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Authors: Margaret Atwood

Tags: #Anthologies, #Adult, #Feminism, #Contemporary

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BOOK: Dancing Girls
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Finally she had to stop looking at the pictures. It bothered her too much, it was bad for her; she was beginning to have nightmares in which he was coming through the French doors of her mother’s house in his shabby jacket, carrying a packsack and a rifle and a huge bouquet of richly coloured flowers. He was smiling in the same way but with blood streaked over his face, partly blotting out the features. She gave her television set away and took to reading nineteenth-century novels instead; Trollope and Galsworthy were her favourites. When, despite herself, she would think about him, she would tell herself that he had been crafty and agile-minded enough to survive, more or less, in her country, so surely he would be able to do it in his own, where he knew the language. She could not see him in the army, on either side; he wasn’t the type, and to her knowledge he had not believed in any particular ideology. He would be something nondescript, something in the background, like herself. Perhaps he had become an interpreter.

Polarities

Gentle and just pleasure

It is, being human, to have won from space

This unchill, habitable interior .…

– Margaret Avison, “New Year’s Poem”

H
e hadn’t seen her around for a week, which was unusual: he asked her if she’d been sick.

“No,” she said, “working.” She always spoke of what she had been doing with organizational, almost military briskness. She had a little packsack in which she carried around her books and notebooks. To Morrison, whose mind shambled from one thing to another, picking up, fingering, setting down, she was a small model of the kind of efficiency he ought to be displaying more of. Perhaps that was why he had never wanted to touch her: he liked women who were not necessarily more stupid but lazier than himself. Sloth aroused him: a girl’s unwashed dishes were an invitation to laxity and indulgence.

She marched beside him along the corridor and down the stairs, her short clipped steps syncopating with his own lank strides. As they descended, the smell of straw, droppings and formaldehyde grew stronger: a colony of overflow experimental mice from the science building lived in the cellar. When he saw that she was leaving the building too and probably going home, he offered her a lift.

“Only if you’re heading that way anyway.” Louise didn’t accept favours, she had made that clear from the start. When he’d asked her if she wanted to take in a film with him she said, “Only if you let me pay for my own ticket.” If she had been taller he might have found this threatening.

It was colder, the weak red sun almost down, the snow purpling and creaky. She jumped up and down beside the car till he got the plug-in engine heater untangled and the door opened, her head coming out of the enormous second-hand fur coat she wore like a gopher’s out of its burrow. He had seen a lot of gophers on the drive across, many of them dead; one he had killed himself, an accident, it had dived practically under the car wheels. The car itself hadn’t held up either: by the time he’d made it to the outskirts – though later he realized that this was in fact the city – a fender had come off and the ignition was failing. He’d had to junk it, and had decided stoically to do without a car until he found he couldn’t.

He swung the car onto the driveway that led from the university. It bumped as though crossing a metal-plated bridge: the tires were angular from the cold, the motor sluggish. He should take the car for long drives more often; it was getting stale. Louise was talking more than she normally did; she was excited about something. Two of her students had been giving her a hassle, but she told them they didn’t have to come to class. “It’s your heads, not mine.” She knew she had won, they would shape up, they would contribute. Morrison
was not up on the theories of group dynamics. He liked the old way: you taught the subject and forgot about them as people. It disconcerted him when they slouched into his office and mumbled at him, fidgeting and self-conscious, about their fathers or their love lives. He didn’t tell them about his father or his love life and he wished they would observe the same reticence, though they seemed to think they had to do it in order to get extensions on their term papers. At the beginning of the year one of his students had wanted the class to sit in a circle but luckily the rest of them preferred straight lines.

“It’s right here,” she said; he had been driving past it. He crunched the car to a halt, fender against the rockbank, snowbank. Here they did not take the snow away; they spread sand on it, layer by layer as it fell, confident there would be no thaw.

“It’s finished; you can come in and see it,” she said, suggesting but really demanding.

“What’s finished?” he asked. He hadn’t been paying attention.

“I told you. My place, my apartment, that’s what I’ve been working on.”

The house was one of the featureless two-storey boxes thrown up by the streetful in the years after the war when there was a housing boom and materials were scarce. It was stuccoed with a greyish gravel Morrison found spiritually depleting. There were a few older houses, but they were quickly being torn down by developers; soon the city would have no visible past at all. Everything else was highrises, or worse, low barrack-shaped multiple housing units, cheaply tacked together. Sometimes the rows of flimsy buildings – snow on their roofs, rootless white faces peering suspiciously out through their windows, kids’ toys scattered like trash on the walks – reminded him of old photographs he had seen of mining camps. They were the houses of people who did not expect to be living in them for long.

Her apartment was in the basement. As they went around to the back and down the stairs, avoiding on the landing a newspaper spread with the overshoes and boots of the family living upstairs, Morrison remembered vividly and with a recurrence of panic his own search for a place, a roof, a container, his trudges from address to address, his tours of clammy, bin-like cellars hastily done up by the owners in vinyl tile and sheets of cheap panelling to take advantage of the student inflow and the housing squeeze. He’d known he would never survive a winter buried like that or closed in one of the glass-sided cardboard-carton apartment buildings. Were there no real ones, mellowed, interesting, possible? Finally he had come upon an available second-storey; the house was pink gravel instead of grey, the filth was daunting and the landlady querulous, but he had taken it immediately just to be able to open a window and look out.

He had not known what to expect of Louise’s room. He had never visualized her as living anywhere, even though he had collected her and dropped her off outside the house a number of times.

