Complete Works of Wilkie Collins (581 page)

He waited with immovable patience. At intervals, he nodded, and smiled, and whispered to himself, “Something to frighten Mr. Armadale in
that
!” But he made no further attempt, by word, look, or action, to hurry his son.

Bashwood the younger finished his breakfast slowly, out of pure bravado; lit a cigar with the utmost deliberation; looked at his father, and, seeing him still as immovably patient as ever, opened the black bag at last, and spread the papers on the table.

“How will you have it?” he asked. “Long or short? I have got her whole life here. The counsel who defended her at the trial was instructed to hammer hard at the sympathies of the jury: he went head over ears into the miseries of her past career, and shocked everybody in court in the most workman-like manner. Shall I take the same line? Do you want to know all about her, from the time when she was in short frocks and frilled trousers? or do you prefer getting on at once to her first appearance as a prisoner in the dock?”

“I want to know all about her,” said his father, eagerly. “The worst, and the best — the worst particularly. Don’t spare my feelings, Jemmy — whatever you do, don’t spare my feelings! Can’t I look at the papers myself?”

“No, you can’t. They would be all Greek and Hebrew to you. Thank your stars that you have got a sharp son, who can take the pith out of these papers, and give it a smack of the right flavour in serving it up. There are not ten men in England who could tell you this woman’s story as I can tell it. It’s a gift, old gentleman, of the sort that is given to very few people — and it lodges here.”

He tapped his forehead smartly, and turned to the first page of the manuscript before him, with an unconcealed triumph at the prospect of exhibiting his own cleverness, which was the first expression of a genuine feeling of any sort that had escaped him yet.

“Miss Gwilt’s story begins,” said Bashwood the younger, “in the market-place at Thorpe Ambrose. One day, something like a quarter of a century ago, a traveling quack doctor, who dealt in perfumery as well as medicines, came to the town with his cart, and exhibited, as a living example of the excellence of his washes and hair-oils and so on, a pretty little girl, with a beautiful complexion and wonderful hair. His name was Oldershaw. He had a wife, who helped him in the perfumery part of his business, and who carried it on by herself after his death. She has risen in the world of late years; and she is identical with that sly old lady who employed me professionally a short time since. As for the pretty little girl, you know who she was as well as I do. While the quack was haranguing the mob and showing them the child’s hair, a young lady, driving through the marketplace, stopped her carriage to hear what it was all about, saw the little girl, and took a violent fancy to her on the spot. The young lady was the daughter of Mr. Blanchard, of Thorpe Ambrose. She went home, and interested her father in the fate of the innocent little victim of the quack doctor. The same evening, the Oldershaws were sent for to the great house and were questioned. They declared themselves to be her uncle and aunt — a lie, of course! — and they were quite willing to let her attend the village school, while they stayed at Thorpe Ambrose, when the proposal was made to them. The new arrangement was carried out the next day. And the day after that, the Oldershaws had disappeared, and had left the little girl on the squire’s hands! She evidently hadn’t answered as they expected in the capacity of an advertisement, and that was the way they took of providing for her for life. There is the first act of the play for you! Clear enough, so far, isn’t it?”

“Clear enough, Jemmy, to clever people. But I’m old and slow. I don’t understand one thing. Whose child was she?”

“A very sensible question. Sorry to inform you that nobody can answer it — Miss Gwilt herself included. These Instructions that I’m referring to are founded, of course, on her own statements, sifted by her attorney. All she could remember, on being questioned, was that she was beaten and half starved, somewhere in the country, by a woman who took in children at nurse. The woman had a card with her, stating that her name was Lydia Gwilt, and got a yearly allowance for taking care of her (paid through a lawyer) till she was eight years old. At that time, the allowance stopped; the lawyer had no explanation to offer; nobody came to look after her; nobody wrote. The Oldershaws saw her, and thought she might answer to exhibit; and the woman parted with her for a trifle to the Oldershaws; and the Oldershaws parted with her for good and all to the Blanchards. That’s the story of her birth, parentage, and education! She may be the daughter of a duke, or the daughter of a costermonger. The circumstances may be highly romantic, or utterly commonplace. Fancy anything you like — there’s nothing to stop you. When you’ve had your fancy out, say the word, and I’ll turn over the leaves and go on.”

“Please to go on, Jemmy — please to go on.”

“The next glimpse of Miss Gwilt,” resumed Bashwood the younger, turning over the papers, “is a glimpse at a family mystery. The deserted child was in luck’s way at last. She had taken the fancy of an amiable young lady with a rich father, and she was petted and made much of at the great house, in the character of Miss Blanchard’s last new plaything. Not long afterward Mr. Blanchard and his daughter went abroad, and took the girl with them in the capacity of Miss Blanchard’s little maid. When they came back, the daughter had married, and become a widow, in the interval; and the pretty little maid, instead of returning with them to Thorpe Ambrose, turns up suddenly, all alone, as a pupil at a school in France. There she was, at a first-rate establishment, with her maintenance and education secured until she married and settled in life, on this understanding — that she never returned to England. Those were all the particulars she could be prevailed on to give the lawyer who drew up these instructions. She declined to say what had happened abroad; she declined even, after all the years that had passed, to mention her mistress’s married name. It’s quite clear, of course, that she was in possession of some family secret; and that the Blanchards paid for her schooling on the Continent to keep her out of the way. And it’s equally plain that she would never have kept her secret as she did if she had not seen her way to trading on it for her own advantage at some future time. A clever woman, as I’ve told you already! A devilish clever woman, who hasn’t been knocked about in the world, and seen the ups and downs of life abroad and at home, for nothing.”

“Yes, yes, Jemmy; quite true. How long did she stop, please, at the school in France?”

