Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (324 page)

“Mr. Copley,” said Drowne, quietly, “I know nothing of marble statuary, and nothing of the sculptor's rules of art; but of this wooden image, this work of my hands, this creature of my heart,” — and here his voice faltered and choked in a very singular manner, — ”of this — of her — I may say that I know something. A well-spring of inward wisdom gushed within me as I wrought upon the oak with my whole strength, and soul, and faith. Let others do what they may with marble, and adopt what rules they choose. If I can produce my desired effect by painted wood, those rules are not for me, and I have a right to disregard them.”

“The very spirit of genius,” muttered Copley to himself. “How otherwise should this carver feel himself entitled to transcend all rules, and make me ashamed of quoting them?”

He looked earnestly at Drowne, and again saw that expression of human love which, in a spiritual sense, as the artist could not help imagining, was the secret of the life that had been breathed into this block of wood.

The carver, still in the same secrecy that marked all his operations upon this mysterious image, proceeded to paint the habiliments in their proper colors, and the countenance with Nature's red and white. When all was finished he threw open his workshop, and admitted the towns people to behold what he had done. Most persons, at their first entrance, felt impelled to remove their hats, and pay such reverence as was due to the richly-dressed and beautiful young lady who seemed to stand in a corner of the room, with oaken chips and shavings scattered at her feet. Then came a sensation of fear; as if, not being actually human, yet so like humanity, she must therefore be something preternatural. There was, in truth, an indefinable air and expression that might reasonably induce the query, Who and from what sphere this daughter of the oak should be? The strange, rich flowers of Eden on her head; the complexion, so much deeper and more brilliant than those of our native beauties; the foreign, as it seemed, and fantastic garb, yet not too fantastic to be worn decorously in the street; the delicately-wrought embroidery of the skirt; the broad gold chain about her neck; the curious ring upon her finger; the fan, so exquisitely sculptured in open work, and painted to resemble pearl and ebony; — where could Drowne, in his sober walk of life, have beheld the vision here so matchlessly embodied! And then her face! In the dark eyes, and around the voluptuous mouth, there played a look made up of pride, coquetry, and a gleam of mirthfulness, which impressed Copley with the idea that the image was secretly enjoying the perplexing admiration of himself and other beholders.

“And will you,” said he to the carver, “permit this masterpiece to become the figure-head of a vessel? Give the honest captain yonder figure of Britannia — it will answer his purpose far better — and send this fairy queen to England, where, for aught I know, it may bring you a thousand pounds.”

“I have not wrought it for money,” said Drowne.

“What sort of a fellow is this!” thought Copley. “A Yankee, and throw away the chance of making his fortune! He has gone mad; and thence has come this gleam of genius.”

There was still further proof of Drowne's lunacy, if credit were due to the rumor that he had been seen kneeling at the feet of the oaken lady, and gazing with a lover's passionate ardor into the face that his own hands had created. The bigots of the day hinted that it would be no matter of surprise if an evil spirit were allowed to enter this beautiful form, and seduce the carver to destruction.

The fame of the image spread far and wide. The inhabitants visited it so universally, that after a few days of exhibition there was hardly an old man or a child who had not become minutely familiar with its aspect. Even had the story of Drowne's wooden image ended here, its celebrity might have been prolonged for many years by the reminiscences of those who looked upon it in their childhood, and saw nothing else so beautiful in after life. But the town was now astounded by an event, the narrative of which has formed itself into one of the most singular legends that are yet to be met with in the traditionary chimney corners of the New England metropolis, where old men and women sit dreaming of the past, and wag their heads at the dreamers of the present and the future.

One fine morning, just before the departure of the Cynosure on her second voyage to Fayal, the commander of that gallant vessel was seen to issue from his residence in Hanover Street. He was stylishly dressed in a blue broadcloth coat, with gold lace at the seams and button-holes, an embroidered scarlet waistcoat, a triangular hat, with a loop and broad binding of gold, and wore a silver-hilted hanger at his side. But the good captain might have been arrayed in the robes of a prince or the rags of a beggar, without in either case attracting notice, while obscured by such a companion as now leaned on his arm. The people in the street started, rubbed their eyes, and either leaped aside from their path, or stood as if transfixed to wood or marble in astonishment.

“Do you see it? — do you see it?” cried one, with tremulous eagerness. “It is the very same!”

