Complete Plays, The (328 page)

Jaques

The worst fault you have is to be in love.

Orlando

’Tis a fault I will not change for your best virtue. I am weary of you.

Jaques

By my troth, I was seeking for a fool when I found you.

Orlando

He is drowned in the brook: look but in, and you shall see him.

Jaques

There I shall see mine own figure.

Orlando

Which I take to be either a fool or a cipher.

Jaques

I’ll tarry no longer with you: farewell, good Signior Love.

Orlando

I am glad of your departure: adieu, good Monsieur Melancholy.

Exit Jaques

Rosalind

[Aside to Celia]
 
I will speak to him, like a saucy lackey and under that habit play the knave with him. Do you hear, forester?

Orlando

Very well: what would you?

Rosalind

I pray you, what is’t o’clock?

Orlando

You should ask me what time o’ day: there’s no clock in the forest.

Rosalind

Then there is no true lover in the forest; else sighing every minute and groaning every hour would detect the lazy foot of Time as well as a clock.

Orlando

And why not the swift foot of Time? had not that been as proper?

Rosalind

By no means, sir: Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal and who he stands still withal.

Orlando

I prithee, who doth he trot withal?

Rosalind

Marry, he trots hard with a young maid between the contract of her marriage and the day it is solemnized: if the interim be but a se’nnight, Time’s pace is so hard that it seems the length of seven year.

Orlando

Who ambles Time withal?

Rosalind

With a priest that lacks Latin and a rich man that hath not the gout, for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain, the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury; these Time ambles withal.

Orlando

Who doth he gallop withal?

Rosalind

With a thief to the gallows, for though he go as softly as foot can fall, he thinks himself too soon there.

Orlando

Who stays it still withal?

Rosalind

With lawyers in the vacation, for they sleep between term and term and then they perceive not how Time moves.

Orlando

Where dwell you, pretty youth?

Rosalind

With this shepherdess, my sister; here in the skirts of the forest, like fringe upon a petticoat.

Orlando

Are you native of this place?

Rosalind

As the cony that you see dwell where she is kindled.

Orlando

Your accent is something finer than you could purchase in so removed a dwelling.

Rosalind

I have been told so of many: but indeed an old religious uncle of mine taught me to speak, who was in his youth an inland man; one that knew courtship too well, for there he fell in love. I have heard him read many lectures against it, and I thank God I am not a woman, to be touched with so many giddy offences as he hath generally taxed their whole sex withal.

Orlando

Can you remember any of the principal evils that he laid to the charge of women?

Rosalind

There were none principal; they were all like one another as half-pence are, every one fault seeming monstrous till his fellow fault came to match it.

Orlando

I prithee, recount some of them.

Rosalind

No, I will not cast away my physic but on those that are sick. There is a man haunts the forest, that abuses our young plants with carving ‘Rosalind’ on their barks; hangs odes upon hawthorns and elegies on brambles, all, forsooth, deifying the name of Rosalind: if I could meet that fancy-monger I would give him some good counsel, for he seems to have the quotidian of love upon him.

Orlando

I am he that is so love-shaked: I pray you tell me your remedy.

Rosalind

There is none of my uncle’s marks upon you: he taught me how to know a man in love; in which cage of rushes I am sure you are not prisoner.

Orlando

What were his marks?

Rosalind

A lean cheek, which you have not, a blue eye and sunken, which you have not, an unquestionable spirit, which you have not, a beard neglected, which you have not; but I pardon you for that, for simply your having in beard is a younger brother’s revenue: then your hose should be ungartered, your bonnet unbanded, your sleeve unbuttoned, your shoe untied and every thing about you demonstrating a careless desolation; but you are no such man; you are rather point-device in your accoutrements as loving yourself than seeming the lover of any other.

Orlando

Fair youth, I would I could make thee believe I love.

Rosalind

Me believe it! you may as soon make her that you love believe it; which, I warrant, she is apter to do than to confess she does: that is one of the points in the which women still give the lie to their consciences. But, in good sooth, are you he that hangs the verses on the trees, wherein Rosalind is so admired?

Orlando

I swear to thee, youth, by the white hand of Rosalind, I am that he, that unfortunate he.

Rosalind

But are you so much in love as your rhymes speak?

Orlando

Neither rhyme nor reason can express how much.

Rosalind

Love is merely a madness, and, I tell you, deserves as well a dark house and a whip as madmen do: and the reason why they are not so punished and cured is, that the lunacy is so ordinary that the whippers are in love too. Yet I profess curing it by counsel.

Orlando

Did you ever cure any so?

Rosalind

Yes, one, and in this manner. He was to imagine me his love, his mistress; and I set him every day to woo me: at which time would I, being but a moonish youth, grieve, be effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles, for every passion something and for no passion truly any thing, as boys and women are for the most part cattle of this colour; would now like him, now loathe him; then entertain him, then forswear him; now weep for him, then spit at him; that I drave my suitor from his mad humour of love to a living humour of madness; which was, to forswear the full stream of the world, and to live in a nook merely monastic. And thus I cured him; and this way will I take upon me to wash your liver as clean as a sound sheep’s heart, that there shall not be one spot of love in’t.

Orlando

I would not be cured, youth.

Rosalind

I would cure you, if you would but call me Rosalind and come every day to my cote and woo me.

Orlando

Now, by the faith of my love, I will: tell me where it is.

