Death and Judgement (27 page)

'Did you have anything to do with the tapes?' he asked again.

'You know about them?' she asked, and then, aware of how redundant the question was, asked, 'How did you find out?'

'My daughter saw one. Trevisan's daughter gave it to her and said it might explain why someone would want to have killed her father.'

'How old is your daughter?' she asked.

'Fourteen.'

'I'm sorry,' Signora Ceroni said and looked down at her hands. 'I'm really sorry.'

‘
You know what's on the tapes?' he asked. She nodded. 'Yes, I know.'

He made no attempt to keep his disgust from his voice, 'And you helped Trevisan sell
them
?'

'Commissario,' she said, getting to her feet,
‘I
don't want to discuss this any further. If you have formal questions to ask me, you can do it at the Questura, in the presence of my lawyer.'

'You killed them, didn't you?' he asked.before he thought about it

'I'm afraid I have no idea what you're talking about
’
she said. 'And now, if you have no further questions,
I’ll
wish you good evening.
’

'Was it you on the train, the woman with the fur hat?'

She had started towards the door, but when he asked her that, she faltered and came down heavily on her left foot. She quickly regained her balance and her composure and continued towards the door.
She opened it and held it open f
or him.. 'Good evening, commissario.'

He paused in front of her at the door, but her gaze was level and cool. He left without saying anything.

When he left the building, he walked away from it without turning to look up towards what he thought must be her windows. Instead, he crossed the bridge in front and turned right into the first
calle
.
There he stopped, wishing, not for the first time, that he had a portable phone. He summoned up memory and waited until the street map of the area that every Venetian carried around in his mind appeared in his. As he thought about it, he realized that he would have to go down to the second
calle
and then swing around to the left, to a narrow
calle
that ran in at the back of her house if he was to get to where he wanted to be: at the end of the
calle
on which she lived, provided with a clear view of her front door.

When he got there, he stood, leaning against a wall, tor more than two hours before she left the building. She looked both ways when she stepped out, but Brunetti was hidden by the darkness in which he stood. She turned right and he followed her, glad he was wearing his brown shoes, the ones with the
rubber heels and soles that muffl
ed his footsteps. Hers, striking out from the high heels of her shoes, left a trail as easy to follow as if she were in constant sight.

Within minutes, he realized she was moving in the direction of either the railway station or Piazzale Roma, keeping to the back
ca
ll
e
and away from
the
vaporetd on the Grand Canal. In Campo Santa Margherita, she cut off to the left, in the direction of Piazzale Roma and
the
buses that went towards
the
mainland.

Brunetti stayed as far behind her as he could without losing sound of her. It was after ten now, so there were few people on the street and almost no sound to obscure
the
steady, determined click of her heels.

When she came out into the Piazzale, she surprised Brunetti by crossing it, walking away from all of the spaces where the buses stopped. On the other side, she walked up
the
stairs and into the municipal parking garage, disappearing through
the
large open doorway. Brunetti hurried across the Piazzale but stopped outside
the
door, trying to see into
the
dim interior.

A man sat inside
the
glass booth to the right of the door. He looked up when Brunetti approached him. 'Did a woman in a grey coat just come in here?'

'Who do you think you are, police?' the man asked and glanced down at the magazine that lay open in front of him.

Wordlessly, Brunetti took his wallet from his pocket and pulled out bis warrant card. He dropped it on the open page. 'Did a woman in a grey coat come in here?'

'Signora Ceroni,' the man said, looking up as he handed Brunetti's card back to him.

'Where's her car?'

'Fourth level. She'll be down in a minute.'

Hie sound of a motor from
the
circular ramp that led to
the
upper parking levels gave proof of this. Brunetti turned away from the window and walked over to the doorway that led outside and to the road to the mainland. He placed himself in the centre of the open door and stood, hands at his side.

The car, a white Mercedes, came down the ramp and turned towards,the door. The headlights caught Brunetti full in the face, blinding him for a moment, forcing him to narrow his eyes to slits.

'Hey, what are you doing?
¹
the man called to Brunetti, climbing down from his chair and coming out of his booth. He took a step towards Brunetti, but just then the car's horn shrieked out, deafening in the enclosed space, and he jumped back, crashing against the doorjamb. He watched the car cover the fifteen metres between itself and the man in the doorway. He shouted again, but the man didn't move. He told himself to run across and push the policeman out of the way, but he couldn't force himself to move.

The horn sounded again, and the man closed his eyes. The sharp squeal of the brakes forced him to open them, and as he watched, the car swerved wildly on the oil-slick floor as it turned away from the policeman, who still hadn't moved. The Mercedes sideswiped a Peugeot Sedan parked in slot 17 and then swerved back towards the door, coming to a stop less than a metre from the policeman. As the attendant watched, the policeman walked up to the passenger door and opened it. He said something, waited a moment, and climbed into the car. The car shot off and through the door, turned left and towards the causeway, and the attendant, unable to think of anything better to do, called the police.