“The same?” answered another, who had arrived in town only the night before. “Who do you mean? I see only a sea-captain in his shoregoing clothes, and a young lady in a foreign habit, with a bunch of beautiful flowers in her hat. On my word, she is as fair and bright a damsel as my eyes have looked on this many a day!”

“Yes; the same! — the very same!” repeated the other. “Drowne's wooden image has come to life!”

Here was a miracle indeed! Yet, illuminated by the sunshine, or darkened by the alternate shade of the houses, and with its garments fluttering lightly in the morning breeze, there passed the image along the street. It was exactly and minutely the shape, the garb, and the face which the towns-people had so recently thronged to see and admire. Not a rich flower upon her head, not a single leaf, but had had its prototype in Drowne's wooden workmanship, although now their fragile grace had become flexible, and was shaken by every footstep that the wearer made. The broad gold chain upon the neck was identical with the one represented on the image, and glistened with the motion imparted by the rise and fall of the bosom which it decorated. A real diamond sparkled on her finger. In her right hand she bore a pearl and ebony fan, which she flourished with a fantastic and bewitching coquetry, that was likewise expressed in all her movements as well as in the style of her beauty and the attire that so well harmonized with it. The face with its brilliant depth of complexion had the same piquancy of mirthful mischief that was fixed upon the countenance of the image, but which was here varied and continually shifting, yet always essentially the same, like the sunny gleam upon a bubbling fountain. On the whole, there was something so airy and yet so real in the figure, and withal so perfectly did it represent Drowne's image, that people knew not whether to suppose the magic wood etherealized into a spirit or warmed and softened into an actual woman.

“One thing is certain,” muttered a Puritan of the old stamp, “Drowne has sold himself to the devil; and doubtless this gay Captain Hunnewell is a party to the bargain.”

“And I,” said a young man who overheard him, “would almost consent to be the third victim, for the liberty of saluting those lovely lips.”

“And so would I,” said Copley, the painter, “for the privilege of taking her picture.”

The image, or the apparition, whichever it might be, still escorted by the bold captain, proceeded from Hanover Street through some of the cross lanes that make this portion of the town so intricate, to Ann Street, thence into Dock Square, and so downward to Drowne's shop, which stood just on the water's edge. The crowd still followed, gathering volume as it rolled along. Never had a modern miracle occurred in such broad daylight, nor in the presence of such a multitude of witnesses. The airy image, as if conscious that she was the object of the murmurs and disturbance that swelled behind her, appeared slightly vexed and flustered, yet still in a manner consistent with the light vivacity and sportive mischief that were written in her countenance. She was observed to flutter her fan with such vehement rapidity that the elaborate delicacy of its workmanship gave way, and it remained broken in her hand.

Arriving at Drowne's door, while the captain threw it open, the marvellous apparition paused an instant on the threshold, assuming the very attitude of the image, and casting over the crowd that glance of sunny coquetry which all remembered on the face of the oaken lady. She and her cavalier then disappeared.

“Ah!” murmured the crowd, drawing a deep breath, as with one vast pair of lungs.

“The world looks darker now that she has vanished,” said some of the young men.

But the aged, whose recollections dated as far back as witch times, shook their heads, and hinted that our forefathers would have thought it a pious deed to burn the daughter of the oak with fire.

“If she be other than a bubble of the elements,” exclaimed Copley, “I must look upon her face again.”

He accordingly entered the shop; and there, in her usual corner, stood the image, gazing at him, as it might seem, with the very same expression of mirthful mischief that had been the farewell look of the apparition when, but a moment before, she turned her face towards the crowd. The carver stood beside his creation mending the beautiful fan, which by some accident was broken in her hand. But there was no longer any motion in the lifelike image, nor any real woman in the workshop, nor even the witchcraft of a sunny shadow, that might have deluded people's eyes as it flitted along the street. Captain Hunnewell, too, had vanished. His hoarse sea-breezy tones, however, were audible on the other side of a door that opened upon the water.

“Sit down in the stern sheets, my lady,” said the gallant captain. “Come, bear a hand, you lubbers, and set us on board in the turning of a minute-glass.”

And then was heard the stroke of oars.

“Drowne,” said Copley with a smile of intelligence, “you have been a truly fortunate man. What painter or statuary ever had such a subject! No wonder that she inspired a genius into you, and first created the artist who afterwards created her image.”

Drowne looked at him with a visage that bore the traces of tears, but from which the light of imagination and sensibility, so recently illuminating it, had departed. He was again the mechanical carver that he had been known to be all his lifetime.

