Dance of the Happy Shades

BOOK: Dance of the Happy Shades
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Alice Munro

Alice Munro grew up in Wingham, Ontario, and attended the University of Western Ontario. She has published twelve collections of stories and two volumes of selected stories, as well as a novel. During her distinguished career she has been the recipient of many awards and prizes, including three of Canada’s Governor General’s Literary Awards and two of its Giller Prizes, the Rea Award for the Short Story, the Lannan Literary Award, England’s W. H. Smith Book Award, the United States’ National Book Critics Circle Award, the Edward MacDowell Medal in literature, and the Man Booker International Prize. Her stories have appeared in
The New Yorker, The Atlantic Monthly, The Paris Review
, and other publications, and her collections have been translated into thirteen languages. Alice Munro lives in Clinton, Ontario, near Lake Huron.

ALSO BY ALICE MUNRO

The View from Castle Rock
Carried Away
Runaway
Hateship, Friendship, Courtship, Loveship, Marriage
The Love of a Good Woman
Selected Stories
Open Secrets
Friend of My Youth
The Progress of Love
The Moons of Jupiter
The Beggar Maid
Something I’ve Been Meaning to Tell You
Lives of Girls and Women
Dance of the Happy Shades

F
IRST
V
INTAGE
I
NTERNATIONAL
E
DITION
, A
UGUST
1998

Copyright © 1968, copyright renewed 1996 by Alice Munro

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published in Canada by The Ryerson Press in 1968, and in the United States by McGraw-Hill Book Company, New York, in 1973.

Vintage is a registered trademark and Vintage International and colophon are trademarks of Random House, Inc.

A number of the stories (some in slightly different form) were originally published in magazines: “The Peace of Utrecht” and “Thanks for the Ride” in
Tamarack Review;
“Dance of the Happy Shades,” “Boys and Girls,” “An Ounce of Cure,” and “The Office” in
The Montrealer;
“The Time of Death” and “Sunday Afternoon” in
The Canadian Forum
. “Day of the Butterfly” appeared as “Goodbye Myra” in
Chatelaine
. “The Shining Houses” and “A Trip to the Coast” first were read on the CBC program
Anthology
.

The Library of Congress Cataloging-in-Publication Data
Munro, Alice.
Dance of the happy shades / Alice Munro.
p. cm.

Contents: Walker Brothers cowboy—The shining houses—Images—Thanks for the ride—The office—An ounce of cure—The time of death—Day of the butterfly—Boys and girls—Postcard—Red dress: 1946—Sunday afternoon—A trip to the coast—The peace of Utrecht—Dance of the happy shades.

eISBN: 978-0-307-81454-8
Canada—Social life and customs—Fiction. I. Title.
PR9199.3.M8D3   1998
813′.54—dc21 98-5267

Author photograph © Jerry Bauer

www.vintagebooks.com

v3.1

For Robert E. Laidlaw

Contents
WALKER BROTHERS COWBOY

After supper my father says, “Want to go down and see if the Lake’s still there?” We leave my mother sewing under the dining-room light, making clothes for me against the opening of school. She has ripped up for this purpose an old suit and an old plaid wool dress of hers, and she has to cut and match very cleverly and also make me stand and turn for endless fittings, sweaty, itching from the hot wool, ungrateful. We leave my brother in bed in the little screened porch at the end of the front verandah, and sometimes he kneels on his bed and presses his face against the screen and calls mournfully, “Bring me an ice cream cone!” but I call back, “You will be asleep,” and do not even turn my head.

Then my father and I walk gradually down a long, shabby sort of street, with Silverwoods Ice Cream signs standing on the sidewalk, outside tiny, lighted stores. This is in Tuppertown, an old town on Lake Huron, an old grain port. The street is shaded, in some places, by maple trees whose roots have cracked and heaved the sidewalk and spread out like crocodiles into the bare yards. People are sitting out, men in shirt-sleeves and undershirts and women in aprons—not people we know but if anybody looks ready to nod and say, “Warm night,” my father will nod too and say something the same. Children are still playing. I don’t know them either because
my mother keeps my brother and me in our own yard, saying he is too young to leave it and I have to mind him. I am not so sad to watch their evening games because the games themselves are ragged, dissolving. Children, of their own will, draw apart, separate into islands of two or one under the heavy trees, occupying themselves in such solitary ways as I do all day, planting pebbles in the dirt or writing in it with a stick.

