Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (592 page)

June 29th. — Yesterday, 28th, I left Liverpool from the Lime Street station; an exceedingly hot day for England, insomuch that the rail carriages were really uncomfortable. I have now passed over the London and Northwestern Railway so often that the northern part of it is very wearisome, especially as it has few features of interest even to a new observer. At Stafford — no, at Wolverhampton — we diverged to a track which I have passed over only once before. We stopped an hour and a quarter at Wolverhampton, and I walked up into the town, which is large and old, — old, at least, in its plan, or lack of plan, — the streets being irregular, and straggling over an uneven surface. Like many of the English towns, it reminds me of Boston, though dingier. The sun was so hot that I actually sought the shady sides of the streets; and this, of itself, is one long step towards establishing a resemblance between an English town and an American one.

English railway carriages seem to me more tiresome than any other; and I suppose it is owing to the greater motion, arising from their more elastic springs. A slow train, too, like that which I was now in, is more tiresome than a quick one, at least to the spirits, whatever it may be to the body. We loitered along through afternoon and evening, stopping at every little station, and nowhere getting to the top of our speed, till at last, in the late dusk, we reached

GLOUCESTER,

and I put up at the Wellington Hotel, which is but a little way from the station. I took tea and a slice or two of ham in the coffee-room, and had a little talk with two people there; one of whom, on learning that I was an American, said, “But I suppose you have now been in England some time?” He meant, finding me not absolutely a savage, that I must have been caught a good while ago. . . .

The next morning I went into the city, the hotel being on its outskirts, and rambled along in search of the cathedral. Some church-bells were chiming and clashing for a wedding or other festal occasion, and I followed the sound, supposing that it might proceed from the cathedral, but this was not the case. It was not till I had got to a bridge over the Severn, quite out of the town, that I saw again its tower, and knew how to shape my course towards it.

I did not see much that was strange or interesting in Gloucester. It is old, with a good many of those antique Elizabethan houses with two or three peaked gables on a line together; several old churches, which always cluster about a cathedral, like chickens round a hen; a hospital for decayed tradesmen; another for bluecoat boys; a great many butcher's shops, scattered in all parts of the town, open in front, with a counter or dresser on which to display the meat, just in the old fashion of Shakespeare's house. It is a large town, and has a good deal of liveliness and bustle, in a provincial way. In short, judging by the sheep, cattle, and horses, and the people of agricultural aspect that I saw about the streets, I should think it must have been market-day. I looked here and there for the old Bell Inn, because, unless I misremember, Fielding brings Tom Jones to this inn, while he and Partridge were travelling together. It is still extant; for, on my arrival the night before, a runner from it had asked me to go thither; but I forgot its celebrity at the moment. I saw nothing of it in my rambles about Gloucester, but at last I found

THE CATHEDRAL,

though I found no point from which a good view of the exterior can be seen.

It has a very beautiful and rich outside, however, and a lofty tower, very large and ponderous, but so finished off, and adorned with pinnacles, and all manner of architectural devices, — wherewith these old builders knew how to alleviate their massive structures, — that it seems to sit lightly in the air. The porch was open, and some workmen were trundling barrows into the nave; so I followed, and found two young women sitting just within the porch, one of whom offered to show me round the cathedral. There was a great dust in the nave, arising from the operations of the workmen. They had been laying a new pavement, and scraping away the plaster, which had heretofore been laid over the pillars and walls. The pillars come out from the process as good as new, — great, round, massive columns, not clustered like those of most cathedrals; they are twenty-one feet in circumference, and support semicircular arches. I think there are seven of these columns, on each side of the nave, which did not impress me as very spacious; and the dust and racket of the work-people quite destroyed the effect which should have been produced by the aisles and arches; so that I hardly stopped to glance at this part, though I saw some mural monuments and recumbent statues along the walls.

