Dead Man's Cell Phone (3 page)

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Authors: Sarah Ruhl

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OTHER WOMAN
He said that?
 
JEAN
Yes.
 
OTHER WOMAN
Oh, Gordon.
The phone rings.
Jean hesitates to answer it.
Aren't you going to get that?
 
JEAN
Yes.
She answers the phone.
Hello?
On the other end: who is this?
My name is Jean.
Yes, of course.
How do I get there?
A pause while the mother gives directions.
(To the Other Woman, whispering)
Sorry.
The Other Woman shrugs her shoulders.
All right, I'll see you then.
Good-bye.
Jean hangs up.
OTHER WOMAN
Who was it?
 
JEAN
His mother.
 
OTHER WOMAN
Oh, God.
Mrs. Gottlieb?
Let me touch up your lipstick before you go.
She does.
Jean puckers.
Music.
scene four
Jean and Gordon's mother, Mrs. Gottlieb, at Mrs. Gottlieb's house. The house smells of dry cracked curtains that were once rich velvet. Mrs. Gottlieb wears fur, indoors.
 
MRS. GOTTLIEB
I don't know why I didn't see you at the funeral.
 
JEAN
I was in the back.
 
MRS. GOTTLIEB
Would you say that you tend to blend in with a crowd?
 
JEAN
I don't know—
 
MRS. GOTTLIEB
You might wear brighter clothing. Or a little mascara.
JEAN
It was a funeral, so I wore black.
 
MRS. GOTTLIEB
Fine, fine. That's beside the point.
Gordon left his telephone to you?
 
JEAN
Yes—he left it to me.
 
MRS. GOTTLIEB
Why?
 
JEAN
He wanted me to have it.
Why did you call him on the phone—
after
the funeral?
 
MRS. GOTTLIEB
I call him every day.
I keep forgetting that he's dead.
I do a little errand, take out my purse, and call Gordon while I'm stopped in traffic.
It's habit.
 
JEAN
I'm very sorry. It must be awful to lose a child.
 
MRS. GOTTLIEB
It is. When someone older than you dies it gets better every day
but when someone younger than you dies it gets worse every day.
Like grieving in reverse.
JEAN
I'm so sorry.
 
MRS. GOTTLIEB
I see it as my job to mourn him until the day I die.
 
JEAN
Oh—yes . . .
 
MRS. GOTTLIEB
Please, sit down.
Jean sits down.
So.
 
JEAN
So.
 
MRS. GOTTLIEB
Does anyone continue to call Gordon?
 
JEAN
Yes.
 
MRS. GOTTLIEB
Who?
 
JEAN
Some business acquaintances who don't know that he's dead.
 
MRS. GOTTLIEB
And do you tell them he's—?
(She thinks the word dead)
JEAN
Yes.
 
MRS. GOTTLIEB
I can't bring myself to tell anyone.
 
JEAN
I understand.
 
MRS. GOTTLIEB
It's so painful, you have no idea.
 
JEAN MRS. GOTTLIEB
No, I don't. What it's like to lose a child.
 
JEAN
No.
 
MRS. GOTTLIEB
You don't have children?
 
JEAN
No.
 
MRS. GOTTLIEB
Why not?
 
JEAN
I might have them, one day.
 
MRS. GOTTLIEB
You're getting older. How old are you?
JEAN
Almost forty.
 
MRS. GOTTLIEB
Married?
 
JEAN
No.
 
MRS. GOTTLIEB
How do you expect to have children then?
 
JEAN
I don't know. I could—
 
MRS. GOTTLIEB
When you're thirty-nine your eggs are actually forty, you know.
 
JEAN
I could adopt.
 
MRS. GOTTLIB
It's better to have your own. They resemble—it's the little ticks—the family eyebrow—Gordon's eyebrow—
Mrs. Gottlieb makes a little line in the air,
indicating his eyebrow shape.
She tries not to cry.
JEAN
I'm sorry.
MRS. GOTTLIEB
Gordon—and I—had a falling out—you know—after that, he never returned my phone calls—
 
JEAN
He called you the day he died.
 
MRS. GOTTLIEB
What? How do you know?
 
JEAN
Your number was on the out-going calls.
 
MRS. GOTTLIEB
It was?
 
JEAN
Yes. It said: Mom.
 
MRS. GOTTLIEB
Let me see.
 
JEAN
I deleted it by mistake.
 
MRS. GOTTLIEB
Gordon called me.
 
JEAN
Yes.
 
MRS. GOTTLIEB
He wanted to speak with me.
JEAN
Yes.
 
MRS. GOTTLIEB
How did you know Gordon, anyway?
 
JEAN
We worked together.
 
MRS. GOTTLIEB
Really.
 
JEAN
Yes.
 
MRS. GOTTLIEB
No wonder you don't have children.
 
JEAN
What do you mean?
 
MRS. GOTTLIEB
Gordon's line of work was—toxic.
 
JEAN
It could be.
 
MRS. GOTTLIEB
Did you do the out-going or the in-coming business?
 
JEAN
In-coming.
MRS. GOTTLIEB
Oh—I see.
Why don't you stay for dinner. Gordon's brother will be here. And Gordon's wife—you know—his widow.
 
