Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (383 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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Here Hercules grew impatient, and gave a great shrug of his shoulders. It being now twilight, you might have seen two or three stars tumble out of their places. Everybody on earth looked upward in affright, thinking that the sky might be going to fall next.

“Oh, that will never do!” cried Giant Atlas, with a great roar of laughter. “I have not let fall so many stars within the last five centuries. By the time you have stood there as long as I did, you will begin to learn patience!”

“What!” shouted Hercules, very wrathfully, “do you intend to make me bear this burden forever?”

“We will see about that, one of these days,” answered the giant. “At all events, you ought not to complain, if you have to bear it the next hundred years, or perhaps the next thousand. I bore it a good while longer, in spite of the back-ache. Well, then, after a thousand years, if I happen to feel in the mood, we may possibly shift about again. You are certainly a very strong man, and can never have a better opportunity to prove it. Posterity will talk of you, I warrant it!”

“Pish! a fig for its talk!” cried Hercules, with another hitch of his shoulders. “Just take the sky upon your head one instant, will you? I want to make a cushion of my lion's skin, for the weight to rest upon. It really chafes me, and will cause unnecessary inconvenience in so many centuries as I am to stand here.”

“That's no more than fair, and I'll do it!” quoth the giant; for he had no unkind feeling towards Hercules, and was merely acting with a too selfish consideration of his own ease. “For just five minutes, then, I'll take back the sky. Only for five minutes, recollect! I have no idea of spending another thousand years as I spent the last. Variety is the spice of life, say I.”

Ah, the thick-witted old rogue of a giant! He threw down the golden apples, and received back the sky, from the head and shoulders of Hercules, upon his own, where it rightly belonged. And Hercules picked up the three golden apples, that were as big or bigger than pumpkins, and straightway set out on his journey homeward, without paying the slightest heed to the thundering tones of the giant, who bellowed after him to come back. Another forest sprang up around his feet, and grew ancient there; and again might be seen oak-trees, of six or seven centuries old, that had waxed thus aged betwixt his enormous toes.

And there stands the giant to this day; or, at any rate, there stands a mountain as tall as he, and which bears his name; and when the thunder rumbles about its summit, we may imagine it to be the voice of Giant Atlas, bellowing after Hercules!

 

 

 

COUSIN EUSTACE,” demanded Sweet Fern, who had been sitting at the story-teller's feet, with his mouth wide open, “exactly how tall was this giant?”

“O Sweet Fern, Sweet Fern!” cried the student. “Do you think that I was there, to measure him with a yard-stick? Well, if you must know to a hair's-breadth, I suppose he might be from three to fifteen miles straight upward, and that he might have seated himself on Taconic, and had Monument Mountain for a footstool.”

“Dear me!” ejaculated the good little boy, with a contented sort of a grunt, “that was a giant, sure enough! And how long was his little finger?”

“As long as from Tanglewood to the lake,” said Eustace.

“Sure enough, that was a giant!” repeated Sweet Fern, in an ecstasy at the precision of these measurements. “And how broad, I wonder, were the shoulders of Hercules?”

“That is what I have never been able to find out,” answered the student. “But I think they must have been a great deal broader than mine, or than your father's, or than almost any shoulders which one sees nowadays.”

“I wish,” whispered Sweet Fern, with his mouth close to the student's ear, “that you would tell me how big were some of the oak-trees that grew between the giant's toes.”

“They were bigger,” said Eustace, “than the great chestnut-tree which stands beyond Captain Smith's house.”

“Eustace,” remarked Mr. Pringle, after some deliberation, “I find it impossible to express such an opinion of this story as will be likely to gratify, in the smallest degree, your pride of authorship. Pray let me advise you never more to meddle with a classical myth. Your imagination is altogether Gothic, and will inevitably Gothicize everything that you touch. The effect is like bedaubing a marble statue with paint. This giant, now! How can you have ventured to thrust his huge, disproportioned mass among the seemly outlines of Grecian fable, the tendency of which is to reduce even the extravagant within limits, by its pervading elegance?”

“I described the giant as he appeared to me,” replied the student, rather piqued. “And, sir, if you would only bring your mind into such a relation with these fables as is necessary in order to remodel them, you would see at once that an old Greek had no more exclusive right to them than a modern Yankee has. They are the common property of the world, and of all time. The ancient poets remodeled them at pleasure, and held them plastic in their hands; and why should they not be plastic in my hands as well?”

Mr. Pringle could not forbear a smile.

“And besides,” continued Eustace, “the moment you put any warmth of heart, any passion or affection, any human or divine morality, into a classic mould, you make it quite another thing from what it was before. My own opinion is, that the Greeks, by taking possession of these legends (which were the immemorial birthright of mankind), and putting them into shapes of indestructible beauty, indeed, but cold and heartless, have done all subsequent ages an incalculable injury.”

