Complete Works of Robert Louis Stevenson (Illustrated) (185 page)

I found him at work on a picture, which I was able conscientiously to praise, dressed in his usual tweeds, plain, but pretty fresh, and standing out in disagreeable contrast to my own withered and degraded outfit. As we talked, he continued to shift his eyes watchfully between his handiwork and the fat model, who sat at the far end of the studio in a state of nature, with one arm gallantly arched above her head. My errand would have been difficult enough under the best of circumstances: placed between Myner, immersed in his art, and the white, fat, naked female in a ridiculous attitude, I found it quite impossible. Again and again I attempted to approach the point, again and again fell back on commendations of the picture; and it was not until the model had enjoyed an interval of repose, during which she took the conversation in her own hands and regaled us (in a soft, weak voice) with details as to her husband’s prosperity, her sister’s lamented decline from the paths of virtue, and the consequent wrath of her father, a peasant of stern principles, in the vicinity of Chalons on the Marne; — it was not, I say, until after this was over, and I had once more cleared my throat for the attack, and once more dropped aside into some commonplace about the picture, that Myner himself brought me suddenly and vigorously to the point.

“You didn’t come here to talk this rot,” said he.

“No,” I replied sullenly; “I came to borrow money.”

He painted awhile in silence.

“I don’t think we were ever very intimate?” he asked.

“Thank you,” said I. “I can take my answer,” and I made as if to go, rage boiling in my heart.

“Of course you can go if you like,” said Myner; “but I advise you to stay and have it out.”

“What more is there to say?” I cried. “You don’t want to keep me here for a needless humiliation?”

“Look here, Dodd, you must try and command your temper,” said he. “This interview is of your own seeking, and not mine; if you suppose it’s not disagreeable to me, you’re wrong; and if you think I will give you money without knowing thoroughly about your prospects, you take me for a fool. Besides,” he added, “if you come to look at it, you’ve got over the worst of it by now: you have done the asking, and you have every reason to know I mean to refuse. I hold out no false hopes, but it may be worth your while to let me judge.”

Thus — I was going to say — encouraged, I stumbled through my story; told him I had credit at the cabman’s eating-house, but began to think it was drawing to a close; how Dijon lent me a corner of his studio, where I tried to model ornaments, figures for clocks, Time with the scythe, Leda and the swan, musketeers for candlesticks, and other kickshaws, which had never (up to that day) been honoured with the least approval.

“And your room?” asked Myner.

“O, my room is all right, I think,” said I. “She is a very good old lady, and has never even mentioned her bill.”

“Because she is a very good old lady, I don’t see why she should be fined,” observed Myner.

“What do you mean by that?” I cried.

“I mean this,” said he. “The French give a great deal of credit amongst themselves; they find it pays on the whole, or the system would hardly be continued; but I can’t see where WE come in; I can’t see that it’s honest of us Anglo-Saxons to profit by their easy ways, and then skip over the Channel or (as you Yankees do) across the Atlantic.”

“But I’m not proposing to skip,” I objected.

“Exactly,” he replied. “And shouldn’t you? There’s the problem. You seem to me to have a lack of sympathy for the proprietors of cabmen’s eating-houses. By your own account you’re not getting on: the longer you stay, it’ll only be the more out of the pocket of the dear old lady at your lodgings. Now, I’ll tell you what I’ll do: if you consent to go, I’ll pay your passage to New York, and your railway fare and expenses to Muskegon (if I have the name right) where your father lived, where he must have left friends, and where, no doubt, you’ll find an opening. I don’t seek any gratitude, for of course you’ll think me a beast; but I do ask you to pay it back when you are able. At any rate, that’s all I can do. It might be different if I thought you a genius, Dodd; but I don’t, and I advise you not to.”

“I think that was uncalled for, at least,” said I.

“I daresay it was,” he returned, with the same steadiness. “It seemed to me pertinent; and, besides, when you ask me for money upon no security, you treat me with the liberty of a friend, and it’s to be presumed that I can do the like. But the point is, do you accept?”

“No, thank you,” said I; “I have another string to my bow.”

“All right,” says Myner. “Be sure it’s honest.”

“Honest? honest?” I cried. “What do you mean by calling my honesty in question?”

