Complete Works of F. Scott Fitzgerald (Illustrated) (75 page)

“Take me up — “

Then the slow drone of the elevator, the three steps to the door, which swung open at the impetus of his knock.

“Gloria!” His voice was trembling. No answer. A faint string of smoke was rising from a cigarette-tray — a number of Vanity Fair sat astraddle on the table.

“Gloria!”

He ran into the bedroom, the bath. She was not there. A negligée of robin’s-egg blue laid out upon the bed diffused a faint perfume, illusive and familiar. On a chair were a pair of stockings and a street dress; an open powder box yawned upon the bureau. She must just have gone out.

The telephone rang abruptly and he started — answered it with all the sensations of an impostor.

“Hello. Is Mrs. Patch there?”

“No, I’m looking for her myself. Who is this?”

“This is Mr. Crawford.”

“This is Mr. Patch speaking. I’ve just arrived unexpectedly, and I don’t know where to find her.”

“Oh.” Mr. Crawford sounded a bit taken aback. “Why, I imagine she’s at the Armistice Ball. I know she intended going, but I didn’t think she’d leave so early.”

“Where’s the Armistice Ball?”

“At the Astor.”

“Thanks.”

Anthony hung up sharply and rose. Who was Mr. Crawford? And who was it that was taking her to the ball? How long had this been going on? All these questions asked and answered themselves a dozen times, a dozen ways. His very proximity to her drove him half frantic.

In a frenzy of suspicion he rushed here and there about the apartment, hunting for some sign of masculine occupation, opening the bathroom cupboard, searching feverishly through the bureau drawers. Then he found something that made him stop suddenly and sit down on one of the twin beds, the corners of his mouth drooping as though he were about to weep. There in a corner of her drawer, tied with a frail blue ribbon, were all the letters and telegrams he had written her during the year past. He was suffused with happy and sentimental shame.

“I’m not fit to touch her,” he cried aloud to the four walls. “I’m not fit to touch her little hand.”

Nevertheless, he went out to look for her.

In the Astor lobby he was engulfed immediately in a crowd so thick as to make progress almost impossible. He asked the direction of the ballroom from half a dozen people before he could get a sober and intelligible answer. Eventually, after a last long wait, he checked his military overcoat in the hall.

It was only nine but the dance was in full blast. The panorama was incredible. Women, women everywhere — girls gay with wine singing shrilly above the clamor of the dazzling confetti-covered throng; girls set off by the uniforms of a dozen nations; fat females collapsing without dignity upon the floor and retaining self-respect by shouting “Hurraw for the Allies!”; three women with white hair dancing hand in hand around a sailor, who revolved in a dizzying spin upon the floor, clasping to his heart an empty bottle of champagne.

Breathlessly Anthony scanned the dancers, scanned the muddled lines trailing in single file in and out among the tables, scanned the horn-blowing, kissing, coughing, laughing, drinking parties under the great full-bosomed flags which leaned in glowing color over the pageantry and the sound.

Then he saw Gloria. She was sitting at a table for two directly across the room. Her dress was black, and above it her animated face, tinted with the most glamourous rose, made, he thought, a spot of poignant beauty on the room. His heart leaped as though to a new music. He jostled his way toward her and called her name just as the gray eyes looked up and found him. For that instant as their bodies met and melted, the world, the revel, the tumbling whimper of the music faded to an ecstatic monotone hushed as a song of bees.

“Oh, my Gloria!” he cried.

Her kiss was a cool rill flowing from her heart.

CHAPTER II

A MATTER OF AESTHETICS

On the night when Anthony had left for Camp Hooker one year before, all that was left of the beautiful Gloria Gilbert — her shell, her young and lovely body — moved up the broad marble steps of the Grand Central Station with the rhythm of the engine beating in her ears like a dream, and out onto Vanderbilt Avenue, where the huge bulk of the Biltmore overhung, the street and, down at its low, gleaming entrance, sucked in the many-colored opera-cloaks of gorgeously dressed girls. For a moment she paused by the taxi-stand and watched them — wondering that but a few years before she had been of their number, ever setting out for a radiant Somewhere, always just about to have that ultimate passionate adventure for which the girls’ cloaks were delicate and beautifully furred, for which their cheeks were painted and their hearts higher than the transitory dome of pleasure that would engulf them, coiffure, cloak, and all.