Presently we leave these yards and houses behind, we pass a factory with boarded-up windows, a lumberyard whose high wooden gates are locked for the night. Then the town falls away in a defeated jumble of sheds and small junkyards, the sidewalk gives up and we are walking on a sandy path with burdocks, plantains, humble nameless weeds all around. We enter a vacant lot, a kind of park really, for it is kept clear of junk and there is one bench with a slat missing on the back, a place to sit and look at the water. Which is generally grey in the evening, under a lightly overcast sky, no sunsets, the horizon dim. A very quiet, washing noise on the stones of the beach. Further along, towards the main part of town, there is a stretch of sand, a water slide, floats bobbing around the safe swimming area, a life guard’s rickety throne. Also a long dark green building, like a roofed verandah, called the Pavilion, full of farmers and their wives, in stiff good clothes, on Sundays. That is the part of the town we used to know when we lived at Dungannon and came here three or four times a summer, to the Lake. That, and the docks where we would go and look at the grain boats, ancient, rusty, wallowing, making us wonder how they got past the breakwater let alone to Fort William.

Tramps hang around the docks and occasionally on these evenings wander up the dwindling beach and climb the shifting, precarious path boys have made, hanging onto dry bushes, and say something to my father which, being frightened of tramps, I am too alarmed to catch. My father says he is a bit hard up himself. “I’ll roll you a cigarette if it’s any use to you,”
he says, and he shakes tobacco out carefully on one of the thin butterfly papers, flicks it with his tongue, seals it and hands it to the tramp who takes it and walks away. My father also rolls and lights and smokes one cigarette of his own.

He tells me how the Great Lakes came to be. All where Lake Huron is now, he says, used to be flat land, a wide flat plain. Then came the ice, creeping down from the north, pushing deep into the low places. Like
that
—and he shows me his hand with his spread fingers pressing the rock-hard ground where we are sitting. His fingers make hardly any impression at all and he says, “Well, the old ice cap had a lot more power behind it than this hand has.” And then the ice went back, shrank back towards the North Pole where it came from, and left its fingers of ice in the deep places it had gouged, and ice turned to lakes and there they were today. They were
new
, as time went. I try to see that plain before me, dinosaurs walking on it, but I am not able even to imagine the shore of the Lake when the Indians were there, before Tuppertown. The tiny share we have of time appalls me, though my father seems to regard it with tranquillity. Even my father, who sometimes seems to me to have been at home in the world as long as it has lasted, has really lived on this earth only a little longer than I have, in terms of all the time there has been to live in. He has not known a time, any more than I, when automobiles and electric lights did not at least exist. He was not alive when this century started. I will be barely alive—old, old—when it ends. I do not like to think of it. I wish the Lake to be always just a lake, with the safe-swimming floats marking it, and the breakwater and the lights of Tuppertown.

My father has a job, selling for Walker Brothers. This is a firm that sells almost entirely in the country, the back country. Sunshine, Boylesbridge, Turnaround—that is all his territory. Not Dungannon where we used to live, Dungannon is too near town and my mother is grateful for that. He sells cough
medicine, iron tonic, corn plasters, laxatives, pills for female disorders, mouth wash, shampoo, liniment, salves, lemon and orange and raspberry concentrate for making refreshing drinks, vanilla, food colouring, black and green tea, ginger, cloves and other spices, rat poison. He has a song about it, with these two lines:

And have all linaments and oils,

For everything from corns to boils.…

Not a very funny song, in my mother’s opinion. A pedlar’s song, and that is what he is, a pedlar knocking at backwoods kitchens. Up until last winter we had our own business, a fox farm. My father raised silver foxes and sold their pelts to the people who make them into capes and coats and muffs. Prices fell, my father hung on hoping they would get better next year, and they fell again, and he hung on one more year and one more and finally it was not possible to hang on any more, we owed everything to the feed company. I have heard my mother explain this, several times, to Mrs. Oliphant who is the only neighbour she talks to. (Mrs. Oliphant also has come down in the world, being a schoolteacher who married the janitor.) We poured all we had into it, my mother says, and we came out with nothing. Many people could say the same thing, these days, but my mother has no time for the national calamity, only ours. Fate has flung us onto a street of poor people (it does not matter that we were poor before, that was a different sort of poverty), and the only way to take this, as she sees it, is with dignity, with bitterness, with no reconciliation. No bathroom with a claw-footed tub and a flush toilet is going to comfort her, nor water on tap and sidewalks past the house and milk in bottles, not even the two movie theatres and the Venus Restaurant and Woolworths so marvellous it has live birds singing in its fan-cooled corners and fish as tiny as fingernails, as bright as moons, swimming in its green tanks. My mother does not care.

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