“Which you, doubtless, were born to remedy,” said Mr. Pringle, laughing outright. “Well, well, go on; but take my advice, and never put any of your travesties on paper. And, as your next effort, what if you should try your hand on some one of the legends of Apollo?”

“Ah, sir, you propose it as an impossibility,” observed the student, after a moment's meditation; “and, to be sure, at first thought, the idea of a Gothic Apollo strikes one rather ludicrously. But I will turn over your suggestion in my mind, and do not quite despair of success.”

During the above discussion, the children (who understood not a word of it) had grown very sleepy, and were now sent off to bed. Their drowsy babble was heard, ascending the staircase, while a northwest wind roared loudly among the tree-tops of Tanglewood, and played an anthem around the house. Eustace Bright went back to the study, and again endeavored to hammer out some verses, but fell asleep between two of the rhymes.

THE MIRACULOUS PITCHER

 

 

AND when, and where, do you think we find the children next? No longer in the winter-time, but in the merry month of May. No longer in Tanglewood play-room, or at Tanglewood fireside, but more than halfway up a monstrous hill, or a mountain, as perhaps it would be better pleased to have us call it. They had set out from home with the mighty purpose of climbing this high hill, even to the very tiptop of its bald head. To be sure, it was not quite so high as Chimborazo or Mont Blanc, and was even a good deal lower than old Graylock. But, at any rate, it was higher than a thousand ant-hillocks or a million of mole-hills; and, when measured by the short strides of little children, might be reckoned a very respectable mountain.

And was Cousin Eustace with the party? Of that you may be certain; else how could the book go on a step farther? He was now in the middle of the spring vacation, and looked pretty much as we saw him four or five months ago, except that, if you gazed quite closely at his upper lip, you could discern the funniest little bit of a mustache upon it. Setting aside this mark of mature manhood, you might have considered Cousin Eustace just as much a boy as when you first became acquainted with him. He was as merry, as playful, as good-humored, as light of foot and of spirits, and equally a favorite with the little folks, as he had always been. This expedition up the mountain was entirely of his contrivance. All the way up the steep ascent, he had encouraged the elder children with his cheerful voice; and when Dandelion, Cowslip, and Squash-Blossom grew weary, he had lugged them along, alternately, on his back. In this manner, they had passed through the orchards and pastures on the lower part of the hill, and had reached the wood, which extends thence towards its bare summit.

The month of May, thus far, had been more amiable than it often is, and this was as sweet and genial a day as the heart of man or child could wish. In their progress up the hill, the small people had found enough of violets, blue and white, and some that were as golden as if they had the touch of Midas on them. That sociablest of flowers, the little Houstonia, was very abundant. It is a flower that never lives alone, but which loves its own kind, and is always fond of dwelling with a great many friends and relatives around it. Sometimes you see a family of them, covering a space no bigger than the palm of your hand; and sometimes a large community, whitening a whole tract of pasture, and all keeping one another in cheerful heart and life.

Within the verge of the wood there were columbines, looking more pale than red, because they were so modest, and had thought proper to seclude themselves too anxiously from the sun. There were wild geraniums, too, and a thousand white blossoms of the strawberry. The trailing arbutus was not yet quite out of bloom; but it hid its precious flowers under the last year's withered forest-leaves, as carefully as a mother-bird hides its little young ones. It knew, I suppose, how beautiful and sweet-scented they were. So cunning was their concealment, that the children sometimes smelt the delicate richness of their perfume before they knew whence it proceeded.

Amid so much new life, it was strange and truly pitiful to behold, here and there, in the fields and pastures, the hoary periwigs of dandelions that had already gone to seed. They had done with summer before the summer came. Within those small globes of winged seeds it was autumn now!

Well, but we must not waste our valuable pages with any more talk about the spring-time and wild flowers. There is something, we hope, more interesting to be talked about. If you look at the group of children, you may see them all gathered around Eustace Bright, who, sitting on the stump of a tree, seems to be just beginning a story. The fact is, the younger part of the troop have found out that it takes rather too many of their short strides to measure the long ascent of the hill. Cousin Eustace, therefore, has decided to leave Sweet Fern, Cowslip, Squash-Blossom, and Dandelion, at this point, midway up, until the return of the rest of the party from the summit. And because they complain a little, and do not quite like to stay behind, he gives them some apples out of his pocket, and proposes to tell them a very pretty story. Hereupon they brighten up, and change their grieved looks into the broadest kind of smiles.

As for the story, I was there to hear it, hidden behind a bush, and shall tell it over to you in the pages that come next.

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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