Daughter of Time (14 page)

"If you write that book about Richard, he most certainly will. He'll feel like a part-owner. What are you going to call it?"

"The book?"

"Yes."

"I'm going to borrow a phrase from Henry Ford, and call it
History Is the Bunk. "

"Excellent."

"However, I'll have a lot more reading to do and a lot more research, before I can start writing."

"Most assuredly you have. You haven't arrived yet at the real question."

"What is that?"

"Who
did
murder the boys."

"Yes, of course."

"If the boys were alive when Henry took over the Tower what happened to them?"

"Yes. I'll get on to that. I still want to know why it was so important to Henry to hush up the contents of Titulus Regius."

He got up to go, and then noticed the portrait that was lying on its face on the table. He reached over and restored the photograph to its original place, propping it with a concerned care against the pile of books.

"You stay there," he said to the painted Richard. "I'm going to put you back where you belong."

As he went out of the door, Grant said:

'"I've just thought of a piece of history which is
not
Tonypandy."

"Yes?" said Carradine, lingering.

"The massacre of Glencoe." "That really did happen?" "That really did happen. And
—Brent!" Brent put his head back inside the door. "Yes?"

"The man who gave the order for it was an ardent Covenanter."

CHAPTER THIRTEEN

Carradine had not been gone more than twenty minutes when Marta appeared, laden with flowers, books, candy, and goodwill. She found Grant deep in the fifteenth century as reported by Sir Cuthbert Oliphant. He greeted her with an absent-mindedness to which she was not accustomed.

"If your two sons had been murdered by your brother-in-law, would you take a handsome pension from him?"

"I take it that the question is rhetorical," Marta said, putting down her sheaf of flowers and looking round to see which of the already occupied vases would best suit their type.

"Honestly, I think historians are all mad. Listen to this:

The conduct of the Queen-Dowager is hard to explain; whether she feared to be taken from sanctuary by force, or whether she was merely tired of her forlorn existence at Westminster, and had resolved to be reconciled to the murder of her sons out of mere callous apathy, seems uncertain.

"Merciful Heaven!" said Marta, pausing with a delft jar in one hand and a glass cylinder in the other, and looking at him in wild surmise.

"Do you think historians really
listen
to what they are saying?"

"Who was the said Queen-Dowager?"

"Elizabeth Woodville. Edward IV's wife."

"Oh, yes. I played her once. It was a 'bit.' In a play about Warwick the Kingmaker."

"Of course I'm only a policeman," Grant said.” Perhaps I never moved in the right circles. It may be that I've met only nice people. Where would one have to go to meet a woman who became matey with the murderer of her two boys?"

"Greece, I should think," Marta said.
"Ancient
Greece."

"I can't remember a sample even there."

"Or a lunatic asylum, perhaps. Was there any sign of idiocy about Elizabeth Woodville?"

"Not that anyone ever noticed. And she was Queen for twenty years or so."

"Of course the thing is farce, I hope you see," Marta said, going on with her flower arranging. "Not tragedy at all. 'Yes, I know he did kill Edward and little Richard, but he really is a rather charming creature and it is so bad for my rheumatism living in rooms with a north light.' "

Grant laughed, and his good temper came back.

"Yes, of course. It's the height of absurdity. It belongs to Ruthless Rhymes, not to sober history. That is why historians surprise me. They seem to have no talent for the
likeliness
of any
 
situation.
 
They see history like a peepshow; with two-dimensional figures against a distant background."

"Perhaps when you are grubbing about with tattered records you haven't time to learn about people. I don't mean about the people in the records, but just about People. Flesh and blood. And how they react to circumstances."

"How would you play her?" Grant asked, remembering that the understanding of motive was Marta's trade.

"Play who?"

"The woman who came out of sanctuary and made friends with her children's murderer for seven hundred marks per annum and the right to go to parties at the Palace."

"I couldn't. There is no such woman outside Euripides or a delinquent's home. One could only pay her as a rag. She'd make a very good burlesque, now I think of it. A take-off of poetic tragedy. The blank verse kind. I must try it sometime. For a charity matin
ée, or something. I hope you don't hate mimosa. It's odd, considering how long I've known you, how little I know your likes and dislikes. Who invented the woman who became buddies with her sons' murderer?"