The choir is separated from the nave by the usual screen, and now by a sail-cloth or something of that kind, drawn across, in order to keep out the dust, while the repairs are going on. When the young woman conducted me hither, I was at once struck by the magnificent eastern window, the largest in England, which fills, or looks vast enough to fill, all that end of the cathedral, — a most splendid window, full of old painted glass, which looked as bright as sunshine, though the sun was not really shining through it. The roof of the choir is of oak and very fine, and as much as ninety feet high. There are chapels opening from the choir, and within them the monuments of the eminent people who built them, and of benefactors or prelates, or of those otherwise illustrious in their day. My recollection of what I saw here is very dim and confused; more so than I anticipated. I remember somewhere within the choir the tomb of Edward II. with his effigy upon the top of it, in a long robe, with a crown on his head, and a ball and sceptre in his hand; likewise, a statue of Robert, son of the Conqueror, carved in Irish oak and painted. He lolls in an easy posture on his tomb, with one leg crossed lightly over the other, to denote that he was a Crusader. There are several monuments of mitred abbots who formerly presided over the cathedral. A Cavalier and his wife, with the dress of the period elaborately represented, lie side by side in excellent preservation; and it is remarkable that though their noses are very prominent, they have come down from the past without any wear and tear. The date of the Cavalier's death is 1637, and I think his statue could not have been sculptured until after the Restoration, else he and his dame would hardly have come through Cromwell's time unscathed. Here, as in all the other churches in England, Cromwell is said to have stabled his horses, and broken the windows, and belabored the old monuments.

There is one large and beautiful chapel, styled the Lady's Chapel, which is, indeed, a church by itself, being ninety feet long, and comprising everything that appertains to a place of worship. Here, too, there are monuments, and on the floor are many old bricks and tiles, with inscriptions on them, or Gothic devices, and flat tombstones, with coats of arms sculptured on them; as, indeed, there are everywhere else, except in the nave, where the new pavement has obliterated them. After viewing the choir and the chapels, the young woman led me down into the crypts below, where the dead persons who are commemorated in the upper regions were buried. The low ponderous pillars and arches of these crypts are supposed to be older than the upper portions of the building. They are about as perfect, I suppose, as when new, but very damp, dreary, and darksome; and the arches intersect one another so intricately, that, if the girl had deserted me, I might easily have got lost there. These are chapels where masses used to be said for the souls of the deceased; and my guide said that a great many skulls and bones had been dug up here. No doubt a vast population has been deposited in the course of a thousand years. I saw two white skulls, in a niche, grinning as skulls always do, though it is impossible to see the joke. These crypts, or crypts like these, are doubtless what Congreve calls the “aisles and monumental caves of Death,” in that passage which Dr. Johnson admired so much. They are very singular, — something like a dark shadow or dismal repetition of the upper church below ground.

Ascending from the crypts, we went next to the cloisters, which are in a very perfect state, and form an unbroken square about the green grass-plot, enclosed within. Here also it is said Cromwell stabled his horses; but if so, they were remarkably quiet beasts, for tombstones, which form the pavement, are not broken, nor cracked, nor bear any hoof-marks. All around the cloisters, too, the stone tracery that shuts them in like a closed curtain, carefully drawn, remains as it was in the days of the monks, insomuch that it is not easy to get a glimpse of the green enclosure. Probably there used to be painted glass in the larger apertures of this stone-work; otherwise it is perfect. These cloisters are very different from the free, open, and airy ones of Salisbury; but they are more in accordance with our notions of monkish habits; and even at this day, if I were a canon of Gloucester, I would put that dim ambulatory to a good use. The library is adjacent to the cloisters, and I saw some rows of folios and quartos. I have nothing else to record about the cathedral, though if I were to stay there a month, I suppose it might then begin to be understood. It is wicked to look at these solemn old churches in a hurry. By the by, it was not built in a hurry; but in full three hundred years, having been begun in 1188 and only finished in 1498, not a great many years before Papistry began to go out of vogue in England.

From Gloucester I took the rail for Basingstoke before noon. The first part of the journey was through an uncommonly beautiful tract of country, hilly, but not wild; a tender and graceful picturesqueness, — fine, single trees and clumps of trees, and sometimes wide woods, scattered over the landscape, and filling the nooks of the hills with luxuriant foliage. Old villages scattered frequently along our track, looking very peaceful, with the peace of past ages lingering about them; and a rich, rural verdure of antique cultivation everywhere. Old country-seats — specimens of the old English hall or manor-house — appeared on the hillsides, with park-scenery surrounding the mansions; and the gray churches rose in the midst of all the little towns. The beauty of English scenery makes me desperate, it is so impossible to describe it, or in any way to record its impression, and such a pity to leave it undescribed; and, moreover, I always feel that I do not get from it a hundredth or a millionth part of the enjoyment that there really is in it, hurrying past it thus. I was really glad when we rumbled into a tunnel, piercing for a long distance through a hill; and, emerging on the other side, we found ourselves in a comparatively level and uninteresting tract of country, which lasted till we reached Southampton. English scenery, to be appreciated and to be reproduced with pen and pencil, requires to be dwelt upon long, and to be wrought out with the nicest touches. A coarse and hasty brush is not the instrument for such work.

July 6th. — Monday, June 30th, was a warm and beautiful day, and my wife and I took a cab from Southampton and drove to

NETLEY ABBEY,

about three or four miles. The remains of the Abbey stand in a sheltered place, but within view of Southampton Water; and it is a most picturesque and perfect ruin, all ivy-grown, of course, and with great trees where the pillars of the nave used to stand, and also in the refectory and the cloister court; and so much soil on the summit of the broken walls, that weeds flourish abundantly there, and grass too; and there was a wild rosebush, in full bloom, as much as thirty or forty feet from the ground. S —
 
— - and I ascended a winding stair, leading up within a round tower, the steps much foot-worn; and, reaching the top, we came forth at the height where a gallery had formerly run round the church, in the thickness of the wall. The upper portions of the edifice were now chiefly thrown down; but I followed a foot-path, on the top of the remaining wall, quite to the western entrance of the church. Since the time when the Abbey was taken from the monks, it has been private property; and the possessor, in Henry VIII.'s days, or subsequently, built a residence for himself within its precincts out of the old materials. This has now entirely disappeared, all but some unsightly old masonry, patched into the original walls. Large portions of the ruin have been removed, likewise, to be used as building-materials elsewhere; and this is the Abbey mentioned, I think, by Dr. Watts, concerning which a Mr. William Taylor had a dream while he was contemplating pulling it down. He dreamed that a part of it fell upon his head; and, sure enough, a piece of the wall did come down and crush him. In the nave I saw a large mass of conglomerated stone that had fallen from the wall between the nave and cloisters, and thought that perhaps this was the very mass that killed poor Mr. Taylor.

The ruins are extensive and very interesting; but I have put off describing them too long, and cannot make a distinct picture of them now. Moreover, except to a spectator skilled in architecture, all ruined abbeys are pretty much alike. As we came away, we noticed some women making baskets at the entrance, and one of them urged us to buy some of her handiwork; for that she was the gypsy of Netley Abbey, and had lived among the ruins these thirty years. So I bought one for a shilling. She was a woman with a prominent nose, and weather-tanned, but not very picturesque or striking.

TO BLACKHEATH.

On the 6th July, we left the Villa, with our enormous luggage, and took our departure from Southampton by the noon train. The main street of Southampton, though it looks pretty fresh and bright, must be really antique, there being a great many projecting windows, in the old-time style, and these make the vista of the street very picturesque. I have no doubt that I missed seeing many things more interesting than the few that I saw. Our journey to London was without any remarkable incident, and at the Waterloo station we found one of Mr. Bennoch's clerks, under whose guidance we took two cabs for the East Kent station at London Bridge, and there railed to Blackheath, where we arrived in the afternoon.

On Thursday I went into London by one of the morning trains, and wandered about all day, — visiting the Exhibition of the Royal Academy, and Westminster Abbey and St. Paul's, the two latter of which I have already written about in former journals. On Friday, S —
 
— -, J —
 
— -, and I walked over the heath, and through the Park to Greenwich, and spent some hours in the Hospital. The painted hall struck me much more than at my first view of it; it is very beautiful indeed, and the effect of its frescoed ceiling most rich and magnificent, the assemblage of glowing hues producing a general result of splendor. . . .

In the evening I went with Mr. and Mrs. —
 
—
 
— to a conversazione at Mrs. Newton Crosland's, who lives on Blackheath. . . . I met with one person who interested me, — Mr. Bailey, the author of Festus; and I was surprised to find myself already acquainted with him. It is the same Mr. Bailey whom I met a few months ago, when I first dined at Mr. —
 
— -'s, — a dark, handsome, rather picturesque-looking man, with a gray beard, and dark hair, a little dimmed with gray. He is of quiet and very agreeable deportment, and I liked him and believed in him. . . . There is sadness glooming out of him, but no unkindness nor asperity. Mrs. Crosland's conversazione was enriched with a supper, and terminated with a dance, in which Mr. —
 
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— joined with heart and soul, but Mrs. —
 
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— went to sleep in her chair, and I would gladly have followed her example if I could have found a chair to sit upon. In the course of the evening I had some talk with a pale, nervous young lady, who has been a noted spiritual medium.

Yesterday I went into town by the steamboat from Greenwich to London Bridge, with a nephew of Mr. —
 
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— 's, and, calling at his place of business, he procured us an order from his wine-merchants, by means of which we were admitted into

THE WINE-VAULTS OF THE LONDON DOCKS.

