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Authors: Don DeLillo

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BOOK: Cosmopolis
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But what happens to all the stretch limousines that prowl the throbbing city all day long? Where do they spend the night?"

The car ran into stalled traffic before it reached Second Avenue. He sat in the club chair at the rear of the cabin looking into the array of visual display units. There were medleys of data on every screen, all the flowing symbols and alpine charts, the polychrome numbers pulsing. He absorbed this material in a couple of long still seconds, ignoring the speech sounds that issued from lacquered heads. There was a microwave and a heart monitor. He looked at the spycam on a swivel and it looked back at him.

He used to sit here in hand-held space but that was finished now The context was nearly touchless. He could talk most systems into operation or wave a hand at a screen and make it go blank.

A cab squeezed in alongside, the driver pressing his horn. This set off a hundred other horns.

Shiner stirred in the jump seat near the liquor cabinet, facing rearward. He was drinking fresh orange juice through a plastic straw that extended from the glass at an obtuse angle. He seemed to be whistling something into the shaft of the straw between intakes of liquid.

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Eric said, "What?"

Shiner raised his head.

"Do you get the feeling sometimes that you don't know what's going on?" he said.

"Do I want to ask what you mean by that?"

Shiner spoke into his straw as if it were an onboard implement of transmission.

"All this optimism, all this booming and soaring. Things happen like bang. This and that simultaneous. I put out my hand and what do I feel? I know there's a thousand things you analyze every ten minutes. Patterns, ratios, indexes, whole maps of information. I love information. This is our sweetness and light. It's a fuckall wonder. And we have meaning in the world. People eat and sleep in the shadow of what we do. But at the same time, what?"

There was a long pause. He looked at Shiner finally. What did he say to the man? He did not direct a remark that was hard and sharp. He said nothing at all in fact.

They sat in the swell of blowing horns. There was something about the noise that he did not choose to wish away. It was the tone of some fundamental ache, a lament so old it sounded aboriginal. He thought of men in shaggy bands bellowing ceremonially, social units established to kill and eat. Red meat. That was the call, the grievous need. The cooler carried beverages today. There was nothing solid for the microwave.

Shiner said, "Any special reason we're in the car instead of the office?"

"How do you know we're in the car instead of the office?"

"If I answer that question."

"Based on what premise?"

"I know I'll say something that's halfway clever but mostly shallow and probably inaccurate on some level. Then you'll pity me for having been born."

"We're in the car because I need a haircut."

"Have the barber go to the office. Get your haircut there. Or have the barber come to the car. Get your haircut and go to the office."

"A haircut has what. Associations. Calendar on the wall. Mirrors everywhere. There's no barber chair here. Nothing swivels but the spycam."

He shifted position in his chair and watched the surveillance camera adjust. His image used to be accessible nearly all the time, videostreamed worldwide from the car, the plane, the office and selected sites in his apartment. But there were security issues to address and now the camera operated on a closed circuit. A nurse and two armed guards were on constant watch at three monitors in a windowless room at the office. The word office was outdated now. It had zero saturation.

He glanced out the one-way window to his left. It took him a moment to understand that he knew the woman in the rear seat of the taxi that lay adjacent. She was his wife of twenty-two days, Elise Shifrin, a poet who had right of blood to the fabulous Shifrin banking fortune of Europe and the world.

He coded a word to Torval up front. Then he stepped into the street and tapped on the taxi window.

She smiled up at him, surprised. She was in her mid-twenties, with an etched delicacy of feature and large and artless eyes. Her beauty had an element of remoteness. This was intriguing but maybe not.

Her head rode slightly forward on a slender length of neck. She had an unexpected laugh, a little weary 5/91

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and experienced, and he liked the way she put a finger to her lips when she wanted to be thoughtful.

Her poetry was shit.

She slid over and he got in next to her. The horns subsided and resumed in ritualistic cycles. Then the taxi shot diagonally across the intersection to a point just west of Second Avenue, where it reached another impasse, with Torval jogging hot behind.

"Where's your car?"

"We can't seem to find it," she said. "I'd offer you a ride."

"I couldn't. Absolutely. I know you work en route. And I like taxis. I was never good at geography and I learn things by asking the drivers where they come from."

"They come from horror and despair."

"Yes, exactly. One learns about the countries where unrest is occurring by riding the taxis here."

"I haven't seen you in a while. I looked for you this morning.

He took off his sunglasses, for effect. She gazed into his face. She looked steadily, with fixed attention. "Your eyes are blue," she said.

He lifted her hand and held it to his face, smelling and licking. The Sikh at the wheel was missing a finger. Eric regarded the stub, impressive, a serious thing, a body ruin that carried history and pain.

"Eat breakfast yet?"

"No," she said.

"Good. I'm hungry for something thick and chewy."

"You never told me you were blue-eyed."

He heard the static in her laugh. He bit her thumb knuckle and opened the door and they stepped across the sidewalk to the coffee shop near the corner.

He sat with his back to the wall, watching Torval position himself near the front door, where he had a broad view of the room. The place was crowded. He heard stray words in French and Somali seeping through the ambient noise. That was the disposition of this end of 47th Street. Dark women in ivory robes walking in the river wind toward the UN secretariat. Apartment towers called Mole and Octavia. There were Irish nannies pushing strollers in the parks. And Elise of course, Swiss or something, sitting across the table.

"What are we going to talk about?" she said.

He sat before a plate of pancakes and sausages, waiting for the square of butter to melt and run so he could use his fork to swirl it into the torpid syrup and then watch the marks made by the tines slowly fold into the soak. He realized her question was serious.