“I won’t, if you don’t like it,” he replied. “You seem to think honesty as easy as Blind Man’s Buff: I don’t. It’s some difference of definition.”

I went straight from this irritating interview, during which Myner had never discontinued painting, to the studio of my old master. Only one card remained for me to play, and I was now resolved to play it: I must drop the gentleman and the frock-coat, and approach art in the workman’s tunic.

“Tiens, this little Dodd!” cried the master; and then, as his eye fell on my dilapidated clothing, I thought I could perceive his countenance to darken.

I made my plea in English; for I knew, if he were vain of anything, it was of his achievement of the island tongue. “Master,” said I, “will you take me in your studio again? but this time as a workman.”

“I sought your fazer was immensely reech,” said he.

I explained to him that I was now an orphan and penniless.

He shook his head. “I have betterr workmen waiting at my door,” said he, “far betterr workmen.

“You used to think something of my work, sir,” I pleaded.

“Somesing, somesing — yes!” he cried; “enough for a son of a reech man — not enough for an orphan. Besides, I sought you might learn to be an artist; I did not sink you might learn to be a workman.”

On a certain bench on the outer boulevard, not far from the tomb of Napoleon, a bench shaded at that date by a shabby tree, and commanding a view of muddy roadway and blank wall, I sat down to wrestle with my misery. The weather was cheerless and dark; in three days I had eaten but once; I had no tobacco; my shoes were soaked, my trousers horrid with mire; my humour and all the circumstances of the time and place lugubriously attuned. Here were two men who had both spoken fairly of my work while I was rich and wanted nothing; now that I was poor and lacked all: “no genius,” said the one; “not enough for an orphan,” the other; and the first offered me my passage like a pauper immigrant, and the second refused me a day’s wage as a hewer of stone — plain dealing for an empty belly. They had not been insincere in the past; they were not insincere to-day: change of circumstance had introduced a new criterion: that was all.

But if I acquitted my two Job’s comforters of insincerity, I was yet far from admitting them infallible. Artists had been contemned before, and had lived to turn the laugh on their contemners. How old was Corot before he struck the vein of his own precious metal? When had a young man been more derided (or more justly so) than the god of my admiration, Balzac? Or if I required a bolder inspiration, what had I to do but turn my head to where the gold dome of the Invalides glittered against inky squalls, and recall the tale of him sleeping there: from the day when a young artillery-sub could be giggled at and nicknamed Puss-in-Boots by frisky misses; on to the days of so many crowns and so many victories, and so many hundred mouths of cannon, and so many thousand war-hoofs trampling the roadways of astonished Europe eighty miles in front of the grand army? To go back, to give up, to proclaim myself a failure, an ambitious failure, first a rocket, then a stick! I, Loudon Dodd, who had refused all other livelihoods with scorn, and been advertised in the Saint Joseph
Sunday Herald
as a patriot and an artist, to be returned upon my native Muskegon like damaged goods, and go the circuit of my father’s acquaintance, cap in hand, and begging to sweep offices! No, by Napoleon! I would die at my chosen trade; and the two who had that day flouted me should live to envy my success, or to weep tears of unavailing penitence behind my pauper coffin.

Meantime, if my courage was still undiminished, I was none the nearer to a meal. At no great distance my cabman’s eating-house stood, at the tail of a muddy cab-rank, on the shores of a wide thoroughfare of mud, offering (to fancy) a face of ambiguous invitation. I might be received, I might once more fill my belly there; on the other hand, it was perhaps this day the bolt was destined to fall, and I might be expelled instead, with vulgar hubbub. It was policy to make the attempt, and I knew it was policy; but I had already, in the course of that one morning, endured too many affronts, and I felt I could rather starve than face another. I had courage and to spare for the future, none left for that day; courage for the main campaign, but not a spark of it for that preliminary skirmish of the cabman’s restaurant. I continued accordingly to sit upon my bench, not far from the ashes of Napoleon, now drowsy, now light-headed, now in complete mental obstruction, or only conscious of an animal pleasure in quiescence; and now thinking, planning, and remembering with unexampled clearness, telling myself tales of sudden wealth, and gustfully ordering and greedily consuming imaginary meals: in the course of which I must have dropped asleep.

