Constable Through the Meadow (7 page)

And those bands were of gold; furthermore, the expert who hailed from the Yorkshire Museum said that the sword was not from the Civil War period. It was very probably an Anglo-Saxon warrior’s sword dating from the seventh century, and he
believed
the gold bands had once bound a leather handle to the sword. But those tiny bands of gold made all the difference to Fred’s discovery – because of the gold content, I now had to consider the law on treasure trove and this meant that Fred could not keep the sword – unless the inquest decided it was
not
treasure trove.

I made a formal report on the matter, and included a detailed
statement from the museum’s expert together with the
circumstances
of its discovery in that field beside the stream. The coroner said he would hold an inquest at some future date – he always kept such matters on file until a number of cases had accumulated, and he would then hold several treasure trove inquests on the same day. Each lasted but a few minutes.

In this case, he decided the sword was not treasure trove – clearly, it had not been deliberately hidden and had, more than likely, been abandoned or even thrown away. And so Fred Pullen was allowed to keep it, but he donated it to the museum for display.

‘It’ll be safer yonder, Mr Rhea,’ he said with simple logic. If I keep it and then pass on to that big hayfield in the sky when my time’s up, it could get chucked away again. Folks round here don’t recognise history, tha knaws, ’specially them relations o’ mine. They see sike stuff as nowt but old bits o’ junk. In my mind, them bits an’ bobs are all a part of history and should be kept where folks’ll appreciate ’em and where they’ll never get lost again.’

I told him I couldn’t agree more, and from that time, he donated many more pieces to local museums.

If Fred’s discovery was rather unusual, so was that of Mrs Dolly-Ann Powell, a delightful lady of mature years who earned a living by lecturing upon and arranging beautiful displays of flowers in hotels, shops and other places.

Dolly-Ann was a tiny, slender and very pretty widow of about forty-five who lived in a picturesque thatched cottage at
Briggsby
. When dressed in her best clothes, she reminded me of one of her own flower arrangements, so delightfully neat and attractive was she. Our paths seldom crossed for she went about her business in a brisk and efficient manner and her work was something that rarely, if ever, warranted attention from a policeman. Every so often, however, I would spend time
patrolling
around her village and very occasionally I would find her in the garden, tending her beautiful collection of exquisite flowers. Many of these were used in her work and I do know that she sold lots to florists for wreaths and bouquets, or even to customers who came to the door. To say that her house and garden were a picture was a great understatement – they were a
sheer delight. On such occasions, we would chat amiably over the hedge, passing the time of day and issuing the customary British small-talk about the weather and gardening.

One of Dolly-Ann’s strengths was that she did most of her own renovations to the cottage; rather than employ builders or craftsmen, she would tackle most jobs and, surprisingly, achieved a great deal. It was while undertaking one of her improvements that she made a discovery which puzzled and then intrigued her.

It occurred when she decided to re-lay the sturdy path of sandstone paving-slabs which led to her honeysuckle-covered porch and front door.

Over the years, they had become rather uneven and maybe dangerous, and so she decided to level them all. To make a good job, she lifted every one, including that which formed the threshold. It was here that she made her discovery. Underneath the threshold she found an old glass bottle dirty with age. Some six inches tall with a wide neck, its top contained a large cork which was thoroughly sealed and had remained intact in spite of many years in the ground. She had wiped off much of the grime to find the bottle contained some very strange objects and ingredients, so strange in fact that she was baffled by them.

By chance I arrived just after she had cleaned the bottle, when she was endeavouring to determine the contents, so she invited me in for a look at it. She put the kettle on and sat me in her pretty kitchen among countless vases and arrangements of flowers.

‘So here it is.’ She plonked it on the table before me. It was a clear bottle, although the glass had a faint greenish tinge to it, and I could see a dried-up, dark and almost glutinous substance covering the bottom. This had congealed many years ago, judging by its appearance, but there were other small metal objects stuck into it, rather like pins or nails, some rusted and others still clean; I could see what appeared to be human hairs and nail clippings too.

And then I knew what it was.

At that point, she arrived with a mug of hot tea and settled down at my side.