"No one invented her. Elizabeth Woodville did come out of sanctuary, and did accept a pension from Richard. The pension was not only granted, it was paid. Her daughters went to parties at the Palace and she wrote to her other son
—her first-marriage son—to come home from France and make his peace with Richard. Oliphant's only suggestion as to the reason for this is that she was either
frightened of being dragged out of sanctuary (did you ever know of anyone who was dragged out of sanctuary? The man who did that would be excommunicated
—and Richard was a very good son of Holy Church) or that she was bored with sanctuary life."

"And what is your theory about so odd a proceeding?"

"The obvious explanation is that the boys were alive and well. No one at that time ever suggested otherwise."

Marta considered the sprays of mimosa. "Yes, of course. You said that there was no accusation in that Bill of Attainder. After Richard's death, I mean." Her eyes went from the mimosa to the portrait on the table and then to Grant. "You think, then, you really soberly think, as a policeman, that Richard didn't have anything to do with the boys' deaths."

"I'm quite sure that they were alive and well when Henry took over the Tower on his arrival in London. There is
nothing
that would explain his omission to make a scandal of it if the boys were missing. Can you think of anything?"

"No. No, of course not. It is quite inexplicable. I have always taken it for granted that there was a terrific scandal about it. That it would be one of the main accusations against Richard. You and my woolly lamb seem to be having a lovely time with history. When I suggested a little investigation to pass the time and stop the prickles I had no idea that I was contributing to the rewriting of history. Which reminds me, Atlanta Shergold is gunning for you."

"For me? I've never even met her."

"Nevertheless she is looking for you with a gun. She says that Brent's attitude to the B.M, has become the attitude of an addict to his drug. She can't drag him away from it. If she takes him away from it physically, he spends the time harking back to it in his mind; so that she mightn't exist as far as he is concerned. He has even stopped sitting through
To Sea in a Bowl.
Do you see much of him?"

"He was here a few minutes before you came. But I don't expect to hear from him again for some days to come."

But in that he was wrong.

Just before supper-time the porter appeared with a telegram.

Grant put his thumb under the dainty Post Office lick on the flap and extracted two sheets of telegram. The telegram was from Brent.

Hell and damnation an awful thing has happened (stop) you know that chronicle in Latin I talked about (stop) the chronicle written by the monk at Croyland Abbey (stop) well I've just seen it and the rumour is there the rumour about the boys being dead (stop) the thing is written before Richard's death so we are sunk aren't we and I specially am sunk and that fine book of mine will never be written (stop) is anyone allowed to commit suicide in your river or is it reserved for the British

Brent

Into the silence the voice of the porter said: "It's reply-paid, sir. Do you want to send an answer?"

"What? Oh. No. Not right away. I'll send it down presently."

"Very good, sir," said the porter looking respectfully at the two sheets of telegram
—in the porter's family a telegram was confined to one sheet only—and went away, not humming this time.

Grant considered the news conveyed with such transatlantic extravagance in the matter of telegraphic communication. He read the thing again.

"Croyland," he said, considering. Why did that ring a bell? No one had mentioned Croyland so far in this case. Carradine had talked merely of a monkish chronicle somewhere.

He had been too often, in his professional life, faced with a fact that apparently destroyed his whole case to be dismayed now. He reacted as he would have reacted in a professional investigation. He took out the upsetting small fact and looked at it. Calmly. Dispassionately. With none of poor Carradine's wild dismay.

"Croyland," he said again. Croyland was somewhere in Cambridgeshire. Or was it Norfolk? Somewhere on the borders there, in the flat country.

The Midget came in with his supper, and propped the flat bowl-like plate where he could eat from it with a modicum of comfort, but he was not aware of her.

"Can you reach your pudding easily from there?" she asked. And as he did not answer: "Mr. Grant, can you reach your pudding if I leave it on the edge there?"

"Ely!"
he shouted at her.

"What?"

"Ely," he said; softly to the ceiling.

