Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four) (344 page)
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Authors: Jerome K. Jerome
Not that the past should be buried. The music of life would be mute if the chords of memory were snapped asunder. It is but the poisonous weeds, not the flowers, that we should root out from the garden of Mnemosyne. Do you remember Dickens’ “Haunted Man” — how he prayed for forgetfulness, and how, when his prayer was answered, he prayed for memory once more? We do not want all the ghosts laid. It is only the haggard, cruel-eyed specters that we flee from. Let the gentle, kindly phantoms haunt us as they will; we are not afraid of them.
Ah me! the world grows very full of ghosts as we grow older. We need not seek in dismal church-yards nor sleep in moated granges to see the shadowy faces and hear the rustling of their garments in the night. Every house, every room, every creaking chair has its own particular ghost. They haunt the empty chambers of our lives, they throng around us like dead leaves whirled in the autumn wind. Some are living, some are dead. We know not. We clasped their hands once, loved them, quarreled with them, laughed with them, told them our thoughts and hopes and aims, as they told us theirs, till it seemed our very hearts had joined in a grip that would defy the puny power of Death. They are gone now; lost to us forever. Their eyes will never look into ours again and their voices we shall never hear. Only their ghosts come to us and talk with us. We see them, dim and shadowy, through our tears. We stretch our yearning hands to them, but they are air.
Ghosts! They are with us night and day. They walk beside us in the busy street under the glare of the sun. They sit by us in the twilight at home. We see their little faces looking from the windows of the old school-house. We meet them in the woods and lanes where we shouted and played as boys. Hark! cannot you hear their low laughter from behind the blackberry-bushes and their distant whoops along the grassy glades? Down here, through the quiet fields and by the wood, where the evening shadows are lurking, winds the path where we used to watch for her at sunset. Look, she is there now, in the dainty white frock we knew so well, with the big bonnet dangling from her little hands and the sunny brown hair all tangled. Five thousand miles away! Dead for all we know! What of that? She is beside us now, and we can look into her laughing eyes and hear her voice. She will vanish at the stile by the wood and we shall be alone; and the shadows will creep out across the fields and the night wind will sweep past moaning. Ghosts! they are always with us and always will be while the sad old world keeps echoing to the sob of long good-bys, while the cruel ships sail away across the great seas, and the cold green earth lies heavy on the hearts of those we loved.
But, oh, ghosts, the world would be sadder still without you. Come to us and speak to us, oh you ghosts of our old loves! Ghosts of playmates, and of sweethearts, and old friends, of all you laughing boys and girls, oh, come to us and be with us, for the world is very lonely, and new friends and faces are not like the old, and we cannot love them, nay, nor laugh with them as we have loved and laughed with you. And when we walked together, oh, ghosts of our youth, the world was very gay and bright; but now it has grown old and we are growing weary, and only you can bring the brightness and the freshness back to us.
Memory is a rare ghost-raiser. Like a haunted house, its walls are ever echoing to unseen feet. Through the broken casements we watch the flitting shadows of the dead, and the saddest shadows of them all are the shadows of our own dead selves.
Oh, those young bright faces, so full of truth and honor, of pure, good thoughts, of noble longings, how reproachfully they look upon us with their deep, clear eyes!
I fear they have good cause for their sorrow, poor lads. Lies and cunning and disbelief have crept into our hearts since those preshaving days — and we meant to be so great and good.
It is well we cannot see into the future. There are few boys of fourteen who would not feel ashamed of themselves at forty.
I like to sit and have a talk sometimes with that odd little chap that was myself long ago. I think he likes it too, for he comes so often of an evening when I am alone with my pipe, listening to the whispering of the flames. I see his solemn little face looking at me through the scented smoke as it floats upward, and I smile at him; and he smiles back at me, but his is such a grave, old-fashioned smile. We chat about old times; and now and then he takes me by the hand, and then we slip through the black bars of the grate and down the dusky glowing caves to the land that lies behind the firelight. There we find the days that used to be, and we wander along them together. He tells me as we walk all he thinks and feels. I laugh at him now and then, but the next moment I wish I had not, for he looks so grave I am ashamed of being frivolous. Besides, it is not showing proper respect to one so much older than myself — to one who was myself so very long before I became myself.
We don’t talk much at first, but look at one another; I down at his curly hair and little blue bow, he up sideways at me as he trots. And some-how I fancy the shy, round eyes do not altogether approve of me, and he heaves a little sigh, as though he were disappointed. But after awhile his bashfulness wears off and he begins to chat. He tells me his favorite fairy-tales, he can do up to six times, and he has a guinea-pig, and pa says fairy-tales ain’t true; and isn’t it a pity? ‘cos he would so like to be a knight and fight a dragon and marry a beautiful princess. But he takes a more practical view of life when he reaches seven, and would prefer to grow up be a bargee, and earn a lot of money. Maybe this is the consequence of falling in love, which he does about this time with the young lady at the milk shop aet. six. (God bless her little ever-dancing feet, whatever size they may be now!) He must be very fond of her, for he gives her one day his chiefest treasure, to wit, a huge pocket-knife with four rusty blades and a corkscrew, which latter has a knack of working itself out in some mysterious manner and sticking into its owner’s leg. She is an affectionate little thing, and she throws her arms round his neck and kisses him for it, then and there, outside the shop. But the stupid world (in the person of the boy at the cigar emporium next door) jeers at such tokens of love. Whereupon my young friend very properly prepares to punch the head of the boy at the cigar emporium next door; but fails in the attempt, the boy at the cigar emporium next door punching his instead.
