

O the good gods!

Cleopatra

Nay, that’s certain.

Iras

I’ll never see ’t; for, I am sure, my nails
Are stronger than mine eyes.

Cleopatra

Why, that’s the way
To fool their preparation, and to conquer
Their most absurd intents.

Re-enter Charmian

Now, Charmian!
Show me, my women, like a queen: go fetch
My best attires: I am again for Cydnus,
To meet Mark Antony: sirrah Iras, go.
Now, noble Charmian, we’ll dispatch indeed;
And, when thou hast done this chare, I’ll give thee leave
To play till doomsday. Bring our crown and all.
Wherefore’s this noise?

Exit Iras. A noise within

Enter a Guardsman

Guard

Here is a rural fellow
That will not be denied your highness presence:
He brings you figs.

Cleopatra

Let him come in.

Exit Guardsman

What poor an instrument
May do a noble deed! he brings me liberty.
My resolution’s placed, and I have nothing
Of woman in me: now from head to foot
I am marble-constant; now the fleeting moon
No planet is of mine.

Re-enter Guardsman, with Clown bringing in a basket

Guard

This is the man.

Cleopatra

Avoid, and leave him.

Exit Guardsman

Hast thou the pretty worm of Nilus there,
That kills and pains not?

Clown

Truly, I have him: but I would not be the party that should desire you to touch him, for his biting is immortal; those that do die of it do seldom or never recover.

Cleopatra

Rememberest thou any that have died on’t?

Clown

Very many, men and women too. I heard of one of them no longer than yesterday: a very honest woman, but something given to lie; as a woman should not do, but in the way of honesty: how she died of the biting of it, what pain she felt: truly, she makes a very good report o’ the worm; but he that will believe all that they say, shall never be saved by half that they do: but this is most fallible, the worm’s an odd worm.

Cleopatra

Get thee hence; farewell.

Clown

I wish you all joy of the worm.

Setting down his basket

Cleopatra

Farewell.

Clown

You must think this, look you, that the worm will do his kind.

Cleopatra

Ay, ay; farewell.

Clown

Look you, the worm is not to be trusted but in the keeping of wise people; for, indeed, there is no goodness in worm.

Cleopatra

Take thou no care; it shall be heeded.

Clown

Very good. Give it nothing, I pray you, for it is not worth the feeding.

Cleopatra

Will it eat me?

Clown

You must not think I am so simple but I know the devil himself will not eat a woman: I know that a woman is a dish for the gods, if the devil dress her not. But, truly, these same whoreson devils do the gods great harm in their women; for in every ten that they make, the devils mar five.

Cleopatra

Well, get thee gone; farewell.

Clown

Yes, forsooth: I wish you joy o’ the worm.

Exit

Re-enter Iras with a robe, crown, & c

Cleopatra

Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt’s grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.

Kisses them. Iras falls and dies

Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover’s pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell’st the world
It is not worth leave-taking.

Charmian

Dissolve, thick cloud, and rain; that I may say,
The gods themselves do weep!

Cleopatra

This proves me base:
If she first meet the curled Antony,
He’ll make demand of her, and spend that kiss
Which is my heaven to have. Come, thou mortal wretch,

To an asp, which she applies to her breast

With thy sharp teeth this knot intrinsicate
Of life at once untie: poor venomous fool
Be angry, and dispatch. O, couldst thou speak,
That I might hear thee call great Caesar ass
Unpolicied!

Charmian

 
O eastern star!

Cleopatra

Peace, peace!
Dost thou not see my baby at my breast,
That sucks the nurse asleep?

Charmian

O, break! O, break!

Cleopatra

As sweet as balm, as soft as air, as gentle,—
O Antony!— Nay, I will take thee too.

Applying another asp to her arm

What should I stay —

Dies

Charmian

In this vile world? So, fare thee well.
Now boast thee, death, in thy possession lies
A lass unparallel’d. Downy windows, close;
And golden Phoebus never be beheld
Of eyes again so royal! Your crown’s awry;
I’ll mend it, and then play.

Enter the Guard, rushing in

First Guard

Where is the queen?

Charmian

Speak softly, wake her not.

