Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (53 page)

“The very same,” said Hepzibah. “It was Alice Pyncheon's harpsichord. When I was learning music, my father would never let me open it. So, as I could only play on my teacher's instrument, I have forgotten all my music long ago.”

Leaving these antique themes, the old lady began to talk about the daguerreotypist, whom, as he seemed to be a well-meaning and orderly young man, and in narrow circumstances, she had permitted to take up his residence in one of the seven gables. But, on seeing more of Mr. Holgrave, she hardly knew what to make of him. He had the strangest companions imaginable; men with long beards, and dressed in linen blouses, and other such new-fangled and ill-fitting garments; reformers, temperance lecturers, and all manner of cross-looking philanthropists; community-men, and come-outers, as Hepzibah believed, who acknowledged no law, and ate no solid food, but lived on the scent of other people's cookery, and turned up their noses at the fare. As for the daguerreotypist, she had read a paragraph in a penny paper, the other day, accusing him of making a speech full of wild and disorganizing matter, at a meeting of his banditti-like associates. For her own part, she had reason to believe that he practised animal magnetism, and, if such things were in fashion nowadays, should be apt to suspect him of studying the Black Art up there in his lonesome chamber.

“But, dear cousin,” said Phoebe, “if the young man is so dangerous, why do you let him stay? If he does nothing worse, he may set the house on fire!”

“Why, sometimes,” answered Hepzibah, “I have seriously made it a question, whether I ought not to send him away. But, with all his oddities, he is a quiet kind of a person, and has such a way of taking hold of one's mind, that, without exactly liking him (for I don't know enough of the young man), I should be sorry to lose sight of him entirely. A woman clings to slight acquaintances when she lives so much alone as I do.”

“But if Mr. Holgrave is a lawless person!” remonstrated Phoebe, a part of whose essence it was to keep within the limits of law.

“Oh!” said Hepzibah carelessly, — for, formal as she was, still, in her life's experience, she had gnashed her teeth against human law, — ”I suppose he has a law of his own!”

VI Maule's Well

AFTER an early tea, the little country-girl strayed into the garden. The enclosure had formerly been very extensive, but was now contracted within small compass, and hemmed about, partly by high wooden fences, and partly by the outbuildings of houses that stood on another street. In its centre was a grass-plat, surrounding a ruinous little structure, which showed just enough of its original design to indicate that it had once been a summer-house. A hop-vine, springing from last year's root, was beginning to clamber over it, but would be long in covering the roof with its green mantle. Three of the seven gables either fronted or looked sideways, with a dark solemnity of aspect, down into the garden.

The black, rich soil had fed itself with the decay of a long period of time; such as fallen leaves, the petals of flowers, and the stalks and seed — vessels of vagrant and lawless plants, more useful after their death than ever while flaunting in the sun. The evil of these departed years would naturally have sprung up again, in such rank weeds (symbolic of the transmitted vices of society) as are always prone to root themselves about human dwellings. Phoebe saw, however, that their growth must have been checked by a degree of careful labor, bestowed daily and systematically on the garden. The white double rosebush had evidently been propped up anew against the house since the commencement of the season; and a pear-tree and three damson-trees, which, except a row of currant-bushes, constituted the only varieties of fruit, bore marks of the recent amputation of several superfluous or defective limbs. There were also a few species of antique and hereditary flowers, in no very flourishing condition, but scrupulously weeded; as if some person, either out of love or curiosity, had been anxious to bring them to such perfection as they were capable of attaining. The remainder of the garden presented a well-selected assortment of esculent vegetables, in a praiseworthy state of advancement. Summer squashes almost in their golden blossom; cucumbers, now evincing a tendency to spread away from the main stock, and ramble far and wide; two or three rows of string-beans and as many more that were about to festoon themselves on poles; tomatoes, occupying a site so sheltered and sunny that the plants were already gigantic, and promised an early and abundant harvest.

