Complete Works of Robert Louis Stevenson (Illustrated) (1143 page)

In the grounds she worked out her plans, leisurely adding something year by year, a little Dutch garden, sweeping walks and lawns, a wonderful terraced rose-garden with a stone pergola at the upper end, where the creepers were never trimmed into smug stiffness, but grew in wild luxuriance at their own sweet will, and soon they made a glorious tangle of sweet-smelling blooms and glossy green leaves. From the living-room windows one looked out over a broad expanse of mossy lawn; groups of vermilion-coloured hibiscus and poinsettias kept harmonious company; dahlias made great masses of gorgeous colour among the green; tall hollyhocks were ranged along the veranda in old-fashioned formalism; indeed, it would be like quoting from a florist’s catalogue to mention all the plants to be found in this garden.

Stonehedge at Santa Barbara.

Nor did she neglect the purely useful, for the most delicious fruits and vegetables — from the lemons, oranges, and loquats of the south to the apricots, apples, and pears of the north — grew to perfection under her fostering care. She was always on the lookout for new varieties, and I find among her correspondence a letter from the distinguished horticulturist, Luther Burbank, in answer to her request for strawberry plants:

“Santa Rosa, California, Feb. 21, 1911.
“Dear Mrs. Stevenson:

“I feel most highly honored and pleased with your kind order of the 15th instant for 25 Patagonian strawberry plants, which were sent out yesterday.... You can never know the regard and love in which Mr. Stevenson is held in thousands of hearts who have never expressed themselves to you.

“Sincerely yours,
“Luther Burbank.”

The story of Fanny Stevenson’s life at Stonehedge is one of the still peace that she loved more and more as time went on, almost its only excitements being the blooming of a new flower, the digging of a well, or perhaps the trying out of an electric pump. The hurly-burly of the world was far away from that quiet spot, and only the arrival of the daily mail by rural carrier, or an infrequent visitor from some one of the country houses in the neighbourhood, broke the sweet monotony of existence. Of the simple pleasures of her life here she writes to her husband’s cousin, Graham Balfour, in these words:

“As I write, my delightful Japanese boy, Yonida, brings me in a great bunch of violets in one hand and quantities of yellow poppies in the other, while in front of me stands an immense vase of sweet peas — all just plucked from my garden. I wish that you might share them with me, and that you might hear the mocking-bird that is singing by my window. A mocking-bird is not a night-in-gale, to be sure, but he has a fine song of his own. I have such a nice little household; my two Japanese young men, who do gardening and such things; a most excellent, very handsome, middle-aged cook named Kate Romero, who, in spite of her name is half Irish and half English; and Mary Boyle, altogether Irish and altogether a most delightful creature. The most important member of the family, however, is my cat; Kitson is a full-bred Siamese royal temple cat, and is quite aware of his exalted pedigree. He exacts all and gives nothing. There are times when I should prefer more affection and less hauteur. He’s a proud cat, and loves no one but Kitson.”

This cat, a strange creature coloured like a tawny lion, with face, tail, and paws a chocolate brown, and large bright-blue eyes staring uncannily from his dark countenance, possibly had more affection than his haughty manner indicated, for, after his mistress’s death, he refused food and soon followed her into the other world, if so be that cats are admitted there.

In this house were gathered all the heirlooms, books, old furniture, pictures, and other interesting objects which had been brought down from San Francisco. The St. Gaudens medallion of Stevenson was fitted into a niche over the mantelpiece in the living-room, where Mrs. Stevenson spent much of her time seated before the great fireplace with the haughty Kitson on her lap. On the mantelshelf there was a curious collection of photographs — one of Ah Fu, the Chinese cook of South Sea memory, side by side with that of Sir Arthur Pinero, famous playwright — silent witnesses to the wide extent of her acquaintance and the broad democracy of her ideas.

At Stonehedge her life ran on almost undisturbed in the calm stillness that she loved so much. Now and then she went for a day’s fishing at Serena, a place on the shore a few miles from Stonehedge. With its background of high, rugged hills and the calm summer sea at its feet it has a serene beauty that well befits its name.

At infrequent intervals people of note arriving in Santa Barbara sought her out, and though she received them graciously she was equally interested in the visit of an Italian gardener and his wife, who came to bring her a present of some rare plant, and with whom she had most delightful talks about the flowers of the tropics. She was much pleased, too, when one day a Scotch couple, plain, kindly people, came merely to look at the house where the widow of their great countryman lived. When they came she happened to be in the garden and they apologized for the intrusion and were about to withdraw, but the moment she recognized the accent she welcomed them with outstretched hands. When they left their carriage was loaded with flowers, and she stood on the veranda waving her hand in farewell.

In August, 1909, accompanied by her daughter, Mr. Field, her nephew Louis Sanchez, and the maid Mary Boyle, she went on a motor trip to Sausal in Lower California, where they found that the house had been broken into by duck hunters, and presented a forlorn appearance. Coming from the comfort of Stonehedge to this deserted cabin was something of a shock to the rest of the party, and but for Mrs. Stevenson they would have left at once. “Mrs. Robinson Crusoe,” however, justified her name with such enthusiasm that the others caught fire. Louis Sanchez lent a ready hand to repairs and under his magic fingers doors swung upon their hinges, tables ceased to wabble, door-knobs turned, and even a comfortable rocking-chair “for Tamaitai” emerged from a hopeless wreck. Mrs. Strong and Mary Boyle assaulted the little cabin with soap and water and disinfectants, and with much courage and laughter routed two swarms of bees which had taken possession of the ceiling. Mr. Field supplied the larder with game and fish, and ran the automobile to town for supplies. Mrs. Stevenson, who, at Stonehedge, was always somewhat dismayed by the morning demands of the cook for the day’s orders, delighted in surprising the party with unexpected good dishes which she cooked with her own hands.