We there found parties, with an acquaintance, who was going, with two French gentlemen, into the vaults. It is a good deal like going down into a mine, each visitor being provided with a lamp at the end of a stick; and following the guide along dismal passages, running beneath the streets, and extending away interminably, — roughly arched overhead with stone, from which depend festoons of a sort of black fungus, caused by the exhalations of the wine. Nothing was ever uglier than this fungus. It is strange that the most ethereal effervescence of rich wine can produce nothing better.

The first series of vaults which we entered were filled with port-wine, and occupied a space variously estimated at from eleven to sixteen acres, — which I suppose would hold more port-wine than ever was made. At any rate, the pipes and butts were so thickly piled that in some places we could hardly squeeze past them. We drank from two or three vintages; but I was not impressed with any especial excellence in the wine. We were not the only visitors, for, far in the depths of the vault, we passed a gentleman and two young ladies, wandering about like the ghosts of defunct wine-bibhers, in a Tophet specially prepared for then. People employed here sometimes go astray, and, their lamps being extinguished, they remain long in this everlasting gloom. We went likewise to the vaults of sherry-wine, which have the same characteristics as those just described, but are less extensive.

It is no guaranty for the excellence or even for the purity of the wine, that it is kept in these cellars, under the lock and key of the government; for the merchants are allowed to mix different vintages, according to their own pleasure, and to adulterate it as they like. Very little of the wine probably comes out as it goes in, or is exactly what it pretends to be. I went back to Mr. —
 
—
 
— 's office, and we drove together to make some calls jointly and separately. I went alone to Mrs. Heywood's; afterwards with Mr. —
 
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— to the American minister's, whom we found at home; and I requested of him, on the part of the Americans at Liverpool, to tell me the facts about the American gentleman being refused admittance to the Levee. The ambassador did not seem to me to make his point good for having withdrawn with the rejected guest.

July 9th. (Our wedding-day.) — We were invited yesterday evening to Mrs. S. C. Hall's, where Jenny Lind was to sing; so we left Blackheath at about eight o'clock in a brougham, and reached Ashley Place, as the dusk was gathering, after nine. The Halls reside in a handsome suite of apartments, arranged on the new system of flats, each story constituting a separate tenement, and the various families having an entrance-hall in common. The plan is borrowed from the Continent, and seems rather alien to the traditionary habits of the English; though, no doubt, a good degree of seclusion is compatible with it. Mr. Hall received us with the greatest cordiality before we entered the drawing-room. Mrs. Hall, too, greeted us with most kindly warmth. Jenny Lind had not yet arrived; but I found Dr. Mackay there, and I was introduced to Miss Catherine Sinclair, who is a literary lady, though none of her works happen to be known to me. Soon the servant announced Madam Goldschmidt, and this famous lady made her appearance, looking quite different from what I expected. Mrs. Hall established her in the inner drawing-room, where was a piano and a harp; and shortly after, our hostess came to me, and said that Madam Goldschmidt wished to be introduced to me. There was a gentle peremptoriness in the summons, that made it something like being commanded into the presence of a princess; a great favor, no doubt, but yet a little humbling to the recipient. However, I acquiesced with due gratitude, and was presented accordingly. She made room for me on the sofa, and I sat down, and began to talk.

Jenny Lind is rather tall, — quite tall, for a woman, — certainly no beauty, but with sense and self-reliance in her aspect and manners. She was suffering under a severe cold, and seemed worn down besides, so probably I saw her under disadvantages. Her conversation is quite simple, and I should have great faith in her sincerity; and there is about her the manner of a person who knows the world, and has conquered it. She said something or other about The Scarlet Letter; and, on my part, I paid her such compliments as a man could pay who had never heard her sing. . . . Her conversational voice is an agreeable one, rather deep, and not particularly smooth. She talked about America, and of our unwholesome modes of life, as to eating and exercise, and of the ill-health especially of our women; but I opposed this view as far as I could with any truth, insinuating my opinion that we are about as healthy as other people, and affirming for a certainty that we live longer. In good faith, so far as I have any knowledge of the matter, the women of England are as generally out of health as those of America; always something has gone wrong with them; and as for Jenny Lind, she looks wan and worn enough to be an American herself. This charge of ill-health is almost universally brought forward against us nowadays, — and, taking the whole country together, I do not believe the statistics will bear it out.