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Authors: Kathy Reichs

BOOK: Deadly Decisions
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No. No tears!

At that moment his Carcajou partner appeared over the edge of the hillock. Quickwater approached Claudel, spoke in a low voice, and left without acknowledging my presence. In seconds he reappeared below, wove through a grouping of ornamental headstones, and positioned himself behind a pink granite obelisk.

“If I say dive, you take cover. No questions. No heroics. Do you understand?”

“Fine.”

He did not resume our conversation.

That was fine, too. I recoiled from voicing my fear for Kit, afraid that shaping the threat into words might cause it to be realized. I would tell him later about Lecomte.

Five minutes passed. Ten. I scanned the bereaved. Business suits mixed with chains, swastikas, studs, and bandannas.

I heard the noise before I saw the procession. It started as a low rumble and grew to a roar as two police cruisers rounded the curve, then a hearse, limo, and a half-dozen cars. A phalanx of cycles followed, four abreast behind the cars, in twos and threes farther
back. Soon the road was dense with bikes, and I could not see the end of the line.

Sun flashed off chrome as the cortege slowed and turned into the cemetery. The air filled with the sound of engines and shifting gears as bikers broke formation and massed around the entrance. Men in greasy Levi’s, beards, and shades began to dismount and move toward the gate.

Claudel’s eyes narrowed as he watched the graveyard below become a human zoo.

“Sacré bleu.
We should keep this outside the fence.”

“Roy says that’s not possible.”

“Civil rights be damned. Bar the vermin, and let their lawyers sue.”

The cortege turned left and crept along the tree-lined road skirting the Troie section. When it pulled to a stop a suited man moved to the limo and opened the rear door. People emerged wearing the bewildered expressions of those unfamiliar with personal service.

I watched the funeral director lead the family to folding chairs beneath a bright green canopy. An old man in an old suit. Two matrons in black dresses, faux pearls around their necks. A young woman in a floral print. A boy in a jacket with sleeves that did not reach his wrists. An elderly priest.

As friends and relatives climbed from cars, Dorsey’s other family drew together. Joking and calling, they formed a ragged horseshoe outside the canopy. Under it, the new grave lay draped like a patient awaiting surgery.

A detachment of eight slowly gathered at the hearse, all in denim and shades. At a sign from the director, an assistant offered gloves, which a behemoth in a do-rag batted aside. Barehanded, the pallbearers slid the casket free and carried it toward the canopy, struggling under the weight of the deceased and his packaging.

The branches above me lifted and fell, and I caught the scent of flowers and freshly turned earth. The bikes had gone still. A sob drifted from under the canopy, slipping free on the breeze to ride over the graves of the surrounding dead.

“Sacré bleu!”

When I turned, Claudel was staring at the gate. I followed his gaze, and fear shot through me.

Crease and Kit were making their way through those lingering at the entrance, moving past the semicircle of mourners, and stepping into the shadow of a life-sized bronze angel, its arms perpendicularly outstretched, as if treading water.

I started to speak but Claudel silenced me with a hand. Lifting his radio, he looked down at his partner. Quickwater made a subtle gesture, first to his right, then straight ahead.

I looked where Quickwater had indicated. Beyond the mourners, partially hidden among the tombstones and trees, were men whose attention was not on the service. Like Claudel and Quickwater their eyes never rested, and they carried handsets. Unlike the Carcajou investigators, these men were tattooed and booted.

I looked a question at Claudel.

“Rock Machine security.”

Under the canopy the priest stood and opened his prayer book. Hands rose and fell, crossing chests. Missal pages fluttered as the old priest began the rites for the dead, and he extended a gnarled finger to hold them still. The breeze played with his words, stealing some, sharing others.

“—who art in heaven, hallow—”

Beside me, Claudel tensed.

A man had appeared among a cluster of cement crypts sixty feet to the west. Head down, he walked toward the canopy.