Phoebe wondered whose care and toil it could have been that had planted these vegetables, and kept the soil so clean and orderly. Not surely her cousin Hepzibah's, who had no taste nor spirits for the lady-like employment of cultivating flowers, and — with her recluse habits, and tendency to shelter herself within the dismal shadow of the house — would hardly have come forth under the speck of open sky to weed and hoe among the fraternity of beans and squashes.

It being her first day of complete estrangement from rural objects, Phoebe found an unexpected charm in this little nook of grass, and foliage, and aristocratic flowers, and plebeian vegetables. The eye of Heaven seemed to look down into it pleasantly, and with a peculiar smile, as if glad to perceive that nature, elsewhere overwhelmed, and driven out of the dusty town, had here been able to retain a breathing-place. The spot acquired a somewhat wilder grace, and yet a very gentle one, from the fact that a pair of robins had built their nest in the pear-tree, and were making themselves exceedingly busy and happy in the dark intricacy of its boughs. Bees, too, — strange to say, — had thought it worth their while to come hither, possibly from the range of hives beside some farm-house miles away. How many aerial voyages might they have made, in quest of honey, or honey-laden, betwixt dawn and sunset! Yet, late as it now was, there still arose a pleasant hum out of one or two of the squash-blossoms, in the depths of which these bees were plying their golden labor. There was one other object in the garden which Nature might fairly claim as her inalienable property, in spite of whatever man could do to render it his own. This was a fountain, set round with a rim of old mossy stones, and paved, in its bed, with what appeared to be a sort of mosaic-work of variously colored pebbles. The play and slight agitation of the water, in its upward gush, wrought magically with these variegated pebbles, and made a continually shifting apparition of quaint figures, vanishing too suddenly to be definable. Thence, swelling over the rim of moss-grown stones, the water stole away under the fence, through what we regret to call a gutter, rather than a channel. Nor must we forget to mention a hen-coop of very reverend antiquity that stood in the farther corner of the garden, not a great way from the fountain. It now contained only Chanticleer, his two wives, and a solitary chicken. All of them were pure specimens of a breed which had been transmitted down as an heirloom in the Pyncheon family, and were said, while in their prime, to have attained almost the size of turkeys, and, on the score of delicate flesh, to be fit for a prince's table. In proof of the authenticity of this legendary renown, Hepzibah could have exhibited the shell of a great egg, which an ostrich need hardly have been ashamed of. Be that as it might, the hens were now scarcely larger than pigeons, and had a queer, rusty, withered aspect, and a gouty kind of movement, and a sleepy and melancholy tone throughout all the variations of their clucking and cackling. It was evident that the race had degenerated, like many a noble race besides, in consequence of too strict a watchfulness to keep it pure. These feathered people had existed too long in their distinct variety; a fact of which the present representatives, judging by their lugubrious deportment, seemed to be aware. They kept themselves alive, unquestionably, and laid now and then an egg, and hatched a chicken; not for any pleasure of their own, but that the world might not absolutely lose what had once been so admirable a breed of fowls. The distinguishing mark of the hens was a crest of lamentably scanty growth, in these latter days, but so oddly and wickedly analogous to Hepzibah's turban, that Phoebe — to the poignant distress of her conscience, but inevitably — was led to fancy a general resemblance betwixt these forlorn bipeds and her respectable relative.

The girl ran into the house to get some crumbs of bread, cold potatoes, and other such scraps as were suitable to the accommodating appetite of fowls. Returning, she gave a peculiar call, which they seemed to recognize. The chicken crept through the pales of the coop and ran, with some show of liveliness, to her feet; while Chanticleer and the ladies of his household regarded her with queer, sidelong glances, and then croaked one to another, as if communicating their sage opinions of her character. So wise, as well as antique, was their aspect, as to give color to the idea, not merely that they were the descendants of a time-honored race, but that they had existed, in their individual capacity, ever since the House of the Seven Gables was founded, and were somehow mixed up with its destiny. They were a species of tutelary sprite, or Banshee; although winged and feathered differently from most other guardian angels.

“Here, you odd little chicken!” said Phoebe; “here are some nice crumbs for you!”

The chicken, hereupon, though almost as venerable in appearance as its mother — possessing, indeed, the whole antiquity of its progenitors in miniature, — mustered vivacity enough to flutter upward and alight on Phoebe's shoulder.

“That little fowl pays you a high compliment!” said a voice behind Phoebe.

Turning quickly, she was surprised at sight of a young man, who had found access into the garden by a door opening out of another gable than that whence she had emerged. He held a hoe in his hand, and, while Phoebe was gone in quest of the crumbs, had begun to busy himself with drawing up fresh earth about the roots of the tomatoes.

“The chicken really treats you like an old acquaintance,” continued he in a quiet way, while a smile made his face pleasanter than Phoebe at first fancied it. “Those venerable personages in the coop, too, seem very affably disposed. You are lucky to be in their good graces so soon! They have known me much longer, but never honor me with any familiarity, though hardly a day passes without my bringing them food. Miss Hepzibah, I suppose, will interweave the fact with her other traditions, and set it down that the fowls know you to be a Pyncheon!”

“The secret is,” said Phoebe, smiling, “that I have learned how to talk with hens and chickens.”

“Ah, but these hens,” answered the young man, — ”these hens of aristocratic lineage would scorn to understand the vulgar language of a barn-yard fowl. I prefer to think — and so would Miss Hepzibah — that they recognize the family tone. For you are a Pyncheon?”

“My name is Phoebe Pyncheon,” said the girl, with a manner of some reserve; for she was aware that her new acquaintance could be no other than the daguerreotypist, of whose lawless propensities the old maid had given her a disagreeable idea. “I did not know that my cousin Hepzibah's garden was under another person's care.”

“Yes,” said Holgrave, “I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime. My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one's eyes, to come into it. But would you like to see a specimen of my productions?”

“A daguerreotype likeness, do you mean?” asked Phoebe with less reserve; for, in spite of prejudice, her own youthfulness sprang forward to meet his. “I don't much like pictures of that sort, — they are so hard and stern; besides dodging away from the eye, and trying to escape altogether. They are conscious of looking very unamiable, I suppose, and therefore hate to be seen.”

“If you would permit me,” said the artist, looking at Phoebe, “I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression. It would gratify me to have your judgment on this character.”

He exhibited a daguerreotype miniature in a morocco case. Phoebe merely glanced at it, and gave it back.

“I know the face,” she replied; “for its stern eye has been following me about all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don't think him improved by your alterations.”

“You would have seen other differences had you looked a little longer,” said Holgrave, laughing, yet apparently much struck. “I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world's eye, — and, for aught I know, to his most intimate friends, — an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good-humor, and other praiseworthy qualities of that cast. The sun, as you see, tells quite another story, and will not be coaxed out of it, after half a dozen patient attempts on my part. Here we have the man, sly, subtle, hard, imperious, and, withal, cold as ice. Look at that eye! Would you like to be at its mercy? At that mouth! Could it ever smile? And yet, if you could only see the benign smile of the original! It is so much the more unfortunate, as he is a public character of some eminence, and the likeness was intended to be engraved.”

“Well, I don't wish to see it any more,” observed Phoebe, turning away her eyes. “It is certainly very like the old portrait. But my cousin Hepzibah has another picture, — a miniature. If the original is still in the world, I think he might defy the sun to make him look stern and hard.”

“You have seen that picture, then!” exclaimed the artist, with an expression of much interest. “I never did, but have a great curiosity to do so. And you judge favorably of the face?”

“There never was a sweeter one,” said Phoebe. “It is almost too soft and gentle for a man's.”

“Is there nothing wild in the eye?” continued Holgrave, so earnestly that it embarrassed Phoebe, as did also the quiet freedom with which he presumed on their so recent acquaintance. “Is there nothing dark or sinister anywhere? Could you not conceive the original to have been guilty of a great crime?”

“It is nonsense,” said Phoebe a little impatiently, “for us to talk about a picture which you have never seen. You mistake it for some other. A crime, indeed! Since you are a friend of my cousin Hepzibah's, you should ask her to show you the picture.”