27

As they started across the causeway; towards
the
lights of Mestre and Marghera, Brunetti studied Signora Ceroni's profile, but she ignored him and looked straight ahead, so he looked off to
the
right, to the lighthouse of Murano and, even farther out, the lights of Burano. 'It's very clear tonight,' he said.
^‘
I think I can see Torcell
o out
there
.'

She sped up and was soon travelling faster than any of
the
other cars on the causeway. 'If I turned the wheel to the right
’
we'd go over the edge and into the water,' she said.

‘I
imagine you're right,
’
Brunetti answered.

She took her foot off
the
accelerator, and they slowed down. A car swept past them on
the
left, 'When you came to
the
agency,
’
she said, 'I knew it was just a matter of waiting for you to come back. I should have left then.'

'Where would you have gone?'

'Switzerland, and from there to Brazil.'

'Because of business contacts in Brazil?'

'I couldn't have used
them
, could I?'

Brunetti thought about this for a moment before he
answered, 'No, given
the
circumstances, I suppose you couldn't. Then why Brazil?'

'I have money there.
’

'And in Switzerland?
’

'Of course. Everyone has money in Switzerland,
’
she snapped.

Brunetti, who didn't, knew what she meant and so answered, 'Of course.' Then he asked, 'But you couldn't stay there?'

'No. Brazil's better.
’

'I suppose so. But now you can't go.
’

She said nothing.

'Do you want to tell me about it? We're not at the Questura, and you don't have your lawyer, I know, but I'd like to know why
’

'Is this police or just you?'

He sighed. 'I'm afraid there's no difference, not any more.'

She looked at him men, not for the words but for the sigh. 'What will happen?' she asked. 'To you?' 'Yes.'

'It depends on...' he began to say, thinking that it would depend on what her reason had been. But men he remembered that there were three of them, and so that wasn't true. Motive would matter very
little
to the judges, not with three men dead, and all apparently in the coldest of blood.
‘I
don't know. It won't be good.'

'I don't think I care,' she said, and he was surprised to hear the lightness with which she spoke.

'Why's that?'

'Because they deserved it, all of
them
.'

Brunetti was about to say that no one deserved to
the
, but then he remembered the tape, and he said nothing.

"Te
ll me,' he said.

'You know I worked for
them
?'

'Yes.'

'No, not that I wo
rk for them now. I mean for years
, ever since I came to Italy.
’

'For Trevisan and Favero?' he asked.

'No, not for them, but for men like
them
, the ones who ran it before they sold it to Trevisan.'

'He bought it?' Brunetti asked, surprised to hear her talk as though it were a store.

'Yes. I don't know how it happened. But what I do know is that, one day, the men who were running the business were gone, and Trevisan was
the
new boss.'

'And you were
...
?'

1 was what you would call "middle management
’’
.
’
She used
the
English term, voice heavy with irony. 'What does that mean?
’

it means I was no longer peddling my ass on the street' She glanced across at him then to see if she had shocked him, but
the
look Brunetti gave her was as calm as his voice when he asked, 'How long did you do that?'

‘
Work as a prostitute?' she asked. 'Yes.'

‘I
came here as a prostitute,' she said and then paused. 'No, that's not true. I came here as a young woman, in love with my first lover, an Italian who promised to give me the world, if only I'd leave my home and follow him here. I did, and he didn't

‘
I told you I was from Mostar. That means my family was Muslim. Not that anyone in my family ever saw the inside of a mosque. Except for my uncle, but everyone thought he was crazy. I even went to school with the sisters. My family said I'd get a better education, so I had twelve years of Catholic schools.'

He noticed that they were driving along the right side of the canal that flowed between Venic
e and Padua, the road of the Palladi
an villas. Even as he recognized the road, one of the villas appeared on the other side of the canal, its outline faintly visible in the moonlight a single light burning in the window of an upper floor.

'The story is a cliche, so I won't tell you about it I was in love, I came here, and within a month I was on the streets, 'without a passport with no Italian, but I'd had six years of Latin with the sisters, learning all the prayers, so k was easy for me to learn. It was also easy to learn what I had to do to succeed. I've always been very ambitious, and I saw no reason why I couldn't succeed at this.
’

'And what did you do?
’

'I was very good at my work. I kept myself clean, and I became helpful to the man who controlled us.' 'Helpful in what way?'

'I'd tell him about the other girls. Twice, I told him about girls who were preparing to run away.' 'What happened to them?'

They were beaten. I
think he broke some of the fingers of one of them. They seldom did us enough damage to make us stop working. Bad business.'

'How else were you helpful?'

'I'd give them the names of clients, and I think some of them were blackmailed. I was good at spotting the nervous ones, and I'd ask them about themselves and, sooner or later, they all ended up talking about their wives. If they looked like they'd be good targets, I'd learn their names and then their addresses. It was very easy. Men are very weak. I think it's vanity that does it'

After a few moments' silence, Brunetti asked, 'And then what?'

'And then they took me off the streets. They realized that I could be much more useful to them in a managerial capacity.' Again, she used the English words, speaking almost without accent into and out of the language with the ease of a seal slipping in and out of the water.

'What did you do in that "managerial capacity"?' he asked, matching her lack of accent

'I'd talk to the new girls, explain things to them, and advise them to do as they were told.' She added irrelevantly,
‘I
learned Spanish quickly, and that helped.'

'Was it profitable?'

The higher I rose in the organization, yes. I saved enough
^m
two years to buy the travel agency.'

'But you still worked for them?'

She looked at him before she said, 'You never stop working for them, once you start.' She stopped at a red light but didn't turn to him. Hands locked on the top of the wheel, she looked straight ahead.

'None of this bothered you? Doing all of this?
¹

She shrugged and, when the light changed, shifted into gear. They drove on.

'The business was expanding tremendously. There were more and more girls every year, every month, it seemed. We'd bring them in...'

He interrupted her. 'Is that what the travel agency was for?
’

"Yes. But after a time, it almost didn't make sense to import them, so many were coming in from the East and from North Africa. So we changed our organization to adjust to this. We'd simply pick them up after they got here. It cut down tremendously on overheads. And it was easy enough to get them to hand over their passports. Well, if they had passports. A lot of them didn't.
’
Her voice grew prim, almost officious. 'It's amazing how easy it is to get into this country. And stay here.
’

Another villa came up on the right, but Brunetti barely glanced at it 'The tapes?' he reminded her.

'Ah yes, the tapes,' she said,
‘I
knew about them for months before I saw them. That is, I knew about them in theory, knew that tapes were being sent up from Bosnia, but I didn't know what they were. Trevisan and Favero and Lotto, all of them were excited about them because of the profits they saw. All they had to do was pay a few thousand lire for a blank tape and reproduce it and then, at least in America, they could sell it for at least twenty or thirty times what they paid for the tape. In the beginning, they just sold the master tapes. I think they got a few million lire for them, but then they decided that they wanted to go into d
is
tr
ibut
ion themselves: that's where they said the money was.

I
t was Trevisan who asked me what I'd suggest
.
They knew I had a good instinct for business, so they asked me. I told them exactly what I thought that I couldn't tdQ them anything until I'd seen the tapes. Even then, I was thinking of them as a product and the whole thing as a problem in marketing.' She glanced at him. 'I even thought of it that way, in those terms. Product Marketing.' She sighed.

'So Trevisan spoke to the other two and they agreed to have me look at a few tapes. But they insisted that I do it with them; they didn't trust me, they didn't trust anyone with the master tapes, not once they realized how valuable they were.'

'And did you see them?
’
he asked when he thought she was not going to continue.

'Oh yes, I saw them. I saw three of them.'

'Where?'

'At Lotto's apartment He was the only one who didn't have a wife living with him, so we went there.' 'And?'

'And we watched the tapes. That's when I decided.
’
‘Decided what?' To kil
l them.
’

'All
three of them?' Brunetti asked. 'Of course.'

After a moment he asked, 'Why?' 'Because they enjoyed those films so much. Favero was the worst He got so aroused during the second
one
that
he had to leave the room. I don't know where he went, but he didn't come back until they were over.' 'And the other two?
’

'Oh, they were excited, too. But they had seen
them
before, all of the tapes, and so they could control themselves.'

'Were they the same kind of tapes that I saw?' 'Did a woman get killed?' she asked 'Yes.'

Then it was the same as these. She's raped, usually repeatedly, and men she's killed' For all of the emotion in her voice, she could have been describing training films for flight attendants.

'How many tapes were there?' Brunetti asked.

'I don't know. There were at least seven that I know of, not including the three I saw. But those were the ones they sold outright; these three were the ones they wanted to reproduce and distribute.'

'What did you tell them when you saw the tapes?'

‘I
told them I'd need a day or so to think about it. I said that I knew someone in Brussels who might be interested in buying copies for the Belgian and Dutch markets. But I'd already decided that I would kill them. It was just a matter of finding the best way to do it,
’

'Why?
’

'Why what? Why did I wait, or why did I decide to kill them?'

'Why did you decide to kill them?'

She allowed the car to slow in response to a car ahead of them that was slowing to turn off to the right
.
When the lights of the other car disappeared, she turned to Brunetti.
‘I
've thought about that a great deal, commissario. I mink the thing that decided me was that they enjoyed the tapes so much; that surprised me, that they would And I realized, as I sat and watched the three of them, that they not only had no idea that there was anything wrong in watching the videos, but they didn't think it was wrong to commission
them
.
’
"Were they?'

She turned her eyes back to the road. 'Please, commissario, don't be dull. If there were no market for such things, they wouldn't be made. Trevisan and his friends created a market, and then they saw that it was supplied Before I saw the tapes and saw what was on them, I'd heard Trevisan and Lotto talking about sending a fax to Sarajevo to order more of them. They were as casual as if they were calling up to order a case of wine or to tell their broker to buy or sell some stock. It was business for them.'