Rosalind

Go with me to it and I’ll show it you and by the way you shall tell me where in the forest you live. Will you go?

Orlando

With all my heart, good youth.

Rosalind

Nay you must call me Rosalind. Come, sister, will you go?

Exeunt

S
CENE
III. T
HE
FOREST
.

Enter Touchstone and Audrey; Jaques behind

Touchstone

Come apace, good Audrey: I will fetch up your goats, Audrey. And how, Audrey? am I the man yet? doth my simple feature content you?

Audrey

Your features! Lord warrant us! what features!

Touchstone

I am here with thee and thy goats, as the most capricious poet, honest Ovid, was among the Goths.

Jaques

[Aside]
 
O knowledge ill-inhabited, worse than Jove in a thatched house!

Touchstone

When a man’s verses cannot be understood, nor a man’s good wit seconded with the forward child Understanding, it strikes a man more dead than a great reckoning in a little room. Truly, I would the gods had made thee poetical.

Audrey

I do not know what ‘poetical’ is: is it honest in deed and word? is it a true thing?

Touchstone

No, truly; for the truest poetry is the most feigning; and lovers are given to poetry, and what they swear in poetry may be said as lovers they do feign.

Audrey

Do you wish then that the gods had made me poetical?

Touchstone

I do, truly; for thou swearest to me thou art honest: now, if thou wert a poet, I might have some hope thou didst feign.

Audrey

Would you not have me honest?

Touchstone

No, truly, unless thou wert hard-favoured; for honesty coupled to beauty is to have honey a sauce to sugar.

Jaques

[Aside]
 
A material fool!

Audrey

 
Well, I am not fair; and therefore I pray the gods make me honest.

Touchstone

Truly, and to cast away honesty upon a foul slut were to put good meat into an unclean dish.

Audrey

I am not a slut, though I thank the gods I am foul.

Touchstone

Well, praised be the gods for thy foulness! sluttishness may come hereafter. But be it as it may be, I will marry thee, and to that end I have been with Sir Oliver Martext, the vicar of the next village, who hath promised to meet me in this place of the forest and to couple us.

Jaques

[Aside]
 
I would fain see this meeting.

Audrey

Well, the gods give us joy!

Touchstone

Amen. A man may, if he were of a fearful heart, stagger in this attempt; for here we have no temple but the wood, no assembly but horn-beasts. But what though? C ourage! As horns are odious, they are necessary. It is said, ‘many a man knows no end of his goods:’ right; many a man has good horns, and knows no end of them. Well, that is the dowry of his wife; ’tis none of his own getting. Horns? Even so. Poor men alone? No, no; the noblest deer hath them as huge as the rascal. Is the single man therefore blessed? No: as a walled town is more worthier than a village, so is the forehead of a married man more honourable than the bare brow of a bachelor; and by how much defence is better than no skill, by so much is a horn more precious than to want. Here comes Sir Oliver.

Enter Sir Oliver Martext

Sir Oliver Martext, you are well met: will you dispatch us here under this tree, or shall we go with you to your chapel?

Sir Oliver Martext

Is there none here to give the woman?

Touchstone

I will not take her on gift of any man.

Sir Oliver Martext

Truly, she must be given, or the marriage is not lawful.

Jaques

[Advancing]
 
Proceed, proceed I’ll give her.

Touchstone

Good even, good Master What-ye-call’t: how do you, sir? You are very well met: God ’ild you for your last company: I am very glad to see you: even a toy in hand here, sir: nay, pray be covered.

Jaques

Will you be married, motley?

Touchstone

As the ox hath his bow, sir, the horse his curb and the falcon her bells, so man hath his desires; and as pigeons bill, so wedlock would be nibbling.

Jaques

And will you, being a man of your breeding, be married under a bush like a beggar? Get you to church, and have a good priest that can tell you what marriage is: this fellow will but join you together as they join wainscot; then one of you will prove a shrunk panel and, like green timber, warp, warp.

Touchstone

[Aside]
 
I am not in the mind but I were better to be married of him than of another: for he is not like to marry me well; and not being well married, it will be a good excuse for me hereafter to leave my wife.

Jaques

Go thou with me, and let me counsel thee.

Touchstone

‘Come, sweet Audrey:
We must be married, or we must live in bawdry.
Farewell, good Master Oliver: not,—
O sweet Oliver,
O brave Oliver,
Leave me not behind thee: but,—
Wind away,
Begone, I say,
I will not to wedding with thee.

Exeunt Jaques, Touchstone and Audrey

Sir Oliver Martext

’Tis no matter: ne’er a fantastical knave of them all shall flout me out of my calling.

Exit

S
CENE
IV. T
HE
FOREST
.

Enter Rosalind and Celia

Rosalind

Never talk to me; I will weep.

Celia

Do, I prithee; but yet have the grace to consider that tears do not become a man.

Rosalind

But have I not cause to weep?

Celia

As good cause as one would desire; therefore weep.

Rosalind

His very hair is of the dissembling colour.

Celia

Something browner than Judas’s marry, his kisses are Judas’s own children.

Rosalind

I’ faith, his hair is of a good colour.

Celia

An excellent colour: your chestnut was ever the only colour.

Rosalind

And his kissing is as full of sanctity as the touch of holy bread.

Celia

He hath bought a pair of cast lips of Diana: a nun of winter’s sisterhood kisses not more religiously; the very ice of chastity is in them.