Complete Works of Fyodor Dostoyevsky (20 page)
Read Complete Works of Fyodor Dostoyevsky Online
Authors: Fyodor Dostoyevsky
MY BELOVED MAKAR ALEXIEVITCH, — All is over! The die is cast! What my lot may have in store I know not, but I am submissive to the will of God. Tomorrow, then, we depart. For the last time, I take my leave of you, my friend beyond price, my benefactor, my dear one! Do not grieve for me, but try to live happily. Think of me sometimes, and may the blessing of Almighty God light upon you! For myself, I shall often have you in remembrance, and recall you in my prayers. Thus our time together has come to an end. Little comfort in my new life shall I derive from memories of the past. The more, therefore, shall I cherish the recollection of you, and the dearer will you ever be to my heart. Here, you have been my only friend; here, you alone have loved me. Yes, I have seen all, I have known all — I have throughout known how well you love me. A single smile of mine, a single stroke from my pen, has been able to make you happy. . . . But now you must forget me. . . . How lonely you will be! Why should you stay here at all, kind, inestimable, but solitary, friend of mine?
To your care I entrust the book, the embroidery frame, and the letter upon which I had begun. When you look upon the few words which the letter contains you will be able mentally to read in thought all that you would have liked further to hear or receive from me — all that I would so gladly have written, but can never now write. Think sometimes of your poor little Barbara who loved you so well. All your letters I have left behind me in the top drawer of Thedora’s chest of drawers. . . You write that you are ill, but Monsieur Bwikov will not let me leave the house today; so that I can only write to you. Also, I will write again before long. That is a promise. Yet God only knows when I shall be able to do so. . . .
Now we must bid one another forever farewell, my friend, my beloved, my own! Yes, it must be forever! Ah, how at this moment I could embrace you! Goodbye, dear friend — goodbye, goodbye! May you ever rest well and happy! To the end I shall keep you in my prayers. How my heart is aching under its load of sorrow! . . . Monsieur Bwikov is just calling for me. . . . — Your ever loving
B.
P.S. — My heart is full! It is full to bursting of tears! Sorrow has me in its grip, and is tearing me to pieces. Goodbye. My God, what grief! Do not, do not forget your poor Barbara!
BELOVED BARBARA — MY JEWEL, MY PRICELESS ONE, — You are now almost en route, you are now just about to depart! Would that they had torn my heart out of my breast rather than have taken you away from me! How could you allow it? You weep, yet you go! And only this moment I have received from you a letter stained with your tears! It must be that you are departing unwillingly; it must be that you are being abducted against your will; it must be that you are sorry for me; it must be that — that you LOVE me! . . .
Yet how will it fare with you now? Your heart will soon have become chilled and sick and depressed. Grief will soon have sucked away its life; grief will soon have rent it in twain! Yes, you will die where you be, and be laid to rest in the cold, moist earth where there is no one to bewail you. Monsieur Bwikov will only be hunting hares! . . .
Ah, my darling, my darling! WHY did you come to this decision? How could you bring yourself to take such a step? What have you done, have you done, have you done? Soon they will be carrying you away to the tomb; soon your beauty will have become defiled, my angel. Ah, dearest one, you are as weak as a feather. And where have I been all this time? What have I been thinking of? I have treated you merely as a forward child whose head was aching. Fool that I was, I neither saw nor understood. I have behaved as though, right or wrong, the matter was in no way my concern. Yes, I have been running about after fripperies! . . . Ah, but I will leave my bed. Tomorrow I will rise sound and well, and be once more myself. . . .
Dearest, I could throw myself under the wheels of a passing vehicle rather than that you should go like this. By what right is it being done? . . . I will go with you; I will run behind your carriage if you will not take me — yes, I will run, and run so long as the power is in me, and until my breath shall have failed. Do you know whither you are going? Perhaps you will not know, and will have to ask me? Before you there lie the Steppes, my darling — only the Steppes, the naked Steppes, the Steppes that are as bare as the palm of my hand. There live only heartless old women and rude peasants and drunkards. There the trees have already shed their leaves. There there abide but rain and cold. Why should you go thither? True, Monsieur Bwikov will have his diversions in that country — he will be able to hunt the hare; but what of yourself? Do you wish to become a mere estate lady? Nay; look at yourself, my seraph of heaven. Are you in any way fitted for such a role? How could you play it? To whom should I write letters? To whom should I send these missives? Whom should I call “my darling”? To whom should I apply that name of endearment? Where, too, could I find you?
When you are gone, Barbara, I shall die — for certain I shall die, for my heart cannot bear this misery. I love you as I love the light of God; I love you as my own daughter; to you I have devoted my love in its entirety; only for you have I lived at all; only because you were near me have I worked and copied manuscripts and committed my views to paper under the guise of friendly letters.
