Deadly Rich (24 page)

“I’d hate to think you’re right, but I think you’re right.”

“We’ve been looking into links between the two victims,” Cardozo said.

Dizey nodded. “There were plenty of those.”

“Evidently there was some kind of problem between Oona Aldrich and Avalon Gardner—they fought at one of Annie MacAdam’s dinners and never spoke to each other again?”

“Oh, yes, indeedy.”

“Could you fill me in a little on that?”

“Tell me when to stop.” Dizey exhaled twin jets of blue smoke. “It was six years ago, so this is off the top of my memory. Oona got a fish bone caught in her throat. It looked like she might choke. Avalon was at the same table, so he took her to the hospital. While she was being treated he photographed her. The photos got published in
Fanfare Magazine.
They weren’t what you’d call flattering angles. Oona never forgave him.”

“That’s it?”

“Cross my heart, Lieutenant, that is the
ganzeh megillah.
As I’ve found out in my business, and as I’m sure you’ve found out in yours, people can be stubborn and they can be dumb.”

“They can be dumb some of the time,” Cardozo said.

“Beg to differ. Nowadays people are dumb all of the time. Look at the way they react to Jim Delancey. He kills a lovely girl, they give him twenty-five years. Dumb.”

“Too much time?”

“You kidding? He should roast in hell for life.
Then
they give him a parole. Dumber.
Then
they give him a job in a high-status restaurant. Dumber than dumb. It’s saying, What you did doesn’t matter, Jimbo, we’re going to eat out of your bloody hands anyway. And
then …
these pickets. They’re well-intentioned, but it’s obscene. All they’re doing is giving him publicity—and he doesn’t deserve it. The guy’s a killer, not a cause célèbre!”

Cardozo sat nodding in silent agreement.

“Can you believe,” Dizey said, “columnists are publishing his salad recipes? Archibald’s can’t handle the demand for reservations. The whole damned business is vile. It’s a freak show and in this jaded town freak shows sell out.”

“How do you suppose Delancey got the job at Archibald’s?”

All of Dizey’s energy suddenly went into blunt, clear-polished fingertips that slowly stroked the beveled glass edge of the coffee table. “I haven’t been able to get to the bottom of that—but I’m working on it.”

“I’d appreciate it if you could let me know what you find out.”

“You’ll find out when my readers find out, Lieutenant. I don’t play favorites.”

“Not even with the law?”

“Not even with the law.”

“Too bad. We’d make good allies.”

At that moment Mac arrived carrying a clinking plastic tray with two cups of coffee and a sugar bowl full of pink Sweet’n Low envelopes and a half-pint carton of cream. He slid the tray down onto the coffee table between them. “Cream, Lieutenant?”

“The lieutenant can handle it,” Dizey said.

Mac gave her a look. “Excuse
me
.”

Dizey waved her hand. “Scram.”

Mac scrammed.

Dizey helped herself to heavy cream and Sweet’n Low. “Tell me, Lieutenant, how do you think you could help me?”

“That would be up to you. But I know how you could help me.”

Dizey pushed the coffee tray toward him. “I’m listening.”

“The morning before Oona Aldrich was killed your column carried an item on the Hansen Boutique. Yesterday, the morning before Avalon Gardner was killed, you carried an item on Annie MacAdam’s dinner.”

“Are you saying there’s a connection?”

“We think the killer could be getting tips from you.”

“Tips?”

“As to who’s going to be where.”

A phone jangled in the other room. “For you,” Mac hollered. “Ms. A.”

Dizey picked up the phone on the coffee table.

“Yeah?” She listened a moment with drooping eyes. “Jorge Luna and Tony and Chelsea LoGrande?” Her voice had become snide and just a little nasty. “Your guest lists are getting ridiculous.” She hung up. Her eyes came back to Cardozo. “You can’t hold me responsible, Lieutenant. I certainly didn’t mention that Oona Aldrich was expected at the boutique at one-thirty
P.M.
In fact, I didn’t even know it.”

“But you implied there would be a certain type of clientele at the boutique, and the killer has drawn two victims from that social level.”

“So Oona and Avalon were killed by the same man.”

“It looks like it. We’ll know for sure tonight.”

“Let me ask you this: Is it your eyewitness knowledge that Society Sam is choosing his hits on the basis of my column?”

“It’s a strong possibility, and I have to ask you to stop previewing social events in your column.”