As the years passed her health began to show distinct signs of breaking, and when she proposed another trip to Mexico in the spring of 1910, her family feared she was not strong enough to endure the fatigue, but as she herself said she “would rather go to the well and be broken than be preserved on a dusty shelf,” they finally agreed.

She had had a great admiration for Mexico ever since her first visit, and wanted to show her daughter the land she said was “older and more interesting” than any country she had ever seen. Then, as her nephew was a mining engineer recently graduated from the University of California, she hoped to find a good opening for him in that land of gold and silver. The three set off in high spirits, for there was nothing Mrs. Stevenson liked better than change of scene.

Although during this time in Mexico City she found the altitude very trying in its effect on her heart, and was in consequence obliged to keep rather quiet, yet she was able to move about to a certain extent and to see some of the sights of the place. She loved to sit by the Viga Canal and watch the life of the people ebb and flow along its tree-lined stretches — the queer old flat-bottomed and square-ended boats coming in on work days with vegetables and flowers from the so-called “floating gardens,” and on days of fiesta transformed into pleasure craft with gay streamers and flags. On moonlight nights the tinkle of guitars sounded everywhere on the still waters of the canal and far out on the lake, for it is the custom of well-to-do people to hire these boats and with their musicians spend the evening à la Venice.

In the city the travellers were much interested in the Monte de Piedad, the pawn shop which is run under State control. Here great bargains may sometimes be picked up in jewels left there by ladies of good family in reduced circumstances. Mrs. Stevenson had a very feminine liking for jewels, but they had to be different from the ordinary sort to attract her, and she was much pleased to pick up in Mexico some pieces of the odd and barbaric designs that she especially liked.

Delightful days were spent in the city prowling about the queer old shops and buying curious things that are not to be found in other parts of the world. This was the kind of shopping that she really enjoyed — this poking about in strange, romantic places.

Among the very few people that Mrs. Stevenson met in Mexico in a social way was the well-known historian and archaeologist, Mrs. Zelia Nuttall, whom she considered a most charming and interesting woman. Together with her daughter she lunched with Mrs. Nuttall at her picturesque house, once the home of Alvarado, in the outskirts of Mexico City. It was the oldest house they had ever seen, and, with its inner patio, outside stairways and balconies, and large collection of rare idols, pots, and weapons that Mrs. Nuttall had herself unearthed from old Indian ruins, was intensely interesting.

Hearing of an opening in the mining business at Oaxaca for her nephew, she decided to go there and look into the matter. Conditions at Oaxaca were found to be even more primitive than at the capital. One time they asked for hot water, but the American landlady threw up her hands and cried, “Oh, my dears! There is a water famine in Oaxaca. It is terrible. We can get you a very small jug to wash with, but it isn’t clear enough to drink.”

“What are we to drink?”

In answer to this she brought a large jug of bottled water that tasted strongly of sulphur. This they mixed with malted milk bought at a grocery, making a beverage of which they said that though they had tasted better in their time, they certainly never had tasted worse. Notwithstanding all these inconveniences Mrs. Stevenson was in the best of tempers and keenly interested in seeing places and things, and when she tired was happy with a magazine or sitting at a window watching the street life. The first evening, while they were sitting in the patio, there was a violent earthquake, which seemed to them worse than the famous shake of 1906 in San Francisco, but it did no damage and the hotel people made nothing of it.

After seeing her nephew off to the mines at Taviche, and taking a side trip to see the ancient buried city of Mitla, Mrs. Stevenson and her daughter returned to the capital, where they took train for California, and were soon at home again amid the sweet flowers of Stonehedge. There Mrs. Stevenson once more took up the writing of the introductions to her husband’s books, for which she had contracted with Charles Scribner’s Sons. As I have already said, it was only after much urging that she consented to do this work, and her almost painful shrinking from it appears in a letter of March 25, 1911, to Mr. Charles Scribner: “With this note I send the introduction to Father Damien. I didn’t see how to touch upon the others when I know so little about them. I know this thing is about as bad as anything can be. I cringe whenever I think of it, but I seem incapable of doing better. If, however, it is beyond the pale, write and tell me, please, and I will try once again. Louis’s work was so mixed up with his home life that it is hard to see just where to draw the line between telling enough and yet not too much. I dislike extremely drawing aside the veil to let the public gaze intimately where they have no right to look at all. I think it is the consciousness of this feeling that gives an extra woodenness to my style — style is a big word — I should have put it ‘bad style.’“

The last portrait of Mrs. Stevenson.

It was during this time that news came of a severe accident to Alison Cunningham, Louis’s old nurse — a misfortune which resulted in her death within a few weeks. Mrs. Stevenson always felt an especial tenderness for “Cummy,” as the one whose kind hand had tended her beloved husband in his infancy, and she very gladly aided in the old lady’s support during her last years. Lord Guthrie, Louis’s longtime friend and schoolmate, says in his booklet on the story of Cummy: