Authors: Mary Downing Hahn
a Houghton Mifflin Company imprint
215 Park Avenue South, New York, NY 10003
Copyright © 2007 by Mary Downing Hahn
The text was set in 13.5-point Octavian.
All rights reserved.
For information about permission to reproduce selections from
this book, write to Permissions, Houghton Mifflin Company,
215 Park Avenue South, New York, NY 10003.
Printed in the U.S.A.
Library of Congress Cataloging-in-Publication Data
Hahn, Mary Downing.
Deep and dark and dangerous / by Mary Downing Hahn.
Summary: When thirteen-year-old Ali goes to spend the summer with her
aunt and cousin at the family's vacation home, she stumbles upon a secret
that her mother and aunt have been hiding for over thirty years.
[1. Secrets—Fiction. 2. Ghosts—Fiction. 3. Mother and daughters—
Fiction. 4. Cousins—Fiction.] I. Title.
MP 10 9 8 7 6 5 4 3 2
O EVERYONE WHO ENJOYS GHOST STORIES
One rainy Sunday in March, I opened a box of books Mom had brought home from Grandmother's house. Although Grandmother had been dead for five years, no one had unpacked any of the boxes. They'd been sitting in the attic collecting dust, their contents a mystery.
Hoping to find something to read, I started pulling out books—
Charlie and the Chocolate Factory, Misty of Chin-coteague,
and at least a dozen Nancy Drew mysteries. At thirteen, I'd long since outgrown Carolyn Keene's plots, but I opened one at random,
The Bungalow Mystery,
and began flipping the pages, laughing at the corny descriptions: "Nancy, blue eyed, and with reddish glints in her blonde hair," "Helen Corning, dark-haired and petite." The two girls were in a small motorboat on a lake, a storm was coming, and soon they were in big trouble. Just as I was actually getting interested in the plot, I turned a page and found a real-life mystery: a torn photograph.
In faded shades of yellow and green, Mom's older sister, Dulcie, grinned into the camera, her teeth big in her narrow face, her hair a tangled mop of tawny curls. Next to her, Mom looked off to the side, her long straight hair drawn back in a ponytail, eyes downcast, unsmiling, clearly unhappy. Dulcie was about eleven, I guessed, and Mom nine or ten. Behind the girls was water—a lake, I assumed.
Pressed against Dulcie's other side, I could make out an arm, a shoulder, and a few strands of long hair, just enough for me to know it was a girl. The rest of her had been torn away.
I turned the photo over, hoping to find the girl's name written on the back. There was Grandmother's neat, schoolteacherly handwriting: "Gull Cottage, 1977. Dulcie, Claire, and T—."
Like her face, the rest of the girl's name was missing.
Alone in the attic, I stared at the arm and shoulder.
... Tanya, Tonia, Traci, Terri. So many
names to choose from. Which was hers?
Putting the photo back in the book, I ran downstairs to ask Mom about Gull Cottage, the lake, and the girl. I found her in the kitchen chopping onions for the vegetable casserole she was fixing for dinner. Standing there, head down, she wore the same expression caught in the photograph. Not surprising. She always looked sad, even when she wasn't.
I waved the photograph. "Look what I found—a picture of you and Dulcie at a lake somewhere. And another girl—"
Mom snatched the photograph, her face suddenly flushed. "Where did you get this?" She acted as if I'd been rummaging through her purse, her bureau drawers, the medicine cabinet, looking for secrets.
I backed away, startled by her reaction. "It fell out of your old book." I held up
The Bungalow Mystery.
"It was in one of those boxes you brought back from Grandmother's house. Look, here's your name." I pointed to "Claire Thornton, 1977," written in a childish scrawl on the inside cover.
Mom stared at the photograph as if I hadn't spoken. "I was sure I'd thrown this away."
"Who's the girl sitting beside Dulcie?" I asked, unable to restrain my curiosity.
"Me," Mom said without raising her eyes.
"No, I mean on the other side, where it's ripped." I pointed. "See her arm and her shoulder? On the back Grandmother wrote
but the rest of her name was on the torn part."
"I don't remember another girl." Mom gripped the photo and shook her head. "At the lake, it was always Dulcie and me, just Dulcie and me. Nobody else."
At that moment, Dad came through the kitchen door and set a grocery bag on the counter. "Salad stuff," he said. "They didn't have field greens, so I got baby spinach."
"Fine," Mom said.
"What are you looking at?" Reaching over Mom's shoulder, he took the photo. "Little Claire and little Dulcie," he said with a smile. "What a cute pair you were. Too bad the picture's torn—and the color's so awful."
Mom reached for the photo, but Dad wasn't finished with it.
"This must have been taken in Maine," he said.
"Yes." She reached for the picture again.
"Hey, look at this." Dad handed her the photo. "There's another girl sitting next to Dulcie. See her arm? Who was she?"
"This picture was taken thirty years ago," she said sharply. "I have no idea who that girl was."
Slipping the photo into her pocket, Mom went to the kitchen window and gazed at the backyard, which was just beginning to show green after the winter. With her back to us, she said, "Soon it'll be time to mulch the garden."
It was her way of ending the conversation, but Dad chose to ignore the hint. "Your mom and aunt spent their vacations at Sycamore Lake when they were little," he told me. "They still own Gull Cottage, but neither one of them has gone there since they were kids."
"Why not?" I asked. "A cottage on a lake ... I'd love to see it."
"Don't be ridiculous," Mom said, her back still turned. "The place has probably fallen to pieces by now."
"Why not drive up and take a look this summer?" Dad asked her. "Ali would love Maine—great hiking, swimming, canoeing, and fishing. Lobster, clams, blueberries. We haven't had a real vacation for years."