“Thy kingdom—thy will—”

I looked down at Quickwater. His eyes were fixed on the Rock Machine sentries. One spoke into his walkie-talkie. Across the grounds, another listened. Quickwater stared at them, then raised his radio.

Claudel keyed his partner, eyes glued to the man closing in on the grave site.

“—forgive—who trespass against us—”

“Trouble?” I asked when the transmission ended.

“He’s not Rock Machine. He could be Bandidos, but the lookouts aren’t sure.”

“How—?”

“He reads lips.”

“Do you recognize the guy?”

“He’s not a cop.”

My nerves prickled. As with many in the crowd, a bandanna covered the lower face of the approaching figure, and a cap shadowed his eyes. But this man looked wrong. His jacket was too heavy for the day, his arms held too tightly to his sides.

Suddenly a Jeep roared up Remembrance and veered toward the fence. At the same moment a motor flared and a Harley shot through the gate.

The next events seemed to continue forever, each unfolding in slow motion. They told me later that the entire episode lasted two minutes.

In the horseshoe of bikers a man spun sideways and flew into a canopy support pole. Screams. Gunfire. The tent collapsed. The crowd froze momentarily, then scattered.

“Down!”

Claudel pushed hard on my back, slamming me to the ground.

A bearded man crawled from the heap of canvas and ran toward a stone Jesus with outstretched arms. Halfway there his back arched, and he fell forward. He was dragging himself across the ground, when his body jerked again and collapsed.

I spit dirt from my mouth and tried to see. A bullet whacked into the chestnut behind me.

When I looked again the jacketed man with the bandanna-covered face was behind a vault, bending toward the base of the crypt. He stood, and sun glinted off steel as he pulled back the slide on a semiautomatic. Then he dropped his hand straight to his side and walked toward the swimming angel.

Fear shot through me.

Without thinking, I began to crawl toward the path.

“Get back here, Brennan,” Claudel shouted.

Ignoring him, I pushed to my feet and scrabbled down the hill, keeping to the far side to avoid gunfire. Crouching low and darting from monument to monument, I worked my way toward the statue sheltering my nephew.

Pistols and semiautomatics barked around me. The Angels were reaping their vengeance, and the Machine were returning fire. Bullets sparked off tombs and headstones. A granite splinter struck my cheek, and something warm trickled down my face.

As I rounded the statue on one side, the jacketed man appeared on the other. Crease and Kit stood directly between us. The gunman raised his arm and aimed.

Crease swung Kit around to shield himself.

“Get down!” I screamed. Sweat trickled from my hairline, and the wind felt cold on my face.

It took Kit a moment to realize his situation. Then he spun and brought his knee up hard between the reporter’s legs. Crease’s hand flew up and his mouth opened in a perfect O, but one hand held tight to Kit’s shirt.

Kit twisted to his right, but Crease yanked hard just as the shooter squeezed the trigger. A deafening sound reverberated off the bronze torso and wings above us. My nephew fell to the ground and lay still.

“No!” My scream was drowned by the sound of engines and gunfire.

Another thunderous roar. I saw a hole open in Crease’s chest, and a liquid river of red streamed down his front. He went rigid for a moment, then dropped next to Kit.

I sensed a figure moving around the monument, and threw myself forward to cover Kit. His hand moved feebly and a burgundy stain was spreading across his back.

The figure loomed larger and filled the gap between the angel and the neighboring tomb, feet spread, pistol extended in a two-handed grip toward the gunman above us. The muzzle flashed. Another deafening crack. The gunman’s eye exploded, blood bubbled from his mouth, and he crumpled to the ground beside me.

My eyes met eyes bluer than a butane flame. Then Ryan whirled and was gone.

At that instant Quickwater flung himself under the angel and dragged and shoved Kit and me toward the base. Crouching in front of the supine bodies of Crease and his assassin, he swept his gun in wide arcs, using the monument for cover.

I tried to swallow, but my mouth was a desert. Bullets strafed the earth beside me, and again I was conscious of the smell of dirt and flowers. Outside our tiny cave I could see figures running in all directions.

