Complete Works of Robert Louis Stevenson (Illustrated) (529 page)

Dorothy. And what, sir, has wrought this transformation? You knew me of old, or thought you knew me? Is it in six months of selfish absence that your mind has  changed? When did that change begin? A week ago? Sure, you would have written! To-day? Sir, if this offer be anything more than fresh offence, I have a right to be enlightened.

Austin. Madam, I foresaw this question. So be it: I respect, and I will not deceive you. But give me, first of all, a moment for defence. There are few men of my habits and position who would have done as I have done: sate at the feet of a young boy, accepted his lessons, gone upon his errand: fewer still, who would thus, at the crisis of a love, risk the whole fortune of the soul — love, gratitude, even respect. Yet more than that! For conceive how I respect you, if I, whose lifelong trade has been flattery, stand before you and make the plain confession of a truth that must not only lower me, but deeply wound yourself.

Dorothy. What means —  — ?

Austin. Young Fenwick, my rival for your heart, he it was that sent me.

Dorothy. He? O disgrace! He sent you! That was what he meant? Am I fallen so low? Am I your common talk among men? Did you dice for me? Did he kneel? O John, John, how could you! And you, Mr. Austin, whither have you brought me down? shame heaping upon shame — to what end! O, to what end?

Austin. Madam, you wound me: you look wilfully amiss. Sure, any lady in the land might well be proud to be loved as you are loved, with such nobility as Mr. Fenwick’s, with such humility as mine. I came, indeed, in pity, in good-nature, what you will. (See, dearest lady, with what honesty I speak: if I win you, it shall be with the unblemished truth.) All that is gone. Pity? it is myself I pity. I offer you not love — I am not worthy. I ask, I beseech of you: suffer me to wait upon you like a servant, to serve you with my rank, my name, the whole devotion of my life. I am a gentleman — ay, in spite of my fault — an upright  gentleman; and I swear to you that you shall order your life and mine at your free will. Dorothy, at your feet, in remorse, in respect, in love — O such love as I have never felt, such love as I derided — I implore, I conjure you to be mine!

Dorothy. Too late! too late.

Austin. No, no; not too late: not too late for penitence, not too late for love.

Dorothy. Which do you propose? that I should abuse your compassion, or reward your treachery? George Austin, I have been your mistress, and I will never be your wife.

Austin. Child, dear child, I have not told you all: there is worse still: your brother knows; the boy as good as told me. Dorothy, this is scandal at the door — O let that move you: for that, if not for my sake, for that, if not for love, trust me, trust me again.

Dorothy. I am so much the more your victim: that is all, and shall that change my heart? The sin must have its wages. This, too, was done long ago: when you stooped to lie to me. The shame is still mine, the fault still yours.

Austin. Child, child, you kill me: you will not understand. Can you not see? the lad will force me to a duel.

Dorothy. And you will kill him? Shame after shame, threat upon threat. Marry me, or you are dishonoured; marry me, or your brother dies: and this is man’s honour! But my honour and my pride are different. I will encounter all misfortune sooner than degrade myself by an unfaithful marriage. How should I kneel before the altar, and vow to reverence as my husband you, you who deceived me as my lover?

Austin. Dorothy, you misjudge me cruelly; I have deserved it. You will not take me for your husband; why should I wonder? You are right. I have indeed filled your life with calamity: the wages, ay, the  wages, of my sin are heavy upon you. But I have one more thing to ask of your pity; and O remember, child, who it is that asks it: a man guilty in your sight, void of excuse, but old, and very proud, and most unused to supplication. Dorothy Musgrave, will you forgive George Austin?

Dorothy. O George!

Austin. It is the old name: that is all I ask, and more than I deserve. I shall remember, often remember, how and where it was bestowed upon me for the last time. I thank you, Dorothy, from my heart; a heart, child, that has been too long silent, but is not too old, I thank God! not yet too old to learn a lesson and to accept a reproof. I will not keep you longer: I will go — I am so bankrupt in credit that I dare not ask you to believe in how much sorrow. But, Dorothy, my acts will speak for me with more persuasion. If it be in my power, you shall suffer no more through me: I will avoid your brother; I will leave this place, I will leave England, to-morrow; you shall be no longer tortured with the neighbourhood of your ungenerous lover. Dorothy, farewell!

SCENE VIII

Dorothy; to whom, Anthony, L.

Dorothy (
on her knees and reaching with her hands
). George, George! (
Enter Anthony.
)

Anthony. Ha! what are you crying for?

Dorothy. Nothing, dear. (
Rising.
)

Anthony. Is Austin going to marry you?

Dorothy. I shall never marry.

Anthony. I thought as much. You should have come to me.

Dorothy. I know, dear, I know; but there was nothing to come about.

Anthony. It’s a lie. You have disgraced the family. You went to John Fenwick: see what he has made of it. But I will have you righted: it shall be atoned in the man’s blood.

Dorothy. Anthony! And if I had refused him?

Anthony. You? refuse George Austin? You never had the chance.

Dorothy. I have refused him.

Anthony. Dorothy, you lie. You would shield your lover; but this concerns not you only: it strikes my honour and my father’s honour.

Dorothy. I have refused him — refused him, I tell you — refused him. The blame is mine; are you so mad and wicked that you will not see?

Anthony. I see this: that man must die.

Dorothy. He? never! You forget, you forget whom you defy; you run upon your death.

Anthony. Ah, my girl, you should have thought of that before. It is too late now.

Dorothy. Anthony, if I beg you — Anthony, I have tried to be a good sister; I brought you up, dear, nursed you when you were sick, fought for you, hoped for you, loved you — think of it, think of the dear past, think of our home and the happy winter nights, the castles in the fire, the long shining future, the love that was to forgive and suffer always — O you will spare, you will spare me this.

Anthony. I will tell you what I will do, Dolly: I will do just what you taught me — my duty: that, and nothing else.

Dorothy. O Anthony, you also, you to strike me! Heavens, shall I kill them — I — I, that love them, kill them! Miserable, sinful girl! George, George, thank God, you will be far away! O go, George, go at once!

Anthony. He goes, the coward! Ay, is this more of your contrivance? Madam, you make me blush.  But to-day at least I know where I can find him. This afternoon, on the Pantiles, he must dance attendance on the Duke of York. Already he must be there; and there he is at my mercy.

Dorothy. Thank God, you are deceived: he will not fight. He promised me that; thank God, I have his promise for that.

Anthony. Promise! Do you see this? (
producing necklace
) the thing he bribed your maid with? I shall dash it in his teeth before the Duke and before all Tunbridge. Promise, you poor fool? what promise holds against a blow? Get to your knees and pray for him; for, by the God above, if he has any blood in his body, one of us shall die before to-night. (
He goes out.
)

Dorothy. Anthony, Anthony!... O my God, George will kill him.

(Music: “Chè farò” as the drop falls.)

Musical Induction: “Gavotte,”
Iphigénie en Aulide
, Gluck

ACT IV

The Stage represents the Pantiles: the alleys fronting the spectators in parallel lines. At the back, a stand of musicians, from which the “Gavotte” is repeated on muted strings. The music continues nearly through Scene I. Visitors walking to and fro beneath the limes. A seat in front, L.

SCENE I

Miss Foster, Barbara, Menteith; Visitors

Miss Foster (
entering; escorted by Menteith, and followed by Barbara
). And so, Menteith, here you are once more. And vastly pleased I am to see you, my good fellow, not only for your own sake, but because you harbinger the Beau. (
Sits, L., Menteith standing over her.
)

Menteith. Honoured madam, I have had the pleasure to serve Mr. George for more than thirty years. This is a privilege — a very great privilege. I have beheld him in the first societies, moving among the first rank of personages; and none, madam, none outshone him.

Barbara. I assure you, madam, when Mr. Menteith took me to the play, he talked so much of Mr. Austin that I couldn’t hear a word of Mr. Kean.

Miss Foster. Well, well, and very right. That was the old school of service, Barbara, which you would do well to imitate. — This is a child, Menteith, that I am trying to form.

Menteith. Quite so, madam.

 Miss Foster. And are we soon to see our princely guest, Menteith?

Menteith. His Royal Highness, madam? I believe I may say quite so. Mr. George will receive our gallant prince upon the Pantiles (
looking at his watch
) in, I should say, a matter of twelve minutes from now. Such, madam, is Mr. George’s order of the day.

Barbara. I beg your pardon, madam, I am sure, but are we really to see one of His Majesty’s own brothers? That will be pure! O madam, this is better than Carlisle.

Miss Foster. The wood-note wild: a loyal Cumbrian, Menteith.

Menteith. Eh? Quite so, madam.

Miss Foster. When she has seen as much of the Royal Family as you, my good fellow, she will find it vastly less entertaining.

Menteith. Yes, madam, indeed; in these distinguished circles life is but a slavery. None of the best set would relish Tunbridge without Mr. George; Tunbridge and Mr. George (if you’ll excuse my plainness, madam) are in a manner of speaking identified; and indeed it was the Dook’s desire alone that brought us here.

Barbara. What? the Duke? O dear! was it for that?

Menteith. Though, to be sure, madam, Mr. George would always be charmed to find himself (
bowing
) among so many admired members of his own set.

Miss Foster. Upon my word, Menteith, Mr. Austin is as fortunate in his servant as his reputation.

Menteith. Quite so, madam. But let me observe that the opportunities I have had of acquiring a knowledge of Mr. George’s character have been positively unrivalled. Nobody knows Mr. George like his old attendant. The goodness of that gentleman — but, madam, you will soon be equally fortunate, if, as I understand, it is to be a match.

Miss Foster. I hope, Menteith, you are not taking leave of your senses. Is it possible you mean my niece?

Menteith. Madam, I have the honour to congratulate you. I put a second curl in Mr. George’s hair on purpose.

SCENE II

To these, Austin. Menteith falls back, and Austin takes his place in front of Miss Foster, his attitude a counterpart of Menteith’s

Austin. Madam, I hasten to present my homage.

Miss Foster. A truce to compliments; Menteith, your charming fellow there, has set me positively crazy. Dear George Austin, is it true? Can it be true?

Austin. Madam, if he has been praising your niece he has been well inspired. If he was speaking, as I spoke an hour ago myself, I wish, Miss Foster, that he had held his tongue. I have indeed offered myself to Miss Dorothy, and she, with the most excellent reason, has refused me.

Miss Foster. Is it possible? why, my dear George Austin, ... then I suppose it is John Fenwick after all?

Austin. Not one of us is worthy.

Miss Foster. This is the most amazing circumstance. You take my breath away. My niece refuse George Austin? why, I give you my word, I thought she had adored you. A perfect scandal: it positively must not get abroad.

Austin. Madam, for that young lady I have a singular regard. Judge me as tenderly as you can, and set it down, if you must, to an old man’s vanity — for, Evelina, we are no longer in the heyday of our youth — judge me as you will: I should prefer to have it known.

Miss Foster. Can you? George Austin, you? My youth was nothing; I was a failure; but for you?  no, George, you never can, you never must be old. You are the triumph of my generation, George, and of our old friendship too. Think of my first dance and my first partner. And to have this story — no, I could not bear to have it told of you.

Austin. Madam, there are some ladies over whom it is a boast to have prevailed; there are others whom it is a glory to have loved. And I am so vain, dear Evelina, that even thus I am proud to link my name with that of Dorothy Musgrave.

Miss Foster. George, you are changed. I would not know you.

Austin. I scarce know myself. But pardon me, dear friend (
taking out his watch
), in less than four minutes our illustrious guest will descend amongst us; and I observe Mr. Fenwick, with whom I have a pressing business. Suffer me, dear Evelina! —  —

SCENE III

To these, Fenwick. Miss Foster remains seated, L. Austin goes R. to Fenwick, whom he salutes with great respect

Austin. Mr. Fenwick, I have played and lost. That noble lady, justly incensed at my misconduct, has condemned me. Under the burden of such a loss, may I console myself with the esteem of Mr. Fenwick?

Fenwick. She refused you? Pardon me, sir, but was the fault not yours?

Austin. Perhaps to my shame, I am no novice, Mr. Fenwick; but I have never felt nor striven as to-day. I went upon your errand; but, you may trust me, sir, before I had done I found it was my own. Until to-day I never rightly valued her; sure, she is fit to be a queen.  I have a remorse here at my heart to which I am a stranger. O! that was a brave life, that was a great heart that I have ruined.