"Mr. Grant, aren't you feeling well?"

He became conscious of The Midget's well-powdered and concerned little face as it intruded between him and the familiar cracks.

"I'm fine, fine. Better than I've ever been in my life. Wait just a moment, there's a good girl, and send a telegram down for me. Give me my writing-pad. I can't reach it with that mess of rice pudding in the way."

She gave him the pad and pencil, and on the reply-paid form he wrote:

Can you find me a similar rumour in France at about the same date?

Grant

After that he ate his supper with a good appetite, and settled down to a good night's sleep. He was floating in that delicious half-way stage on the way to unconsciousness when he became aware that someone was leaning over to inspect him. He opened his eyes to see who it might be, and looked straight into the anxious yearning brown irises of The Amazon, looking larger and more cowlike than ever in the soft lamplight. She was holding in her hand a yellow envelope.

"I didn't quite know what to do," she said. "I didn't want to disturb you and yet I didn't know whether it mightn't be important. A telegram, you know. You never can tell. And if you didn't have it tonight it would mean a whole twelve hours' delay. Nurse Ingham has gone off duty, so there was no one to ask till Nurse Briggs comes on at ten. I hope I haven't wakened you up. But you weren't really asleep, were you?"

Grant assured her that she had done the right thing and she let out a sigh that nearly blew the portrait of Richard over. She stood by while he read the telegram, with an air of being ready to support him in any evil news that it might contain. To The Amazon all telegrams conveyed evil tidings.

The telegram was from Carradine.

It said: "You mean you want repeat want that there should be another repeat another accusation question-mark
—Brent."

Grant took the reply-paid form and wrote: "Yes. Preferably in France."

Then he said to The Amazon: "You can turn out the light, I think. I'm going to sleep until seven tomorrow morning."

He fell asleep wondering how long it would be before he saw Carradine again, and what the odds were against that much desired instance of a second rumour.

But it was not so long after all until Carradine turned up again, and he turned up looking anything but suicidal. Indeed he seemed in some queer way to have broadened out. His coat seemed less of an appendage and more of a garment. He beamed at Grant.

"Mr. Grant, you're a wonder. Do they have more like you at Scotland Yard? Or do you rate special?"

Grant looked at him almost unbelieving. "Don't tell me you've turned up a French instance!"

"Didn't you want me to?"

"Yes. But I hardly dared hope for it. The odds against seemed tremendous. What form did the rumour take in France? A chronicle? A letter?"

"No. Something much more surprising. Something
much more dismaying, actually. It seems that the Chancellor of France, in a speech to the States-General at Tours, spoke of the rumour. Indeed he was quite eloquent about it. In a way, his eloquence was the one scrap of comfort I could find in the situation."

"Why?"

"Well, it sounded more to my mind like a Senator being hasty about someone who had brought in a measure his own people back home wouldn't like. More like politics than State, if you know what I mean."

"You should be at the Yard, Brent. What did the Chancellor say?"

"Well, it's in French and my French isn't very good so perhaps you'd better read it for yourself."

He handed over a sheet of his childish writing and Grant read:

Regardez, je vous prie, les
événements qui après la mort du roi Edouard sont arrivés dans ce pays. Contemplez ses enfants, déjà grands et braves, massacrés impunément, et la couronne transportée à l'assassin par la faveur des peuples
.

" 'Ce pays,' " said Grant. "Then he was in full flood against England. He even suggests that it was with the will of the English people that the boys were 'massacred.' We are being held up as a barbarous race."

"Yes. That's what I meant. It's a Congressman scoring a point. Actually, the French Regency sent an embassy to Richard that same year
—about six months later—so they had probably found that the rumour wasn't true. Richard
signed a safe-conduct for their visit. He wouldn't have done that if they had been still slanging him as a murdering untouchable."

"No. Can you give me the dates of the two libels?"

"Sure. I have them here. The monk at Croyland wrote about events in the late summer of 1483. He says that there was a rumour that the boys had been put to death but no one knew how. The nasty slap in the meeting of the States-General was in January 1484."

"Perfect," said Grant.

“
Why
did you want there to have been another instance of rumour?"