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Authors: J. D. Robb

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Concealed in Death

BOOK: Concealed in Death
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TITLES BY J. D. ROBB

Naked in Death

Glory in Death

Immortal in Death

Rapture in Death

Ceremony in Death

Vengeance in Death

Holiday in Death

Conspiracy in Death

Loyalty in Death

Witness in Death

Judgment in Death

Betrayal in Death

Seduction in Death

Reunion in Death

Purity in Death

Portrait in Death

Imitation in Death

Divided in Death

Visions in Death

Survivor in Death

Origin in Death

Memory in Death

Born in Death

Innocent in Death

Creation in Death

Strangers in Death

Salvation in Death

Promises in Death

Kindred in Death

Fantasy in Death

Indulgence in Death

Treachery in Death

New York to Dallas

Celebrity in Death

Delusion in Death

Calculated in Death

Thankless in Death

G. P. PUTNAM’S SONS

Publishers Since 1838

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

First published in the United States of America by G. P. Putnam’s Sons 2014

Copyright © 2014 by Nora Roberts

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

ISBN 978-1-101-61726-7

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

CONTENTS

Titles by J. D. Robb

Title Page

Copyright

Epigraph

 

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

 

Epilogue

Thou art my hiding place; thou shalt

preserve me from trouble; thou shalt

compass me about with songs of deliverance.

—PSALMS 32:7

A simple child,

That lightly draws its breath,

And feels its life in every limb,

What should it know of death?

—WORDSWORTH

Neglect could kill a building brick by brick. It was, to his mind, more insidious than hurricane or earthquake as it murdered slowly, quietly, not in rage or passion, but with utter contempt.

Or perhaps he was being a bit lyrical about a structure that had served no purpose other than housing rats and junkies for more than a dozen years.

But with vision, and considerable money, the old building, sagging its shoulders in what had once been Hell’s Kitchen, would stand strong again, and with purpose.

Roarke had vision, and considerable money, and enjoyed using both as he pleased.

He’d had his eye on the property for more than a year, waiting like a cat at a mousehole for the shaky conglomerate that owned it to crumble a little more. He’d had his ear to that mousehole as well, and had listened to the rumors of rehab or razing, of additional funding and complete bankruptcy.

As he’d anticipated, the reality fell between, and the property popped on the market. Still he’d waited, biding his time, until the fanciful—to his mind—asking price slid down to a more reasonable level.

And he’d waited a bit more yet, knowing the troubles of the group that owned it would surely make them more amenable to an offer well below even that level—with some additional sweating time.

The buying and selling of property—or anything else for that matter—was a business, of course. But it was also a game, and one he relished playing, one he relished winning. He considered the game of business nearly as satisfying and entertaining as stealing.

Once he’d stolen to survive, and then he’d continued when it had become another kind of game because, hell, he was damn good at it.

But his thieving days lay behind him, and he rarely regretted stepping out of the shadows. He might have built the foundations of his fortune in those shadows, but he added to them, wielded the power of them now in full light.

When he considered what he’d given up, and what he’d gained by doing so, he knew it to be the best deal of his life.

Now he stood in the rubble of his newest acquisition, a tall man with a lean and disciplined body. He wore a perfectly tailored suit of charcoal gray and a crisp shirt the color of peat smoke. He stood beside the spark plug of Pete Staski, the job boss, and the curvaceous Nina Whitt, his head architect. Workers buzzed around, hauling in tools, shouting out to each other over the grinding music already playing, as Roarke had heard it grind on countless other construction sites on and off planet.

“She’s got good bones,” Pete said around a wad of blackberry gum. “And I ain’t going to argue about the work, but I gotta say, one last time, it’d be cheaper to tear her down, start from scratch.”

“Maybe so,” Roarke agreed, and the Irish wove through the words. “But she deserves better than the wrecking ball. So we’ll take her down to those bones, and give her what Nina here has designed.”

“You’re the boss.”

“I am indeed.”

“It’s going to be worth it,” Nina assured him. “I always think this is the most exciting part. The tearing down what’s outlived its time so you can begin to build up again.”

“And you never know what you’re going to find during demo. Pete hefted a sledgehammer. “Found a whole staircase once, boxed in with particle board. Stack of magazines left on the steps, too, back from 2015.”

With a shake of his head, he held the sledgehammer out to Roarke. “You should take the first couple whacks. It’s good luck when the owner does it.”

