Authors: Patricia Bosworth
PHOTOGRAPHY CAREER
achievement award,
301
; association with Robert Frank and Louis Faurer,
114
,
124
,
141
; attitude toward earning money,
160
,
198
,
264
,
279
,
287
; camera worn at all times,
116
,
132
,
241
; cameras,
67
,
187
,
196
,
223
,
255
,
299
,
300-1
; collaboration with Allan Arbus in fashion photography,
see
Arbus studio; cross-country bus trip,
218-19
; darkroom development,
67
,
132
,
151
,
237
,
270
,
306
; dislike of fashion business,
86
,
111
,
119
; distinctive qualities of photographic work,
227-8
,
240
,
275
; early student photographs,
67
; exploring “forbidden” subject matter,
130-1
,
212
,
250
; gallery exhibits,
273
,
274
,
280
,
298
; Guggenheim projects,
213
,
218
,
236
,
258
; influence on photographers,
247
,
275
,
301
; interest in history of photography,
123-4
,
230
; interest in news photography,
238
,
299
,
308
; interest in painting,
100
,
133-4
; lack of self-confidence,
281-2
; lectures,
286
; London trip for
Nova
,
288-90
; magazine assignments,
160
,
208
,
252
,
287
,
298
; museum exhibits,
see
Museum of Modern Art; museum exhibits, public reaction to,
234-5
,
249
; relationship with photographic subjects,
223
,
224
,
227
,
250
; reputation with magazine art directors,
237
; reputation as “photographer of freaks,”
272
,
311
; teachers (Abbott, Brodovitch, Model),
67
,
122-3
,
129-34
; teaching and students,
237
,
291-2
,
301-5
,
307
,
311
,
313
,
319
; technical effects,
132
,
235
,
270
,
306
; technique imitated,
247
,
255
; unpublished portfolio of prints,
306
; as woman photographer,
208
,
298
Arbus, Doon: birth of,
59
,
61
,
62-3
; childhood of,
74
,
81
,
82
,
83
,
102-3
,
105
,
131
,
135
,
136
,
139
; Anthony Perkins and,
149-50
; photographs of,
103
,
116
; teen-age life of,
159
,
165
,
173
,
185
,
202
,
213
,
216
,
217
,
223
; work and independent life of,
178
n.
,
238
,
256
,
267-8
,
271
,
275
,
285
,
295
,
310
,
316
,
320
,
321
Arbus, Edith,
54
Arbus, Lureen,
33
Arbus, Rose Goldberg,
33
Arbus studio (partnership of Allan and Diane),
68
,
69-73
,
86
,
100
,
111-12
,
114-15
,
119
; continued after partnership ends,
121
,
136
,
152
,
158
; Diane as stylist,
108
,
120-1
; East 63rd Street studio,
135
; East 72nd Street studio,
107
; Greenwich Village studio,
157
,
158
Arnold, Eve,
208
Art Forum
,
311
Astaire, Fred,
190
Atkinson, Ti Grace,
295-8
Atlantic City,
230
Avedon, Richard,
20
,
69
,
115
,
122
,
188-93
; Doon Arbus and,
267-8
,
320
; books by,
228-9
; exhibits of work by,
300
; friendship of Diane Arbus and,
189
,
190
,
215
,
229
,
236
,
268
,
276
,
282
,
285-6
,
287
,
295
,
299
,
307
,
310
; at funeral,
321
; Hiro and,
188
,
198
,
299
; Marvin Israel and,
228
,
242
,
255
; Lisette Model and,
231
; at museum shows,
246
,
305
; owns Arbus portfolio,
306
n
.; photographs of Viva by,
262
,
263
; projects trip to Vietnam,
265
; seminars of,
253
; successful financially,
175
,
287
Baden, Dr. Michael,
320
bag ladies,
168
Bailey, F. Lee,
282
Baldwin, James,
228
Balzac, Honoré de,
123
Barr, Alfred,
32
Bassman, Lillian,
70
Beard, Peter,
312
Belit, Ben,
91
Bellamy, Richard,
99-100
,
141
,
144
,
223
Bellow, Saul,
88
Benton, Robert,
172
,
173
,
175
,
198-9
,
199-200
;
202
Berg, Nancy,
112
Berlin, Richard,
262
Bernikow, Louise,
43
Bernstein, Leonard,
246
Berryman, John,
137
Blake, William,
137
Blesh, Rudi,
127
Bloomgarden, Kermit,
139
Blumenfeld, Erwin,
68
bondage houses,
311-12
Bonwit Teller,
70
,
71
,
110
,
114
,
138
Borges, Jorge Luis,
197
,
275
,
287
Bourke-White, Margaret,
113
,
208
,
240
Brassai, Gyula Halasz,
122
,
130
n.