“I hardly understand what you mean, Mr. Copley,” said he, putting his hand to his brow. “This image! Can it have been my work? Well, I have wrought it in a kind of dream; and now that I am broad awake I must set about finishing yonder figure of Admiral Vernon.”

And forthwith he employed himself on the stolid countenance of one of his wooden progeny, and completed it in his own mechanical style, from which he was never known afterwards to deviate. He followed his business industriously for many years, acquired a competence, and in the latter part of his life attained to a dignified station in the church, being remembered in records and traditions as Deacon Drowne, the carver. One of his productions, an Indian chief, gilded all over, stood during the better part of a century on the cupola of the Province House, bedazzling the eyes of those who looked upward, like an angel of the sun. Another work of the good deacon's hand — a reduced likeness of his friend Captain Hunnewell, holding a telescope and quadrant — may be seen to this day, at the corner of Broad and State streets, serving in the useful capacity of sign to the shop of a nautical instrument maker. We know not how to account for the inferiority of this quaint old figure, as compared with the recorded excellence of the Oaken Lady, unless on the supposition that in every human spirit there is imagination, sensibility, creative power, genius, which, according to circumstances, may either be developed in this world, or shrouded in a mask of dulness until another state of being. To our friend Drowne there came a brief season of excitement, kindled by love. It rendered him a genius for that one occasion, but, quenched in disappointment, left him again the mechanical carver in wood, without the power even of appreciating the work that his own hands had wrought. Yet who can doubt that the very highest state to which a human spirit can attain, in its loftiest aspirations, is its truest and most natural state, and that Drowne was more consistent with himself when he wrought the admirable figure of the mysterious lady, than when he perpetrated a whole progeny of blockheads?

There was a rumor in Boston, about this period, that a young Portuguese lady of rank, on some occasion of political or domestic disquietude, had fled from her home in Fayal and put herself under the protection of Captain Hunnewell, on board of whose vessel, and at whose residence, she was sheltered until a change of affairs. This fair stranger must have been the original of Drowne's Wooden Image.

THE INTELLIGENCE OFFICE

Grave figure, with a pair of mysterious spectacles on his nose and a pen behind his ear, was seated at a desk in the corner of a metropolitan office. The apartment was fitted up with a counter, and furnished with an oaken cabinet and a Chair or two, in simple and business-like style. Around the walls were stuck advertisements of articles lost, or articles wanted, or articles to be disposed of; in one or another of which classes were comprehended nearly all the Conveniences, or otherwise, that the imagination of man has contrived. The interior of the room was thrown into shadow, partly by the tall edifices that rose on the opposite side of the street, and partly by the immense show-bills of blue and crimson paper that were expanded over each of the three windows. Undisturbed by the tramp of feet, the rattle of wheels, the hump of voices, the shout of the city crier, the scream of the newsboys, and other tokens of the multitudinous life that surged along in front of the office, the figure at the desk pored diligently over a folio volume, of ledger-like size and aspect, He looked like the spirit of a record — the soul of his own great volume made visible in mortal shape.

But scarcely an instant elapsed without the appearance at the door of some individual from the busy population whose vicinity was manifested by so much buzz, and clatter, and outcry. Now, it was a thriving mechanic in quest of a tenement that should come within his moderate means of rent; now, a ruddy Irish girl from the banks of Killarney, wandering from kitchen to kitchen of our land, while her heart still hung in the peat-smoke of her native cottage; now, a single gentleman looking out for economical board; and now — for this establishment offered an epitome of worldly pursuits — it was a faded beauty inquiring for her lost bloom; or Peter Schlemihl, for his lost shadow; or an author of ten years' standing, for his vanished reputation; or a moody man, for yesterday's sunshine.

At the next lifting of the latch there entered a person with his hat awry upon his head, his clothes perversely ill-suited to his form, his eyes staring in directions opposite to their intelligence, and a certain odd unsuitableness pervading his whole figure. Wherever he might chance to be, whether in palace or cottage, church or market, on land or sea, or even at his own fireside, he must have worn the characteristic expression of a man out of his right place.

“This,” inquired he, putting his question in the form of an assertion, — ”this is the Central Intelligence Office?”

“Even so,” answered the figure at the desk, turning another leaf of his volume; he then looked the applicant in the face and said briefly, “Your business?”

“I want,” said the latter, with tremulous earnestness, “a place!”

