Death in Midsummer & Other Stories (3 page)

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Authors: Yukio Mishima

Tags: #Literary, #Fiction, #Short Stories (Single Author), #Japan, #Mishima; Yukio, #Short Stories; Japanese, #Japan - Social Life and Customs

BOOK: Death in Midsummer & Other Stories
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He did not want the manager to see him lay a comforting hand on her shoulder. That would be worse than having the most intimate bedroom secrets spied on. Masaru took off his coat and looked for a place to hang it.

Tomoko noticed. Taking a blue hanger from the lintel, she hung up the sweaty coat for him. Masaru sat down beside Katsuo, who had been awakened by his mother's weeping and lay looking up at them. The child, on his knees, was as unresisting as a doll. How can children be so small? he wondered. It was almost as if he were holding a toy.

Tomoko knelt weeping in a corner of the room.

'It was all my fault,' she said. Those were the words Masaru most wanted to hear.

Behind them, the manager too was in tears. 'I know it's no business of mine, sir, but please don't blame Mrs Ikuta. It happened while she was taking a nap, and through no fault of hers.'

Masaru felt as if he had heard or read of all this somewhere.

'I understand, I understand.'

Obeying the rules, he stood up with the child in his arms, and, going over to his wife, laid his hand gently on her shoulder. The gesture came easily.

Tomoko wept even more bitterly.

The two bodies were found the next day. The constabulary, diving all up and down the beach, finally found them under the headland. Sea creatures had nibbled at them, and there were two or three creatures up each little nostril.

Such incidents of course go far beyond the dictates of custom, and yet at no time are people more bound to follow 19

custom. Tomoko and Masaru forgot none of the responses and the return gifts custom demanded.

A death is always a problem in administration. They were frantically busy administering. One might say that Masaru in particular, as head of the family, had almost no time for sorrow. As for Katsuo, it seemed to him that one festival day succeeded another, with the adults all playing parts.

In any case, they steered their way through the whole complex affair. The funeral offerings came to a considerable sum. Funeral offerings are always larger when the head of the family, who can still provide, is a survivor than when it is his funeral.

Both Masaru and Tomoko were somehow braced for what had to be done. Tomoko did not understand how this almost insane grief and this careful attention to detail could exist side by side. And it was surprising too that she could eat so heavily without even noticing the taste.

What she dreaded most was having to see Masaru's parents.

They arrived from Kanazawa in time for the funeral. 'It was all my fault,' she forced herself to say again, and by way of compensation she turned to her own parents.

'But who should they feel sorriest for? Haven't I just lost two children? There they all are, accusing me. They put the whole blame on me, and I have to apologize to them. They all look at me as if I were the absent-minded maid who dropped the baby in the river. But wasn't it Yasue? Yasue is lucky she's dead.

Why can't they see who's been hurt? I'm a mother who has just lost two children.'

"You're being unfair. Who is accusing you? Wasn't his mother in tears when she said she felt sorrier for you than anyone?'

'She was just saying so.'

Tomoko was thoroughly dissatisfied. She felt like one de-moted and condemned to obscurity, one whose real merit went unnoticed. It seemed to her that such intense sorrows should bring special privileges with them, extraordinary privileges.

Some of the dissatisfaction was with herself, apologizing thus abjectly to her mother-in-law. It was to her mother that she 20

went running when her irritation, like an itching rash all over her body, got the better of her.

She did not know it, but she was actually in despair at the poverty of human emotions. Was it not irrational that there was nothing to do except weep when ten people died, just as one wept for but a single person?

Tomoko wondered why she did not collapse. It seemed strange that she did not collapse, standing there in mourning for more than an hour in the midsummer heat. Sometimes she felt a little faint, and what saved her each time was a fresh start of horror at death. 'I'm a stronger person than I thought,' she said, turning a tearful face to her mother.

Talking with his parents of Yasue, Masaru shed tears for the sister who had thus died an old maid, and Tomoko felt a touch of resentment towards him too.

'Who is more important to him, Yasue or the children?' she wanted to ask.

There was no doubt that she was tense and ready. She could not sleep on the night of the wake, even though she knew she should. And yet she had not even a suggestion of a headache.