,
177
,
183
,
238
,
307
Brockman, Susan,
301-2
Broday, Shelley,
309
Brodovitch, Alexey,
115
,
122-3
,
126-7
,
128
,
169
Brown, James,
238-9
Brown, Spencer,
52
Browning, Tod,
162
Brownmiller, Susan,
239
Bruhn, Erik,
237
Bush, Marcie,
199
Cage, John,
161
Calisher, Hortense,
305
Callahan, Sean,
273
Calvin Klein advertisements,
267-8
,
304
cameras,
67
,
143
,
187
,
196
,
223
,
255
,
299
Camp Arden,
28
Canfield, Cass,
209
Capa, Robert,
128
n.
Capote, Truman,
173
,
191
,
225
,
228
n.
Carmichael, Stokely,
253
Carroll, Lewis,
219
Cartier-Bresson, Henri,
87
,
114
,
128
n.
,
142
,
229
,
238
,
240
Carton, Phyllis,
27
,
30-1
,
32
,
49-50
,
51
,
54
,
56
,
89
; adventures of Diane and,
130
,
149
; cards sent to,
218
,
246
Cather, Willa,
74
Céline,
169
Central Park,
287-8
; Diane Arbus’ childhood memories of,
10
,
12
,
15
,
17
,
23
,
46
,
278
; Diane’s children in,
62
,
102
,
135
; 1960s events in,
252
,
253
,
265
; photographs taken in,
15
,
40
,
72
,
113
,
114
,
132
,
249
,
273
Cerf, Bennett,
304
Chaplin, Charlie,
192
Cheever, John,
173
children, photographs of,
15
,
116
,
132
,
196
,
219
,
244-5
,
277
Children in Photography
,
147
Christ, Miss,
18
Christie, Julie,
285
Circle in the Square,
136
circus photographs,
165-6
Cleage, Albert,
305
Cleaver, Diane,
242
Cocksucker Blues
,
144
Colliers
,
160
Columbo, Joe,
198
Condé Nast,
71-2
,
101
,
114
,
136
,
252
,
303
Coney Island,
79
,
125
,
126
,
131
,
166
,
197
,
223
,
238
,
284
Congo the Jungle Creep,
167-8
,
239
Cooper, Anderson Hays,
252
Cooper Union,
291
Corcoran Gallery,
311
Cornell, Joseph,
249
Cosmos,
294
Costello, Mariclare,
245
,
276
,
281
,
284
,
321
Crookston, Peter,
255-8
,
264
,
288
,
307
; correspondence with,
265
,
269
,
277
,
281
,
294
,
299
,
300
,
309-10
Cummington School of the Arts,
40-1
,
43
Cunningham, Imogen,
127
Cunningham, Merce,
294
Dalton School,
58
D’Amico, Victor,
23
,
32
,
40
,
50
,
51
,
271
,
316-17
Dane, Bill,
304
Davidson, Bruce,
143
,
216
,
229-31
,
236
,
298-9
Davies, Bevan,
273-4
Davis, Bette,
102
Day, Doris,
102
Deal, N.J.,
27
DeCarava, Roy,
113
Decroux, Etienne,
121
de Kooning, Elaine,
145