It was towards dark that I was suddenly recalled to famine by a cold souse of rain, and sprang shivering to my feet. For a moment I stood bewildered: the whole train of my reasoning and dreaming passed afresh through my mind; I was again tempted, drawn as if with cords, by the image of the cabman’s eating-house, and again recoiled from the possibility of insult. “Qui dort dine,” thought I to myself; and took my homeward way with wavering footsteps, through rainy streets in which the lamps and the shop-windows now began to gleam; still marshalling imaginary dinners as I went.

“Ah, Monsieur Dodd,” said the porter, “there has been a registered letter for you. The facteur will bring it again to-morrow.”

A registered letter for me, who had been so long without one? Of what it could possibly contain, I had no vestige of a guess; nor did I delay myself guessing; far less form any conscious plan of dishonesty: the lies flowed from me like a natural secretion.

“O,” said I, “my remittance at last! What a bother I should have missed it! Can you lend me a hundred francs until to-morrow?”

I had never attempted to borrow from the porter till that moment: the registered letter was, besides, my warranty; and he gave me what he had — three napoleons and some francs in silver. I pocketed the money carelessly, lingered a while chaffing, strolled leisurely to the door; and then (fast as my trembling legs could carry me) round the corner to the Cafe de Cluny. French waiters are deft and speedy; they were not deft enough for me; and I had scarce decency to let the man set the wine upon the table or put the butter alongside the bread, before my glass and my mouth were filled. Exquisite bread of the Cafe Cluny, exquisite first glass of old Pomard tingling to my wet feet, indescribable first olive culled from the hors d’oeuvre — I suppose, when I come to lie dying, and the lamp begins to grow dim, I shall still recall your savour. Over the rest of that meal, and the rest of the evening, clouds lie thick; clouds perhaps of Burgundy; perhaps, more properly, of famine and repletion.

I remember clearly, at least, the shame, the despair, of the next morning, when I reviewed what I had done, and how I had swindled the poor honest porter; and, as if that were not enough, fairly burnt my ships, and brought bankruptcy home to that last refuge, my garret. The porter would expect his money; I could not pay him; here was scandal in the house; and I knew right well the cause of scandal would have to pack. “What do you mean by calling my honesty in question?” I had cried the day before, turning upon Myner. Ah, that day before! the day before Waterloo, the day before the Flood; the day before I had sold the roof over my head, my future, and my self-respect, for a dinner at the Cafe Cluny!

In the midst of these lamentations the famous registered letter came to my door, with healing under its seals. It bore the postmark of San Francisco, where Pinkerton was already struggling to the neck in multifarious affairs: it renewed the offer of an allowance, which his improved estate permitted him to announce at the figure of two hundred francs a month; and in case I was in some immediate pinch, it enclosed an introductory draft for forty dollars. There are a thousand excellent reasons why a man, in this self-helpful epoch, should decline to be dependent on another; but the most numerous and cogent considerations all bow to a necessity as stern as mine; and the banks were scarce open ere the draft was cashed.

It was early in December that I thus sold myself into slavery; and for six months I dragged a slowly lengthening chain of gratitude and uneasiness. At the cost of some debt I managed to excel myself and eclipse the Genius of Muskegon, in a small but highly patriotic Standard Bearer for the Salon; whither it was duly admitted, where it stood the proper length of days entirely unremarked, and whence it came back to me as patriotic as before. I threw my whole soul (as Pinkerton would have phrased it) into clocks and candlesticks; the devil a candlestick-maker would have anything to say to my designs. Even when Dijon, with his infinite good humour and infinite scorn for all such journey-work, consented to peddle them in indiscriminately with his own, the dealers still detected and rejected mine. Home they returned to me, true as the Standard Bearer; who now, at the head of quite a regiment of lesser idols, began to grow an eyesore in the scanty studio of my friend. Dijon and I have sat by the hour, and gazed upon that company of images. The severe, the frisky, the classical, the Louis Quinze, were there — from Joan of Arc in her soldierly cuirass to Leda with the swan; nay, and God forgive me for a man that knew better! the humorous was represented also. We sat and gazed, I say; we criticised, we turned them hither and thither; even upon the closest inspection they looked quite like statuettes; and yet nobody would have a gift of them!