“I finished the bookshelves yesterday,” she said, waving at a wall-length structure of varnished boards and cement blocks. “Sit down, I’ll make you some cocoa.” She went into the kitchen, still with her fur coat on, and Morrison sat down in the leatherette swivel armchair. He swivelled, surveying, comparing it with the kind of interior he thought of himself as inhabiting but never got around to assembling.

She had obviously put a lot of energy into it, but the result was less like a room than like several rooms, pieces of which had been cut out and pasted onto one another. He could not decide what created this effect: it was the same unity in diversity he had found in the motels on the way across, the modernish furniture, the conventional framed northern landscapes on the walls. But her table was ersatz Victorian and the prints Picasso. The bed was concealed behind a partly drawn dyed burlap curtain at the end of the room,
but visible on the bedside rug were two light blue fuzzy slippers that startled, almost shocked him: they were so unlike her.

Louise brought the cocoa and sat down opposite him on the floor. They talked as usual about the city: they were both still looking for things to do, a quest based on their shared Eastern assumption that cities ought to be entertaining. It was this rather than mutual attraction which led them to spend as much time together as they did; most of the others were married or had been here too long and had given up.

The films changed slowly; the one theatre, with its outdated popular comedies, they had sneered at. They had gone to the opera together when it had come, though: local chorus and imported stars –
Lucia
, it had been, and really quite well done, considering. At intermission Morrison had glanced around at the silent, chunky audience in the lobby, some of the women still in early-sixties pointed-toe spike heels, and murmured to Louise that it was like tourist brochures from Russia.

One Sunday before the snow came they had gone for an impromptu drive; at her suggestion they had aimed for the zoo twenty miles from the city. After they made it through the oil derricks there had been trees; not the right kind of trees – he had felt, as he had on the way across, that the land was keeping itself apart from him, not letting him in, there had to be more to it than this repetitive, non-committal drabness – but still trees; and the zoo once they reached it was spacious, the animals kept in enclosures large enough for them to run in and even hide in if they wanted to.

Louise had been there before – how, since she had no car, he didn’t ask – and showed him around. “They choose animals that can survive the winter,” she said. “It’s open all year. They don’t even know they’re in a zoo.” She pointed out the artificial mountain made of cement blocks for the mountain goats to climb on. Morrison didn’t as a rule like any animal bigger and wilder than a cat, but these kept
far enough away to be tolerable. That day she had told him a little about herself, a departure: mostly she talked about her work. She had travelled in Europe, she told him, and had spent a year studying in England.

“What are you doing here?” he had asked.

She shrugged. “They gave me money; nobody else would.”

Essentially it was his reason too. It wasn’t the draft; he was really over-age, though here they kept wanting to think he was a dodger, it made his presence more acceptable to them. The job market had been tight back in the States and also, when he tried later, in what they called here the East. But in all fairness it hadn’t been only the money or the dismalness of the situation back home. He had wanted something else, some adventure; he felt he might learn something new. He had thought the city would be near the mountains. But except for the raw gully through which the brownish river curved, it was flat.

“I don’t want you to think of it as typical,” Louise was saying. “You ought to see Montreal.”

“Are
you
typical?” he asked.

She laughed. “None of us is typical, or do we all look alike to you? I’m not typical, I’m all-inclusive.”

She let her fur coat fall down from around her shoulders as she said this, and he wondered again whether he was expected to make a move, to approach her. He ought to approach someone or something; he was beginning to feel isolated inside his clothes and skin. His students were out of the question. Besides, they were so thick, so impermeable; the girls, even the more slender ones, made him think of slabs of substance white and congealed, like lard. And the other single women on staff were much older than he was: in them Louise’s briskness had degenerated into a pinpointing, impaling quality.

There must be a place where he could meet someone, some nice
loosely structured girl with ungroomed, seedy breasts, more thing than idea, slovenly and gratuitous. They existed, he was familiar with them from what he had begun to think of as his previous life, but he had not kept in touch with any of them. They had all been good at first but even the sloppiest had in time come to require something from him he thought he was not yet ready to give: they wanted him to be in love with them, an exertion of the mind too strenuous for him to undertake. His mind, he felt, was needed for other things, though he wasn’t quite sure what they were. He was tasting, exploring: goals would come later.

Louise wasn’t at all like them; she would never lend him her body for nothing, even temporarily, though she had the fur spread out around her now like a rug and had raised one corduroy-trousered knee, letting him see in profile the taut bulge of her somewhat muscular thigh. She probably went skiing and ice skating. He imagined his long body locked in that athletic, chilly grip, his eyes darkened by fur. Not yet, he thought, raising his half-full cocoa cup between them. I can do without, I don’t need it yet.

It was the weekend and Morrison was painting his apartment as he habitually did on weekends; he had been at it off and on since he moved in.

“You’ll have to have it painted, of course,” he’d said smoothly to the landlady when inspecting it, but he had already shown himself too eager and she’d outfoxed him. “Well, I don’t know, there’s another boy wants it says he’ll paint it himself.…” So of course Morrison had to say he would too. This was the third coat.

Morrison’s vision of wall-painting had been drawn from the paint ads – spot-free housewives gliding it on, one-handed and smiling – but it wasn’t easy. The paint got on the floor, on the furniture, in his hair. Before he could even begin he had to cart out the accumulated discards of several generations of previous tenants:
baby clothes, old snapshots, an inner tube, heaps of empty liquor bottles, and (intriguingly) a silk parachute. Messiness interested him only in women; he could not live surrounded by it himself.

BOOK: Dancing Girls
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