First Guard

Caesar hath sent —

Charmian

 
Too slow a messenger.

Applies an asp

O, come apace, dispatch! I partly feel thee.

First Guard

Approach, ho! All’s not well: Caesar’s beguiled.

Second Guard

There’s Dolabella sent from Caesar; call him.

First Guard

What work is here! Charmian, is this well done?

Charmian

It is well done, and fitting for a princess
Descended of so many royal kings.
Ah, soldier!

Dies

Re-enter Dolabella

Dolabella

How goes it here?

Second Guard

 
All dead.

Dolabella

Caesar, thy thoughts
Touch their effects in this: thyself art coming
To see perform’d the dreaded act which thou
So sought’st to hinder.

[Within]
 
‘A way there, a way for Caesar!’

Re-enter Octavius Caesar and all his train marching

Dolabella

O sir, you are too sure an augurer;
That you did fear is done.

Octavius Caesar

Bravest at the last,
She levell’d at our purposes, and, being royal,
Took her own way. The manner of their deaths?
I do not see them bleed.

Dolabella

Who was last with them?

First Guard

A simple countryman, that brought her figs:
This was his basket.

Octavius Caesar

Poison’d, then.

First Guard

O Caesar,
This Charmian lived but now; she stood and spake:
I found her trimming up the diadem
On her dead mistress; tremblingly she stood
And on the sudden dropp’d.

Octavius Caesar

O noble weakness!
If they had swallow’d poison, ’twould appear
By external swelling: but she looks like sleep,
As she would catch another Antony
In her strong toil of grace.

Dolabella

Here, on her breast,
There is a vent of blood and something blown:
The like is on her arm.

First Guard

This is an aspic’s trail: and these fig-leaves
Have slime upon them, such as the aspic leaves
Upon the caves of Nile.

Octavius Caesar

Most probable
That so she died; for her physician tells me
She hath pursued conclusions infinite
Of easy ways to die. Take up her bed;
And bear her women from the monument:
She shall be buried by her Antony:
No grave upon the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral;
And then to Rome. Come, Dolabella, see
High order in this great solemnity.

Exeunt

The Tragedy of Coriolanus

T
ABLE
OF
C
ONTENTS

 

C
HARACTERS
OF
THE
P
LAY

A
CT
I

S
CENE
I. R
OME
. A
STREET
.

S
CENE
II. C
ORIOLI
. T
HE
S
ENATE
-
HOUSE
.

S
CENE
III. R
OME
. A
ROOM
IN
M
ARCIUS

HOUSE
.

S
CENE
IV. B
EFORE
C
ORIOLI
.

S
CENE
V. C
ORIOLI
. A
STREET
.

S
CENE
VI. N
EAR
THE
CAMP
OF
C
OMINIUS
.

S
CENE
VII. T
HE
GATES
OF
C
ORIOLI
.

S
CENE
VIII. A
FIELD
OF
BATTLE
.

S
CENE
IX. T
HE
R
OMAN
CAMP
.

S
CENE
X. T
HE
CAMP
OF
THE
V
OLSCES
.

A
CT
II

S
CENE
I. R
OME
. A
PUBLIC
PLACE
.

S
CENE
II. T
HE
SAME
. T
HE
C
APITOL
.

S
CENE
III. T
HE
SAME
. T
HE
F
ORUM
.

A
CT
III

S
CENE
I. R
OME
. A
STREET
.

S
CENE
II. A
ROOM
IN
C
ORIOLANUS

S
HOUSE
.

S
CENE
III. T
HE
SAME
. T
HE
F
ORUM
.

A
CT
IV

S
CENE
I. R
OME
. B
EFORE
A
GATE
OF
THE
CITY
.

S
CENE
II. T
HE
SAME
. A
STREET
NEAR
THE
GATE
.

S
CENE
III. A
HIGHWAY
BETWEEN
R
OME
AND
A
NTIUM
.

S
CENE
IV. A
NTIUM
. B
EFORE
A
UFIDIUS

S
HOUSE
.

S
CENE
V. T
HE
SAME
. A
HALL
IN
A
UFIDIUS

S
HOUSE
.

S
CENE
VI. R
OME
. A
PUBLIC
PLACE
.

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