“Well now, I’m all about the luck.” Amused, Roarke took off his suit jacket, handed it to Nina. He glanced at the scarred, dingy wall, smiled at the poorly spelled graffiti scrawled over it.

Fuk the mutherfuking world!

“We’ll start right there, why don’t we?” He took the sledgehammer, tested its weight, swung it back and into the gyp board with enough muscle to have Pete grunt in approval.

The cheap material broke open, spewing out gray dust, vomiting out gray chunks.

“That wasn’t up to code,” Pete commented. “Lucky board that flimsy didn’t fall down on its own.” He shook his head in disgust. “You want, you can give it a couple more, and she’ll go.”

Roarke supposed it was a human thing to get such a foolish charge out of destruction. He plowed the hammer into the wall again, shooting out small sprays of gypsum, then a third time. As predicted, the bulk of the wall crumbled. Beyond it lay a narrow space with spindly studs—against code as well—and another wall.

“What’s this shit?” Pete shifted over, started to poke his head through.

“Wait.” Setting the hammer aside, Roarke took Pete’s arm, moved in himself.

Between the wall he’d opened and the one several feet behind it lay two bundles wrapped in thick plastic.

But he could see, clearly enough, what they were.

“Ah well, fuck the motherfucking world indeed.”

“Is that . . . Holy shit.”

“What is it?” Nina, still holding Roarke’s jacket, pushed against Pete’s other side, nosed in. “Oh! Oh my God! Those are—those are—”

“Bodies,” Roarke finished. “What’s left of them. You’ll have to hold the crew off, Pete. It appears I have to tag up my wife.”

Roarke took his jacket from Nina’s limp fingers, drew his ’link out of the pocket. “Eve,” he said when her face came on screen. “It seems I’m in need of a cop.”

•   •   •

L
ieutenant Eve Dallas stood in front of the soot-stained, graffiti-laced brick of the three-story building with its boarded windows and rusting security bars, and wondered what the hell Roarke was thinking.

Still, if he’d bought the dump, it must have some redeeming or financial value. Somewhere.

But at the moment that wasn’t the issue.

“Maybe it isn’t bodies.”

Eve glanced over at Detective Peabody, her partner, wrapped up like a freaking Eskimo—if Eskimos wore puffy purple coats—against the iced-tipped December wind.

At this rate, 2060 was going out on frostbitten feet.

“If he said there were bodies, there’re bodies.”

“Yeah, probably. Homicide: Our day starts when yours ends. Permanently.”

“You should sew that on a pillow.”

“I’m thinking a T-shirt.”

Eve walked up the two cracked concrete steps to the iron double doors. The job, she thought, meant there was never a lack of starts to the day.

She was tall and lanky in sturdy boots and a long leather coat. Her hair, short and choppy, echoed the whiskey shade of her eyes as it fluttered in the brisk wind. The door screeched like a grieving woman with laryngitis when she yanked it open.

Lean like her body, her face, with a shallow dent in the chin, briefly reflected her wonder when she took her first look at the dirt, the rubble, the sheer disaster of the main-floor interior.

Then it went cool, her eyes flat and all cop.

Behind her Peabody said, quietly, “Ick.”

Though she privately agreed, Eve said nothing and strode toward the huddle by a broken wall.

Roarke came toward her.

He should’ve looked out of place in this dung heap, she thought, dressed in his pricy emperor-of-the-business-world suit, that mane of black silk hair spilling nearly to his shoulders around a face that spoke of the generosity of the gods.

Yet he looked in touch, in place, in control—as he did mostly anywhere.

“Lieutenant.” Those wild blue eyes held on her face a moment. “Peabody. Sorry for any inconvenience.”

“You got bodies?”

“It appears we do.”

“Then it’s not an inconvenience, it’s the job. Over there, behind the wall?”

“They are, yes. Two from what I could tell. And no, I didn’t touch anything after smashing through the wall and finding them, nor allow anyone else to. I know the drill well enough by now.”

He did, she thought, just as she knew him. In charge, in control, but under it a sparking anger.

His property, he’d think, and it had been used for murder.

So she spoke in the same brisk tone. “We don’t know what we’ve got until we know.”

“You’ll know.” His hand brushed her arm, just the lightest touch. “You’ve only to see. Eve, I think—”

“Don’t tell me what you think yet. It’s better if I go in without any preformed ideas.”

“You’re right, of course.” He walked her over. “Lieutenant Dallas, Detective Peabody, Pete Staski. He runs the crew.”

