Dean Koontz's Frankenstein 4-Book Bundle (58 page)

She wanted to go next door and kill the Bennets. “Killing is wonderfully refreshing. I feel so
alive
.”

Bucky should have reported her to Helios for termination. But he was so in awe of her audacity and so intrigued that he could not convince himself to phone Father's emergency number.

This suggested to both of them that Bucky, too, had dropped some lines of his program. He didn't think that he could kill, but he was excited by the prospect of watching Janet destroy the Bennets.

They almost rushed next door. But then the dead pizza guy in the foyer seemed worthy of further examination, considering that he
was
Janet's first.

“After all,” Bucky said, “if you were a hunter and this guy were a deer, we'd take a hundred photographs, and we'd cut off his antlers to hang them over the fireplace.”

Janet's eyes widened. “Hey, you want to cut something off him, hang it over the fireplace?”

“That maybe wouldn't be smart, but I would for sure like to get some snapshots.”

“So you get the camera,” Janet said, “and I'll look around for the best backdrop.”

When Bucky hurried to the second floor to retrieve the camera from the master-bedroom closet, he discovered the Duke of Orleans watching the foyer from the top of the stairs.

Duke was a handsome German shepherd, caramel-and-black
with two white boots. Since the New Race versions of Bucky and Janet had come into his life a few weeks earlier, he had been confused and wary. They looked like his masters, but he knew they were not. He treated them with respect but remained aloof, withheld affection, which they didn't want anyway.

As Bucky reached the top of the stairs, Duke padded away into one of the guest bedrooms.

Helios had considered having the dog killed when the original Bucky and Janet had been terminated.

But Duke was a New Orleans icon: He had saved two small girls from a house fire, and he was so well-behaved that he often went to court with his master. His passing would be a major human-interest story, and there might be a jazz funeral for him. This would draw too much attention to a pair of newly installed replicants.

Besides, the real Bucky Guitreau was a sentimental man who so loved his dog that everyone would expect him to weep uncontrollably at any memorial service. Generally speaking, the New Race was not good at faking grief, and any statue of the Virgin Mary was more likely to produce tears than were those born in the creation tanks.

With the camera in hand, the new Bucky hurried downstairs, where he found Janet and the pizza guy in the living room. She had placed the dead man in a plushly upholstered chair. She sat on the arm of the chair and, gripping a handful of the cadaver's hair, held his head up for the camera.

They moved the corpse to the sofa, where Janet sat
beside it, and then to a bar stool in the study, where Janet let the head loll against her shoulder as if Pizza Guy were drunk. They hauled the body to several other locations in the house, took some pictures with women's hats on his head, then stripped him naked and dressed him in women's underwear for a few more shots.

They never laughed through any of this. Members of the New Race were capable of producing convincing laughter, but their mirth was not genuine. They did what they did with the dead man because their hatred for the Old Race was intense, and this seemed like a good way to express that hatred.

The dog followed them on this photo shoot, watching them from the doorways of various rooms but never venturing close.

Finally, they stripped Pizza Guy naked again, tied a rope around his neck, hauled him over a transverse beam in the family room, and let him dangle like a big fish on a dock scale. Janet stood beside the corpse, as if proud of her catch.

“You know what I think we're doing?” she asked.

All of this behavior had seemed as reasonable to Bucky as to her, though he didn't know why. He said, “What
are
we doing?”

“I think we're having fun.”

“Could this be what fun is like?”

“I think it could,” Janet said.

“Well, it's more interesting than anything else we've ever done. What else do you want to do with him?”

“He's getting a little boring,” Janet said. “I think it's really time now to go next door and kill the Bennets.”

The original Bucky had kept two guns in the house. “You want to take a pistol, blow their faces off?”

Janet thought about it, but then shook her head. “That doesn't sound fun enough.”

“You want to take a knife or that Civil War sword on the wall of my study?”

“What I want,” Janet said, “is just to do them both with my bare hands.”

“Strangle them?”

“Been there, done that.”

“Then what are you going to do with them?”

“Oh, I've got like a thousand ideas.”

“Should I bring the camera?” he asked.

“Absolutely, bring the camera.”

“Maybe we can put all these shots in an album,” Bucky suggested. “That's what people do.”

“I'd like that. But we're not really people.”

“I don't see why we can't have an album. In a lot of ways we're
similar
to people.”

“Except that we're superior. We're the super race.”

“We are the super race,” Bucky agreed. “Soon we're going to rule the world, colonize the moon and Mars. We'll own the universe. So it seems like we could have a photo album if we wanted. Who's to tell us we can't?”

“Nobody,” Janet said.

ALONE IN THE INSTITUTIONAL KITCHEN
at the Hands of Mercy, Ripley sat on a stool at one of the stainless-steel islands. With his hands, he tore apart a three-pound ham and stuffed chunks into his mouth.

The average man of the New Race required five thousand calories per day to sustain himself, two and a half times what the average man of the Old Race needed. Recently, Ripley had engaged in binge eating, packing in ten thousand calories or more at a single sitting.

The tearing was more satisfying than the eating. These days, the urge to tear things apart—especially meat—frequently overcame Ripley. Cooked meat served as a substitute for raw flesh, the flesh of the Old Race, which was what he most wanted to tear.

None of his kind was either permitted to kill or capable of killing—until ordered to do so by the Beekeeper.

That was Ripley's private name for Victor Helios. Many of the others referred to him as Father, but Mr. Helios became infuriated when he heard them use that word.

They weren't their maker's children. They were his property. He had no responsibility to them. They had every responsibility to him.

Ripley ate the entire ham, all the while reminding himself that the Beekeeper had a brilliant plan for a new world.