"We want a heliport on the roof. I've acquired airrights but still need to get a zoning variance. Don't you want to eat?"

It seemed, the food, to make her draw back. Green tea and toast untouched before her.

"And a shooting range next to the elevator bank. Let's talk about us."

"You and I. We're here. So might as well."

"When are we going to have sex again?"

"We will. I promise," she said.

"We haven't in a while now."

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"When I work, you see. The energy is precious."

"When you write."

"Yes."

"Where do you do this? I look for you, Elise."

He watched Torval move his lips thirty feet away. He was speaking into a mouthpiece concealed in his lapel. He wore an ear bud. The handset of his cell phone was belted under his jacket not far from his voice-activated firearm, Czech-made, another emblem of the international tenor of the district.

"I curl up somewhere. I've always done this. My mother used to send people to find me," she said.

"Maids and gardeners combing the house and grounds. She thought I was dissolvable in water."

"I like your mother. You have your mother's breasts."

"Her breasts."

"Great stand-up tits," he said.

He ate quickly, inhaling his food. Then he ate her food. He thought he could feel the glucose entering his cells, fueling the body's other appetites. He nodded to the owner of the place, a Greek from Samos, who waved from the counter. He liked to come here because Torval did not want him to.

"Tell me this. Where will you go now?" she said. "To a meeting somewhere? To your office?

Where is your office? What do you do exactly?"

She peered at him over bridged hands, her smile in hiding.

"You know things. I think this is what you do," she said. "I think you're dedicated to knowing. I think you acquire information and turn it into something stupendous and awful. You're a dangerous person. Do you agree? A visionary."

He watched Torval bend a hand to the side of his head, listening to the person who was speaking into his ear bud. He knew these devices were already vestigial. They were degenerate structures.

Maybe not the handgun just yet. But the word itself was lost in blowing mist.

He stood by the car, parked illegally, and listened to Torval.

"Report from the complex. There's a credible threat. Not to be dismissed. This means a ride crosstown."

"We've had numerous threats. All credible. I'm still standing here."

"Not a threat to your safety. To his."

"Who the fuck is his?"

"The president's. This means a ride crosstown does not happen unless we make a day of it, with cookies and milk."

He found that Torval's burly presence was a provocation. He was knotted and sloped. He had the body of a heavy lifter, appearing to stand and squat simultaneously. His bearing was one of blunt persuasion, with the earnest alertness that thickset men bring to a task. These were hostile incitements.

They engaged Eric's sense of his own physical authority, his standards of force and brawn.

"Do people still shoot at presidents? I thought there were more stimulating targets," he said.

He looked for steady temperament in his security staff. Torval did not match the pattern. Times he was ironic and other times faintly disdainful of standard procedures. Then there was his head. There was something in the jut of his shaved head and the aberrant set of his eyes that carried an inference of 7/91

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abiding anger. His job was to be selective in his terms of confrontation, not hate a faceless world.

He'd noticed that Torval had stopped calling him Mr. Packer. He called him nothing now. This omission left a space in nature large enough for a man to walk through.

He realized Elise was gone. He'd forgotten to ask where she was headed.

"In the next block there are two haircutting salons. One, two," Torval said. "No need to go crosstown. The situation isn't stable."

People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being.

They were here to make the point that you did not have to look at them.

Michael Chin was in the jump seat now, his currency analyst, calmly modeling a certain sizable disquiet. "I know that smile, Michael."

"I think the yen. I mean there's reason to believe we may be leveraging too rashly"

"It's going to turn our way."

"Yes. I know. It always has."

"The rashness you think you see."

"What is happening doesn't chart."

"It charts. You have to search a little harder. Don't trust standard models. Think outside the limits.

The yen is making a statement. Read it. Then leap."

"We are betting big-time here.

"I know that smile. I want to respect it. But the yen can't go any higher."

"We are borrowing enormous, enormous sums."

"Any assault on the borders of perception is going to seem rash at first."

"Eric, come on. We are speculating into the void."

"Your mother blamed the smile on your father. He blamed her. There's something deathly about it."

"I think we ought to adjust."

"She thought she'd have to enroll you in special counseling."

Chin had advanced degrees in mathematics and economics and was only a kid, still, with a gutterpunk stripe in his hair, a moody beet-root red.

The two men talked and made decisions. These were Eric's decisions, which Chin entered resentfully in his hand organizer and then synched with the system. The car was moving. Eric watched himself on the oval screen below the spycam, running his thumb along his chinline. The car stopped and moved and he realized queerly that he'd just placed his thumb on his chinline, a second or two after he'd seen it on-screen.

"Where is Shiner?"

"On his way to the airport."

"Why do we still have airports? Why are they called airports?"

"I know I can't answer these questions without losing your respect," Chin said.

"Shiner told me our network is secure."

"Then it is."

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"Safe from penetration."

"He's the best there is at finding holes."

"Then why am I seeing things that haven't happened yet?

The floor of the limousine was Carrara marble, from the quarries where Michelangelo stood half a millennium ago, touching the tip of his finger to the starry white stone.

He looked at Chin, adrift in his jump seat, lost in rambling thought.

"How old are you?"

"Twenty-two. What? Twenty-two."

"You look younger. I was always younger than anyone around me. One day it began to change."

"I don't feel younger. I feel located totally nowhere. I think I'm ready to quit, basically, the business."

"Put a stick of gum in your mouth and try not to chew it. For someone your age, with your gifts, there's only one thing in the world worth pursuing professionally and intellectually. What is it, Michael? The interaction between technology and capital. The inseparability."

"High school was the last true challenge," Chin said.

BOOK: Cosmopolis
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