Beneath its heavy powdering the red of Dizey Duke’s face darkened. “Until you have this crazy under lock and key, I’m supposed to limit my column to past events?”

“It might save lives.”

“You mean it could save the life of every other columnist in town. I don’t suppose you’ve asked Suzy or Liz or Billy Norwich to edit coming events out of their columns?”

“If necessary we’ll certainly appeal to them.”

Dizey jabbed her cigarette out in her saucer. A ribbon of smoke rose twisting from the mangled stub. “Okay, I get the picture, Lieutenant. It’s always easier to write prescriptions than to pay for them, right? You’re looking at a gal who happens to believe the Constitution meant it when it promised freedom of the press. I’m not going to censor my column for the police or for anyone.”

“No insult intended. Just asking.” Cardozo smiled and took a long sip of his coffee. “Great flavor.”

“Latin roast. Mac buys it down at the corner
bodega.
They grind it special.” Dizey Duke turned her wrist and frowned at her Minnie Mouse watch. “Well, Lieutenant, this gal’s got to get cracking. Anything else I can refuse to help you with?”

“There’s one thing. How did the photos of Oona Aldrich happen to get published in a national magazine?”

“Maybe you should ask Kristi Blackwell.” Dizey saw the
Who her
? look on Cardozo’s face and added, “She edits
Fanfare
and she’s a lot nicer than me.”

“
WHY DID YOU PUBLISH
the photos?” Cardozo said.

Kristi Blackwell gave him a slow, attentive frown. “Because they were part of the story, and the story was offbeat. It had a kick. A kind of pungency.”

“But it wasn’t news, was it?”

“News is what the news says is news.
Fanfare’s
beat is society. And, frankly, not much happens in society unless it’s made to happen.”

In some ways she had the face of a show-window mannequin—a face of no recognizable age, eerily unflawed, her skin the even white of expensive stationery. Against that skin, the red of her doll-like, tightly ringleted hair and the green of her eyes had the startling force of candied-fruit bits in a pot of
zuppa inglese.

“There’ve been maybe three real social events in the last decade.” She held up three fingers, and one of them wore a waterbug-sized emerald. “Brooke Astor gave a party in the public library, and a midget financier started a brawl. Malcolm Forbes couldn’t get himself listed in the Social Register because a homophobe gay was blocking him, so he bought the company and listed himself. The von Bulow prosecution boomeranged, questions were asked about planted evidence and a deal had to be cut with the state to keep a half-dozen perjurors out of jail.”

She spoke with an unmistakable London accent, but Cardozo’s ear couldn’t tell whether it was the second-best or third-best kind. It had the faint ring of supporting player in a British TV comedy.

“If
Fanfare
had published the truth about any of those stories, we would have been going up against deep pockets who could have sued us out of existence. So what can we do? We deal chitchat from the power zones—Mary-Lou’s dresses and Annette’s divorces and Patty’s gazpacho.”

She was wearing an uncomplicated lavender silk dress, and Cardozo had the impression her diet-skinny bones carried it at least as well as any of the female bodies that appeared in the ads in her magazine. The lavender matched the irises in the jade vase on her desk, and it matched the walls of her office, and he suspected the matches were not accidents.

“Gossip is our mandate. At the same time it’s our problem. Nothing dates faster. Added to which, we’re coming out once a month with a three-week press lag. So how are we going to keep ourselves on the cutting edge? Either we have to have an exclusive, or we have to generate the gossip.”

“And which was the case with the Oona Aldrich article?”

“Both. ‘Socialites in Emergency’ was an exclusive,
and
we generated it. If we hadn’t been in that emergency room, not only would it not have been a story—it wouldn’t even have happened. What I wanted to show was,
whenever
you drop high-profile names into a low-profile environment, the whole situation
automatically
goes major.”

“How did you happen to have a writer and a photographer there?”

“Purest, luckiest accident. Dick Braidy and Avalon Gardner were at the same dinner as Oona; she got a bone in her throat; they helped get her to the hospital.”

“Because they saw story potential?”

“
¿Quien sabe?
Lieutenant, there are fringe benefits to every good deed. Even the Good Samaritan was playing the odds. Between you and me, nothing was wrong with Oona’s windpipe that a good swift Heimlich wouldn’t have cleared up in three seconds. But nobody at Annie’s dinners knows anything as useful as the Heimlich, and thus are great articles born.”