Bashwood the younger referred to the papers. “She stopped at the French school,” he replied, “till she was seventeen. At that time something happened at the school which I find mildly described in these papers as ‘something unpleasant.’ The plain fact was that the music-master attached to the establishment fell in love with Miss Gwilt. He was a respectable middle-aged man, with a wife and family; and, finding the circumstances entirely hopeless, he took a pistol, and, rashly assuming that he had brains in his head, tried to blow them out. The doctor saved his life, but not his reason; he ended, where he had better have begun, in an asylum. Miss Gwilt’s beauty having been at the bottom of the scandal, it was, of course, impossible — though she was proved to have been otherwise quite blameless in the matter — for her to remain at the school after what had happened. Her ‘friends’ (the Blanchards) were communicated with. And her friends transferred her to another school; at Brussels, this time — What are you sighing about? What’s wrong now?”

“I can’t help feeling a little for the poor music-master, Jemmy. Go on.”

“According to her own account of it, dad, Miss Gwilt seems to have felt for him too. She took a serious turn; and was ‘converted’ (as they call it) by the lady who had charge of her in the interval before she went to Brussels. The priest at the Belgium school appears to have been a man of some discretion, and to have seen that the girl’s sensibilities were getting into a dangerously excited state. Before he could quiet her down, he fell ill, and was succeeded by another priest, who was a fanatic. You will understand the sort of interest he took in the girl, and the way in which he worked on her feelings, when I tell you that she announced it as her decision, after having been nearly two years at the school, to end her days in a convent! You may well stare! Miss Gwilt, in the character of a Nun, is the sort of female phenomenon you don’t often set eyes on.”

“Did she go into the convent?” asked Mr. Bashwood. “Did they let her go in, so friendless and so young, with nobody to advise her for the best?”

“The Blanchards were consulted, as a matter of form,” pursued Bashwood the younger. “
They
had no objection to her shutting herself up in a convent, as you may well imagine. The pleasantest letter they ever had from her, I’ll answer for it, was the letter in which she solemnly took leave of them in this world forever. The people at the convent were as careful as usual not to commit themselves. Their rules wouldn’t allow her to take the veil till she had tried the life for a year first, and then, if she had any doubt, for another year after that. She tried the life for the first year, accordingly, and doubted. She tried it for the second year, and was wise enough, by that time, to give it up without further hesitation. Her position was rather an awkward one when she found herself at liberty again. The sisters at the convent had lost their interest in her; the mistress at the school declined to take her back as teacher, on the ground that she was too nice-looking for the place; the priest considered her to be possessed by the devil. There was nothing for it but to write to the Blanchards again, and ask them to start her in life as a teacher of music on her own account. She wrote to her former mistress accordingly. Her former mistress had evidently doubted the genuineness of the girl’s resolution to be a nun, and had seized the opportunity offered by her entry into the convent to cut off all further communication between her ex-waiting-maid and herself. Miss Gwilt’s letter was returned by the post-office. She caused inquiries to be made; and found that Mr. Blanchard was dead, and that his daughter had left the great house for some place of retirement unknown. The next thing she did, upon this, was to write to the heir in possession of the estate. The letter was answered by his solicitors, who were instructed to put the law in force at the first attempt she made to extort money from any member of the family at Thorpe Ambrose. The last chance was to get at the address of her mistress’s place of retirement. The family bankers, to whom she wrote, wrote back to say that they were instructed not to give the lady’s address to any one applying for it, without being previously empowered to do so by the lady herself. That last letter settled the question — Miss Gwilt could do nothing more. With money at her command, she might have gone to England and made the Blanchards think twice before they carried things with too high a hand. Not having a half-penny at command, she was helpless. Without money and without friends, you may wonder how she supported herself while the correspondence was going on. She supported herself by playing the piano-forte at a low concert-room in Brussels. The men laid siege to her, of course, in all directions; but they found her insensible as adamant. One of these rejected gentlemen was a Russian; and he was the means of making her acquainted with a countrywoman of his, whose name is unpronounceable by English lips. Let us give her her title, and call her the baroness. The two women liked each other at their first introduction; and a new scene opened in Miss Gwilt’s life. She became reader and companion to the baroness. Everything was right, everything was smooth on the surface. Everything was rotten and everything was wrong under it.”

“In what way, Jemmy? Please to wait a little, and tell me in what way.”

“In this way. The baroness was fond of traveling, and she had a select set of friends about her who were quite of her way of thinking. They went from one city on the Continent to another, and were such charming people that they picked up acquaintances everywhere. The acquaintances were invited to the baroness’s receptions, and card-tables were invariably a part of the baroness’s furniture. Do you see it now? or must I tell you, in the strictest confidence, that cards were not considered sinful on these festive occasions, and that the luck, at the end of the evening, turned out to be almost invariably on the side of the baroness and her friends? Swindlers, all of them; and there isn’t a doubt on my mind, whatever there may be on yours, that Miss Gwilt’s manners and appearance made her a valuable member of the society in the capacity of a decoy. Her own statement is that she was innocent of all knowledge of what really went on; that she was quite ignorant of card-playing; that she hadn’t such a thing as a respectable friend to turn to in the world; and that she honestly liked the baroness, for the simple reason that the baroness was a hearty good friend to her from first to last. Believe that or not, as you please. For five years she traveled about all over the Continent with these card-sharpers in high life, and she might have been among them at this moment, for anything I know to the contrary, if the baroness had not caught a Tartar at Naples, in the shape of a rich traveling Englishman, named Waldron. Aha! that name startles you, does it? You’ve read the Trial of the famous Mrs. Waldron, like the rest of the world? And you know who Miss Gwilt is now, without my telling you?”