Perhaps you did not know all this, but it has been so. How, then, my beloved, could you bring yourself to leave me? Nay, you MUST not go — it is impossible, it is sheerly, it is utterly, impossible. The rain will fall upon you, and you are weak, and will catch cold. The floods will stop your carriage. No sooner will it have passed the city barriers than it will break down, purposely break down. Here, in St. Petersburg, they are bad builders of carriages. Yes, I know well these carriage-builders. They are jerry-builders who can fashion a toy, but nothing that is durable. Yes, I swear they can make nothing that is durable. . . . All that I can do is to go upon my knees before Monsieur Bwikov, and to tell him all, to tell him all. Do you also tell him all, dearest, and reason with him. Tell him that you MUST remain here, and must not go. Ah, why did he not marry that merchant’s daughter in Moscow? Let him go and marry her now. She would suit him far better and for reasons which I well know. Then I could keep you. For what is he to you, this Monsieur Bwikov? Why has he suddenly become so dear to your heart? Is it because he can buy you gewgaws? What are THEY? What use are THEY? They are so much rubbish. One should consider human life rather than mere finery.
Nevertheless, as soon as I have received my next instalment of salary I mean to buy you a new cloak. I mean to buy it at a shop with which I am acquainted. Only, you must wait until my next installment is due, my angel of a Barbara. Ah, God, my God! To think that you are going away into the Steppes with Monsieur Bwikov — that you are going away never to return! . . . Nay, nay, but you SHALL write to me. You SHALL write me a letter as soon as you have started, even if it be your last letter of all, my dearest. Yet will it be your last letter? How has it come about so suddenly, so irrevocably, that this letter should be your last? Nay, nay; I will write, and you shall write — yes, NOW, when at length I am beginning to improve my style. Style? I do not know what I am writing. I never do know what I am writing. I could not possibly know, for I never read over what I have written, nor correct its orthography. At the present moment, I am writing merely for the sake of writing, and to put as much as possible into this last letter of mine. . . .
Ah, dearest, my pet, my own darling!.
THE END
A PETERSBURG POEM
Translated by Constance Garnett
The novella
The Double: A Petersburg Poem
was first published in 1846 and deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin. The motif of the novella is a doppelganger or fetch, which, according to German folklore, is a supernatural double of a living person.
The Double
is the most Gogolesque of Dostoyevsky’s works; its subtitle “The Poem” imitates that of
Dead Souls
. The story is told in great detail with a style intensely saturated by phonetic and rhythmical expressiveness. The plot concerns a government clerk who goes mad, obsessed by the idea that a fellow clerk has usurped his identity.
Dostoyevsky, c. 1847, close to the time of publication
THE DOUBLE
CONTENTS
CHAPTER I
It was a little before eight o’clock in the morning when Yakov Petrovitch Golyadkin, a titular councillor, woke up from a long sleep. He yawned, stretched, and at last opened his eyes completely. For two minutes, however, he lay in his bed without moving, as though he were not yet quite certain whether he were awake or still asleep, whether all that was going on around him were real and actual, or the continuation of his confused dreams. Very soon, however, Mr. Golyadkin’s senses began more clearly and more distinctly to receive their habitual and everyday impressions. The dirty green, smoke-begrimed, dusty walls of his little room, with the mahogany chest of drawers and chairs, the table painted red, the sofa covered with American leather of a reddish colour with little green flowers on it, and the clothes taken off in haste overnight and flung in a crumpled heap on the sofa, looked at him familiarly. At last the damp autumn day, muggy and dirty, peeped into the room through the dingy window pane with such a hostile, sour grimace that Mr. Golyadkin could not possibly doubt that he was not in the land of Nod, but in the city of Petersburg, in his own flat on the fourth storey of a huge block of buildings in Shestilavotchny Street. When he had made this important discovery Mr. Golyadkin nervously closed his eyes, as though regretting his dream and wanting to go back to it for a moment. But a minute later he leapt out of bed at one bound, probably all at once, grasping the idea about which his scattered and wandering thoughts had been revolving. From his bed he ran straight to a little round looking-glass that stood on his chest of drawers. Though the sleepy, short-sighted countenance and rather bald head reflected in the looking-glass were of such an insignificant type that at first sight they would certainly not have attracted particular attention in any one, yet the owner of the countenance was satisfied with all that he saw in the looking-glass. “What a thing it would be,” said Mr. Golyadkin in an undertone, “what a thing it would be if I were not up to the mark today, if something were amiss, if some intrusive pimple had made its appearance, or anything else unpleasant had happened; so far, however, there’s nothing wrong, so far everything’s all right.”
Greatly relieved that everything was all right, Mr Golyadkin put the looking-glass back in its place and, although he had nothing on his feet and was still in the attire in which he was accustomed to go to bed, he ran to the little window and with great interest began looking for something in the courtyard, upon which the windows of his flat looked out. Apparently what he was looking for in the yard quite satisfied him too; his face beamed with a self-satisfied smile. Then, after first peeping, however, behind the partition into his valet Petrushka’s little room and making sure that Petrushka was not there, he went on tiptoe to the table, opened the drawer in it and, fumbling in the furthest corner of it, he took from under old yellow papers and all sorts of rubbish a shabby green pocket-book, opened it cautiously, and with care and relish peeped into the furthest and most hidden fold of it. Probably the roll of green, grey, blue, red and particoloured notes looked at Golyadkin, too, with approval: with a radiant face he laid the open pocket-book before him and rubber his hands vigorously in token of the greatest satisfaction. Finally, he took it out - his comforting roll of notes - and, for the hundredth time since the previous day, counted them over, carefully smoothing out every note between his forefinger and his thumb.