“I gather Aldrich and Gardner quarreled over the story.”

“Oona gave us a release. Later she saw what the story did for Avalon. She got angry and, in my opinion, she got jealous.”

“Jealous about what?”

“In today’s society the scarce resource is media space. Oona was launching her own name-brand tofutti.
Fanfare
was going to run a story to help her out. Along came ‘Socialites in Emergency,’ and there was no question—it was a far stronger story. When Oona saw our July issue, and her tofutti wasn’t in it—that was when the vendetta began.”

“By any chance could I see the story?” Cardozo said.

“Absolutely.” Kristi Blackwell picked up the receiver of her desk phone and jabbed three buttons. “Lance, would you get me the back issue with Dick Braidy’s ‘Socialites in Emergency’ piece? I think it’s July eighty-something—it has Liz and Malcolm on motorcycles on the cover.”

Cardozo’s eye had wandered to a painting of a vase of flowers that Kristi Blackwell, or her decorator, had hung on the wall.

“It’s a Pissarro,” she said.

He assumed Pissarro must be good or at least okay if she had one hanging in her office, but his face must have said something else.

“I know, I know,” she said. “Not one of the leaders of the pack—but what can you do? Prices for good art are still outrageous, and my publisher wasn’t about to let me hang a Cezanne there.”

She was talking to him as a sort of equal, as though he too had several hundred thousand of someone else’s dollars to throw away on a pretty painting. She couldn’t be dumb enough to think a cop had legal access to that kind of money. It was strategy, a way of flattering him by appointing him an honorary Person Like Us.

Her young male assistant brought in the back issue. She studied the cover. “Yes, this is the one.” She handed Cardozo the back issue.

Looking at the cover, with Liz Taylor and Malcolm Forbes and their bikes, he felt a rush of remember-back-when. He opened the magazine to the Benedict Braidy article: “Socialites in Emergency,” a two-page spread of tilted color photographs and uncentered raggedy-edged type.

“Which photo did Oona Aldrich object to?” Cardozo said.

“All of them.”

Cardozo studied the photos.

Oona’s face, he thought, looked fine: a little artificially madeup, like an actress’s in a Fifties film—with eyebrows where no one had eyebrows and eyeshadow where only a ballerina had eyeshadow—but pretty and striking in a jaded way. What didn’t look fine against a background of hospital beds and hurrying nurses and shoot-out victims was the dress she was wearing, an extravagant construction of stiffened red silk with a high, ruffled collar that rose twelve inches in back. She looked like an Infanta hunting for an escaped dwarf.

He turned the page. A photo showed Dizey Duke wearing a long-skirted chartreuse toreador suit. “I see Dizey went too.”

“Dizey wouldn’t have missed it for anything.”

Cardozo pointed to the photo of a dark, severely underweight woman who seemed to have attached diamonds to her wet suit. “Who’s this woman?”

“That’s Gloria Spahn, the dress designer. She’s changed her look since then—thank God.”

“May I keep this copy?”

“It’s yours, Lieutenant. Compliments of the house. And if you’d like a complimentary subscription—” Kristi Blackwell smiled and tapped a finger on her phone receiver. “I’m not like the rest of you successful Yanks. I’m still in the book.”

A SMALL MEXICAN-LOOKING WOMAN
in a white smock let Cardozo into Benedict Braidy’s apartment. She indicated with hand gestures that he was to take the hallway to the right. Eight strides carried him into a chintz-choked living room.

Sunlight touched the dust jackets of books filling the wall of built-in shelves. There were three entire shelves devoted to foreign-language editions of Benedict Braidy’s books, and another stuffed with enormous leather-bound albums.

Through a glass-paneled door Cardozo could see into a small office. A tall, overweight gray-blond man in a flapping bathrobe stood bent over a personal computer keyboard.

“Just a sec, Lieutenant,” he called. “Let me close this contraption down.”

Cardozo watched Braidy jab a key and stand back, biting his lip. The faint pulsation of light on the computer screen shrank to a spot of amber and then exploded into a fading spray of little blips.

“Shit!” Benedict Braidy stomped into the living room. “Pardon my Swahili, but I have a terrible time with that PC. It’s eating my files day and night.”

Under the robe he was wearing a strawberry taffy-colored button-down shirt. The top two buttons were open over a gray-haired chest. He had on tan slacks and Top-Siders, no socks. Cardozo had the impression that no socks was a fashion statement.