“A place! and of what nature?” asked the Intelligencer. “There are many vacant, or soon to be so, some of which will probably suit, since they range from that of a footman up to a seat at the council-board, or in the cabinet, or a throne, or a presidential chair.”

The stranger stood pondering before the desk with an unquiet, dissatisfied air, — a dull, vague pain of heart, expressed by a slight contortion of the brow, — an earnestness of glance, that asked and expected, yet continually wavered, as if distrusting. In short, he evidently wanted, not in a physical or intellectual sense, but with an urgent moral necessity that is the hardest of all things to satisfy, since it knows not its own object.

“Ah, you mistake me!” said he at length, with a gesture of nervous impatience. “Either of the places you mention, indeed, might answer my purpose; or, more probably, none of them. I want my place! my own place! my true place in the world! my proper sphere! my thing to do, which Nature intended me to perform when she fashioned me thus awry, and which I have vainly sought all my lifetime! Whether it be a footman's duty or a king's is of little consequence, so it be naturally mine. Can you help me here?”

“I will enter your application,” answered the Intelligencer, at the same time writing a few lines in his volume. “But to undertake such a business, I tell you frankly, is quite apart from the ground covered by my official duties. Ask for something specific, and it may doubtless be negotiated for you, on your compliance with the conditions. But were I to go further, I should have the whole population of the city upon my shoulders; since far the greater proportion of them are, more or less, in your predicament.”

The applicant sank into a fit of despondency, and passed out of the door without again lifting his eyes; and, if he died of the disappointment, he was probably buried in the wrong tomb, inasmuch as the fatality of such people never deserts them, and, whether alive or dead, they are invariably out of place.

Almost immediately another foot was heard on the threshold. A youth entered hastily, and threw a glance around the office to ascertain whether the man of intelligence was alone. He then approached close to the desk, blushed like a maiden, and seemed at a loss how to broach his business.

“You come upon an affair of the heart,” said the official personage, looking into him through his mysterious spectacles. “State it in as few words as may be.”

“You are right,” replied the youth. “I have a heart to dispose of.”

“You seek an exchange?” said the Intelligencer. “Foolish youth, why not be contented with your own?”

“Because,” exclaimed the young man, losing his embarrassment in a passionate glow, — ”because my heart burns me with an intolerable fire; it tortures me all day long with yearnings for I know not what, and feverish throbbings, and the pangs of a vague sorrow; and it awakens me in the night-time with a quake, when there is nothing to be feared. I cannot endure it any longer. It were wiser to throw away such a heart, even if it brings me nothing in return.”

“O, very well,” said the man of office, making an entry in his volume. “Your affair will be easily transacted. This species of brokerage makes no inconsiderable part of my business; and there is always a large assortment of the article to select from. Here, if I mistake not, comes a pretty fair sample.”

Even as he spoke the door was gently and slowly thrust ajar, affording a glimpse of the slender figure of a young girl, who, as she timidly entered, seemed to bring the light and cheerfulness of the outer atmosphere into the somewhat gloomy apartment. We know not her errand there, nor can we reveal whether the young man gave up his heart into her custody. If so, the arrangement was neither better nor worse than in ninety-nine cases out of a hundred, where the parallel sensibilities of a similar age, importunate affections, and the easy satisfaction of characters not deeply conscious of themselves, supply the place of any profounder sympathy.

Not always, however, was the agency of the passions and affections an office of so little trouble. It happened, rarely, indeed, in proportion to the cases that came under an ordinary rule, but still it did happen, that a heart was occasionally brought hither of such exquisite material, so delicately attempered, and so curiously wrought, that no other heart could be found to match it. It might almost be considered a misfortune, in a worldly point of view, to be the possessor of such a diamond of the purest water; since in any reasonable probability it could only be exchanged for an ordinary pebble, or a bit of cunningly manufactured glass, or, at least, for a jewel of native richness, but ill-set, or with some fatal flaw, or an earthy vein running through its central lustre. To choose another figure, it is sad that hearts which have their wellspring in the infinite, and contain inexhaustible sympathies, should ever be doomed to pour themselves into shallow vessels, and thus lavish their rich affections on the ground. Strange that the finer and deeper nature, whether in man or woman, while possessed of every other delicate instinct, should so often lack that most invaluable one of preserving itself front contamination with what is of a baser kind! Sometimes, it is true, the spiritual fountain is kept pure by a wisdom within itself, and sparkles into the light of heaven without a stain from the earthy strata through which it had gushed upward. And sometimes, even here on earth, the pure mingles with the pure, and the inexhaustible is recompensed with the infinite. But these miracles, though he should claim the credit of them, are far beyond the scope of such a superficial agent in human affairs as the figure in the mysterious spectacles.