‘Well, Mr Rhea, have I discovered hidden treasure?’

‘Not really,’ I smiled, thanking her for the drink.

‘Oh.’ Her face showed just a hint of disappointment.

‘You’ve no idea what it is?’ I asked.

‘Not a clue,’ she was honest.

‘Well, suppose I asked you if your house is troubled by witches?’ I smiled at her. ‘What would you say?’

‘Witches? No, of course not!’ she laughed. ‘Why, was this a witch’s cottage?’

‘On the contrary, witches were not welcome here!’ I told her. ‘This little device was to stop them, to ward off witches and to prevent them from bewitching the house or its occupants. It’s obviously done a good job!’

‘Really?’ She opened her eyes wide with surprise and smiled at my attempt at joking. ‘I had no idea!’

I explained my own interest in the folklore of the North York Moors and how, even until little more than a century or so ago, the country folk believed in witches and the power of the evil eye. Even today, some cottages contain witch posts whose original purpose was to protect the occupants from the
attentions
of witches, and there are other devices which served this purpose: for example, iron nails in beams or bedsteads, circular stones with holes in the centre, horseshoes on the walls of houses and outbuildings and even rowan trees planted close to the dwelling. All were used to deter witches.

She listened as I explained, and when I had finished, asked, ‘So what is this bottle?’

‘It’s a witch bottle,’ I told her. ‘It was customary to bury them beneath the threshold, or sometimes under the hearth.’

‘Really?’ She picked it up and tried to identify the contents. ‘What’s inside?’

‘Do you really want to know?’ The ingredients were rather revolting and I wondered if she was squeamish.

‘Something odd, is there?’ she asked, suspicious of what was coming next.

‘Ordinary things, really,’ I smiled. ‘But gruesome at the same time.’

She plonked the bottle on the table and stared at it, her pretty face screwed up in concentration.

‘Go on, Mr Rhea,’ she said at length. ‘Make me squirm!’

‘I’m not sure precisely what’s in this particular bottle,’ I said. ‘But the sort of ingredients they put in would include samples of human hair, nail cuttings and metal objects like pins or nails. They’d put urine in too, and human blood …’

‘Urggh …’ she shuddered.

‘And!’ I was in full flow now. ‘Some of them contained the liver of a live frog stuck full of pins, or the heart of a toad which had been pierced with the spikes from the Holy Thorn of Glastonbury.’

She stared at the bottle on her table.

‘How revolting!’ she shuddered again. ‘Why did they make such horrible things?’

‘They really worried about the effect of witches on their children and cattle,’ I explained. ‘If things went wrong, things that couldn’t be easily explained, they would blame the local witch. She was usually some poor old woman who dabbled in herbs or reckoned to foretell the future. And to stop any evil that she might perpetrate, they made these bottles as
safeguards
.’

‘So the contents acted as a charm?’

‘Yes, they were put under the door to prevent entry by evil spirits or witches. The presence of iron has long been a means of keeping witches at bay, hence the horseshoes, nails, pins and so on. The hair and human nail-parings come from the most indestructible part of the human body, and they believed that if included in a bottle, their presence would stop the witch injuring the family. I’m not sure what the blood was for. The addition of the urine was a terrible thing – they believed this caused the witch’s death because she would be unable to pass water!’

I went on to say these charms were used beyond our shores too, examples having been found in Sicily and Germany, and that in some cases three earthenware jars were used with similar contents, in this case each being buried beside a churchyard footpath seven inches below the surface and seven inches from a church porch.

When I had concluded my lecture on local witchlore, she smiled. ‘So what am I going to do with this bottle? Is it
something
you should know about, officially, I mean.’

‘No, but thanks for showing it me. You could replace it!’ I suggested. ‘Or keep it as an ornament …’

‘No thanks! I wouldn’t want that collection of stuff on my shelves!’

I mentioned the local Ryedale Folk Museum and felt it would be a suitable place to keep this bottle and its odd contents. She agreed.

‘Mind you,’ she smiled with a twinkle in her eye. ‘I suppose that if I remove it from the house, I’ll then be open to the machinations of the local witches? They might ruin my flowers, cause them to wilt or die, or even create havoc in the house itself.’