JEAN
Oh, I wouldn't want to intrude. You must need family time now.
 
MRS. GOTTLIEB
You knew my son. I insist that you stay.
 
JEAN
If it would help.
 
MRS. GOTTLIEB
Yes, I think it would. You're very comforting, I don't know why.
You're like a very small casserole—
has anyone ever told you that?
 
JEAN
No.
 
MRS. GOTTLIEB
Are you religious?
 
JEAN
A little.
 
MRS. GOTTLIEB
I see. We're not religious. Our name means God-loving in German but we're not German anymore. Hermia chose a Catholic Mass for Gordon because she likes to kneel and get up. I did not raise
my children with any religion. Perhaps I should have. Certain brands of guilt can be inculcated in a secular way but other brands of guilt can only be obtained with reference to the metaphysical. Gordon did not experience enough guilt. Dinner will be served at seven. Do you eat meat?
 
JEAN
Um—kind of.
 
MRS. GOTTLIEB
Good. We'll be having large quantities of meat. I'm a little anemic, you know. I eat a large steak every day and it just goes right through me.
 
JEAN
Oh, I'm sorry.
 
MRS. GOTTLIEB
So—seven o'clock.
 
JEAN
Seven o'clock. Great. I'm just going to run out for a moment—I have an errand—
 
MRS. GOTTLIEB
Very good, Jean. We'll see you at seven.
scene five
Gordon's brother, Dwight.
Gordon's widow, Hermia.
Gordon's mother.
And Jean.
Everyone wears black, except for the mother, who is in a bright red getup.
A flurry of activity getting to the table.
Everyone sits in the wrong spot.
 
MRS. GOTTLIEB
Place cards, there are place cards!
Everyone moves, checking place cards, saying things like:
Oh, oh, sorry, excuse me.
Jean stares at Dwight.
He looks so much like Gordon.
But Jean doesn't want to remind anyone of Gordon's death, so she doesn't comment on the resemblance.
A silence.
HERMIA
Gordon used to sit—there.
She points at Jean.
DWIGHT
That's right, he did.
 
JEAN
Oh, I'll move—
 
MRS. GOTTLIEB
No, no, time to move on, no time like the present.
They all look at Jean for a long moment.
Jean hiccups.
JEAN
Excuse me, I'm sorry. I have the hiccups.
Jean stands up and hiccups.
MRS. GOTTLIEB
There's water through there, dear.
 
JEAN
Thanks.
Jean exits and hiccups.
HERMIA
What a strange duck.
 
MRS. GOTTLIEB
Yes, but she knew Gordon. Try to be welcoming, Hermia.
 
DWIGHT
How'd she know Gordon?
 
MRS. GOTTLIEB
Work.
Mrs. Gottlieb nods knowingly.
Everyone murmurs knowingly
and says things like:
Really? You don't say. Well . . . Mmm. Hmm . . .
DWIGHT
Out-going?
 
MRS. GOTTLIEB
In-coming. Or so she says.
They murmur knowingly.
Jean enters.
A silence.
She sits down.
She hiccups.
JEAN
Oh! Excuse me. My hiccups are so loud.
 
MRS. GOTTLIEB
Yes, they are, aren't they? Remarkably loud hiccups for such a small woman.
 
DWIGHT
Mother. Come with me, Jean. I'll show you my secret. It's drinking a glass of bourbon upside down.
 
JEAN
Okay.
(Hiccup)
Thank you.
Dwight pulls Jean's chair out for her.
Jean and Dwight exit to the kitchen.
HERMIA
Dwight likes her.
 
MRS. GOTTLIEB
I thought he might.
A silence.
HERMIA
Are you sad?
 
MRS. GOTTLIEB
Yes, are you?
HERMIA
Yes. So sad that it's—awful. Now I know why they call it awful sad.
 
MRS. GOTTLIEB
I'm glad we can share this, Hermia. We loved him most of all.
 
HERMIA
I hope that—the two of us—can continue to—mourn together—Mrs. Gottlieb. I feel so all alone sometimes.
 
MRS. GOTTLIEB
Call me Harriet.
 
HERMIA
Harriet.
 
MRS. GOTTLIEB
I never could get used to Gordon having a wife but now that he's dead you're going to be a very great comfort to me, Hermia.
It is one of the first nice things Mrs. Gottlieb has ever said to her.
Jean and Dwight enter.
Jean is laughing.
DWIGHT
That's better.
 
JEAN
Dwight got rid of my hiccups!
MRS. GOTTLIEB
You're amazing, Dwight. You have so many hidden talents. Always have. Remember when Dwight was little and he could grow stiff as a board and his friends pretended he was a plank or a dead insect and they would carry him around the living room at my lunch parties and how we all would laugh! Oh. I guess there's no one here to remember that.
A silence.
Well. Let's eat. Rib-eye steak. Do you like rib-eye, Jean? Nothing better in the world, I tell you. Ribbons of flesh, ribbons of fat, all in one bite. Dwight, why don't you carve.
Dwight takes up the carving knife.
He's never carved before. It was Gordon's job.

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