Her mind was clear and taut.

Callers would worry over her, and sometimes she answered them roughly: 'You needn't think about me. It makes no difference whether I am alive or dead.'

Thoughts of suicide and insanity left her. Katsuo would be for a time the best reason why she should go on living. But sometimes she thought that it was only a failure of courage, or perhaps passion gone limp, whatever it was that made her think, as she looked at Katsuo being read to by the mourning women, how good it was that she had not killed herself. On such nights she would lie in her husband's arms and, turning eyes as wide as a rabbit's on the circle of light from the bed lamp, repeat over and over again, like one pleading a case: 'I was wrong. It was my fault I should have known from the start that it was a mistake to leave the three children with Yasue.'

The voice was as hollow as a voice testing a mountain echo.

Masaru knew what this obsessive sense of responsibility 21

meant. She was waiting for some sort of punishment. She was greedy for it, one might say.

After the fourteenth-day services, life returned to normal.

People urged them to go off somewhere for a rest, but mountain and seashore both terrified Tomoko. She was convinced that misfortunes never came alone.

One evening late in summer, Tomoko went into the city with Katsuo. She was to meet her husband for dinner when he finished work.

There was nothing Katsuo could not have. Both his mother and his father were almost uncomfortably gentle. They handled him as they would a glass doll, and it was a great undertaking even to see him across a street. His mother would glare at the cars and lorries stopped for a light, and dash across with his hand clutched in hers.

The last of the swimming suits in the store windows assailed her. She had to turn her eyes from a green bathing suit like Yasue's. Afterwards she wondered whether the mannequin had had a head. It seemed that it had not - and again that it had, and a face exactly like Yasue's dead face, the eyes closed in the wet, tangled hair. All the mannequins became drowned corpses.

If only summer would end. The very word 'summer' carried with it festering thoughts of death. And in the evening sun she felt a festering warmth.

Since it was still a little early, she took Katsuo into a department store. It was only a half-hour or so before closing time.

Katsuo wanted to look at toys, and they went up to the third floor. They hurried past the beach playthings. Mothers were frantically going through a heap of marked-down bathing suits for children. One woman held a pair of dark-blue trunks high to the window, and the afternoon sun reflected from the buckle.

Enthusiastically looking for a shroud, thought Tomoko.

When he had bought his blocks, Katsuo wanted to go up to the roof. The roof playground was cool. A fairly strong breeze from the harbour flapped at the awnings.

Tomoko looked through the wire netting at Kachidoki Bridge beyond the city, and at the Tsukishima docks and the cargo ships anchored in the bay.

22

Taking his hand from hers, Katsuo went over to the monkey cage. Tomoko stood over him. Possibly because of the wind, the monkey smell was strong. The monkey gazed at them with wrinkled forehead. As it moved from one branch to another, a hand carefully pressed to its hips, Tomoko could see at the side of the oldish little face a dirty ear with red veins showing through. She had never looked so carefully at an animal before.

Beside the cage was a pond. The fountain in the middle was turned off. There were beds of portulaca around the brick rim, on which a child about Katsuo's age was teetering precariously.

His parents were nowhere in sight.

I hope he falls in. I hope he falls in and drowns.

Tomoko watched the uncertain legs. The child did not fall.

When he had been once round, he noticed Tomoko's gaze and laughed proudly. Tomoko did not laugh. It was as if the child were making fun of her.

She took Katsuo by the hand and hurried down from the roof.

At dinner, Tomoko spoke after rather too long a silence:

'Aren't you quiet, though! And you don't seem the least bit sad.'

Startled, Masaru looked to see whether anyone had heard.

'You don't see? I'm only trying to cheer you up.'

'There's no need to do that.'

'So you say. But what about the effect on Katsuo?'

'I don't deserve to be a mother, anyway.'

And so the dinner was ruined.

Masaru tended more and more to retreat before his wife's sorrow. A man has work to do. He can distract himself with.his work. Meanwhile Tomoko nursed the sorrow. Masaru had to face this monotonous sorrow when he came home, and so he began coming home later at night.

Tomoko phoned a maid who had worked for her long before and gave away all of Kiyoo's and Keiko's clothes and toys. The maid had children of about the same ages.