It was growing colder and the men passing had flipped up the collars of their overcoats. This change was kind to her. It would have been kinder still had everything changed, weather, streets, and people, and had she been whisked away, to wake in some high, fresh-scented room, alone, and statuesque within and without, as in her virginal and colorful past.

Inside the taxicab she wept impotent tears. That she had not been happy with Anthony for over a year mattered little. Recently his presence had been no more than what it would awake in her of that memorable June. The Anthony of late, irritable, weak, and poor, could do no less than make her irritable in turn — and bored with everything except the fact that in a highly imaginative and eloquent youth they had come together in an ecstatic revel of emotion. Because of this mutually vivid memory she would have done more for Anthony than for any other human — so when she got into the taxicab she wept passionately, and wanted to call his name aloud.

Miserable, lonesome as a forgotten child, she sat in the quiet apartment and wrote him a letter full of confused sentiment:

* * * * *

… I can almost look down the tracks and see you going but without you, dearest, dearest, I can’t see or hear or feel or think. Being apart — whatever has happened or will happen to us — is like begging for mercy from a storm, Anthony; it’s like growing old. I want to kiss you so — in the back of your neck where your old black hair starts. Because I love you and whatever we do or say to each other, or have done, or have said, you’ve got to feel how much I do, how inanimate I am when you’re gone. I can’t even hate the damnable presence of PEOPLE, those people in the station who haven’t any right to live — I can’t resent them even though they’re dirtying up our world, because I’m engrossed in wanting you so.

If you hated me, if you were covered with sores like a leper, if you ran away with another woman or starved me or beat me — how absurd this sounds — I’d still want you, I’d still love you. I KNOW, my darling.

It’s late — I have all the windows open and the air outside, is just as soft as spring, yet, somehow, much more young and frail than spring. Why do they make spring a young girl, why does that illusion dance and yodel its way for three months through the world’s preposterous barrenness. Spring is a lean old plough horse with its ribs showing — it’s a pile of refuse in a field, parched by the sun and the rain to an ominous cleanliness.

In a few hours you’ll wake up, my darling — and you’ll be miserable, and disgusted with life. You’ll be in Delaware or Carolina or somewhere and so unimportant. I don’t believe there’s any one alive who can contemplate themselves as an impermanent institution, as a luxury or an unnecessary evil. Very few of the people who accentuate the futility of life remark the futility of themselves. Perhaps they think that in proclaiming the evil of living they somehow salvage their own worth from the ruin — but they don’t, even you and I….

… Still I can see you. There’s blue haze about the trees where you’ll be passing, too beautiful to be predominant. No, the fallow squares of earth will be most frequent — they’ll be along beside the track like dirty coarse brown sheets drying in the sun, alive, mechanical, abominable. Nature, slovenly old hag, has been sleeping in them with every old farmer or negro or immigrant who happened to covet her….

So you see that now you’re gone I’ve written a letter all full of contempt and despair. And that just means that I love you, Anthony, with all there is to love with in your

GLORIA.

* * * * *

When she had addressed the letter she went to her twin bed and lay down upon it, clasping Anthony’s pillow in her arms as though by sheer force of emotion she could metamorphize it into his warm and living body. Two o’clock saw her dry-eyed, staring with steady persistent grief into the darkness, remembering, remembering unmercifully, blaming herself for a hundred fancied unkindnesses, making a likeness of Anthony akin to some martyred and transfigured Christ. For a time she thought of him as he, in his more sentimental moments, probably thought of himself.

At five she was still awake. A mysterious grinding noise that went on every morning across the areaway told her the hour. She heard an alarm clock ring, and saw a light make a yellow square on an illusory blank wall opposite. With the half-formed resolution of following him South immediately, her sorrow grew remote and unreal, and moved off from her as the dark moved westward. She fell asleep.