Again the door was opened, admitting the bustle of the city with a fresher reverberation into the Intelligence Office. Now entered a man of woe-begone and downcast look; it was such an aspect as if he had lost the very soul out of his body, and had traversed all the world over, searching in the dust of the highways, and along the shady footpaths, and beneath the leaves of the forest, and among the sands of the sea-shore, in hopes to recover it again. He had bent an anxious glance along the pavement of the street as he came hitherward; he looked also in the angle of the doorstep, and upon the floor of the room; and, finally, coming up to the Man of Intelligence, he gazed through the inscrutable spectacles which the latter wore, as if the lost treasure might be hidden within his eyes.

“I have lost — ” he began; and then he paused.

“Yes,” said the Intelligencer, “I see that you have lost, — but what?”

“I have lost a precious jewel!” replied the unfortunate person, “the like of which is not to be found among any prince's treasures. While I possessed it, the contemplation of it was my sole and sufficient happiness. No price should have purchased it of me; but it has fallen from my bosom where I wore it in my careless wanderings about the city.”

After causing the stranger to describe the marks of his lost jewel, the Intelligencer opened a drawer of the oaken cabinet which has been mentioned as forming a part of the furniture of the room. Here were deposited whatever articles had been picked up in the streets, until the right owners should claim them. It was a strange and heterogeneous collection. Not the least remarkable part of it was a great number of wedding-rings, each one of which had been riveted upon the finger with holy vows, and all the mystic potency that the most solemn rites could attain, but had, nevertheless, proved too slippery for the wearer's vigilance. The gold of some was worn thin, betokening the attrition of years of wedlock; others, glittering from the jeweller's shop, must have been lost within the honeymoon. There were ivory tablets, the leaves scribbled over with sentiments that had been the deepest truths of the writer's earlier years, but which were now quite obliterated from his memory. So scrupulously were articles preserved in this depository, that not even withered flowers were rejected; white roses, and blush-roses, and moss-roses, fit emblems of virgin purity and shamefacedness, which bad been lost or flung away, and trampled into the pollution of the streets; locks of hair, — the golden and the glossy dark, — the long tresses of woman and the crisp curls of man, signified that lovers were now and then so heedless of the faith intrusted to them as to drop its symbol from the treasure-place of the bosom. Many of these things were imbued with perfumes, and perhaps a sweet scent had departed from the lives of their former possessors ever since they had so wilfully or negligently lost them. Here were gold pencil-cases, little ruby hearts with golden arrows through them, bosom-pins, pieces of coin, and small articles of every description, comprising nearly all that have been lost since a long time ago. Most of them, doubtless, had a history and a meaning, if there were time to search it out and room to tell it. Whoever has missed anything valuable, whether out of his heart, mind, or pocket, would do well to make inquiry at the Central Intelligence Office.

And in the corner of one of the drawers of the oaken cabinet, after considerable research, was found a great pearl, looking like the soul of celestial purity, congealed and polished.

“There is my jewel! my very pearl!” cried the stranger, almost beside himself with rapture. “It is mine! Give it me this moment! or I shall perish!”

“I perceive,” said the Man of Intelligence, examining it more closely, “that this is the Pearl of Great Price!”

“The very same,” answered the stranger. “Judge, then, of my misery at losing it out of my bosom! Restore it to me! I must not live without it an instant to longer.”

“Pardon me,” rejoined the Intelligencer, calmly, “you ask what is beyond my duty. This pearl, as you well know, is held upon a peculiar tenure; and having once let it escape from your keeping, you have no greater claim to it — nay, not so great — as any other person. I cannot give it back.”

Nor could the entreaties of the miserable man — who saw before his eyes the jewel of his life without the power to reclaim it — soften the heart of this stern being, impassive to human sympathy, though exercising such an apparent influence over human fortunes. Finally the loser of the inestimable pearl clutched his hands among his hair, and ran madly forth into the world, which was affrighted at his desperate looks. There passed him on the doorstep a fashionable young gentleman, whose business was to inquire for a damask rosebud, the gift of his lady-love, which he had lost out of his buttonhole within a hour after receiving it. So various were the errands of those who visited this Central Office, where all human wishes seemed to be made known, and, so far as destiny would allow, negotiated to their fulfilment.