‘That’s the risk you take,’ I confirmed with a chuckle. ‘It seems this cottage has been free from strife over the years!’

‘It’s always been a happy house,’ she said. ‘Always.’

Draining my mug of tea, I left her to make her decision and never asked what she had decided. I felt I should not mention the bottle again, and although I did see her from time to time, she refrained from bringing up the subject. But I have never seen that bottle in the folk museum, and so far as I know Dolly-Ann’s cottage and business have remained free from trouble. And her front path is now neat and level, with the threshold firmly in place.

Among the other discoveries was a magnificently ornate silver spoon which a householder discovered buried in the thatch of his cottage; this was identified as a
seventeenth-century
dessert spoon worth around £2,500, and the coroner decided that it
was
treasure trove. He said due to the peculiar place in which it was found, it must have been deliberately hidden for reasons which we shall never know. So much treasure seemed to be discovered in the thatched cottages around my beat that I was almost tempted to buy one!

But perhaps the most satisfying discovery was the one that occurred at West Gill Farm, Aidensfield, the centuries-old home of Reg Lumley and his family. Only months earlier, I had seen Reg devastated by a terrible outbreak of Foot and Mouth Disease. It had resulted in the slaughter of his entire herd of pedigree Friesians, a herd which had taken him twenty years to establish but which had been wiped out in hours by that most
dreaded of cattle diseases. The story is told in
Constable
along
the
Lane.

I knew that Reg, his wife and son Ted, were struggling to re-build their lives but no new cattle had yet appeared on the farm. I did not like to pry into their affairs nor discuss matters like insurance or compensation, nor did I wish to cause anguish by reminding them of the outbreak, so it was a pleasant surprise when I received a call from Reg. On the phone, he sounded in unusually high spirits.

‘Can thoo come, Mr Rhea? Ah’ve summat to show you.’

‘Sure Reg, when’s a suitable time?’

‘Any time, we’re about t’spot all day.’

‘How about just after two o’clock?’

‘Champion,’ he said and rang off.

When I arrived just after lunch, I found the family in the kitchen. They were sitting around their massive scrubbed pine table with huge mugs of tea, and in the centre was a tray full of muddy coins and bits of broken pottery.

Reg, beaming with happiness, shoved a mug into my hand and pulled out a chair. I settled on it, staring at the treasure before me.

‘That’s it, Mr Rhea. How about that?’

‘Reg!’ I said. ‘Is this yours?’

‘That’s for you to say, Mr Rhea. Our Ted dug it up wiv ’is plough this morning, down in oor fifteen-acre.’

‘Did he now!’ I couldn’t resist running my fingers through the pile of ancient money. The coins, most of which appeared to be of silver and from the sixteenth and seventeenth centuries, tinkled and rattled back on to the tray, and there seemed to be thousands of them. Upon some of them, I recognised names like Carolus I, Jacobus, Elizabeth, Edward VI and Carolus II. So they were from the reigns of Charles I and II, James I, Elizabeth I and Edward VI. I believe at least one was from the reign of Henry VIII.

‘Wonderful!’ I beamed. ‘Absolutely wonderful.’

‘Are they worth owt, Mr Rhea?’

‘They must be,’ I said, ‘but I’m no expert.’

‘Can I sell ’em? We could do wiv a bit o’ cash.’

‘I’m afraid not, Reg. But you could still get money from the
find, although it’ll take time,’ and I told them about the
procedure
relating to treasure trove. Ted showed me where he had ploughed them up and I noted the place, then took a formal statement from him.

Next, we counted the coins. It took a long time because there were almost 2,000, and I had the unpleasant task of taking them away from the Lumleys in a large sack. I gave a receipt for 1,985 coins. I explained they would have to be examined by experts to determine whether or not they were silver or even gold. The Lumleys probably thought it was the last they’d see of them, knowing they were now subjected to red tape and officialdom.

As expected, the coroner declared them treasure trove which meant they were handed to the British Museum, and they would make their customary valuation based upon the prevailing marked prices. It was some months later when I got a telephone call from Reg.