When she awoke the sight of the empty bed beside her brought a renewal of misery, dispelled shortly, however, by the inevitable callousness of the bright morning. Though she was not conscious of it, there was relief in eating breakfast without Anthony’s tired and worried face opposite her. Now that she was alone she lost all desire to complain about the food. She would change her breakfasts, she thought — have a lemonade and a tomato sandwich instead of the sempiternal bacon and eggs and toast.

Nevertheless, at noon when she had called up several of her acquaintances, including the martial Muriel, and found each one engaged for lunch, she gave way to a quiet pity for herself and her loneliness. Curled on the bed with pencil and paper she wrote Anthony another letter.

Late in the afternoon arrived a special delivery, mailed from some small New Jersey town, and the familiarity of the phrasing, the almost audible undertone of worry and discontent, were so familiar that they comforted her. Who knew? Perhaps army discipline would harden Anthony and accustom him to the idea of work. She had immutable faith that the war would be over before he was called upon to fight, and meanwhile the suit would be won, and they could begin again, this time on a different basis. The first thing different would be that she would have a child. It was unbearable that she should be so utterly alone.

It was a week before she could stay in the apartment with the probability of remaining dry-eyed. There seemed little in the city that was amusing. Muriel had been shifted to a hospital in New Jersey, from which she took a metropolitan holiday only every other week, and with this defection Gloria grew to realize how few were the friends she had made in all these years of New York. The men she knew were in the army. “Men she knew”? — she had conceded vaguely to herself that all the men who had ever been in love with her were her friends. Each one of them had at a certain considerable time professed to value her favor above anything in life. But now — where were they? At least two were dead, half a dozen or more were married, the rest scattered from France to the Philippines. She wondered whether any of them thought of her, and how often, and in what respect. Most of them must still picture the little girl of seventeen or so, the adolescent siren of nine years before.

The girls, too, were gone far afield. She had never been popular in school. She had been too beautiful, too lazy, not sufficiently conscious of being a Farmover girl and a “Future Wife and Mother” in perpetual capital letters. And girls who had never been kissed hinted, with shocked expressions on their plain but not particularly wholesome faces, that Gloria had. Then these girls had gone east or west or south, married and become “people,” prophesying, if they prophesied about Gloria, that she would come to a bad end — not knowing that no endings were bad, and that they, like her, were by no means the mistresses of their destinies.

Gloria told over to herself the people who had visited them in the gray house at Marietta. It had seemed at the time that they were always having company — she had indulged in an unspoken conviction that each guest was ever afterward slightly indebted to her. They owed her a sort of moral ten dollars apiece, and should she ever be in need she might, so to speak, borrow from them this visionary currency. But they were gone, scattered like chaff, mysteriously and subtly vanished in essence or in fact.

By Christmas, Gloria’s conviction that she should join Anthony had returned, no longer as a sudden emotion, but as a recurrent need. She decided to write him word of her coming, but postponed the announcement upon the advice of Mr. Haight, who expected almost weekly that the case was coming up for trial.

One day, early in January, as she was walking on Fifth Avenue, bright now with uniforms and hung with the flags of the virtuous nations, she met Rachael Barnes, whom she had not seen for nearly a year. Even Rachael, whom she had grown to dislike, was a relief from ennui, and together they went to the Ritz for tea.

After a second cocktail they became enthusiastic. They liked each other. They talked about their husbands, Rachael in that tone of public vainglory, with private reservations, in which wives are wont to speak.

“Rodman’s abroad in the Quartermaster Corps. He’s a captain. He was bound he would go, and he didn’t think he could get into anything else.”

“Anthony’s in the Infantry.” The words in their relation to the cocktail gave Gloria a sort of glow. With each sip she approached a warm and comforting patriotism.

“By the way,” said Rachael half an hour later, as they were leaving, “can’t you come up to dinner to-morrow night? I’m having two awfully sweet officers who are just going overseas. I think we ought to do all we can to make it attractive for them.”

Gloria accepted gladly. She took down the address — recognizing by its number a fashionable apartment building on Park Avenue.