The family is an obsolete institution, and it's also dangerous because it puts itself above the common good of the race. The parent-child relationship must be eradicated. The sole allegiance of members of the New Race, who were born from the tanks as adults, must be to the organized community that Helios envisioned, not to one another, but to the
community
, and in fact not to the community but to the
idea
of community.

From one of two walk-in refrigerators, Ripley retrieved a fully cooked two-pound brisket of beef. He returned with it to the stool at the kitchen island.

Families breed individuals. The creation tanks breed worker bees, each with its specific function to fulfill. Knowing your place and the meaning of your life, you can be content as no member of the Old Race ever could be. Free will is the curse of the Old. Programmed purpose is the glory of the New.

The swarm was the family, the hive was the home, and the future belonged to the horde.

With his fingers, he shredded the brisket. The
meat felt greasy. Although the beef was well-cooked, he could smell the blood in it.

No matter how much he ate, Ripley gained not a pound. His remarkably efficient metabolism kept him always at his ideal weight.

Overeating, therefore, was not an indulgence. Ultimately, it was also not a distraction. He couldn't stop thinking about Werner, the security chief at the Hands of Mercy.

Hours earlier, Werner suffered what the Beekeeper described as “catastrophic cellular metamorphosis.” He stopped being Werner, stopped being by all appearances human, and became … something else.

Upon his creation, designed to be a physically imposing security specialist, Werner had been given selected genetic material from a panther to increase his agility and speed, from a spider to increase the ductility of his tendons, from a cockroach to ensure greater tensile strength for his collagen…. When Werner suddenly became amorphous, those feline, arachnid, and insectile forms began to express themselves in his flesh, first serially, then simultaneously.

Mr. Helios had called Werner a singularity. This calamity had not occurred previously. According to the Beekeeper, it could never occur again.

Ripley was not so sure about that. Maybe nothing
exactly
like what happened to Werner would happen again, but there might be an infinite number of other calamities pending.

As a chief lab assistant to the Beekeeper, Ripley was too well-educated to be able to repress his anxiety.
In the creation tank, by direct-to-brain data downloading, he received a deep education in the physiology of human beings as nature made them and of superhuman beings as Victor Helios made them.

None of the Old Race could metamorphose into a beast of many natures. This grotesque fate should have been just as impossible for one of the New Race.

Werner's transformation suggested that the Beekeeper might be fallible. The Beekeeper's surprise at the change in Werner confirmed his fallibility.

Having finished the brisket without either satisfying his appetite or quelling his anxiety, Ripley left the kitchen to roam the halls of Mercy. Mr. Helios had gone home. But even in these post-midnight hours, in a maze of labs, Alphas conducted experiments and carried out tasks according to their maker's instructions.

Staying largely in the corridors, for the first time nervous about what he might discover in the labs if he entered them, Ripley eventually came to the monitoring hub serving the trio of isolation chambers. According to indicator lights on the control console, only Isolation Room Number Two was currently occupied; that would be the luckless Werner.

Each room featured six closed-circuit video cameras offering different angles on that space. A bank of six screens allowed the simultaneous monitoring of all three holding facilities or gave a half dozen views of a single chamber. Legends at the bottom of all the screens indicated they were now tuned to Isolation Room Number Two.

The floor, walls, and ceiling of the twenty-by-fifteen-foot
windowless containment cell were constructed of eighteen-inch-thick, poured-in-place, steel-reinforced concrete. They had been paneled with three overlapping layers of steel plate that, with the click of a switch, could deliver a killing charge of electricity to the occupant.

The Beekeeper sometimes created exotic variants of the New Race, some of which were intended to be warriors, living death-machines that would assist in the efficient obliteration of the Old Race when at last the day of revolution arrived. Occasionally, problems with their prenatal programming left these creatures undisciplined or even disobedient, in which case they needed to be sedated and transferred to isolation for study and eventual destruction.

He who had been Werner did not appear on any of the screens. The six cameras covered every corner of the chamber, leaving nowhere for the thing to hide.

Strewn around the room were the dismembered remains of Patrick Duchaine, one of the Beekeeper's creations who had been sent into the isolation room to test the capabilities of the Werner thing.

A transition module connected the monitoring hub to Isolation Room Number Two. At each end of the module was a massive round steel door made for a bank vault. By design, both doors could not be open at the same time.

Ripley looked at the vault door on this end of the transition module. Nothing on Earth, whether natural-born or made by Helios, could get through that two-foot-thick steel barrier.

A camera in the isolation room revealed that the inner vault door remained shut, as well.

He doubted that the Werner thing was loose in the building. The instant someone saw it, an alarm would have been sounded.

Only one possibility remained. At some point, the inner door might have cycled open long enough to allow the creature into the transition module before closing behind it. In that case, it waited now behind not two steel barriers, but behind one.

BY THE TIME
Bucky and Janet Guitreau reached the front porch steps of the Bennet house, they were rain-soaked.

“We should have used an umbrella,” Bucky said. “We look strange like this.”

They were so excited about killing the Bennets that they had not given a thought to the inclement weather.

“Maybe we look so strange they won't let us in,” Bucky worried. “Especially at this hour.”

“They're night owls. This isn't late for them. They'll let us in,” Janet assured him. “We'll say a terrible thing has happened, we need to talk to them. That's what neighbors do, they comfort one another when terrible things happen.”

Beyond the French windows and the folds of silken drapes, the front rooms were filled with soft amber light.

As they climbed the porch steps, Bucky said, “What terrible thing has happened?”

“I killed the pizza-delivery guy.”

“I don't think they'll let us in if we say that.”

“We aren't going to say that. We're just going to say a terrible thing has happened.”

“An unspecified terrible thing,” Bucky clarified.

“Yes, exactly.”

“If that works, they must be amazingly trusting people.”