One morning Tomoko awoke a little later than usual.

Masaru, who had been drinking again the night before, lay 23

curled up on his side of the double bed There was still a dank smell of liquor. -The springs squeaked as he turned over in his sleep. Now that Katsuo was alone, she let him sleep in their second-floor bedroom, though she knew of course that it would be better not to. Through the white mosquito net over their own bed and the net over Katsuo's she looked at the child's sleeping face. He always wore a sort of pout when he slept.

Tomoko reached out of the mosquito net for the curtain cord The roughness of the stiff cord in its hempen cover was pleasant against her sweaty hand The curtain parted a little.

The light struck the sandalwood-tree from below, so that the shadows piled on each other, and the wide clusters of leaves were even softer than usual. Sparrows were chirping noisily.

Every morning they would wake up and start chattering to one another, and apparently they would then form a line and run up and down the gutter. The confused patter of little feet would go from one end of the gutter to the other and back again.

Tomoko smiled as she listened.

It was a blessed morning. She had to feel that it was, for no reason at all. She lay quietly with her head still on the pillow.

A feeling of happiness diffused itself through her whole body.

Suddenly she gasped. She knew why she was so happy. Last night for the first time she had not dreamed of the children.

Every night she had dreamed of them, and last night she had not. She had had instead some pleasant, foolish
little
dream.

She had forgotten so soon, then - her heartlessness struck her as fearful. She wept tears of apology to the children's spirits.

Masaru opened his eyes and looked at her. But he saw a sort of peace in the weeping, and not the usual anguish.

"You thought of them again?'

'Yes.' It seemed too much trouble to tell the truth.

But now that she had told a lie, she was annoyed that her husband did not weep with her. If she had seen tears in his eyes, she might have been able to believe her lie.

The forty-ninth-day services were over. Masaru bought a lot in the Tama Cemetery. These were the first deaths in his branch 24

of the family, and the first graves. Yasue was charged with watching over the children on the Far Shore too: by agreement with the main family, her ashes were to be buried in the same Jot. Tomoko's fears came to seem groundless as the sadness only grew deeper. She went with Masaru and Katsuo to see the new cemetery lot Already it was early autumn.

It was a beautiful day. The heat was leaving the high, clear sky. Memory sometimes makes hours run side by side for us, or pile one on another. It played this strange trick on Tomoko twice in the course of the day. Perhaps, with the sky and the sunlight almost too clear, the edges of her subconscious too were somehow made half transparent.

Two months before the drownings, there had been that car accident. Masaru had not been hurt, of course, but after the drownings Tomoko never rode with him in the car when she took Katsuo out. Today Masaru too had to go by train.

They changed at M. for the little branch line to the cemetery.

Masaru got off the train first with Katsuo. Held back in the crowd, Tomoko was able to get off only a second or two before the door closed. She heard a shrill whistle as the door slid shut behind her, and, almost screaming, she turned and tried to force it open again. She thought she had left Kiyoo and Keiko inside.

Masaru led her off by the arm. She looked at him defiantly, as if he were a detective arresting her.
Coming to
herself an instant later, she tried to explain what had happened - she must explain somehow. But the explanation only made Masaru uncomfortable. He thought she was acting.

Young Katsuo was delighted at the old-fashioned locomotive that took them to the cemetery. It had a high funnel, and it was wonderfully tall, as though on stilts. The wooden sill on which the engineer leaned his elbow might have been made of coal.

The locomotive groaned and sighed and gnashed its teeth, and finally started off through the unexciting suburban market gardens.

Tomoko, who had never been to the Tama Cemetery before, 25

was astonished at its brightness. So wide a space, then, was given to the dead? The green lawns, the wide tree-lined avenues, the blue sky above, clear far into the distance. The city of the dead was cleaner and better ordered than the city of the living.

She and her husband had had no cause to learn of cemeteries, but it did not seem unfortunate that they had now become qualified visitors. While neither of them especially thought about the matter, it seemed that the period of mourning, an unrelieved parade of the dark and the sinister, had brought them a sort of security, something stable, easy, pleasant even.; They had become conditioned to death, and, as when people are conditioned to depravity, they had come to feel that life held nothing they need fear.

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