Mom spun around to face us, her body tense, her voice shrill. "I hated going there when I was little. The lake was cold and deep and scary, and the shore was so stony, it hurt my feet. It rained for weeks straight. Thunder, lightning, wind, fog. The gnats and mosquitoes were vicious. Dulcie and I fought all the time. I never want to see Gull Cottage again. And neither does Dulcie."
"Oh, come on, Claire," Dad said, laughing. "It couldn't have been
"You don't know anything about it." Pressing her fingers to her temples, a sure sign of a headache, she left the room and ran upstairs. A second later, the bedroom door slammed shut.
I turned to Dad, frustrated. "What's the matter with Mom now?"
"Go easy on her, Ali. You know how easily she gets upset." He sighed and headed toward the stairs. "Don't you have a math test tomorrow?"
Alone in the kitchen, I opened my textbook and stared at a page of algebra problems.
Go easy on your mother, don't upset her, she can't handle it.
How often had I heard that? My mother was fragile. She worried, she cried easily, sometimes she stayed in bed for days with migraine headaches.
From the room overhead I could hear the drone of my parents' voices. Mom's voice rose sharp and tearful. "I've told you before, I don't want to talk about it."
Dad mumbled something. I closed my algebra book and retreated to the family room. With the TV on, I couldn't hear them arguing, but even a rerun of
Law and Order
couldn't keep me from thinking about the photo. I certainly hadn't meant to start a scene—I just wanted to know who "T" was.
I never saw the photo again. No one mentioned Sycamore Lake or Gull Cottage. But the more we didn't talk about it, the more I thought about it. Who was "T"? Why didn't Mom remember her? If Grandmother had still been alive, I swear I would've called her and asked who "T" was.
I thought about calling Dulcie and asking her, but if Mom saw the number on the phone bill, she'd want to know why I'd called my aunt and what we'd talked about. Mom had "issues with Dulcie"—her words. They couldn't be together for more than a few hours without arguing. Politics, child raising, marriage—they didn't agree on anything.
Maybe because I couldn't talk to anyone about the photo, I began dreaming about "T" and the lake. Week after week, the same dream, over and over and over again.
I'm walking along the shore of Sycamore Lake in a thick fog. I see a girl coming toward me. I can't make out her face, but somehow I know it's "T." She seems to know me, too. She says, "You'd better do something about this." She points at three girls in a canoe, paddling out onto the lake. One is my mother, one is Dulcie, and I think the third girl is "T." But how can that be? Isn't she standing a few feet away? No, she's gone. The canoe vanishes into the fog.
That's when I always woke up. Scared, shivering—the way people feel when they say, "Someone's walking on my grave."
I wanted to tell Mom about the dream, but I knew it would upset her. Although Dad didn't agree, it seemed to me she'd been more nervous and anxious since I'd shown her the photograph. She started seeing her therapist again, not once but twice a week. Her headaches came more frequently, and she spent days lying on the couch reading poetry, mainly Emily Dickinson—not a good choice in my opinion for a depressed person. Dickinson's poems were full of things I didn't quite understand but that frightened me. Her mind was haunted, I thought, by death and sorrow and uncertainty. Sometimes I suspected that's why Mom liked Dickinson—they were kindred spirits.
Except for my dream and Mom's days on the couch, life went on pretty much as usual. Dad taught his math classes at the university, graded exams, gave lectures, and complained about lazy students and boring faculty meetings—standard stuff. I got involved in painting scenery for the school play and doing things with my friends. As the weather warmed, Mom cheered up a bit and went to work in her flower garden, mulching, transplanting, choosing new plants at the nursery—the best therapy, she claimed.
And then Dulcie paid us an unexpected visit and threw everything off track.
One afternoon in May, I came home from school and found Dulcie and Emma in the living room with Mom. My heart gave a little dance at the sight of my aunt's tall, skinny figure, her fashionably baggy linen overalls, the familiar mop of long tawny curls, the rings on her fingers. Right down to her chunky sandals and crimson toenails, she looked like what she was—an artist.
"Ali!" Dulcie jumped to her feet and crossed the room to hug me. "It's great to see you."
"You, too." I hugged her tightly and breathed in the musky scent of her perfume.
Holding me at arm's length, she gave me a quick once-over. Her silver bracelets jingled. "Look at you—a teenager already." She turned to Mom with a smile. "They grow up so fast!"
"She's only thirteen," Mom murmured. "Don't rush things."
Dulcie frowned as if she might start arguing about how grown up I was. Before she could say anything, though, Emma flung herself at me. "Ali, Ali, Ali!"
"Whoa," I laughed. "You're getting so big, you'll knock me down! Look at your hair—it's almost as long as mine."
Emma giggled and hugged me. "That's 'cause I'm almost five. Soon I'll be as big as you."
Keeping an arm around my cousin's shoulders, I turned back to Dulcie. "Are you in town for a show or—"
"I had to see the owner of a gallery in D.C. She wants to exhibit my work in a group show next fall, and I need peace and quiet to paint, so..." Dulcie glanced at Mom who sighed and shook her head, obviously worried about something.
"Your mother thinks this is the worst idea I've ever had," Dulcie went on with a laugh. "But I'm going to fix up the old cottage at the lake and spend the summer there."
I stared at her, hardly daring to believe she was serious. Sycamore Lake, the place that had obsessed me for two months now. Before I could bombard her with questions, Mom said, "Dulcie, I really think—"
"No arguments. My mind's made up." Dulcie smiled at Mom and turned to me. "I need a babysitter to entertain Emma while I paint. I'm trying to talk your mom into letting me borrow you for the summer."