“Meetcha,” said Pete, and tapped his finger to the bill of his grimy Mets ball cap. “You expect all kinds of crap in demo, but you don’t expect this.”

“You never know. Who’s the other suit?” Eve asked Roarke, glancing toward the woman sitting on some sort of big overturned bucket with her head in her hands.

“Nina Whitt, the architect. She’s a bit shaken still.”

“Okay. I need you to move back.”

After sealing her hands, her boots, Eve stepped to the hole. It was jagged, uneven, but a good two feet wide at its widest point, and ran nearly from floor to ceiling.

She saw, as Roarke had, the two forms, one stacked on the other. And saw he hadn’t been wrong.

She took her flashlight out of her field kit, switched it on, and stepped through.

“Watch your step, lady—Lieutenant, that is,” Pete corrected. “This wall here, the studs, they’re flimsy. I oughta get you a hard hat.”

“That’s okay.” She crouched, played her light over the bags.

Down to bones, she thought. No sign of clothing, no scraps of cloth she could see. But she could see where rats—she imagined—had gnawed through the plastic here and there to get to their meal.

“Do we know when the wall went up?”

“Not for certain, no,” Roarke told her. “I did some looking while we waited for you to see if there’s been a permit pulled for this sort of interior construction, and there’s nothing. I contacted the previous owner—their rep, I should say. According to her, this wall was here at the time they bought the property, some four years ago. I’m waiting to hear back from the owner prior to that.”

She could have told him to leave that to her, but why waste the time and the breath?

“Peabody, send for the sweepers, and put a request in for a forensic anthropologist. Tell the sweepers we need a cadaver scan, walls and floors.”

“On it.”

“You think there might be more,” Roarke said quietly.

“We have to check.”

She stepped out again, looked at him. “I’m going to have to shut you down, until further notice.”

“So I assumed.”

“Peabody will take your statements and your contact information, then you’ll be free to leave.”

“And you?” Roarke asked.

She shrugged out of her coat. “I’m going to get to work.”

Back between the walls, Eve carefully recorded the wrapped bodies from all angles.

“The skeletal remains of two victims, both individually wrapped in what appears to be heavy-grade plastic. We’ve got holes in the plastic. Looks like vermin chewed through. Increased the air—heat and cold to the bodies,” she said half to herself. “And that probably accelerated decomp. No data, at this time, on when this secondary wall was constructed. It’s impossible, from an on-site eval, to determine TOD.”

Leaving the plastic in place for now, she ran a scan to determine height. “Centimeters, crap.” She scowled at the readout. “Convert that to American—to feet.” Her frown stayed in place as she studied the new readouts.

“Victim Two—top—is judged to be approximately five feet in height. Victim One—bottom—four feet, eleven inches.”

“Children,” Roarke said from behind her. “They were children.”

He hadn’t stepped through the opening, but stood just in it.

“I’ll need the forensic expert to determine age.” Then she shook her head. He wasn’t just a witness, wasn’t even just her husband. He’d worked with her, side by side, on too many cases to count. “Yeah, probably. But I can’t confirm that. Go ahead and give Peabody your statement.”

“She’s taking Nina’s.” He glanced back to where the stalwart and sympathetic Peabody dealt with the shaken architect. “It’ll be a bit longer. I could help you.”

“Not a good idea, not just yet.” Carefully, she began to peel back the plastic on Victim Two. “I don’t see any holes in the skull—so no obvious evidence of head trauma. No visible damage to the neck, or nicks, breaks in the torso area.” She fit on microgoggles. “There’s a crack in the left arm, above the elbow. Maybe from an injury. This finger bone looks crooked, but what do I know. Looks crooked though. I can’t see any damage or injury to determine COD, at this time. Identification from skeletal remains must be attempted by ME and forensics. No clothing, no shoes, no jewelry or personal effects.”

Sitting back on her heels, she glanced up at Roarke again. “I only know the bare bones, but generally the jawline in a male is more square—and this looks more rounded to my eye. Plus the pelvis area is usually larger in males. It’s just a guess—and needs verification—but these look to be female remains to me.”

“Girls.”

“Just a guess, and I don’t even have that on TOD or COD. We may be able to estimate when this wall was built, because the probability’s high it was put up to conceal the bodies. Between that and the forensics, we’ll get approximate TOD.”

She pushed up. “I’ll need forensics to help determine IDs. Once we know who they are, we can start working on how they got here.”

BOOK: Concealed in Death
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