Complete Works of Thomas Hardy (Illustrated) (61 page)

Cytherea went to the bedside, and was instantly recognized. O, what a change — Miss Aldclyffe dependent upon pillows! And yet not a forbidding change. With weakness had come softness of aspect: the haughtiness was extracted from the frail thin countenance, and a sweeter mild placidity had taken its place.

Miss Aldclyffe signified to Mr. Raunham that she would like to be alone with Cytherea.

‘Cytherea?’ she faintly whispered the instant the door was closed.

Cytherea clasped the lady’s weak hand, and sank beside her.

Miss Aldclyffe whispered again. ‘They say I am certain to live; but I know that I am certainly going to die.’

‘They know, I think, and hope.’

‘I know best, but we’ll leave that. Cytherea — O Cytherea, can you forgive me!’

Her companion pressed her hand.

‘But you don’t know yet — you don’t know yet,’ the invalid murmured. ‘It is forgiveness for that misrepresentation to Edward Springrove that I implore, and for putting such force upon him — that which caused all the train of your innumerable ills!’

‘I know all — all. And I do forgive you. Not in a hasty impulse that is revoked when coolness comes, but deliberately and sincerely: as I myself hope to be forgiven, I accord you my forgiveness now.’

Tears streamed from Miss Aldclyffe’s eyes, and mingled with those of her young companion, who could not restrain hers for sympathy. Expressions of strong attachment, interrupted by emotion, burst again and again from the broken-spirited woman.

‘But you don’t know my motive. O, if you only knew it, how you would pity me then!’

Cytherea did not break the pause which ensued, and the elder woman appeared now to nerve herself by a superhuman effort. She spoke on in a voice weak as a summer breeze, and full of intermission, and yet there pervaded it a steadiness of intention that seemed to demand firm tones to bear it out worthily.

‘Cytherea,’ she said, ‘listen to me before I die.

‘A long time ago — more than thirty years ago — a young girl of seventeen was cruelly betrayed by her cousin, a wild officer of six-and-twenty. He went to India, and died.

‘One night when that miserable girl had just arrived home with her parents from Germany, where her baby had been born, she took all the money she possessed, pinned it on her infant’s bosom, together with a letter, stating, among other things, what she wished the child’s Christian name to be; wrapped up the little thing, and walked with it to Clapham. Here, in a retired street, she selected a house. She placed the child on the doorstep and knocked at the door, then ran away and watched. They took it up and carried it indoors.

‘Now that her poor baby was gone, the girl blamed herself bitterly for cruelty towards it, and wished she had adopted her parents’ counsel to secretly hire a nurse. She longed to see it. She didn’t know what to do. She wrote in an assumed name to the woman who had taken it in, and asked her to meet the writer with the infant at certain places she named. These were hotels or coffee-houses in Chelsea, Pimlico, or Hammersmith. The woman, being well paid, always came, and asked no questions. At one meeting — at an inn in Hammersmith — she made her appearance without the child, and told the girl it was so ill that it would not live through the night. The news, and fatigue, brought on a fainting-fit....’

Miss Aldclyffe’s sobs choked her utterance, and she became painfully agitated. Cytherea, pale and amazed at what she heard, wept for her, bent over her, and begged her not to go on speaking.

‘Yes — I must,’ she cried, between her sobs. ‘I will — I must go on! And I must tell yet more plainly!... you must hear it before I am gone, Cytherea.’ The sympathizing and astonished girl sat down again.

‘The name of the woman who had taken the child was
Manston
. She was the widow of a schoolmaster. She said she had adopted the child of a relation.

‘Only one man ever found out who the mother was. He was the keeper of the inn in which she fainted, and his silence she has purchased ever since.

‘A twelvemonth passed — fifteen months — and the saddened girl met a man at her father’s house named Graye — your father, Cytherea, then unmarried. Ah, such a man! Inexperience now perceived what it was to be loved in spirit and in truth! But it was too late. Had he known her secret he would have cast her out. She withdrew from him by an effort, and pined.

‘Years and years afterwards, when she became mistress of a fortune and estates by her father’s death, she formed the weak scheme of having near her the son whom, in her father’s life-time, she had been forbidden to recognize. Cytherea, you know who that weak woman is.

‘By such toilsome labour as this I got him here as my steward. And I wanted to see him
your husband
, Cytherea! — the husband of my true lover’s child. It was a sweet dream to me.... Pity me — O, pity me! To die unloved is more than I can bear! I loved your father, and I love him now.’

That was the burden of Cytherea Aldclyffe.

‘I suppose you must leave me again — you always leave me,’ she said, after holding the young woman’s hand a long while in silence.

‘No — indeed I’ll stay always. Do you like me to stay?’

Miss Aldclyffe in the jaws of death was Miss Aldclyffe still, though the old fire had degenerated to mere phosphorescence now. ‘But you are your brother’s housekeeper?’

‘Yes.’

‘Well, of course you cannot stay with me on a sudden like this.... Go home, or he will be at a loss for things. And to-morrow morning come again, won’t you, dearest, come again — we’ll fetch you. But you mustn’t stay now, and put Owen out. O no — it would be absurd.’ The absorbing concern about trifles of daily routine, which is so often seen in very sick people, was present here.

Cytherea promised to go home, and come the next morning to stay continuously.

‘Stay till I die then, will you not? Yes, till I die — I shan’t die till to-morrow.’

‘We hope for your recovery — all of us.’

‘I know best. Come at six o’clock, darling.’

‘As soon as ever I can,’ returned Cytherea tenderly.

‘But six is too early — you will have to think of your brother’s breakfast. Leave Tolchurch at eight, will you?’

Cytherea consented to this. Miss Aldclyffe would never have known had her companion stayed in the house all night; but the honesty of Cytherea’s nature rebelled against even the friendly deceit which such a proceeding would have involved.

An arrangement was come to whereby she was to be taken home in the pony-carriage instead of the brougham that fetched her; the carriage to put up at Tolchurch farm for the night, and on that account to be in readiness to bring her back earlier.

4. MARCH THE THIRTIETH. DAYBREAK

The third and last instance of Cytherea’s subjection to those periodic terrors of the night which had emphasized her connection with the Aldclyffe name and blood occurred at the present date.

It was about four o’clock in the morning when Cytherea, though most probably dreaming, seemed to awake — and instantly was transfixed by a sort of spell, that had in it more of awe than of affright. At the foot of her bed, looking her in the face with an expression of entreaty beyond the power of words to portray, was the form of Miss Aldclyffe — wan and distinct. No motion was perceptible in her; but longing — earnest longing — was written in every feature.

Cytherea believed she exercised her waking judgment as usual in thinking, without a shadow of doubt, that Miss Aldclyffe stood before her in flesh and blood. Reason was not sufficiently alert to lead Cytherea to ask herself how such a thing could have occurred.

‘I would have remained with you — why would you not allow me to stay!’ Cytherea exclaimed. The spell was broken: she became broadly awake; and the figure vanished.

It was in the grey time of dawn. She trembled in a sweat of disquiet, and not being able to endure the thought of her brother being asleep, she went and tapped at his door.

‘Owen!’

He was not a heavy sleeper, and it was verging upon his time to rise.

‘What do you want, Cytherea?’

‘I ought not to have left Knapwater last night. I wish I had not. I really think I will start at once. She wants me, I know.’

‘What time is it?’

‘A few minutes past four.’

‘You had better not. Keep to the time agreed upon. Consider, we should have such a trouble in rousing the driver, and other things.’

Upon the whole it seemed wiser not to act on a mere fancy. She went to bed again.

An hour later, when Owen was thinking of getting up, a knocking came to the front door. The next minute something touched the glass of Owen’s window. He waited — the noise was repeated. A little gravel had been thrown against it to arouse him.

He crossed the room, pulled up the blind, and looked out. A solemn white face was gazing upwards from the road, expectantly straining to catch the first glimpse of a person within the panes. It was the face of a Knapwater man sitting on horseback.

Owen saw his errand. There is an unmistakable look in the face of every man who brings tidings of death. Graye opened the window.

‘Miss Aldclyffe....’ said the messenger, and paused.

‘Ah — dead?’

‘Yes — she is dead.’

‘When did she die?’

‘At ten minutes past four, after another effusion. She knew best, you see, sir. I started directly, by the rector’s orders.’

SEQUEL

Fifteen months have passed, and we are brought on to Midsummer Night, 1867.

The picture presented is the interior of the old belfry of Carriford Church, at ten o’clock in the evening.

Six Carriford men and one stranger are gathered there, beneath the light of a flaring candle stuck on a piece of wood against the wall. The six Carriford men are the well-known ringers of the fine-toned old bells in the key of F, which have been music to the ears of Carriford parish and the outlying districts for the last four hundred years. The stranger is an assistant, who has appeared from nobody knows where.

The six natives — in their shirt-sleeves, and without hats — pull and catch frantically at the dancing bellropes, the locks of their hair waving in the breeze created by their quick motions; the stranger, who has the treble bell, does likewise, but in his right mind and coat. Their ever-changing shadows mingle on the wall in an endless variety of kaleidoscopic forms, and the eyes of all the seven are religiously fixed on a diagram like a large addition sum, which is chalked on the floor.

Vividly contrasting with the yellow light of the candle upon the four unplastered walls of the tower, and upon the faces and clothes of the men, is the scene discernible through the screen beneath the tower archway. At the extremity of the long mysterious avenue of the nave and chancel can be seen shafts of moonlight streaming in at the east window of the church — blue, phosphoric, and ghostly.

A thorough renovation of the bell-ringing machinery and accessories had taken place in anticipation of an interesting event. New ropes had been provided; every bell had been carefully shifted from its carriage, and the pivots lubricated. Bright red ‘sallies’ of woollen texture — soft to the hands and easily caught — glowed on the ropes in place of the old ragged knots, all of which newness in small details only rendered more evident the irrepressible aspect of age in the mass surrounding them.

The triple-bob-major was ended, and the ringers wiped their faces and rolled down their shirt-sleeves, previously to tucking away the ropes and leaving the place for the night.

‘Piph — h — h — h! A good forty minutes,’ said a man with a streaming face, and blowing out his breath — one of the pair who had taken the tenor bell.

‘Our friend here pulled proper well — that ‘a did — seeing he’s but a stranger,’ said Clerk Crickett, who had just resigned the second rope, and addressing the man in the black coat.

‘‘A did,’ said the rest.

‘I enjoyed it much,’ said the man modestly.

‘What we should ha’ done without you words can’t tell. The man that d’belong by rights to that there bell is ill o’ two gallons o’ wold cider.’

‘And now so’s,’ remarked the fifth ringer, as pertaining to the last allusion, ‘we’ll finish this drop o’ metheglin and cider, and every man home — along straight as a line.’

‘Wi’ all my heart,’ Clerk Crickett replied. ‘And the Lord send if I ha’n’t done my duty by Master Teddy Springrove — that I have so.’

‘And the rest o’ us,’ they said, as the cup was handed round.

‘Ay, ay — in ringen — but I was spaken in a spiritual sense o’ this mornen’s business o’ mine up by the chancel rails there. ‘Twas very convenient to lug her here and marry her instead o’ doen it at that twopenny-halfpenny town o’ Budm’th. Very convenient.’

‘Very. There was a little fee for Master Crickett.’

‘Ah — well. Money’s money — very much so — very — I always have said it. But ‘twas a pretty sight for the nation. He coloured up like any maid, that ‘a did.’

‘Well enough ‘a mid colour up. ‘Tis no small matter for a man to play wi’ fire.’

‘Whatever it may be to a woman,’ said the clerk absently.

‘Thou’rt thinken o’ thy wife, clerk,’ said Gad Weedy. ‘She’ll play wi’it again when thou’st got mildewed.’

‘Well — let her, God bless her; for I’m but a poor third man, I. The Lord have mercy upon the fourth!... Ay, Teddy’s got his own at last. What little white ears that maid hev, to be sure! choose your wife as you choose your pig — a small ear and a small tale — that was always my joke when I was a merry feller, ah — years agone now! But Teddy’s got her. Poor chap, he was getten as thin as a hermit wi’ grief — so was she.’

‘Maybe she’ll pick up now.’

‘True — ’tis nater’s law, which no man shall gainsay. Ah, well do I bear in mind what I said to Pa’son Raunham, about thy mother’s family o’ seven, Gad, the very first week of his comen here, when I was just in my prime. “And how many daughters has that poor Weedy got, clerk?” he says. “Six, sir,” says I, “and every one of ‘em has a brother!” “Poor woman,” says he, “a dozen children! — give her this half-sovereign from me, clerk.” ‘A laughed a good five minutes afterwards, when he found out my merry nater — ’a did. But there, ‘tis over wi’ me now. Enteren the Church is the ruin of a man’s wit for wit’s nothen without a faint shadder o’ sin.’