Quickwater’s eyes scanned, his body coiled and ready to spring. In the distance I heard sirens and engines, then the sound of an explosion.

Adrenaline pumping, I pressed a hand to the hole in my nephew’s back, and tried to stuff a hankie into the one in his chest. Time lost all meaning.

Then it was silent. Nothing appeared to move.

Beyond Quickwater I saw people crawl from under the canopy, disheveled and sobbing. Bikers emerged from hiding and coalesced into groups, faces furious, fists pistoning as if they were angry hip-hop artists. Others lay motionless on the ground. Ryan was nowhere to be seen.

Far down the mountain sirens wailed. I glanced at Quickwater, and our eyes locked. My lips trembled, but no words came.

Quickwater reached down and wiped blood from my cheek, then gently brushed the hair from my face. His eyes went deep into mine, acknowledging what we had just seen, the secret we shared. My chest heaved and tears burned my lids. I turned away, not wanting a witness to my frailty.

My gaze fell on a tiny portrait, encased in plastic and secured to the angel’s pedestal. A solemn face stared out, separated by death and faded by years of rain and sun.

No, God. Please, no. Not Kit.

I looked down at the blood oozing through my fingers. Openly weeping, I applied more pressure, then closed my eyes and prayed.

“W
HAT THE HELL DID YOU PLAN TO DO?”
C
HARBONNEAU ASKED.

“I didn’t plan. I acted on instinct.”

“You were unarmed.”

“I was armed with righteous fury.”

“Rarely wins against a semiautomatic.”

A week had passed since the shoot-out at Notre-Dame-des-Neiges, and we’d been over it a dozen times. Charbonneau was in my lab, watching me prepare Savannah Osprey’s bones for shipment.

DNA sequencing had come back positive, linking the Myrtle Beach skeleton to the remains from St-Basile-le-Grand. Kate Brophy had established that Savannah’s mother was dead, but had located a maternal aunt. Burial would take place in North Carolina.

I felt melancholy each time I pictured that lonely, little ceremony. My satisfaction at finding and identifying Savannah was tempered by sadness over her life. She was so young and frail, hampered by physical disability, lonely, loathed by her father, abandoned in death by her mother. I wondered if there was anyone left who would care for her grave.

“Do you think Savannah chose to go to Myrtle Beach that day?” I asked, changing the subject.

“According to Crease the kid went willingly.”

“Bad decision.” I pictured the pale little waif and wondered what had led her to it.

“Yeah. A deadly decision.”

I looked at Charbonneau, surprised at how closely his thought echoed mine. There had been so many fatal decisions. Gately and Martineau. Jocelyn Dion. George Dorsey. The Hells Angels responsible for the cemetery attack. And near-fatal decisions. Kit and Crease, both of whom had managed to survive.

A Hells Angels death squad had been sent from the States to blow away Crease because Jocelyn had fingered him as Cherokee Desjardins’ killer. The Angels had intended to send a message that killing one of their own meant certain retribution, and had chosen a very public forum to deliver that message. The gunman assigned to Crease was to have escaped by cycle. The cycle did get away, but the shooter didn’t. Ryan and Quickwater saw to that, though the public version would be different.

Unfamiliar with the local terrain, the shooters in the Jeep went off the mountain while speeding from police. The two in front were killed in the crash, the third hospitalized with multiple injuries. A routine check turned up a New York warrant for murder. The man was providing limited cooperation, preferring the non–death penalty attitude of our northern neighbors to the laws of his home state. His thinking was that a life sentence in Canada was preferable to a lethal injection in New York, even though the state hadn’t executed anyone since 1963.

Six hours of surgery had pulled Crease through, but the reporter was still in intensive care. The story of his involvement was emerging piecemeal as his periods of lucidity lengthened.

Crease and Cherokee traveled with the Angels in the early eighties, the latter aspiring to brotherhood, the former a wanna-be academic charmed by the biker lifestyle. The two were drawn together by their shared Canadian roots.

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