And then comes school life, with its bitter little sorrows and its joyous shoutings, its jolly larks, and its hot tears falling on beastly Latin grammars and silly old copy-books. It is at school that he injures himself for life — as I firmly believe — trying to pronounce German; and it is there, too, that he learns of the importance attached by the French nation to pens, ink, and paper. “Have you pens, ink, and paper?” is the first question asked by one Frenchman of another on their meeting. The other fellow has not any of them, as a rule, but says that the uncle of his brother has got them all three. The first fellow doesn’t appear to care a hang about the uncle of the other fellow’s brother; what he wants to know now is, has the neighbor of the other fellow’s mother got ‘em? “The neighbor of my mother has no pens, no ink, and no paper,” replies the other man, beginning to get wild. “Has the child of thy female gardener some pens, some ink, or some paper?” He has him there. After worrying enough about these wretched inks, pens, and paper to make everybody miserable, it turns out that the child of his own female gardener hasn’t any. Such a discovery would shut up any one but a French exercise man. It has no effect at all, though, on this shameless creature. He never thinks of apologizing, but says his aunt has some mustard.
So in the acquisition of more or less useless knowledge, soon happily to be forgotten, boyhood passes away. The red-brick school-house fades from view, and we turn down into the world’s high-road. My little friend is no longer little now. The short jacket has sprouted tails. The battered cap, so useful as a combination of pocket-handkerchief, drinking-cup, and weapon of attack, has grown high and glossy; and instead of a slate-pencil in his mouth there is a cigarette, the smoke of which troubles him, for it will get up his nose. He tries a cigar a little later on as being more stylish — a big black Havanna. It doesn’t seem altogether to agree with him, for I find him sitting over a bucket in the back kitchen afterward, solemnly swearing never to smoke again.
And now his mustache begins to be almost visible to the naked eye, whereupon he immediately takes to brandy-and-sodas and fancies himself a man. He talks about “two to one against the favorite,” refers to actresses as “Little Emmy” and “Kate” and “Baby,” and murmurs about his “losses at cards the other night” in a style implying that thousands have been squandered, though, to do him justice, the actual amount is most probably one-and-twopence. Also, if I see aright — for it is always twilight in this land of memories — he sticks an eyeglass in his eye and stumbles over everything.
His female relations, much troubled at these things, pray for him (bless their gentle hearts!) and see visions of Old Bailey trials and halters as the only possible outcome of such reckless dissipation; and the prediction of his first school-master, that he would come to a bad end, assumes the proportions of inspired prophecy.
He has a lordly contempt at this age for the other sex, a blatantly good opinion of himself, and a sociably patronizing manner toward all the elderly male friends of the family. Altogether, it must be confessed, he is somewhat of a nuisance about this time.
It does not last long, though. He falls in love in a little while, and that soon takes the bounce out of him. I notice his boots are much too small for him now, and his hair is fearfully and wonderfully arranged. He reads poetry more than he used, and he keeps a rhyming dictionary in his bedroom. Every morning Emily Jane finds scraps of torn-up paper on the floor and reads thereon of “cruel hearts and love’s deep darts,” of “beauteous eyes and lovers’ sighs,” and much more of the old, old song that lads so love to sing and lassies love to listen to while giving their dainty heads a toss and pretending never to hear.
The course of love, however, seems not to have run smoothly, for later on he takes more walking exercise and less sleep, poor boy, than is good for him; and his face is suggestive of anything but wedding-bells and happiness ever after.
And here he seems to vanish. The little, boyish self that has grown up beside me as we walked is gone.
I am alone and the road is very dark. I stumble on, I know not how nor care, for the way seems leading nowhere, and there is no light to guide.
But at last the morning comes, and I find that I have grown into myself.
THE END
ON THE STAGE AND OFF
THE BRIEF CAREER OF A WOULD-BE ACTOR
CONTENTS
PREFACE.
In penning the following pages I have endeavored to be truthful. In looking back upon the scenes through which I passed
,
I have sought to penetrate the veil of glamour Time trails behind him as he flies, and to see things exactly as they were — to see the rough road as well as the smiling landscape, the briers and brambles as well as the green grass and the waving trees.
Now, however
,
that my task is done
,
and duty no longer demands that memory should use a telescope
,
the mellowing haze of distance resumes its sway
,
and the Stage again appears the fair
,
enchanted ground that I once dreamt it. I forget the shadows, and remember but the brightness. The hardships that I suffered seem now but picturesque incidents; the worry only pleasurable excitement.
I think of the Stage as of a lost friend. I like to dwell upon its virtues and to ignore its faults. I wish to bury in oblivion the bad
,
bold villains and the falsehearted knaves who played a part thereon and to think only of the gallant heroes, the virtuous maidens, and the good old men.
Let the bad pass. I met far more honest, kindly faces than deceitful ones, and I prefer to remember the former. Plenty of honest
,
kindly hands grasped mine, and such are the hands that I like to grip again in thought. Where the owners of those kindly hands and faces may be now I do not know. Years have passed since I last saw them, and the sea of life has drifted us farther and farther apart. But wherever on that sea they may be battling, I call to them from here a friendly greeting. Hoping that my voice may reach across the waves that roll between us, I shout to them and their profession a hearty and sincere God Speed.
